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edwardt1997
Edward Tang
Edward Tang
◍ Cinematographer ◍
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
Some Of My Favorite Visuals.
MV: Regina Song - Love Me Again
Production Company:
TheBsite.co x ARJA Films
@thebsite.co
@arjafilms
EP:
Jay Lee JH
Producer(s)
Lai Jia Lin
Raja Adam
Director: Gareth Christopher
DP: Edward Tang
Prod. Assistant: Chea Ai Lin
CA: Yi Xiang, Zhen Yu
Gaffer: Scott Tan
Grip: Zhen Yu, Raphael
Art Director: Juliana Reza
Wardrobe Assist & Makeup: Natalia Rose
BTS: Shawn Guek, Khai
Graphics: Khai
Offline editor: Brandon Goo
Online editor: Edward Tang
Colourist: Edward Tang
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Swipe left for snippets from the film.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗮𝗱𝗶𝗱𝗮𝘀 𝗦𝘂𝗽𝗲𝗿𝘀𝘁𝗮𝗿 | 𝗦𝗚𝟲𝟬
Another project we got to be part of in 2025.
Most adidas Superstar campaigns feature musicians, skaters, or athletes, but for SG60, the idea was simple: what if the Superstar was just everyday Singaporeans?
From hawker kakis and delivery riders to toy collectors (feat. Labubu), urban sketchers, business owners, and young families, this one was about the people you see every day around the island.
Shot over 4 days across multiple locations. Small crew, minimal setup, run-and-gun all the way.
Client: @adidassg
Agency: @limitededt_sg
Prod House: @thebsite.co
Creative Producer / EP: @shawnguek
PM / EP: @jourin.sg @brandongoo
Director / DOP: @scott_tes
Assistant Director / DOP: @edwardt1997
CA: @ngyxng
Offline: @scott_tes
Online: @erykafontanilla
Shot on #sonysingapore #sonya7siii
#singapore #thebsiteco
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗚𝗥𝗜𝗟𝗟𝗙𝗘𝗦𝗧 𝟮𝟬𝟮𝟱
GrillFest 2026 is around the corner (23 July - 16 Aug), so here’s a little flashback to our fourth year working on a Sentosa GrillFest campaign!
Huge thanks for the continued trust over the past 4 years. Getting to work on a yearly campaign year after year really means a lot to us, and it’s been a big part of helping us grow and improve our craft :)
Hopefully year 5 incoming 😂
Big thanks as well to the entire crew who made this one happen.
Client: @sentosa_island
Agency: @govtvccp
Prod House: @thebsite.co
EP: @jourin.sg @brandongoo
Producer: @seriyanti_
Director: @scott_tes
Asistant Producer: @janellia.kwan
Assistant Director: @chokoboyou123
DOP / Cam A: @edwardt1997
Cam B: @gareth_christopher
Cam C: @hueezyu
Location Sound: @ongrenwei
Grips: @n0tj0k3r , Nicholas Ng
PA driver: @liqotinee
PAs: Rachel Wong, Elsa, Amanda
HMUA: @thisisdoneby, @eri.kindofbeauty
Video Editor: @scott_tes
GFX: @highkhai
In frame: @zermattneo @bitesizedshann
🎥 Shot on the ever-reliable Sony system: FX6, FX3, and A7SIII
#thebsiteco #sonyalphasg #sonyfx6 #sonyfx3
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film
Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.
Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.
Also, finally welcoming back OG director @brandongoo, one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.
Big ups to the whole team — especially @seriyanti_ and @hansmoove for holding it all together.
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film
Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.
Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.
Also, finally welcoming back OG director @brandongoo, one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.
Big ups to the whole team — especially @seriyanti_ and @hansmoove for holding it all together.
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film
Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.
Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.
Also, finally welcoming back OG director @brandongoo, one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.
Big ups to the whole team — especially @seriyanti_ and @hansmoove for holding it all together.
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film
Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.
Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.
Also, finally welcoming back OG director @brandongoo, one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.
Big ups to the whole team — especially @seriyanti_ and @hansmoove for holding it all together.
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film
Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.
Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.
Also, finally welcoming back OG director @brandongoo, one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.
Big ups to the whole team — especially @seriyanti_ and @hansmoove for holding it all together.
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film
Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.
Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.
Also, finally welcoming back OG director @brandongoo, one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.
Big ups to the whole team — especially @seriyanti_ and @hansmoove for holding it all together.
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝟮𝟬𝟮𝟱 𝗯𝘆 𝘁𝗵𝗲 𝗕𝗲𝗮𝗰𝗵
16:9 Version | Re-graded | Snippets from the film
Closed off 2024 with this one. While mid-chaos from A Big Big World’s delays and a tight double-booked schedule. Two productions running at once nearly broke us… but we made it.
Only had about 2 hours per location to shoot due to limited venue hours, so we were really sprinting through Sentosa — appreciate every crew member and talent who kept up and powered through the stretch. Y’all are legends.
Also, finally welcoming back OG director @brandongoo, one of our earliest founding partners (since 2019!). Brought back the signature swipe, sky-to-sky, palm-palm transitions — the same visual language we first explored in our early content days, before 9:16 became the industry standard.
Big ups to the whole team — especially @seriyanti_ and @hansmoove for holding it all together.
Client: @sentosa_island
Agency: @thegovtsg
Production House: @thebsite.co
Executive Producer: @jourin.sg
Producer: @seriyanti_
Director: @brandongoo
Director of Photography: @edwardt1997
2nd Unit Camera Operator: @scott_tes
Camera Assistant: @hueezyu
Gaffer: @_guo_wei_
Grip: @iamj4_
Location Sound: @ongrenwei
PA Driver: @wincysprider
Extras Casting Manager: @hansmoove
Video Editor: @edwardt1997
Re-Graded: @jourin.sg
VFX: @thatsnowsky
🎥: @sonysingapore FX6 & A7SIII
#thebsiteco #campaigns #singapore #sgprodhouse #productionhouse
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗦𝗘𝗡𝗧𝗢𝗦𝗔 | 𝗔 𝗕𝗜𝗚 𝗕𝗜𝗚 𝗪𝗢𝗥𝗟𝗗
DC | Re-graded | Snippets from the film
Probably one of the most nerve-wracking production we’ve taken on. Though at the start, we thought it’d be smooth sailing, but this one tested every bit of our grit.
Initial recces were thrown out the window when key setups weren’t ready. Our tech recce happened just one day before the shoot, only for the shoot to be postponed less than 24 hours later — costing us crew and momentum. Even with the delay, we went in blind, facing one unexpected hurdle after another.
We had roughly 50 shots to cover within a tight window — from hair & makeup, wardrobe, shifting between locations, to dodging foot traffic since we couldn’t cordon off any areas. Add to that the challenge of capturing things in chronological order with showtimes and installations ending by 10pm daily… it was chaos.
Still, the team pulled through. Grateful to everyone who stayed sharp and gave it their all.
Client: @sentosa_island
Agency: @thegovtsg
Prod House: @thebsite.co
EP: @jourin.sg
Director: @jourin.sg
Producer: @seriyanti_
Assistant Director: @chokoboyou123
DOP: @edwardt1997
Cam B / CA: @scott_tes
Cam C / CA: @hueezyu
Gaffer: @n0tj0k3r
Grips: @hereisrq bernard
PA Driver: Joshe
PAs: @janellia.kwan @chlozerinos Fitriah
HMUA / Wardrobe: @thisisdoneby @gerri.make @makeup.chyi Soo Harn
Editor: @eryka.fontanilla
Re-graded: @jourin.sg
Graphics: @highkhai @avenue__01 for helping out with tweaking the ending motion graphics and exporting it!
Talent Agency: @facestm
Talents: ALEX Y, ELLI N & VELDA E T
🎥: @sonysingapore FX6, FX3, A7SIII
#thebsiteco #productionhouse #sonyalpha #singapore #sonyalphasg
𝗔𝗦𝗔𝗛𝗜 | 𝗚𝗔𝗦𝗧𝗥𝗢𝗕𝗘𝗔𝗧𝗦 𝟮𝟬𝟮𝟰
Part 4 of 4
Final video of the day~ After a hearty meal, we dove into the next shoot. It was one hell of a fun ride!
Arching around our talent repeatedly without a track made matching the cuts quite the challenge. We gave it our all, and the final result turned out pretty solid! (Though we couldn’t help but wonder—what if we had the budget and time for tracks? 👀)
All in all, a memorable finish to an insane project!
Client: @asahisg
Agency: @theministry.agency
Production House: @thebsite.co
Producer / Director: @jourin.sg
Director / DOP: @scott_tes
Gaffer: @edwardt1997
Grip: @gareth_christopher
Editor: @edwardt1997
#thebsiteco #socialcontent #creativehouse #productionhouse #videoprod #sg #singapore #sonysingapore #sonyalpha #a7siii
𝗔𝗦𝗔𝗛𝗜 | 𝗚𝗔𝗦𝗧𝗥𝗢𝗕𝗘𝗔𝗧𝗦 𝟮𝟬𝟮𝟰
Part 3 of 4
Final day of the shoot, with 2 videos to clear—one in the day and another at night. We were low-key panicking! Heavy drizzles greeted us on arrival, but luckily, the skies cleared just in time for our talents to shine.
With less than 4 hours to shoot this piece, we had to wait on food vendors to prep dishes and Asahi beers (big thanks to the MNS team for hustling the vendors and managing logistics!).
A small crew, tight transitions, and a race against the clock meant every moment counts. Post-production was just as intense, but the team powered through and delivered. Safe to say—we aced it!
Client: @asahisg
Agency: @theministry.agency
Production House: @thebsite.co
Producer / Director: @jourin.sg
Director / DOP: @scott_tes
Cam B: @gareth_christopher
Editor: @edwardt1997
#thebsiteco #socialcontent #creativehouse #productionhouse #videoprod #sg #singapore #sonysingapore #sonyalpha #a7siii
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.