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Find my painting Emanationen V, (2026, Oil, akrylic, oilstick on canvas, 60 x 50 cm) at the office showroom @galerietanjawagner

📸 @luca_caciagli_studio

I paint and paint, and now my studio is full. How do I make room again? When does a painting come to life?

📸 @luca_caciagli_studio

I paint and paint, and now my studio is full. How do I make room again? When does a painting come to life?

📸 @luca_caciagli_studio

I paint and paint, and now my studio is full. How do I make room again? When does a painting come to life?

📸 @luca_caciagli_studio

I paint and paint, and now my studio is full. How do I make room again? When does a painting come to life?

📸 @luca_caciagli_studio

„The hero‘s adventure“, 2025, Oil, Oilstick on canvas, 145 x 190cm
Is on view @reiter_galleries until April 18 as part of the groupshow „Vibrant Margins“.

„The hero‘s adventure“, 2025, Oil, Oilstick on canvas, 145 x 190cm
Is on view @reiter_galleries until April 18 as part of the groupshow „Vibrant Margins“.

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

MALWUT is an exhibition featuring nine very different female painters at the Brandenburgischer Kunstverein in Potsdam. Founded by Anna Steinert and Anna Leonhardt in late 2025, the collective creates visibility for female artists outside the traditional economic structures and hierarchies of the art world. In a system that still grants female painters less presence than male painters, the project carves out new shared space for action. The name MALWUT is both a declaration of combat and an ironic role-playing game. On the one hand, the biographies of female painters are less linear, and their work is still, on average, less well-compensated than that of their male colleagues. On the other hand, emotions and physically conveyed impulsiveness are also historical attributions with which male art criticism has explained (or devalued) female painting. At the same time, however, the term plays on subjective qualities that can be discerned in the presented paintings. The initiators emphasize the risk-taking nature of the paintings on display. The images do not hide traces of the working process. Surfaces are exposed, and the works are conceived as a deliberate “affront” to a smoothed-out digital world. Here, painting is also an act of fury against calculated product qualities and easily consumable images.

The show is on view @bkvpotsdam until April 26

The artists:
@anna.leonhardt @anna__steinert @kirsi__mikkola_artist @hedwig.eberle @maja_drachsel @whoishelenhu @wesisqueen @kux_k @monika_michalko

📸 @larswiedemannphotographer

Within the exhibition Ever in Flux, Anna Steinert’s painting opens a space of movement and transformation. Expansive gestures and layered chromatic fields generate a pictorial environment in which the gaze can drift, encountering shifting densities, traces and currents across the surface.

Rather than stabilising into a fixed composition, the painting unfolds as a dynamic process—an image in continuous becoming.

On view at Galerie Melbye-Konan from 26 February to 24 April 2026, in collaboration with Kunstverein Jesteburg and curated by its artistic director Isa Katharina Hänsel.

Anna Steinert
Gorgonenstrom, 2025
Oil, oilstick on canvas
200 × 270 cm

#annasteinert #everinflux #contemporarypainting #galeriemelbyekonan #hamburgart

Within the exhibition Ever in Flux, Anna Steinert’s painting opens a space of movement and transformation. Expansive gestures and layered chromatic fields generate a pictorial environment in which the gaze can drift, encountering shifting densities, traces and currents across the surface.

Rather than stabilising into a fixed composition, the painting unfolds as a dynamic process—an image in continuous becoming.

On view at Galerie Melbye-Konan from 26 February to 24 April 2026, in collaboration with Kunstverein Jesteburg and curated by its artistic director Isa Katharina Hänsel.

Anna Steinert
Gorgonenstrom, 2025
Oil, oilstick on canvas
200 × 270 cm

#annasteinert #everinflux #contemporarypainting #galeriemelbyekonan #hamburgart

Within the exhibition Ever in Flux, Anna Steinert’s painting opens a space of movement and transformation. Expansive gestures and layered chromatic fields generate a pictorial environment in which the gaze can drift, encountering shifting densities, traces and currents across the surface.

Rather than stabilising into a fixed composition, the painting unfolds as a dynamic process—an image in continuous becoming.

On view at Galerie Melbye-Konan from 26 February to 24 April 2026, in collaboration with Kunstverein Jesteburg and curated by its artistic director Isa Katharina Hänsel.

Anna Steinert
Gorgonenstrom, 2025
Oil, oilstick on canvas
200 × 270 cm

#annasteinert #everinflux #contemporarypainting #galeriemelbyekonan #hamburgart

Anna Steinert’s practice unfolds at the intersection of painting, process and performativity. Working with colour as a physical and transformative force, she understands painting as an open, non-linear process—one that embraces instability, rupture and renewal.

Her works resist fixed form, instead generating spaces in which perception and imagination remain in motion. Central to her practice is the use of masks, which extend the painterly into a performative dimension. Rather than functioning as static objects, they act as instruments of transformation—embodying shifting identities and opening transitional states between image, body and gesture.

In the current duo exhibition Ever in Flux, Steinert’s works engage with the idea of the subject as something in continuous formation—unstable, relational and always in transition.

On view

📆 Ever in Flux | 26 Feb 2026 – 24 Apr 2026
📍 Galerie Melbye-Konan, Hamburg

© Luca Caciagli

#annasteinert #contemporarypainting #installationart #everinflux #galeriemelbyekonan

Emanationen I + II, 2026, Öl, Akryl, Oilstick auf Leinwand, 110 x 130 cm
Currently on view @reiter_galleries as part of the groupshow „Vibrant Margins“

📸 @luca_caciagli_studio

Emanationen I + II, 2026, Öl, Akryl, Oilstick auf Leinwand, 110 x 130 cm
Currently on view @reiter_galleries as part of the groupshow „Vibrant Margins“

📸 @luca_caciagli_studio

Emanationen I + II, 2026, Öl, Akryl, Oilstick auf Leinwand, 110 x 130 cm
Currently on view @reiter_galleries as part of the groupshow „Vibrant Margins“

📸 @luca_caciagli_studio

Emanationen I + II, 2026, Öl, Akryl, Oilstick auf Leinwand, 110 x 130 cm
Currently on view @reiter_galleries as part of the groupshow „Vibrant Margins“

📸 @luca_caciagli_studio

Vibrant Margins is on view @reiter_galleries in Leipzig.
Happy to be part of this beautiful groupshow together with @whoishelenhu @michellejezierski
@katsuhiko.matsubara.studio @homar

📸 @dotgain.info

Vibrant Margins is on view @reiter_galleries in Leipzig.
Happy to be part of this beautiful groupshow together with @whoishelenhu @michellejezierski
@katsuhiko.matsubara.studio @homar

📸 @dotgain.info

Vibrant Margins is on view @reiter_galleries in Leipzig.
Happy to be part of this beautiful groupshow together with @whoishelenhu @michellejezierski
@katsuhiko.matsubara.studio @homar

📸 @dotgain.info

Vibrant Margins is on view @reiter_galleries in Leipzig.
Happy to be part of this beautiful groupshow together with @whoishelenhu @michellejezierski
@katsuhiko.matsubara.studio @homar

📸 @dotgain.info

Vibrant Margins is on view @reiter_galleries in Leipzig.
Happy to be part of this beautiful groupshow together with @whoishelenhu @michellejezierski
@katsuhiko.matsubara.studio @homar

📸 @dotgain.info

Vibrant Margins is on view @reiter_galleries in Leipzig.
Happy to be part of this beautiful groupshow together with @whoishelenhu @michellejezierski
@katsuhiko.matsubara.studio @homar

📸 @dotgain.info

Vibrant Margins is on view @reiter_galleries in Leipzig.
Happy to be part of this beautiful groupshow together with @whoishelenhu @michellejezierski
@katsuhiko.matsubara.studio @homar

📸 @dotgain.info

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Some impressions of the preview „Ever in Flux“ at @galerie_melbyekonan in Hamburg last Saturday. the show is on view from today until April 24.

In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

Der Auftakt zu Malwut am Weltfrauentag war ein Fest! Vielen Dank an alle für die guten Gespräche und das große Interesse an unserer Initiative Malwut.
Ich bin stolz, meine Malerei „Revolution der Verbundenheit“, 2026, Öl, Akryl, Oilstick auf LW, 200 x 170 cm in dieser Konstellation zeigen zu können.
Die Ausstellung ist heute und morgen (10. und 11.3.) noch von 10 -15h geöffnet. Linienstr 23 in Berlin.

MALWUT
@anna.leonhardt
@wesisqueen
@hedwig.eberle
@kux_k
@maja_drachsel
@whoishelenhu
@monika_michalko
@kirsi__mikkola_artist

Fotos: Lars Wiedemann

#malwut #berlin #9malerinnen #8märz #weltfrauentag

@anna__steinert @anna.leonhardt @doll_tatjana @maja_drachsel @hedwig.eberle @whoishelenhu @kux_k @monika_michalko @kirsi__mikkola_artist

Logo Credit @katjakoeberlin

Sei herzlich willkommen zum Auftakt von MALWUT
Am 8.3.26 in Berlin

Tatjana Doll
Maja Drachsel
Hedwig Eberle
Helen Hu
Lisa Kränzler
Anna Leonhardt
Monika Michalko
Kirsi Mikkola
Anna Steinert

Roger Bundschuh Gebäude
Linienstraße 23
10115 Berlin-Mitte
Eröffnung: 8. März 2026, 12-21 Uhr
Weitere Öffnungszeiten: Mo 9. 3.- Mi 11.3. 10-15h

#malwut #berlin #9malerinnen #8märz #weltfrauentag

@anna__steinert @anna.leonhardt @doll_tatjana @maja_drachsel @hedwig.eberle @whoishelenhu @kux_k @monika_michalko @kirsi__mikkola_artist

Logo Credit @katjakoeberlin

Sei herzlich willkommen zum Auftakt von MALWUT
Am 8.3.26 in Berlin

Tatjana Doll
Maja Drachsel
Hedwig Eberle
Helen Hu
Lisa Kränzler
Anna Leonhardt
Monika Michalko
Kirsi Mikkola
Anna Steinert

Roger Bundschuh Gebäude
Linienstraße 23
10115 Berlin-Mitte
Eröffnung: 8. März 2026, 12-21 Uhr
Weitere Öffnungszeiten: Mo 9. 3.- Mi 11.3. 10-15h

#malwut #berlin #9malerinnen #8märz #weltfrauentag

@anna__steinert @anna.leonhardt @doll_tatjana @maja_drachsel @hedwig.eberle @whoishelenhu @kux_k @monika_michalko @kirsi__mikkola_artist

Logo Credit @katjakoeberlin

Sei herzlich willkommen zum Auftakt von MALWUT
Am 8.3.26 in Berlin

Tatjana Doll
Maja Drachsel
Hedwig Eberle
Helen Hu
Lisa Kränzler
Anna Leonhardt
Monika Michalko
Kirsi Mikkola
Anna Steinert

Roger Bundschuh Gebäude
Linienstraße 23
10115 Berlin-Mitte
Eröffnung: 8. März 2026, 12-21 Uhr
Weitere Öffnungszeiten: Mo 9. 3.- Mi 11.3. 10-15h

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.

Happy to share some Installation shots of my works @galerie_melbyekonan
In collaboration with Kunstverein Jesteburg e.V., Galerie Melbye-Konan is pleased to present the duo exhibition Ever in Flux featuring works by Yannick Ackah and Anna Steinert, curated by Isa Katharina Hänsel.

At the core of the exhibition is the subject in transition—identity conceived as a process, a state of in-between, a constant movement. Ever in Flux brings together two artistic perspectives that, in distinct ways, explore fragmentation, transformation, and hybridity, challenging conventional notions of figure, origin, role, and self.

Through painting and collage, both artists create pictorial spaces where meanings shift, bodies transform, and identity emerges not as a fixed category but as an ongoing formation.