Instagram Story Viewer
View Instagram Stories Anonymously
basic_knife_safety
no
~ 🔥 @bcaa_system collective ~
~ 🔍@proto.gallery.systems ~
~ writing thinking thingies @ff_cuni ~
~ @artcasopis editor
~ alive and kicking 🏹 🚓 ~
Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled 𝙏𝙝𝙞𝙣𝙜𝙨 𝘿𝙞𝙨𝙢𝙖𝙡, 𝙏𝙝𝙞𝙣𝙜𝙨 𝙒𝙤𝙧𝙨𝙚, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.
𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋
Opening:
This Thursday, 16. 4. from 18.00
Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán
Photo credits:
Harry Sanderson
Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled 𝙏𝙝𝙞𝙣𝙜𝙨 𝘿𝙞𝙨𝙢𝙖𝙡, 𝙏𝙝𝙞𝙣𝙜𝙨 𝙒𝙤𝙧𝙨𝙚, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.
𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋
Opening:
This Thursday, 16. 4. from 18.00
Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán
Photo credits:
Harry Sanderson
Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled 𝙏𝙝𝙞𝙣𝙜𝙨 𝘿𝙞𝙨𝙢𝙖𝙡, 𝙏𝙝𝙞𝙣𝙜𝙨 𝙒𝙤𝙧𝙨𝙚, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.
𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋
Opening:
This Thursday, 16. 4. from 18.00
Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán
Photo credits:
Harry Sanderson
Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled 𝙏𝙝𝙞𝙣𝙜𝙨 𝘿𝙞𝙨𝙢𝙖𝙡, 𝙏𝙝𝙞𝙣𝙜𝙨 𝙒𝙤𝙧𝙨𝙚, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.
𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋
Opening:
This Thursday, 16. 4. from 18.00
Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán
Photo credits:
Harry Sanderson
Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled 𝙏𝙝𝙞𝙣𝙜𝙨 𝘿𝙞𝙨𝙢𝙖𝙡, 𝙏𝙝𝙞𝙣𝙜𝙨 𝙒𝙤𝙧𝙨𝙚, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.
𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋
Opening:
This Thursday, 16. 4. from 18.00
Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán
Photo credits:
Harry Sanderson
🥲Things Dismal, Things Worse🥲
▶︎ Opening 16.4.2026 od 18.00
17.4.2026 — 7.6.2026
Vystavující:
Most Dismal Swamp @most_dismal_swamp
Kurátoři:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran
Grafika:
Olbram Pavlíček @w_lfr_m234u
CZ
Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.
EN
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.
Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.
Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.
Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲
Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤
🌑👁️🧩
Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si
🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems
#navigatingunrealitymode #sumjournal
Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.
Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.
Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲
Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤
🌑👁️🧩
Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si
🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems
#navigatingunrealitymode #sumjournal
Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.
Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.
Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲
Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤
🌑👁️🧩
Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si
🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems
#navigatingunrealitymode #sumjournal
Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.
Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.
Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲
Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤
🌑👁️🧩
Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si
🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems
#navigatingunrealitymode #sumjournal
Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.
Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.
Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲
Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤
🌑👁️🧩
Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si
🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems
#navigatingunrealitymode #sumjournal
Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.
Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.
Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲
Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤
🌑👁️🧩
Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si
🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems
#navigatingunrealitymode #sumjournal
Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.
Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.
Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲
Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤
🌑👁️🧩
Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si
🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems
#navigatingunrealitymode #sumjournal
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Details from @matyasmalac’s exhibition The Romantics Were Prompted.
Curated by Noemi Purkrábková, on view through 26 July 2025.
@matyas.malac @basic_knife_safety
Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm
Photos by @jankolsky
#polanskygallery #matyasmalac
Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025
Gallery hours: wed-sat 2-7pm
@matyasmalac @basic_knife_safety
-
Installation views by @jankolsky
#polanskygallery #matyasmalac
Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025
Gallery hours: wed-sat 2-7pm
@matyasmalac @basic_knife_safety
-
Installation views by @jankolsky
#polanskygallery #matyasmalac
Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025
Gallery hours: wed-sat 2-7pm
@matyasmalac @basic_knife_safety
-
Installation views by @jankolsky
#polanskygallery #matyasmalac
Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025
Gallery hours: wed-sat 2-7pm
@matyasmalac @basic_knife_safety
-
Installation views by @jankolsky
#polanskygallery #matyasmalac
Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025
Gallery hours: wed-sat 2-7pm
@matyasmalac @basic_knife_safety
-
Installation views by @jankolsky
#polanskygallery #matyasmalac
Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025
Gallery hours: wed-sat 2-7pm
@matyasmalac @basic_knife_safety
-
Installation views by @jankolsky
#polanskygallery #matyasmalac
Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025
Gallery hours: wed-sat 2-7pm
@matyasmalac @basic_knife_safety
-
Installation views by @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
On view through 26 July 2025
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyas.malac @basic_knife_safety
*see the last slides for curatorial text by Noemi Purkrábková
-
Installation views by Jan Kolský @jankolsky
#polanskygallery #matyasmalac
bottom’s just another floor: Tomi Faison ♾️
Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.
Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.
(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Tomi Faison ♾️
Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.
Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.
(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Tomi Faison ♾️
Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.
Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.
(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Tomi Faison ♾️
Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.
Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.
(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
Opening on Thursday 12.6., 6-9 pm
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyasmalac @basic_knife_safety
The solo exhibition of Prague-based painter Matyáš Maláč presents a new series of paintings that continues his exploration of our chaotic experience of both natural and digitally accelerated reality—one that now reveals a surprising clarity. The intermingling of forms thus becomes, more than ever before, a transmutation in which provisional cultural codes—truth and illusion, authenticity and sincerity—are reconfigured.
-
Image: It is a dirty job, but someone’s got to do it (detail), 2025, oil on canvas, 35 x 30 cm
#polanskygallery #matyasmalac
Opening on Thursday 12.6., 6-9 pm
Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková
@matyasmalac @basic_knife_safety
The solo exhibition of Prague-based painter Matyáš Maláč presents a new series of paintings that continues his exploration of our chaotic experience of both natural and digitally accelerated reality—one that now reveals a surprising clarity. The intermingling of forms thus becomes, more than ever before, a transmutation in which provisional cultural codes—truth and illusion, authenticity and sincerity—are reconfigured.
-
Image: It is a dirty job, but someone’s got to do it (detail), 2025, oil on canvas, 35 x 30 cm
#polanskygallery #matyasmalac
bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety
bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety
bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety
bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety
bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety
bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety
bottom’s just another floor: Anne de Vries ♾️
Série děl od Anne de Vries ve výstavě bottom’s just another floor využívá absurdních mutací maskulinních ideálů a s nimi spjatých forem disciplinace. De Vries ve své tvorbě tematizuje rozklad smluvených hodnot a významů, které se svorně roztékají v postdigitálním bahenním souboji o nadvládu nad dominantním narativem.
(1) Anne de Vries, Public Display, 2022; Anne de Vries, Safe Space - Tickle Play, 2022
(2) Anne de Vries, Safe Space - Tickle Play (detail), 2022
(3 — 4) Anne de Vries, Tomorrow’s Dream, Today’s Haunt, 2025
(5) Anne de Vries, Public Display, 2022
(6) Anne de Vries, Safe Space - Choco Relief (detail), 2022
Courtesy of the artist and Blue Velvet, Zurich.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Anne de Vries ♾️
Série děl od Anne de Vries ve výstavě bottom’s just another floor využívá absurdních mutací maskulinních ideálů a s nimi spjatých forem disciplinace. De Vries ve své tvorbě tematizuje rozklad smluvených hodnot a významů, které se svorně roztékají v postdigitálním bahenním souboji o nadvládu nad dominantním narativem.
(1) Anne de Vries, Public Display, 2022; Anne de Vries, Safe Space - Tickle Play, 2022
(2) Anne de Vries, Safe Space - Tickle Play (detail), 2022
(3 — 4) Anne de Vries, Tomorrow’s Dream, Today’s Haunt, 2025
(5) Anne de Vries, Public Display, 2022
(6) Anne de Vries, Safe Space - Choco Relief (detail), 2022
Courtesy of the artist and Blue Velvet, Zurich.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Anne de Vries ♾️
Série děl od Anne de Vries ve výstavě bottom’s just another floor využívá absurdních mutací maskulinních ideálů a s nimi spjatých forem disciplinace. De Vries ve své tvorbě tematizuje rozklad smluvených hodnot a významů, které se svorně roztékají v postdigitálním bahenním souboji o nadvládu nad dominantním narativem.
(1) Anne de Vries, Public Display, 2022; Anne de Vries, Safe Space - Tickle Play, 2022
(2) Anne de Vries, Safe Space - Tickle Play (detail), 2022
(3 — 4) Anne de Vries, Tomorrow’s Dream, Today’s Haunt, 2025
(5) Anne de Vries, Public Display, 2022
(6) Anne de Vries, Safe Space - Choco Relief (detail), 2022
Courtesy of the artist and Blue Velvet, Zurich.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Anne de Vries ♾️
Série děl od Anne de Vries ve výstavě bottom’s just another floor využívá absurdních mutací maskulinních ideálů a s nimi spjatých forem disciplinace. De Vries ve své tvorbě tematizuje rozklad smluvených hodnot a významů, které se svorně roztékají v postdigitálním bahenním souboji o nadvládu nad dominantním narativem.
(1) Anne de Vries, Public Display, 2022; Anne de Vries, Safe Space - Tickle Play, 2022
(2) Anne de Vries, Safe Space - Tickle Play (detail), 2022
(3 — 4) Anne de Vries, Tomorrow’s Dream, Today’s Haunt, 2025
(5) Anne de Vries, Public Display, 2022
(6) Anne de Vries, Safe Space - Choco Relief (detail), 2022
Courtesy of the artist and Blue Velvet, Zurich.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Anne de Vries ♾️
Série děl od Anne de Vries ve výstavě bottom’s just another floor využívá absurdních mutací maskulinních ideálů a s nimi spjatých forem disciplinace. De Vries ve své tvorbě tematizuje rozklad smluvených hodnot a významů, které se svorně roztékají v postdigitálním bahenním souboji o nadvládu nad dominantním narativem.
(1) Anne de Vries, Public Display, 2022; Anne de Vries, Safe Space - Tickle Play, 2022
(2) Anne de Vries, Safe Space - Tickle Play (detail), 2022
(3 — 4) Anne de Vries, Tomorrow’s Dream, Today’s Haunt, 2025
(5) Anne de Vries, Public Display, 2022
(6) Anne de Vries, Safe Space - Choco Relief (detail), 2022
Courtesy of the artist and Blue Velvet, Zurich.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Anne de Vries ♾️
Série děl od Anne de Vries ve výstavě bottom’s just another floor využívá absurdních mutací maskulinních ideálů a s nimi spjatých forem disciplinace. De Vries ve své tvorbě tematizuje rozklad smluvených hodnot a významů, které se svorně roztékají v postdigitálním bahenním souboji o nadvládu nad dominantním narativem.
(1) Anne de Vries, Public Display, 2022; Anne de Vries, Safe Space - Tickle Play, 2022
(2) Anne de Vries, Safe Space - Tickle Play (detail), 2022
(3 — 4) Anne de Vries, Tomorrow’s Dream, Today’s Haunt, 2025
(5) Anne de Vries, Public Display, 2022
(6) Anne de Vries, Safe Space - Choco Relief (detail), 2022
Courtesy of the artist and Blue Velvet, Zurich.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
bottom’s just another floor: Anne de Vries ♾️
Série děl od Anne de Vries ve výstavě bottom’s just another floor využívá absurdních mutací maskulinních ideálů a s nimi spjatých forem disciplinace. De Vries ve své tvorbě tematizuje rozklad smluvených hodnot a významů, které se svorně roztékají v postdigitálním bahenním souboji o nadvládu nad dominantním narativem.
(1) Anne de Vries, Public Display, 2022; Anne de Vries, Safe Space - Tickle Play, 2022
(2) Anne de Vries, Safe Space - Tickle Play (detail), 2022
(3 — 4) Anne de Vries, Tomorrow’s Dream, Today’s Haunt, 2025
(5) Anne de Vries, Public Display, 2022
(6) Anne de Vries, Safe Space - Choco Relief (detail), 2022
Courtesy of the artist and Blue Velvet, Zurich.
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
Zveme vás ke vstupu do smyčky, kde každý krok hrozí vést zpět na začátek a kde i naprosté dno může být jen dalším patrem. Výstava bottom’s just another floor skrze díla kolektivu Total Refusal, Anne de Vries, Jakuba Chomy a Tomi Faison zkoumá pocit uváznutí ve spletitých sítích postdigitální reality.
Výstavu v Galerii MeetFactory zahájíme ve středu 30. dubna během jarní edice Veřejného domu. ♾️
•
bottom’s just another floor
1. 5. – 27. 7. 2025
vernisáž: 30. 4. 18:00
vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.