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Today with great pleasure we unveil the second single from @divorce.from.new.york ‘s forthcoming Jazzthetics EP.

‘Broken Heart’ launches with a choppy break and elevational keys, as the spiritual sound of @carlalunatica ‘s vocals lifts the track skywards. Elusive UK underground hero @k15music turns in a stripped back remix, bringing a new spectral, yet soulful beauty to the original.

Out Now digitally.
Full EP dropping 29th May (12” Vinyl & Digital)

Today with great pleasure we unveil the second single from @divorce.from.new.york ‘s forthcoming Jazzthetics EP.

‘Broken Heart’ launches with a choppy break and elevational keys, as the spiritual sound of @carlalunatica ‘s vocals lifts the track skywards. Elusive UK underground hero @k15music turns in a stripped back remix, bringing a new spectral, yet soulful beauty to the original.

Out Now digitally.
Full EP dropping 29th May (12” Vinyl & Digital)

Today with great pleasure we unveil the second single from @divorce.from.new.york ‘s forthcoming Jazzthetics EP.

‘Broken Heart’ launches with a choppy break and elevational keys, as the spiritual sound of @carlalunatica ‘s vocals lifts the track skywards. Elusive UK underground hero @k15music turns in a stripped back remix, bringing a new spectral, yet soulful beauty to the original.

Out Now digitally.
Full EP dropping 29th May (12” Vinyl & Digital)

It was an honour to be the subject of @laurenlaverne @bbc6music ‘6 of the Best’ the other week and thank you to all who requested tracks from across our 40 years!

Sneaker Pimps, The Sugarcubes @modernw0man, @officialskunkanansie @alabama3official, @bjork

@brainmarrow_

Trace Monument “Hollow Land”. Out today in local record stores and on Bandcamp. Thanks to everyone who preordered a cassette.

To the friends who have asked: Bandcamp and a limited physical release both respect the nature of this long-form album – they encourage what streaming overlooks. Thanks for treading upon the Hollow Land.

Trace Monument “Hollow Land”. Out today in local record stores and on Bandcamp. Thanks to everyone who preordered a cassette.

To the friends who have asked: Bandcamp and a limited physical release both respect the nature of this long-form album – they encourage what streaming overlooks. Thanks for treading upon the Hollow Land.

Hollow Land is here 🌀🙏🏼

Congratulations to Trace Monument ( @danielelmsmusic and @dunwich_child ) for such a meticulously realised and heavyweight work. Listen to this monolith today at your favoured spot (apart from you know where).

Listen at home, or on headphones in some fresh air, then come back and tell us how it made you feel

We’re excited to be working on some live dates for the lads at the moment, details coming up in the next week or two.

Special thanks to our collaborators @niall_greaves and @plotkinworks

Available only in good record shops on tape worldwide via @state51

Tears running like Usain Bold
Fallin in love this is beautiful - what did I do before?
More E.T. than PC
My only inspiration is to see a free me!”

New Single “Fallin’” OUT NOW!!!

Produced by @dhan.y.a
Co-Produced by @timse_
Guitar by @cowboyklobe
Mixed by @ragatheson
Mastered by @zinomikoreymastering

Recorded a little live version from my brudda @ayzon__ living room. Filmed and edited by @julienazamosa

Pre-Order “Pink Guitars, Space Ships N Voodoo Dolls”

Tonight, tune into @jamiecullum on @bbcradio2 to hear a world premiere of @gregsurmacz & @daudi ‘s beautiful collaboration ‘Want Out’ 📻✈️

It’s lifted from Greg’s forthcoming EP ‘Voices Through The Wall’ , which drops on May 22nd 👀

Trace Monument at Matamp HQ.

Trace Monument at Matamp HQ.

Trace Monument at Matamp HQ.

Trace Monument at Matamp HQ.

Brazilian composer and multi-instrumentalist @allseedsneto blends percussive guitar, warm vocals, and traditional rhythms with jazz, samba, and forró on his debut album Amú, released via Melbourne’s @music.in.exile . Now based in Narrm/Melbourne, the record draws on memories of his Brazilian childhood and the influence of masters like Airto Moreira and Egberto Gismonti, unfolding as a breezy, heartfelt set of soulful compositions brought to life by a jazz ensemble.

It’s been a pleasure to handle press and radio promotions for this beautiful record. Huge thanks to @hueymorgan @virginradiouk @nikkiyeoh @tonyminvielle @jazzfmuk @djgillaldn @bandcamp @worldwide.fm @brownswood @papa0ul@timoteeg @rinse.fm @sam_bhok @soundsandcolours @somewhere_soul @theyelllowbutton @spindlemagazine @fusicology @kevbeadle63 @fipradio and more for the support 🌞

Brazilian composer and multi-instrumentalist @allseedsneto blends percussive guitar, warm vocals, and traditional rhythms with jazz, samba, and forró on his debut album Amú, released via Melbourne’s @music.in.exile . Now based in Narrm/Melbourne, the record draws on memories of his Brazilian childhood and the influence of masters like Airto Moreira and Egberto Gismonti, unfolding as a breezy, heartfelt set of soulful compositions brought to life by a jazz ensemble.

It’s been a pleasure to handle press and radio promotions for this beautiful record. Huge thanks to @hueymorgan @virginradiouk @nikkiyeoh @tonyminvielle @jazzfmuk @djgillaldn @bandcamp @worldwide.fm @brownswood @papa0ul@timoteeg @rinse.fm @sam_bhok @soundsandcolours @somewhere_soul @theyelllowbutton @spindlemagazine @fusicology @kevbeadle63 @fipradio and more for the support 🌞

Italian interdisciplinary artist @france.fabris recently returns with DISPLACES on @bedroom_community , an immersive album built from a decade of field recordings, electronics, and Icelandic langspil. Exploring themes of displacement, belonging, and environmental fragility, the record transforms natural and urban sounds into a meditative, evolving sonic map that navigates the delicate balance between intimacy, vastness, and ecological instability.

Huge thanks to @hhvrecords @acloserlisten @pietrobot @headphonecommute @sonofmarketing @secret.ambient.club @kiosk.radio @ggtop_cherrystones @margarita.louca @nts_radio @wprb for the support 🧊

Italian interdisciplinary artist @france.fabris recently returns with DISPLACES on @bedroom_community , an immersive album built from a decade of field recordings, electronics, and Icelandic langspil. Exploring themes of displacement, belonging, and environmental fragility, the record transforms natural and urban sounds into a meditative, evolving sonic map that navigates the delicate balance between intimacy, vastness, and ecological instability.

Huge thanks to @hhvrecords @acloserlisten @pietrobot @headphonecommute @sonofmarketing @secret.ambient.club @kiosk.radio @ggtop_cherrystones @margarita.louca @nts_radio @wprb for the support 🧊

PEACE!
Excited to announce my new single „ELOHIM“ with the incredible @jamilawoods OUT NOW!!!

Produced by @dhan.y.a with additional guitar by @timse_ Mixed by brother @ragatheson and masteredby the great @zinomikoreymastering
Visualizer by @0815.jpg

Go and listen to it everywhere and spread the word!
This is independent hustle!
This is @counter_kultur !!!

It’s part of my upcoming album „Pink Guitars, Space Ships N Voodoo Dolls“ which is now available for pre-order! Also vinyl of course! [Link in Bio]

Welcome aboard my people!
Let’s get free!
🛸🖤🏴‍☠️

Introducing Trace Monument. A collaboration with lifelong friend and musician Adam Blyth of Blind Monarch. It is a phantom place in which to tread. Clean electric guitars and amplified synthesis. This is our first record: “Hollow Land”. Coming April 24th, 2026. Link in bio.

Introducing Trace Monument. A collaboration with lifelong friend and musician Adam Blyth of Blind Monarch. It is a phantom place in which to tread. Clean electric guitars and amplified synthesis. This is our first record: “Hollow Land”. Coming April 24th, 2026. Link in bio.

Introducing Trace Monument. A collaboration with lifelong friend and musician Adam Blyth of Blind Monarch. It is a phantom place in which to tread. Clean electric guitars and amplified synthesis. This is our first record: “Hollow Land”. Coming April 24th, 2026. Link in bio.

Introducing Trace Monument. A collaboration with lifelong friend and musician Adam Blyth of Blind Monarch. It is a phantom place in which to tread. Clean electric guitars and amplified synthesis. This is our first record: “Hollow Land”. Coming April 24th, 2026. Link in bio.

Introducing Trace Monument. A collaboration with lifelong friend and musician Adam Blyth of Blind Monarch. It is a phantom place in which to tread. Clean electric guitars and amplified synthesis. This is our first record: “Hollow Land”. Coming April 24th, 2026. Link in bio.

We’re thrilled to be working with the inimitable @shabakahutchings on his new album ‘OF THE EARTH’. 

Last week, Shabaka unveiled ‘A Future Untold’ / ‘Marwa The Mountain’, heralding the announcement of his forthcoming self written, produced, performed and mixed album due for release in March via his newly-minted imprint Shabaka Records. The new long player is a deeply personal offering, which establishes Shabaka as a new form of instrumentalist / producer and shows the musical range that connects his dynamic work from groups Sons of Kemet and The Comet Is Coming to the intricate textural sound world of his recent solo works (‘Perceive its Beauty, Acknowledge Its Grace’+ ‘Afrikan Culture’) This album marks Shabaka’s first recording made after a year and a half not playing the saxophone and a reckoning as to what his time on flutes primarily has shown him to be the future for his relationship with the instrument.  

An exciting and authentic new offering from a true maestro, it sets pulses racing for the winding rabbit hole of sound that awaits listeners on the forthcoming album.

The reaction has been beautiful, thank you to :
@benjib @bbcradio1 @maryannehobbs_ @djdebgrant @bbc6music @zzzakia @chinamoses @nikkiyeoh @jazzfmuk @johnkennedydj @radiox @chchchen @nts_radio @mrredley @timoteeg@rinse.fm & many more for the support 🙌

📸 @atibaphoto

We’re thrilled to be working with the inimitable @shabakahutchings on his new album ‘OF THE EARTH’. 

Last week, Shabaka unveiled ‘A Future Untold’ / ‘Marwa The Mountain’, heralding the announcement of his forthcoming self written, produced, performed and mixed album due for release in March via his newly-minted imprint Shabaka Records. The new long player is a deeply personal offering, which establishes Shabaka as a new form of instrumentalist / producer and shows the musical range that connects his dynamic work from groups Sons of Kemet and The Comet Is Coming to the intricate textural sound world of his recent solo works (‘Perceive its Beauty, Acknowledge Its Grace’+ ‘Afrikan Culture’) This album marks Shabaka’s first recording made after a year and a half not playing the saxophone and a reckoning as to what his time on flutes primarily has shown him to be the future for his relationship with the instrument.  

An exciting and authentic new offering from a true maestro, it sets pulses racing for the winding rabbit hole of sound that awaits listeners on the forthcoming album.

The reaction has been beautiful, thank you to :
@benjib @bbcradio1 @maryannehobbs_ @djdebgrant @bbc6music @zzzakia @chinamoses @nikkiyeoh @jazzfmuk @johnkennedydj @radiox @chchchen @nts_radio @mrredley @timoteeg@rinse.fm & many more for the support 🙌

📸 @atibaphoto

We’re thrilled to be working with the inimitable @shabakahutchings on his new album ‘OF THE EARTH’. 

Last week, Shabaka unveiled ‘A Future Untold’ / ‘Marwa The Mountain’, heralding the announcement of his forthcoming self written, produced, performed and mixed album due for release in March via his newly-minted imprint Shabaka Records. The new long player is a deeply personal offering, which establishes Shabaka as a new form of instrumentalist / producer and shows the musical range that connects his dynamic work from groups Sons of Kemet and The Comet Is Coming to the intricate textural sound world of his recent solo works (‘Perceive its Beauty, Acknowledge Its Grace’+ ‘Afrikan Culture’) This album marks Shabaka’s first recording made after a year and a half not playing the saxophone and a reckoning as to what his time on flutes primarily has shown him to be the future for his relationship with the instrument.  

An exciting and authentic new offering from a true maestro, it sets pulses racing for the winding rabbit hole of sound that awaits listeners on the forthcoming album.

The reaction has been beautiful, thank you to :
@benjib @bbcradio1 @maryannehobbs_ @djdebgrant @bbc6music @zzzakia @chinamoses @nikkiyeoh @jazzfmuk @johnkennedydj @radiox @chchchen @nts_radio @mrredley @timoteeg@rinse.fm & many more for the support 🙌

📸 @atibaphoto

We’re thrilled to be working with the inimitable @shabakahutchings on his new album ‘OF THE EARTH’. 

Last week, Shabaka unveiled ‘A Future Untold’ / ‘Marwa The Mountain’, heralding the announcement of his forthcoming self written, produced, performed and mixed album due for release in March via his newly-minted imprint Shabaka Records. The new long player is a deeply personal offering, which establishes Shabaka as a new form of instrumentalist / producer and shows the musical range that connects his dynamic work from groups Sons of Kemet and The Comet Is Coming to the intricate textural sound world of his recent solo works (‘Perceive its Beauty, Acknowledge Its Grace’+ ‘Afrikan Culture’) This album marks Shabaka’s first recording made after a year and a half not playing the saxophone and a reckoning as to what his time on flutes primarily has shown him to be the future for his relationship with the instrument.  

An exciting and authentic new offering from a true maestro, it sets pulses racing for the winding rabbit hole of sound that awaits listeners on the forthcoming album.

The reaction has been beautiful, thank you to :
@benjib @bbcradio1 @maryannehobbs_ @djdebgrant @bbc6music @zzzakia @chinamoses @nikkiyeoh @jazzfmuk @johnkennedydj @radiox @chchchen @nts_radio @mrredley @timoteeg@rinse.fm & many more for the support 🙌

📸 @atibaphoto