Instagram Story Viewer

This Saturday, May 23, Archival Textures joins another local book fair, this time organized by @framerframed in celebration of its 15th anniversary and book launch.

Everyone is welcome; admission is free; local residents, authors, designers, artists, collectives, activists, and independent publishers are invited to discover new books and connect with peers.

Programme
11:00 Doors Open
12:00 Presentations from collaborators throughout the day
14:00–15:00 Open Book: Breath & Breeze
17:00 Launch of the book ”Notes to Other Futures” & Party!

With contributions from, among others:
@themigrantkitchen @hetrodekeukentje @kioskrotterdam @kunstinstituutmelly
@subjectiveeditions @onomatopeenet @radna @tijdschriftkunstlicht @____page_not_found____
@rootstofruits.info @mirellevantulder
@a_table_of_a_tub @limestone_books_maas @sonicacts @yazan_khalili @humdrum_press @errantjournal @spookstad.boo @outline.platform
@setmargins @sandberginstitut @nowhere.netherlands @nai010_publishers @wesellreality @mennogrootveld

__
Graphic by Framer Framed / @anne.htzgs

It’s been one year since the Palestine Solidarity Zine #2 came out. In this year, the genocide in Gaza and all of Palestine only worsened and expanded; the US-brokered ceasefire in October 2025 was broken by default and merely created a false sense of calm, while Israel’s blockade of essential goods and movement, its ongoing killings and torture, and the annexation of land continue to this day. While global attention on Gaza has faded, the imperialist violence has spread to Lebanon and other countries in Southwest Asia.

Thank you to all the readers of the zine in many different geographies, with many intertwined anticolonial struggles. Your donations made it possible to support the following initiatives and organizations:

€500 went to the Fighting Erasure project by @archivesdigitalmedialab, digitizing Gaza’s genocide and the War on Lebanon with the mission to archive against genocide, document war crimes, for land liberation and the right of return and produce knowledge for decolonization.

€500 went to @archive_of_silence, a crowdsourced archive documenting silenced voices in Germany, in order to chronicle the alarming waves of erasure and violence directed at Palestinian advocacy in Germany.

€500 went to @hindrajabfoundation, an initiative that focuses on countering Israeli impunity through legal action, awareness campaigns and commemoration of all the people that we have lost.

Smaller donations went to the @palestinelibrary_ffm and the Freedom Theatre Jenin production @return_to_palestine

—
In the picture: the poetry contribution by Shira Wolfe @shirayaelwolfe and Gráinnemir Amir Aboualrob @grainnemir published in the zine, for which Gráinnemir beautifully handwrote excerpts of Mahmoud Darwish’s poem “We were missing a Present”.

The third edition is on the way; but if you are still interested in the second edition, do reach out to us.

It’s been one year since the Palestine Solidarity Zine #2 came out. In this year, the genocide in Gaza and all of Palestine only worsened and expanded; the US-brokered ceasefire in October 2025 was broken by default and merely created a false sense of calm, while Israel’s blockade of essential goods and movement, its ongoing killings and torture, and the annexation of land continue to this day. While global attention on Gaza has faded, the imperialist violence has spread to Lebanon and other countries in Southwest Asia.

Thank you to all the readers of the zine in many different geographies, with many intertwined anticolonial struggles. Your donations made it possible to support the following initiatives and organizations:

€500 went to the Fighting Erasure project by @archivesdigitalmedialab, digitizing Gaza’s genocide and the War on Lebanon with the mission to archive against genocide, document war crimes, for land liberation and the right of return and produce knowledge for decolonization.

€500 went to @archive_of_silence, a crowdsourced archive documenting silenced voices in Germany, in order to chronicle the alarming waves of erasure and violence directed at Palestinian advocacy in Germany.

€500 went to @hindrajabfoundation, an initiative that focuses on countering Israeli impunity through legal action, awareness campaigns and commemoration of all the people that we have lost.

Smaller donations went to the @palestinelibrary_ffm and the Freedom Theatre Jenin production @return_to_palestine

—
In the picture: the poetry contribution by Shira Wolfe @shirayaelwolfe and Gráinnemir Amir Aboualrob @grainnemir published in the zine, for which Gráinnemir beautifully handwrote excerpts of Mahmoud Darwish’s poem “We were missing a Present”.

The third edition is on the way; but if you are still interested in the second edition, do reach out to us.

It’s been one year since the Palestine Solidarity Zine #2 came out. In this year, the genocide in Gaza and all of Palestine only worsened and expanded; the US-brokered ceasefire in October 2025 was broken by default and merely created a false sense of calm, while Israel’s blockade of essential goods and movement, its ongoing killings and torture, and the annexation of land continue to this day. While global attention on Gaza has faded, the imperialist violence has spread to Lebanon and other countries in Southwest Asia.

Thank you to all the readers of the zine in many different geographies, with many intertwined anticolonial struggles. Your donations made it possible to support the following initiatives and organizations:

€500 went to the Fighting Erasure project by @archivesdigitalmedialab, digitizing Gaza’s genocide and the War on Lebanon with the mission to archive against genocide, document war crimes, for land liberation and the right of return and produce knowledge for decolonization.

€500 went to @archive_of_silence, a crowdsourced archive documenting silenced voices in Germany, in order to chronicle the alarming waves of erasure and violence directed at Palestinian advocacy in Germany.

€500 went to @hindrajabfoundation, an initiative that focuses on countering Israeli impunity through legal action, awareness campaigns and commemoration of all the people that we have lost.

Smaller donations went to the @palestinelibrary_ffm and the Freedom Theatre Jenin production @return_to_palestine

—
In the picture: the poetry contribution by Shira Wolfe @shirayaelwolfe and Gráinnemir Amir Aboualrob @grainnemir published in the zine, for which Gráinnemir beautifully handwrote excerpts of Mahmoud Darwish’s poem “We were missing a Present”.

The third edition is on the way; but if you are still interested in the second edition, do reach out to us.

It’s been one year since the Palestine Solidarity Zine #2 came out. In this year, the genocide in Gaza and all of Palestine only worsened and expanded; the US-brokered ceasefire in October 2025 was broken by default and merely created a false sense of calm, while Israel’s blockade of essential goods and movement, its ongoing killings and torture, and the annexation of land continue to this day. While global attention on Gaza has faded, the imperialist violence has spread to Lebanon and other countries in Southwest Asia.

Thank you to all the readers of the zine in many different geographies, with many intertwined anticolonial struggles. Your donations made it possible to support the following initiatives and organizations:

€500 went to the Fighting Erasure project by @archivesdigitalmedialab, digitizing Gaza’s genocide and the War on Lebanon with the mission to archive against genocide, document war crimes, for land liberation and the right of return and produce knowledge for decolonization.

€500 went to @archive_of_silence, a crowdsourced archive documenting silenced voices in Germany, in order to chronicle the alarming waves of erasure and violence directed at Palestinian advocacy in Germany.

€500 went to @hindrajabfoundation, an initiative that focuses on countering Israeli impunity through legal action, awareness campaigns and commemoration of all the people that we have lost.

Smaller donations went to the @palestinelibrary_ffm and the Freedom Theatre Jenin production @return_to_palestine

—
In the picture: the poetry contribution by Shira Wolfe @shirayaelwolfe and Gráinnemir Amir Aboualrob @grainnemir published in the zine, for which Gráinnemir beautifully handwrote excerpts of Mahmoud Darwish’s poem “We were missing a Present”.

The third edition is on the way; but if you are still interested in the second edition, do reach out to us.

This Sunday, come by to •••WORD book market••• in Rotterdam, organized by wonderful @and_so_on_books and @kioskrotterdam

Het Wilde Weten @hetwildeweten
Robert Fruinstraat 35, Rotterdam
Sunday May 10, 1-5 pm

With
@kioskrotterdam @and_so_on_books @multitoolpress @shortpiecesthatmove @humdrum_press @nevill_mitchell @hetrodekeukentje @bleed.print
@books__at @rootstofruits.info @archival_textures

——
Image: book fair poster by @and_so_on_books and @kioskrotterdam

Looking forward to join one of the panels at Re:wind - Expanding Documentation – an international symposium about alternative ways of documenting and (an)archiving dance by @stukleuven, Life Long Burning and Counterpoint KU Leuven.

Wednesday, April 28, 2026
14:00 - 16:00 Session A. Community-driven archiving (@stukleuven Studio)

“Community-driven archiving has proven to be a forceful strategy to add the yet-untold histories to the established history. This session with contributions from different cultural fields, focuses on understanding the ground work: how to give and/or take agency? How to organize a grassroots movement? How to bring individual contributions into a multi-layered, collective story? What are the impacts and complexities of producing counter-narratives and resistance? How is a community (re)created through the archival work? How to translate your key values in the concrete ways you organize yourself? How to bridge and collaborate in a meaningful and fruitful way with existing institutions?

We learn from three initiatives. Archival Textures (Tabea Nixdorff @readingerrata and anne krul @annek4415 ) is a publishing series in The Netherlands focused on queer and feminist community archives. First Waves is a collaborative open platform that shares the often-silenced stories of the struggles for dignity of the Maghrebi and Black diasporas in Belgium. The Temporary Slovenian Dance Archive is a bottom-up initiative that grew into a platform for documenting and historicizing contemporary dance and scenic arts in Slovenia, after first beginning to take shape in the apartment of Rok Vevar in Šiška, Ljubljana in 2012. He will be joined by Jasmina Založnik.” (https://www.stuk.be/en/program/rewind-expanding-documentation)

Our panel will be right after a conversation on archiving as an act of resistance, care, and reinvention with, among others, scholar Cait McKinney! Thank you to co-curator @maryszydlowska for the invitation.

—
Image:Posting (eds. Carolina Valente Pinto @carolinavvp, Tabea Nixdorff, Archival Textures, 2024)

Looking forward to join one of the panels at Re:wind - Expanding Documentation – an international symposium about alternative ways of documenting and (an)archiving dance by @stukleuven, Life Long Burning and Counterpoint KU Leuven.

Wednesday, April 28, 2026
14:00 - 16:00 Session A. Community-driven archiving (@stukleuven Studio)

“Community-driven archiving has proven to be a forceful strategy to add the yet-untold histories to the established history. This session with contributions from different cultural fields, focuses on understanding the ground work: how to give and/or take agency? How to organize a grassroots movement? How to bring individual contributions into a multi-layered, collective story? What are the impacts and complexities of producing counter-narratives and resistance? How is a community (re)created through the archival work? How to translate your key values in the concrete ways you organize yourself? How to bridge and collaborate in a meaningful and fruitful way with existing institutions?

We learn from three initiatives. Archival Textures (Tabea Nixdorff @readingerrata and anne krul @annek4415 ) is a publishing series in The Netherlands focused on queer and feminist community archives. First Waves is a collaborative open platform that shares the often-silenced stories of the struggles for dignity of the Maghrebi and Black diasporas in Belgium. The Temporary Slovenian Dance Archive is a bottom-up initiative that grew into a platform for documenting and historicizing contemporary dance and scenic arts in Slovenia, after first beginning to take shape in the apartment of Rok Vevar in Šiška, Ljubljana in 2012. He will be joined by Jasmina Založnik.” (https://www.stuk.be/en/program/rewind-expanding-documentation)

Our panel will be right after a conversation on archiving as an act of resistance, care, and reinvention with, among others, scholar Cait McKinney! Thank you to co-curator @maryszydlowska for the invitation.

—
Image:Posting (eds. Carolina Valente Pinto @carolinavvp, Tabea Nixdorff, Archival Textures, 2024)

🍉 This week’s bookshop addition is something we hold close: a zine shaped by solidarity, where words come together as both witness and resistance.

𝑨 𝑷𝒂𝒍𝒆𝒔𝒕𝒊𝒏𝒆 𝑺𝒐𝒍𝒊𝒅𝒂𝒓𝒊𝒕𝒚 𝒁𝒊𝒏𝒆 #𝟐
by Tamara Hartman & Tabea Nixdorff, published by @archival_textures, March 2025.

Proceeds will be donated to grassroots initiatives that use publishing, research and archiving as their tools towards liberation.

Seven written contributions form this second issue of A Palestine Solidarity Zine: from conversations on silence and censoring of Palestine solidarity in Germany to the question of impunity in relation to IDF-soldiers vacationing in India, to Palestinian poetry in dialogue.

🖋️ With contributions by: Mahmud Abu-Odeh @ moody__mudi, Gráinnemir Amir Abualrob @grainnemir, Anita Di Bianco @anitadi___, Philippa Driest @flipdriest, Moosje M. Goosen @moshin, Tamara Hartman @tamarahartman, Canan Marasligil @cananmarasligil, Tabea Nixdorff @readingerrata, Shira Wolfe @shirayaelwolfe.

Cover quote: an excerpt by Audre Lorde from her poem “Timing,” published in the The Black Unicorn (1978).

Come find it in our bookshop! ❣️

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday - Sunday, 13:00 - 18:00.

🍉 This week’s bookshop addition is something we hold close: a zine shaped by solidarity, where words come together as both witness and resistance.

𝑨 𝑷𝒂𝒍𝒆𝒔𝒕𝒊𝒏𝒆 𝑺𝒐𝒍𝒊𝒅𝒂𝒓𝒊𝒕𝒚 𝒁𝒊𝒏𝒆 #𝟐
by Tamara Hartman & Tabea Nixdorff, published by @archival_textures, March 2025.

Proceeds will be donated to grassroots initiatives that use publishing, research and archiving as their tools towards liberation.

Seven written contributions form this second issue of A Palestine Solidarity Zine: from conversations on silence and censoring of Palestine solidarity in Germany to the question of impunity in relation to IDF-soldiers vacationing in India, to Palestinian poetry in dialogue.

🖋️ With contributions by: Mahmud Abu-Odeh @ moody__mudi, Gráinnemir Amir Abualrob @grainnemir, Anita Di Bianco @anitadi___, Philippa Driest @flipdriest, Moosje M. Goosen @moshin, Tamara Hartman @tamarahartman, Canan Marasligil @cananmarasligil, Tabea Nixdorff @readingerrata, Shira Wolfe @shirayaelwolfe.

Cover quote: an excerpt by Audre Lorde from her poem “Timing,” published in the The Black Unicorn (1978).

Come find it in our bookshop! ❣️

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday - Sunday, 13:00 - 18:00.

🍉 This week’s bookshop addition is something we hold close: a zine shaped by solidarity, where words come together as both witness and resistance.

𝑨 𝑷𝒂𝒍𝒆𝒔𝒕𝒊𝒏𝒆 𝑺𝒐𝒍𝒊𝒅𝒂𝒓𝒊𝒕𝒚 𝒁𝒊𝒏𝒆 #𝟐
by Tamara Hartman & Tabea Nixdorff, published by @archival_textures, March 2025.

Proceeds will be donated to grassroots initiatives that use publishing, research and archiving as their tools towards liberation.

Seven written contributions form this second issue of A Palestine Solidarity Zine: from conversations on silence and censoring of Palestine solidarity in Germany to the question of impunity in relation to IDF-soldiers vacationing in India, to Palestinian poetry in dialogue.

🖋️ With contributions by: Mahmud Abu-Odeh @ moody__mudi, Gráinnemir Amir Abualrob @grainnemir, Anita Di Bianco @anitadi___, Philippa Driest @flipdriest, Moosje M. Goosen @moshin, Tamara Hartman @tamarahartman, Canan Marasligil @cananmarasligil, Tabea Nixdorff @readingerrata, Shira Wolfe @shirayaelwolfe.

Cover quote: an excerpt by Audre Lorde from her poem “Timing,” published in the The Black Unicorn (1978).

Come find it in our bookshop! ❣️

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday - Sunday, 13:00 - 18:00.

🍉 This week’s bookshop addition is something we hold close: a zine shaped by solidarity, where words come together as both witness and resistance.

𝑨 𝑷𝒂𝒍𝒆𝒔𝒕𝒊𝒏𝒆 𝑺𝒐𝒍𝒊𝒅𝒂𝒓𝒊𝒕𝒚 𝒁𝒊𝒏𝒆 #𝟐
by Tamara Hartman & Tabea Nixdorff, published by @archival_textures, March 2025.

Proceeds will be donated to grassroots initiatives that use publishing, research and archiving as their tools towards liberation.

Seven written contributions form this second issue of A Palestine Solidarity Zine: from conversations on silence and censoring of Palestine solidarity in Germany to the question of impunity in relation to IDF-soldiers vacationing in India, to Palestinian poetry in dialogue.

🖋️ With contributions by: Mahmud Abu-Odeh @ moody__mudi, Gráinnemir Amir Abualrob @grainnemir, Anita Di Bianco @anitadi___, Philippa Driest @flipdriest, Moosje M. Goosen @moshin, Tamara Hartman @tamarahartman, Canan Marasligil @cananmarasligil, Tabea Nixdorff @readingerrata, Shira Wolfe @shirayaelwolfe.

Cover quote: an excerpt by Audre Lorde from her poem “Timing,” published in the The Black Unicorn (1978).

Come find it in our bookshop! ❣️

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday - Sunday, 13:00 - 18:00.

🍉 This week’s bookshop addition is something we hold close: a zine shaped by solidarity, where words come together as both witness and resistance.

𝑨 𝑷𝒂𝒍𝒆𝒔𝒕𝒊𝒏𝒆 𝑺𝒐𝒍𝒊𝒅𝒂𝒓𝒊𝒕𝒚 𝒁𝒊𝒏𝒆 #𝟐
by Tamara Hartman & Tabea Nixdorff, published by @archival_textures, March 2025.

Proceeds will be donated to grassroots initiatives that use publishing, research and archiving as their tools towards liberation.

Seven written contributions form this second issue of A Palestine Solidarity Zine: from conversations on silence and censoring of Palestine solidarity in Germany to the question of impunity in relation to IDF-soldiers vacationing in India, to Palestinian poetry in dialogue.

🖋️ With contributions by: Mahmud Abu-Odeh @ moody__mudi, Gráinnemir Amir Abualrob @grainnemir, Anita Di Bianco @anitadi___, Philippa Driest @flipdriest, Moosje M. Goosen @moshin, Tamara Hartman @tamarahartman, Canan Marasligil @cananmarasligil, Tabea Nixdorff @readingerrata, Shira Wolfe @shirayaelwolfe.

Cover quote: an excerpt by Audre Lorde from her poem “Timing,” published in the The Black Unicorn (1978).

Come find it in our bookshop! ❣️

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday - Sunday, 13:00 - 18:00.

Partner Tuesday!⁠
Archival Textures (@archival_textures) is a publication series that reimagines archives through collaborative, poetic, and critical lenses. They joined the NADD network in September 2025. ⁠
⁠
Read more via link in bio! ⁠
⁠
📸⁠
1. by Arianna Cavalensi⁠
2. & 3 by Fabian Landewee⁠
4. by Archival Textures⁠
⁠
#Partner #publication #archives #poetic #NADD

Partner Tuesday!⁠
Archival Textures (@archival_textures) is a publication series that reimagines archives through collaborative, poetic, and critical lenses. They joined the NADD network in September 2025. ⁠
⁠
Read more via link in bio! ⁠
⁠
📸⁠
1. by Arianna Cavalensi⁠
2. & 3 by Fabian Landewee⁠
4. by Archival Textures⁠
⁠
#Partner #publication #archives #poetic #NADD

Partner Tuesday!⁠
Archival Textures (@archival_textures) is a publication series that reimagines archives through collaborative, poetic, and critical lenses. They joined the NADD network in September 2025. ⁠
⁠
Read more via link in bio! ⁠
⁠
📸⁠
1. by Arianna Cavalensi⁠
2. & 3 by Fabian Landewee⁠
4. by Archival Textures⁠
⁠
#Partner #publication #archives #poetic #NADD

Partner Tuesday!⁠
Archival Textures (@archival_textures) is a publication series that reimagines archives through collaborative, poetic, and critical lenses. They joined the NADD network in September 2025. ⁠
⁠
Read more via link in bio! ⁠
⁠
📸⁠
1. by Arianna Cavalensi⁠
2. & 3 by Fabian Landewee⁠
4. by Archival Textures⁠
⁠
#Partner #publication #archives #poetic #NADD

Come visit us at the Queer Zine & Print Fair organized by @ihlia_lgbtiheritage as part of the Queer History Month in the Netherlands.

Friday, March 13, 2026
12:00 – 18:00
At @lolalieven, Amsterdam

Queer print is alive and well! On Friday March 13th you can get your fill of zines, prints and all sorts of art and printed matter by queer creators from all over the country.

Want to make your own zine? Join a zine workshop with anne krul @annek4415 from 15:00 onwards!

Participants:
Meat Daughter @meat_daughter, Dyke March Amsterdam @dykemarch.amsterdam, Mo Futures @mo_futures, Vuilmasker @vuilmasker, Archival Textures @archival_textures, James Parnell @raezor_beam, Micah Marissa @alienfaerieofthesea, Meteoro Editions @meteoroeditions, Jahi Quasim @jahiquasim, The Pink Cube @the.pinkcube, Caitlyn Gil @trbldesigns

Meer informatie over de Queer Geschiedenismaand:
www.queergeschiedenismaand.nl

——
Artwork: @ihlia_lgbtiheritage

We currently have three editions available of the publication Archival Textures: "Tuning in: Darimana", "Amplifying" and "Posting". Take a closer look at them in our bookshop.

📖 The book “Tuning in: Darimana?” revolves around a collection of 70 tapes with voices of Indonesian-Chinese women–an audio archive which finds its origins 40 years ago in Jakarta, Indonesia. When revisiting these tapes made by Tineke E. Jansen between 1980 and 1995, the act of attentive listening to the oral accounts of women’s experiences is central: Audio-recording allows “herstories” to be played back.

🖇️ "Amplifying” brings together written manifestations that trace the beginnings of Black feminism in the Netherlands. Amplifying means giving credit to, mentioning, over and over, and supporting the circulation of sources and authors that are formative for our thinking and practices.

🏷️ "Posting" brings together a selection of feminist posters from Dutch archives to reflect on posting as an activist strategy, holding the potential to create counter-publics to mainstream culture and to fight against the erasure, exoticization, or tokenism of bodies and experiences that deviate from normative preconceptions.

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday – Sunday, 13:00–18:00.

#pagenotfound #denhaag #archivaltextures

We currently have three editions available of the publication Archival Textures: "Tuning in: Darimana", "Amplifying" and "Posting". Take a closer look at them in our bookshop.

📖 The book “Tuning in: Darimana?” revolves around a collection of 70 tapes with voices of Indonesian-Chinese women–an audio archive which finds its origins 40 years ago in Jakarta, Indonesia. When revisiting these tapes made by Tineke E. Jansen between 1980 and 1995, the act of attentive listening to the oral accounts of women’s experiences is central: Audio-recording allows “herstories” to be played back.

🖇️ "Amplifying” brings together written manifestations that trace the beginnings of Black feminism in the Netherlands. Amplifying means giving credit to, mentioning, over and over, and supporting the circulation of sources and authors that are formative for our thinking and practices.

🏷️ "Posting" brings together a selection of feminist posters from Dutch archives to reflect on posting as an activist strategy, holding the potential to create counter-publics to mainstream culture and to fight against the erasure, exoticization, or tokenism of bodies and experiences that deviate from normative preconceptions.

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday – Sunday, 13:00–18:00.

#pagenotfound #denhaag #archivaltextures

We currently have three editions available of the publication Archival Textures: "Tuning in: Darimana", "Amplifying" and "Posting". Take a closer look at them in our bookshop.

📖 The book “Tuning in: Darimana?” revolves around a collection of 70 tapes with voices of Indonesian-Chinese women–an audio archive which finds its origins 40 years ago in Jakarta, Indonesia. When revisiting these tapes made by Tineke E. Jansen between 1980 and 1995, the act of attentive listening to the oral accounts of women’s experiences is central: Audio-recording allows “herstories” to be played back.

🖇️ "Amplifying” brings together written manifestations that trace the beginnings of Black feminism in the Netherlands. Amplifying means giving credit to, mentioning, over and over, and supporting the circulation of sources and authors that are formative for our thinking and practices.

🏷️ "Posting" brings together a selection of feminist posters from Dutch archives to reflect on posting as an activist strategy, holding the potential to create counter-publics to mainstream culture and to fight against the erasure, exoticization, or tokenism of bodies and experiences that deviate from normative preconceptions.

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday – Sunday, 13:00–18:00.

#pagenotfound #denhaag #archivaltextures

We currently have three editions available of the publication Archival Textures: "Tuning in: Darimana", "Amplifying" and "Posting". Take a closer look at them in our bookshop.

📖 The book “Tuning in: Darimana?” revolves around a collection of 70 tapes with voices of Indonesian-Chinese women–an audio archive which finds its origins 40 years ago in Jakarta, Indonesia. When revisiting these tapes made by Tineke E. Jansen between 1980 and 1995, the act of attentive listening to the oral accounts of women’s experiences is central: Audio-recording allows “herstories” to be played back.

🖇️ "Amplifying” brings together written manifestations that trace the beginnings of Black feminism in the Netherlands. Amplifying means giving credit to, mentioning, over and over, and supporting the circulation of sources and authors that are formative for our thinking and practices.

🏷️ "Posting" brings together a selection of feminist posters from Dutch archives to reflect on posting as an activist strategy, holding the potential to create counter-publics to mainstream culture and to fight against the erasure, exoticization, or tokenism of bodies and experiences that deviate from normative preconceptions.

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday – Sunday, 13:00–18:00.

#pagenotfound #denhaag #archivaltextures

We currently have three editions available of the publication Archival Textures: "Tuning in: Darimana", "Amplifying" and "Posting". Take a closer look at them in our bookshop.

📖 The book “Tuning in: Darimana?” revolves around a collection of 70 tapes with voices of Indonesian-Chinese women–an audio archive which finds its origins 40 years ago in Jakarta, Indonesia. When revisiting these tapes made by Tineke E. Jansen between 1980 and 1995, the act of attentive listening to the oral accounts of women’s experiences is central: Audio-recording allows “herstories” to be played back.

🖇️ "Amplifying” brings together written manifestations that trace the beginnings of Black feminism in the Netherlands. Amplifying means giving credit to, mentioning, over and over, and supporting the circulation of sources and authors that are formative for our thinking and practices.

🏷️ "Posting" brings together a selection of feminist posters from Dutch archives to reflect on posting as an activist strategy, holding the potential to create counter-publics to mainstream culture and to fight against the erasure, exoticization, or tokenism of bodies and experiences that deviate from normative preconceptions.

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday – Sunday, 13:00–18:00.

#pagenotfound #denhaag #archivaltextures

We currently have three editions available of the publication Archival Textures: "Tuning in: Darimana", "Amplifying" and "Posting". Take a closer look at them in our bookshop.

📖 The book “Tuning in: Darimana?” revolves around a collection of 70 tapes with voices of Indonesian-Chinese women–an audio archive which finds its origins 40 years ago in Jakarta, Indonesia. When revisiting these tapes made by Tineke E. Jansen between 1980 and 1995, the act of attentive listening to the oral accounts of women’s experiences is central: Audio-recording allows “herstories” to be played back.

🖇️ "Amplifying” brings together written manifestations that trace the beginnings of Black feminism in the Netherlands. Amplifying means giving credit to, mentioning, over and over, and supporting the circulation of sources and authors that are formative for our thinking and practices.

🏷️ "Posting" brings together a selection of feminist posters from Dutch archives to reflect on posting as an activist strategy, holding the potential to create counter-publics to mainstream culture and to fight against the erasure, exoticization, or tokenism of bodies and experiences that deviate from normative preconceptions.

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday – Sunday, 13:00–18:00.

#pagenotfound #denhaag #archivaltextures

We currently have three editions available of the publication Archival Textures: "Tuning in: Darimana", "Amplifying" and "Posting". Take a closer look at them in our bookshop.

📖 The book “Tuning in: Darimana?” revolves around a collection of 70 tapes with voices of Indonesian-Chinese women–an audio archive which finds its origins 40 years ago in Jakarta, Indonesia. When revisiting these tapes made by Tineke E. Jansen between 1980 and 1995, the act of attentive listening to the oral accounts of women’s experiences is central: Audio-recording allows “herstories” to be played back.

🖇️ "Amplifying” brings together written manifestations that trace the beginnings of Black feminism in the Netherlands. Amplifying means giving credit to, mentioning, over and over, and supporting the circulation of sources and authors that are formative for our thinking and practices.

🏷️ "Posting" brings together a selection of feminist posters from Dutch archives to reflect on posting as an activist strategy, holding the potential to create counter-publics to mainstream culture and to fight against the erasure, exoticization, or tokenism of bodies and experiences that deviate from normative preconceptions.

Page Not Found is a Centre for Artistic Publishing in The Hague. We are open Wednesday – Sunday, 13:00–18:00.

#pagenotfound #denhaag #archivaltextures

On Saturday, September 13, from 3 PM until 6 PM, Archival Textures will be present at the free book market of the international literature festival Read My World @readmyworld in the Garden of @tolhuistuin, Amsterdam. Come meet us! We will also bring our last copies of A Palestine Solidarity Zine #2 and a special offer: if you buy 2 or more books of the publication series, you get a 10% discount.

Check out the festival program at: https://readmyworld.nl/programma/dag/zaterdag/

On Saturday, September 13, from 3 PM until 6 PM, Archival Textures will be present at the free book market of the international literature festival Read My World @readmyworld in the Garden of @tolhuistuin, Amsterdam. Come meet us! We will also bring our last copies of A Palestine Solidarity Zine #2 and a special offer: if you buy 2 or more books of the publication series, you get a 10% discount.

Check out the festival program at: https://readmyworld.nl/programma/dag/zaterdag/

On Saturday, September 13, from 3 PM until 6 PM, Archival Textures will be present at the free book market of the international literature festival Read My World @readmyworld in the Garden of @tolhuistuin, Amsterdam. Come meet us! We will also bring our last copies of A Palestine Solidarity Zine #2 and a special offer: if you buy 2 or more books of the publication series, you get a 10% discount.

Check out the festival program at: https://readmyworld.nl/programma/dag/zaterdag/

[ENG] To make ‘ANAGRAMMA TICS’, and alongside dreaming to show with Unica Zürn, anne krul has worked with Tabea Nixdorff, a pre-existing collaboration which has seen the pair produce a new audio work while also translating krul’s anagram poems into spatial installations and sculptures, building on their overlapping interests in poetry and found language as well as the restrictions inherent to writing.

As an artist, typographer and researcher, Nixdorff founded the publication series ‘Archival Textures’ in Arnhem in 2023. The series is dedicated to knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the ‘archive,’ as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorised and recorded into a single intellectual framework.

Featured here is a selection of pages from two recent publications, ‘Amplifying’ and ‘(Re)claiming’, which include materials from anne krul’s archive on queer of colour and Black feminist organising, now in the care of Atria, Institute for emancipation and women’s history, Amsterdam. It was through these very archives that anne and Tabea first found each other.

All books from the Archival Textures series are available for viewing at the exhibition reading bar and can also be purchased at the front desk 📓

[ENG] To make ‘ANAGRAMMA TICS’, and alongside dreaming to show with Unica Zürn, anne krul has worked with Tabea Nixdorff, a pre-existing collaboration which has seen the pair produce a new audio work while also translating krul’s anagram poems into spatial installations and sculptures, building on their overlapping interests in poetry and found language as well as the restrictions inherent to writing.

As an artist, typographer and researcher, Nixdorff founded the publication series ‘Archival Textures’ in Arnhem in 2023. The series is dedicated to knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the ‘archive,’ as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorised and recorded into a single intellectual framework.

Featured here is a selection of pages from two recent publications, ‘Amplifying’ and ‘(Re)claiming’, which include materials from anne krul’s archive on queer of colour and Black feminist organising, now in the care of Atria, Institute for emancipation and women’s history, Amsterdam. It was through these very archives that anne and Tabea first found each other.

All books from the Archival Textures series are available for viewing at the exhibition reading bar and can also be purchased at the front desk 📓

[ENG] To make ‘ANAGRAMMA TICS’, and alongside dreaming to show with Unica Zürn, anne krul has worked with Tabea Nixdorff, a pre-existing collaboration which has seen the pair produce a new audio work while also translating krul’s anagram poems into spatial installations and sculptures, building on their overlapping interests in poetry and found language as well as the restrictions inherent to writing.

As an artist, typographer and researcher, Nixdorff founded the publication series ‘Archival Textures’ in Arnhem in 2023. The series is dedicated to knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the ‘archive,’ as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorised and recorded into a single intellectual framework.

Featured here is a selection of pages from two recent publications, ‘Amplifying’ and ‘(Re)claiming’, which include materials from anne krul’s archive on queer of colour and Black feminist organising, now in the care of Atria, Institute for emancipation and women’s history, Amsterdam. It was through these very archives that anne and Tabea first found each other.

All books from the Archival Textures series are available for viewing at the exhibition reading bar and can also be purchased at the front desk 📓

[ENG] To make ‘ANAGRAMMA TICS’, and alongside dreaming to show with Unica Zürn, anne krul has worked with Tabea Nixdorff, a pre-existing collaboration which has seen the pair produce a new audio work while also translating krul’s anagram poems into spatial installations and sculptures, building on their overlapping interests in poetry and found language as well as the restrictions inherent to writing.

As an artist, typographer and researcher, Nixdorff founded the publication series ‘Archival Textures’ in Arnhem in 2023. The series is dedicated to knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the ‘archive,’ as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorised and recorded into a single intellectual framework.

Featured here is a selection of pages from two recent publications, ‘Amplifying’ and ‘(Re)claiming’, which include materials from anne krul’s archive on queer of colour and Black feminist organising, now in the care of Atria, Institute for emancipation and women’s history, Amsterdam. It was through these very archives that anne and Tabea first found each other.

All books from the Archival Textures series are available for viewing at the exhibition reading bar and can also be purchased at the front desk 📓

[ENG] To make ‘ANAGRAMMA TICS’, and alongside dreaming to show with Unica Zürn, anne krul has worked with Tabea Nixdorff, a pre-existing collaboration which has seen the pair produce a new audio work while also translating krul’s anagram poems into spatial installations and sculptures, building on their overlapping interests in poetry and found language as well as the restrictions inherent to writing.

As an artist, typographer and researcher, Nixdorff founded the publication series ‘Archival Textures’ in Arnhem in 2023. The series is dedicated to knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the ‘archive,’ as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorised and recorded into a single intellectual framework.

Featured here is a selection of pages from two recent publications, ‘Amplifying’ and ‘(Re)claiming’, which include materials from anne krul’s archive on queer of colour and Black feminist organising, now in the care of Atria, Institute for emancipation and women’s history, Amsterdam. It was through these very archives that anne and Tabea first found each other.

All books from the Archival Textures series are available for viewing at the exhibition reading bar and can also be purchased at the front desk 📓

We are excited to have a table at the inaugural Biblioteka Art Book Fair at @the_warburg_institute in London, taking place today, Friday June 20 and tomorrow. There will be almost 50 publishers and artists, and it’s free to attend and part of Art & the Book – a season at the Warburg Institute (running until 2 August) celebrating artists who make, publish, and collect books.

Also on our table will be copies of
A Palestine Solidarity Zine #2
because silence = death


FAIR OPENING HOURS:
Friday June 20, 2–7pm
Saturday June 21, 11am–6pm

Curated by @biblioteka_kyiv & @theeverydaypressbunkerbasement

First image:
1: Fair poster by @maksym_yudenko, textured with an archival poster by ACT UP Amsterdam

We are excited to have a table at the inaugural Biblioteka Art Book Fair at @the_warburg_institute in London, taking place today, Friday June 20 and tomorrow. There will be almost 50 publishers and artists, and it’s free to attend and part of Art & the Book – a season at the Warburg Institute (running until 2 August) celebrating artists who make, publish, and collect books.

Also on our table will be copies of
A Palestine Solidarity Zine #2
because silence = death


FAIR OPENING HOURS:
Friday June 20, 2–7pm
Saturday June 21, 11am–6pm

Curated by @biblioteka_kyiv & @theeverydaypressbunkerbasement

First image:
1: Fair poster by @maksym_yudenko, textured with an archival poster by ACT UP Amsterdam

We are excited to have a table at the inaugural Biblioteka Art Book Fair at @the_warburg_institute in London, taking place today, Friday June 20 and tomorrow. There will be almost 50 publishers and artists, and it’s free to attend and part of Art & the Book – a season at the Warburg Institute (running until 2 August) celebrating artists who make, publish, and collect books.

Also on our table will be copies of
A Palestine Solidarity Zine #2
because silence = death


FAIR OPENING HOURS:
Friday June 20, 2–7pm
Saturday June 21, 11am–6pm

Curated by @biblioteka_kyiv & @theeverydaypressbunkerbasement

First image:
1: Fair poster by @maksym_yudenko, textured with an archival poster by ACT UP Amsterdam

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff

Join us on Wednesday June 4th for a presentation of Archival Textures with series editor Tabea Nixdorff!

Wednesday June 4th
17:30 – 19:00
@ekkmtallinn

The publication series Archival Textures seeks knowledges that are continuously obscured by normative perspectives on our bodies, desires, forms of cohabitation and expression. This entails critically tending to the site of the “archive,” as many institutional collections reinforce these normative perspectives and understand knowledge as something which can be classified, authorized, and recorded into a single intellectual framework. With Archival Textures, we draw from unlikely holdings of established archives and turn to local community archives, personal collections, and conversations to find writings of the past that can inform our current vocabularies of resistance and solidarity. By way of (re)assembling, translating, transcribing, annotating, and supplementing archival texts, the publications weave a poetic texture of knowledges, situating them within a transnational and intergenerational fabric of belonging. Each book is edited with a subversive strategy in mind, and is a testament to affective, collaborative practices and modes of research, building on queer, Black feminist thought.

Image credits:
Posting / Eds. Carolina Valente Pinto, Tabea Nixdorff
Amplifying / Eds. Setareh Noorani, Tabea Nixdorff
Republishing: Umoja Zwarte Vrouwenkrant / Eds. Tamara Hartman, Ans Sarianamual, Mirelle van Tulder, Tabea Nixdorff