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car crash/possession victim in rehearsal for La Ruta by Gabriela Carrizo & @peepingtomdance

my last heart transplant for #ndtdance
La Ruta by Gabriela Carrizo
Filmed by Harmen Straatman

Le garçon de la côte d'Albâtre

Photography : @camilleleprince_
Sculpture : @fortdecafe_
Model : @bostog

Le garçon de la côte d'Albâtre

Photography : @camilleleprince_
Sculpture : @fortdecafe_
Model : @bostog

Le garçon de la côte d'Albâtre

Photography : @camilleleprince_
Sculpture : @fortdecafe_
Model : @bostog

Le garçon de la côte d'Albâtre

Photography : @camilleleprince_
Sculpture : @fortdecafe_
Model : @bostog

Le garçon de la côte d'Albâtre

Photography : @camilleleprince_
Sculpture : @fortdecafe_
Model : @bostog

Long time no see Denmark 🇩🇰 we’re back in town with CHRONIQUES
📍 @kbh_danser

Performing on:
🌀21.05
🌀22.05
🌀23.05

🎥 Chroniques © Peeping Tom (shot by @leoadef)
with @mcbalder @charlieskuy @bostog @simon.bus @itixir
in this clip: @bostog
🔊 by @raphaellelatini
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#peepingtomdance #peepingtom #dancetheatre #contemporarydance #movement

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

first fittings from my costume design for @tessvoelker piece “get home safe” for the mozart programme at @ballettdortmund

a group of 18th century time-warp punks raid the palace wardrobe before sneaking out to the spiritual rave (mozart super-fans on a bad trip)

Smokey space, sultry vibes, red velvet. A private basement party somewhere in the 80s that never quite ended.

Lingua Erotica took the stage for the first time this September. Dancers moved through and with the crowd; lost into the whole, fully devoted, and never once breaking the spell that was laid on them by ‘Stars in Your Eyes’.

We are happy that a feeling got enough growth to become something special. Thank you Boston, Keren, Elisabeth, Paxton, Nick and Mori ❤️

Music performance by @linguaerotica
Choreography by @bostog
Danced by @keren.leiman @elisabeth.mulenga @bostog @paxtini

Beautiful video by @dammeskieft
Additional footage by @anais_saebu

dance is perfume

my journey with piston squats
The Grey by Imre and Marne van Opstal at NDT back in 2017

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

Fujifilm quick snaps of my choreography for Lingua Erotica and Draaimolen Festival 2025. Who are these people?

“…as if the body itself had become a canvas and a battlefield. Then comes the alienation: after the telluric and cosmic delirium”
Chroniques by Peeping Tom, touring for the foreseeable in: Köln, Cesana, Louvain-la-Neuve, Sevilla, Paris, Udine, Luxembourg, Copenhagen, Barcelona, Leuven, Zaventem, Madrid.

This Christmas I opened a card from a friend to find this:
I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful‚
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
- Sylvia Plath “Mirror” - photographer @hervebossy

DGTL 2026
Director Aaron van Valen @aaronvanvalen
Producer Samina Lindblad @saminalindblad
Client @dgtlfestival
Brand Manager Tessa Ponjeé @tessaponjee

DOP Zeeger Verschuren @zeegerverschuren
1st AC Joey Janssen @7oey7anssen
1st AD Damien Hope @damienhope
Gaffer Willem van der Eerden
Best Boy Aaron Tschanz @therealaarontschanz
Electricians Joop Deden, Ravi Breukers, Kasper Vellinga
Art Director Donja de Graaf
Art Assistant Lieke Huisintveld
Wardrobe Stylist Imre van Schooneveld @imrevanschooneveld
Hair & Make-up Floor Fennis @floor.fennis
Catering Nanja Theus nanjascatering
Productie assistent Mijs Valkering @mijs.valkering
Camera rental Cinesupply @cinesupply.nl

Edit Amber Hooijmans @amberhooijmans
Grading Roman Strijbos @hetkleurlokaal
Music & Sounddesign: Sauvage Sound Studios @sauvagesoundstudios , Quincy Vlijtig @quincyvlijtig , Beau Zwart
SFX editor: Benjamin Braasem

Casting Director John Doornik Casting @johndoornikcasting
Lead Boston Gallacher @bostog