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My good friend, architect, writer & filmmaker @ewaeffiomjoined me this month on my radio show ‘The Outlet’. You can listen back now on the @refugeworldwide website or SoundCloud ⭐️

My good friend, architect, writer & filmmaker @ewaeffiomjoined me this month on my radio show ‘The Outlet’. You can listen back now on the @refugeworldwide website or SoundCloud ⭐️

My good friend, architect, writer & filmmaker @ewaeffiomjoined me this month on my radio show ‘The Outlet’. You can listen back now on the @refugeworldwide website or SoundCloud ⭐️

My good friend, architect, writer & filmmaker @ewaeffiomjoined me this month on my radio show ‘The Outlet’. You can listen back now on the @refugeworldwide website or SoundCloud ⭐️

My good friend, architect, writer & filmmaker @ewaeffiomjoined me this month on my radio show ‘The Outlet’. You can listen back now on the @refugeworldwide website or SoundCloud ⭐️

My good friend, architect, writer & filmmaker @ewaeffiomjoined me this month on my radio show ‘The Outlet’. You can listen back now on the @refugeworldwide website or SoundCloud ⭐️

I wrote about High Tech architecture for @wallpapermagLink in bio.

I wrote about High Tech architecture for @wallpapermagLink in bio.

I wrote about High Tech architecture for @wallpapermagLink in bio.

I wrote about High Tech architecture for @wallpapermagLink in bio.

I wrote about High Tech architecture for @wallpapermagLink in bio.

If you’re in Paris this week my latest film WHEN ONE DOORS OPENS (2024) is playing at @ripbm @museechassenature this week.

If you’re in Paris this week my latest film WHEN ONE DOORS OPENS (2024) is playing at @ripbm @museechassenature this week.

At the LINA Forum in Pristina, we all took part in a lively and inspiring discussion on 'The State of Architecture'. This reflection, which is both a response to the work of LINA Fellows and an observation of architecture in the world today, was written and presented by Ewa Effiom.

During the presentation, Ewa argued that architecture is haunted by a future that modernity once promised but never delivered. He demonstrated how the discipline now finds itself caught between exhaustion and possibility. However, there is hope in the new generation, which treats architecture not as a product, but as an act of care, repair and collective imagination.

Thank you, Ewa, for your insightful observations, eloquence and courage in asking difficult questions about the role of architecture today. Your words have sparked a fruitful debate and reminded us that the future of architecture depends not on 'how much we build, but how attentively we inhabit the world', as you so beautifully put it.

At the LINA Forum in Pristina, we all took part in a lively and inspiring discussion on 'The State of Architecture'. This reflection, which is both a response to the work of LINA Fellows and an observation of architecture in the world today, was written and presented by Ewa Effiom.

During the presentation, Ewa argued that architecture is haunted by a future that modernity once promised but never delivered. He demonstrated how the discipline now finds itself caught between exhaustion and possibility. However, there is hope in the new generation, which treats architecture not as a product, but as an act of care, repair and collective imagination.

Thank you, Ewa, for your insightful observations, eloquence and courage in asking difficult questions about the role of architecture today. Your words have sparked a fruitful debate and reminded us that the future of architecture depends not on 'how much we build, but how attentively we inhabit the world', as you so beautifully put it.

At the LINA Forum in Pristina, we all took part in a lively and inspiring discussion on 'The State of Architecture'. This reflection, which is both a response to the work of LINA Fellows and an observation of architecture in the world today, was written and presented by Ewa Effiom.

During the presentation, Ewa argued that architecture is haunted by a future that modernity once promised but never delivered. He demonstrated how the discipline now finds itself caught between exhaustion and possibility. However, there is hope in the new generation, which treats architecture not as a product, but as an act of care, repair and collective imagination.

Thank you, Ewa, for your insightful observations, eloquence and courage in asking difficult questions about the role of architecture today. Your words have sparked a fruitful debate and reminded us that the future of architecture depends not on 'how much we build, but how attentively we inhabit the world', as you so beautifully put it.

At the LINA Forum in Pristina, we all took part in a lively and inspiring discussion on 'The State of Architecture'. This reflection, which is both a response to the work of LINA Fellows and an observation of architecture in the world today, was written and presented by Ewa Effiom.

During the presentation, Ewa argued that architecture is haunted by a future that modernity once promised but never delivered. He demonstrated how the discipline now finds itself caught between exhaustion and possibility. However, there is hope in the new generation, which treats architecture not as a product, but as an act of care, repair and collective imagination.

Thank you, Ewa, for your insightful observations, eloquence and courage in asking difficult questions about the role of architecture today. Your words have sparked a fruitful debate and reminded us that the future of architecture depends not on 'how much we build, but how attentively we inhabit the world', as you so beautifully put it.

LINA Alumnus Ewa Effiom will present the State of Architecture address, where he will reflect on the state of architecture by looking, paradoxically, to the past. Architecture, like much of culture, finds itself haunted by the futures modernity once promised and never delivered. The optimism of progress has curdled into inertia, where design’s ubiquity makes it both a symptom and cause of the crises we face which are environmental, social, and political. Drawing on Derrida, Mark Fisher, and Fredric Jameson, the talk traces how the disappearance of the future, what Fisher called the “slow cancellation of the future,” has left the discipline suspended between nostalgia and exhaustion.

Ewa Effiom @ewaeffiom is a London-based Belgo-Nigerian architect and writer whose work explores image culture, futurism, and mythology through the lens of space. A graduate of the Architecture Foundation’s New Architecture Writers programme, his writing has appeared in architecture and design publications throughout the world. His essay Architecture, Buildings and Conservation in MAJA was nominated for Best Piece at the 2022 Estonian Architecture Awards, following second place in the 2021 Tallinn Architecture Biennale Curatorial Competition with Adaptive Re-use. His films Eagle Mansions and Beck Road have screened internationally, from Melbourne Design Week to the Venice Architecture Biennale. In 2022 he was awarded the How To Residency at the Canadian Centre for Architecture, and in 2023 became a LINA Fellow and Film Lab resident at MAXXI, where he made When One Door Opens. His most recent film was a collaboration for Theatrum Mundi’s Staging Ground Residency, exploring infrastructural change in post-Olympic Paris.

📒📣 STAGING GROUND: SEEING, SENSING, AND SOUNDING URBAN INFRASTRUCTURE

A book talk and screening, with Magda Maaoui, Ewa Effiom, and John Bingham-Hall
Hosted by Diana Ibáñez López and CSM MA Cities.

6 – 7.30pm, Wednesday 29 October
CSM Archway Campus, 2 Elthorne Rd, London N19 4AG
🎟️ FREE with booking - Eventbrite link in bio!

Climate breakdown, environmental justice, urban expansion, metropolitanisation. A multiplicity of dynamics are driving rapid infrastructural transitions, transforming cultures of movement. But these changes are all-too-often narrated at scales that surpass the embodied experiences of those that live them every day.

The book Staging Ground assembles on-site investigations, critical reflections, and performance scores developed through a residency programme offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban grounds. This London launch forms part of an international series of conversations focusing on the different performative strategies developed through the Staging Ground book.

A talk by urban planner and researcher Magda Maaoui will discuss how the new Grand Paris Express metro system is imagined by public institutions as a way to reconfigure the social geography of the Paris region and overcome historical injustices in its infrastructural connections. In response, architect, writer, and producer Ewa Effiom will present his collaborative project with Margarida Waco, that recorded the conflicting voices around the project in an immersive soundwalk around a new metro line in Paris’ northern suburbs. Their discussion with John Bingham-Hall and Diana Ibáñez López will explore infrastructural tensions: between technical measurement and sensorial experience; between static and dynamic representation; and the creative possibilities of sound as a tool for addressing these.

The Staging Ground book will be available for sale. Published by @cityastheatre and @dpr_barcelona

@magda.des.mz @ewaeffiom @public_culture_ @dianagrama

📒📣 STAGING GROUND: SEEING, SENSING, AND SOUNDING URBAN INFRASTRUCTURE

A book talk and screening, with Magda Maaoui, Ewa Effiom, and John Bingham-Hall
Hosted by Diana Ibáñez López and CSM MA Cities.

6 – 7.30pm, Wednesday 29 October
CSM Archway Campus, 2 Elthorne Rd, London N19 4AG
🎟️ FREE with booking - Eventbrite link in bio!

Climate breakdown, environmental justice, urban expansion, metropolitanisation. A multiplicity of dynamics are driving rapid infrastructural transitions, transforming cultures of movement. But these changes are all-too-often narrated at scales that surpass the embodied experiences of those that live them every day.

The book Staging Ground assembles on-site investigations, critical reflections, and performance scores developed through a residency programme offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban grounds. This London launch forms part of an international series of conversations focusing on the different performative strategies developed through the Staging Ground book.

A talk by urban planner and researcher Magda Maaoui will discuss how the new Grand Paris Express metro system is imagined by public institutions as a way to reconfigure the social geography of the Paris region and overcome historical injustices in its infrastructural connections. In response, architect, writer, and producer Ewa Effiom will present his collaborative project with Margarida Waco, that recorded the conflicting voices around the project in an immersive soundwalk around a new metro line in Paris’ northern suburbs. Their discussion with John Bingham-Hall and Diana Ibáñez López will explore infrastructural tensions: between technical measurement and sensorial experience; between static and dynamic representation; and the creative possibilities of sound as a tool for addressing these.

The Staging Ground book will be available for sale. Published by @cityastheatre and @dpr_barcelona

@magda.des.mz @ewaeffiom @public_culture_ @dianagrama

📒📣 STAGING GROUND: SEEING, SENSING, AND SOUNDING URBAN INFRASTRUCTURE

A book talk and screening, with Magda Maaoui, Ewa Effiom, and John Bingham-Hall
Hosted by Diana Ibáñez López and CSM MA Cities.

6 – 7.30pm, Wednesday 29 October
CSM Archway Campus, 2 Elthorne Rd, London N19 4AG
🎟️ FREE with booking - Eventbrite link in bio!

Climate breakdown, environmental justice, urban expansion, metropolitanisation. A multiplicity of dynamics are driving rapid infrastructural transitions, transforming cultures of movement. But these changes are all-too-often narrated at scales that surpass the embodied experiences of those that live them every day.

The book Staging Ground assembles on-site investigations, critical reflections, and performance scores developed through a residency programme offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban grounds. This London launch forms part of an international series of conversations focusing on the different performative strategies developed through the Staging Ground book.

A talk by urban planner and researcher Magda Maaoui will discuss how the new Grand Paris Express metro system is imagined by public institutions as a way to reconfigure the social geography of the Paris region and overcome historical injustices in its infrastructural connections. In response, architect, writer, and producer Ewa Effiom will present his collaborative project with Margarida Waco, that recorded the conflicting voices around the project in an immersive soundwalk around a new metro line in Paris’ northern suburbs. Their discussion with John Bingham-Hall and Diana Ibáñez López will explore infrastructural tensions: between technical measurement and sensorial experience; between static and dynamic representation; and the creative possibilities of sound as a tool for addressing these.

The Staging Ground book will be available for sale. Published by @cityastheatre and @dpr_barcelona

@magda.des.mz @ewaeffiom @public_culture_ @dianagrama

📒📣 STAGING GROUND: SEEING, SENSING, AND SOUNDING URBAN INFRASTRUCTURE

A book talk and screening, with Magda Maaoui, Ewa Effiom, and John Bingham-Hall
Hosted by Diana Ibáñez López and CSM MA Cities.

6 – 7.30pm, Wednesday 29 October
CSM Archway Campus, 2 Elthorne Rd, London N19 4AG
🎟️ FREE with booking - Eventbrite link in bio!

Climate breakdown, environmental justice, urban expansion, metropolitanisation. A multiplicity of dynamics are driving rapid infrastructural transitions, transforming cultures of movement. But these changes are all-too-often narrated at scales that surpass the embodied experiences of those that live them every day.

The book Staging Ground assembles on-site investigations, critical reflections, and performance scores developed through a residency programme offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban grounds. This London launch forms part of an international series of conversations focusing on the different performative strategies developed through the Staging Ground book.

A talk by urban planner and researcher Magda Maaoui will discuss how the new Grand Paris Express metro system is imagined by public institutions as a way to reconfigure the social geography of the Paris region and overcome historical injustices in its infrastructural connections. In response, architect, writer, and producer Ewa Effiom will present his collaborative project with Margarida Waco, that recorded the conflicting voices around the project in an immersive soundwalk around a new metro line in Paris’ northern suburbs. Their discussion with John Bingham-Hall and Diana Ibáñez López will explore infrastructural tensions: between technical measurement and sensorial experience; between static and dynamic representation; and the creative possibilities of sound as a tool for addressing these.

The Staging Ground book will be available for sale. Published by @cityastheatre and @dpr_barcelona

@magda.des.mz @ewaeffiom @public_culture_ @dianagrama

Come through…

Turncoats | 12 June @set.social.peckham
The Ick: Is London bad for love?
Love, Dating, London and Landlords

How did a throwaway line from a 90s American courtroom comedy come to dominate the love lives of Londoners?
Neurospicy barrister Ally McBeal coins “The Ick” 15 episodes into her eponymous TV show to dodge a date. A quarter century later her quip is lurking behind abandoned flings, ghosted Hinge matches and lonely evenings in.
Dating in London is, and makes us, tough. We cultivate hard disinterested temperaments. Quick to discard, and be discarded. Scything our way through prospective suitors in search of sparks. Maybe the city is to blame; the long slog between Stokey and Brockley evaporating any frisson of attraction before it can bloom. Is it rising rents, pushing us ever further from our friends and the possibilities of spontaneous connections?
Perhaps the cult of individualism central to London’s neoliberal economy has tricked us into believing we can have it all. A best friend, a perfect housemate, someone to share a mortgage and parenthood while bringing us to toe curling orgasms - an insane shopping list from a consumerism fever dream of run amok. Or is it the apps; the worst tendencies of gendered flirting recodified by a Texan tech giant.
Spare Room ads which declare “no couples, please”
Landlords who don’t allow partners to sleep over. There is a special place in hell for politicians who have allowed the housing crisis to reach a point that a breakup can bring destitution. But what, if anything, can we do? What does a city good for loving and being loved in look and feel like?
Romance vs gentrification. Sex and the cityscape. This event, mixing comedy with heartfelt debate asks, is London giving us The Ick?

@kimmi_mcintosh
@oliviapetter
@willhunterr
@ewaeffiom
@lucalucalucasluca
@deepikaupadhyaya
@paulinalenoir

In partnership with @architecturefoundation and @fa.front c/o @phinharper

Come through…

Turncoats | 12 June @set.social.peckham
The Ick: Is London bad for love?
Love, Dating, London and Landlords

How did a throwaway line from a 90s American courtroom comedy come to dominate the love lives of Londoners?
Neurospicy barrister Ally McBeal coins “The Ick” 15 episodes into her eponymous TV show to dodge a date. A quarter century later her quip is lurking behind abandoned flings, ghosted Hinge matches and lonely evenings in.
Dating in London is, and makes us, tough. We cultivate hard disinterested temperaments. Quick to discard, and be discarded. Scything our way through prospective suitors in search of sparks. Maybe the city is to blame; the long slog between Stokey and Brockley evaporating any frisson of attraction before it can bloom. Is it rising rents, pushing us ever further from our friends and the possibilities of spontaneous connections?
Perhaps the cult of individualism central to London’s neoliberal economy has tricked us into believing we can have it all. A best friend, a perfect housemate, someone to share a mortgage and parenthood while bringing us to toe curling orgasms - an insane shopping list from a consumerism fever dream of run amok. Or is it the apps; the worst tendencies of gendered flirting recodified by a Texan tech giant.
Spare Room ads which declare “no couples, please”
Landlords who don’t allow partners to sleep over. There is a special place in hell for politicians who have allowed the housing crisis to reach a point that a breakup can bring destitution. But what, if anything, can we do? What does a city good for loving and being loved in look and feel like?
Romance vs gentrification. Sex and the cityscape. This event, mixing comedy with heartfelt debate asks, is London giving us The Ick?

@kimmi_mcintosh
@oliviapetter
@willhunterr
@ewaeffiom
@lucalucalucasluca
@deepikaupadhyaya
@paulinalenoir

In partnership with @architecturefoundation and @fa.front c/o @phinharper

Come through…

Turncoats | 12 June @set.social.peckham
The Ick: Is London bad for love?
Love, Dating, London and Landlords

How did a throwaway line from a 90s American courtroom comedy come to dominate the love lives of Londoners?
Neurospicy barrister Ally McBeal coins “The Ick” 15 episodes into her eponymous TV show to dodge a date. A quarter century later her quip is lurking behind abandoned flings, ghosted Hinge matches and lonely evenings in.
Dating in London is, and makes us, tough. We cultivate hard disinterested temperaments. Quick to discard, and be discarded. Scything our way through prospective suitors in search of sparks. Maybe the city is to blame; the long slog between Stokey and Brockley evaporating any frisson of attraction before it can bloom. Is it rising rents, pushing us ever further from our friends and the possibilities of spontaneous connections?
Perhaps the cult of individualism central to London’s neoliberal economy has tricked us into believing we can have it all. A best friend, a perfect housemate, someone to share a mortgage and parenthood while bringing us to toe curling orgasms - an insane shopping list from a consumerism fever dream of run amok. Or is it the apps; the worst tendencies of gendered flirting recodified by a Texan tech giant.
Spare Room ads which declare “no couples, please”
Landlords who don’t allow partners to sleep over. There is a special place in hell for politicians who have allowed the housing crisis to reach a point that a breakup can bring destitution. But what, if anything, can we do? What does a city good for loving and being loved in look and feel like?
Romance vs gentrification. Sex and the cityscape. This event, mixing comedy with heartfelt debate asks, is London giving us The Ick?

@kimmi_mcintosh
@oliviapetter
@willhunterr
@ewaeffiom
@lucalucalucasluca
@deepikaupadhyaya
@paulinalenoir

In partnership with @architecturefoundation and @fa.front c/o @phinharper

Come through…

Turncoats | 12 June @set.social.peckham
The Ick: Is London bad for love?
Love, Dating, London and Landlords

How did a throwaway line from a 90s American courtroom comedy come to dominate the love lives of Londoners?
Neurospicy barrister Ally McBeal coins “The Ick” 15 episodes into her eponymous TV show to dodge a date. A quarter century later her quip is lurking behind abandoned flings, ghosted Hinge matches and lonely evenings in.
Dating in London is, and makes us, tough. We cultivate hard disinterested temperaments. Quick to discard, and be discarded. Scything our way through prospective suitors in search of sparks. Maybe the city is to blame; the long slog between Stokey and Brockley evaporating any frisson of attraction before it can bloom. Is it rising rents, pushing us ever further from our friends and the possibilities of spontaneous connections?
Perhaps the cult of individualism central to London’s neoliberal economy has tricked us into believing we can have it all. A best friend, a perfect housemate, someone to share a mortgage and parenthood while bringing us to toe curling orgasms - an insane shopping list from a consumerism fever dream of run amok. Or is it the apps; the worst tendencies of gendered flirting recodified by a Texan tech giant.
Spare Room ads which declare “no couples, please”
Landlords who don’t allow partners to sleep over. There is a special place in hell for politicians who have allowed the housing crisis to reach a point that a breakup can bring destitution. But what, if anything, can we do? What does a city good for loving and being loved in look and feel like?
Romance vs gentrification. Sex and the cityscape. This event, mixing comedy with heartfelt debate asks, is London giving us The Ick?

@kimmi_mcintosh
@oliviapetter
@willhunterr
@ewaeffiom
@lucalucalucasluca
@deepikaupadhyaya
@paulinalenoir

In partnership with @architecturefoundation and @fa.front c/o @phinharper

Come through…

Turncoats | 12 June @set.social.peckham
The Ick: Is London bad for love?
Love, Dating, London and Landlords

How did a throwaway line from a 90s American courtroom comedy come to dominate the love lives of Londoners?
Neurospicy barrister Ally McBeal coins “The Ick” 15 episodes into her eponymous TV show to dodge a date. A quarter century later her quip is lurking behind abandoned flings, ghosted Hinge matches and lonely evenings in.
Dating in London is, and makes us, tough. We cultivate hard disinterested temperaments. Quick to discard, and be discarded. Scything our way through prospective suitors in search of sparks. Maybe the city is to blame; the long slog between Stokey and Brockley evaporating any frisson of attraction before it can bloom. Is it rising rents, pushing us ever further from our friends and the possibilities of spontaneous connections?
Perhaps the cult of individualism central to London’s neoliberal economy has tricked us into believing we can have it all. A best friend, a perfect housemate, someone to share a mortgage and parenthood while bringing us to toe curling orgasms - an insane shopping list from a consumerism fever dream of run amok. Or is it the apps; the worst tendencies of gendered flirting recodified by a Texan tech giant.
Spare Room ads which declare “no couples, please”
Landlords who don’t allow partners to sleep over. There is a special place in hell for politicians who have allowed the housing crisis to reach a point that a breakup can bring destitution. But what, if anything, can we do? What does a city good for loving and being loved in look and feel like?
Romance vs gentrification. Sex and the cityscape. This event, mixing comedy with heartfelt debate asks, is London giving us The Ick?

@kimmi_mcintosh
@oliviapetter
@willhunterr
@ewaeffiom
@lucalucalucasluca
@deepikaupadhyaya
@paulinalenoir

In partnership with @architecturefoundation and @fa.front c/o @phinharper

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

“The trope is the trap.” L. Russell

I spoke to @phinharper about their repair practice and repair more generally for @themodernhouse - S/O to @nellcard for the trust and ofc Phin for giving me time in the middle of making 783,626,254,889 mobiles. Link in bio.

I spoke to @phinharper about their repair practice and repair more generally for @themodernhouse - S/O to @nellcard for the trust and ofc Phin for giving me time in the middle of making 783,626,254,889 mobiles. Link in bio.

I wrote an op-ed last year for @aw_magazin about the implications of the dawn of what Thabo Mbeki called Africas century on design as culture output. S/O to @jeanette.kunsmann for the commission and Stephan for the translation 🖤

I wrote an op-ed last year for @aw_magazin about the implications of the dawn of what Thabo Mbeki called Africas century on design as culture output. S/O to @jeanette.kunsmann for the commission and Stephan for the translation 🖤

I wrote an op-ed last year for @aw_magazin about the implications of the dawn of what Thabo Mbeki called Africas century on design as culture output. S/O to @jeanette.kunsmann for the commission and Stephan for the translation 🖤

I wrote a walking tour of the area surrounding Victoria park for @opencity_uk it’s available on their website. Shout out to @merlinfulcher_ for the guidance. 🖤

I wrote a walking tour of the area surrounding Victoria park for @opencity_uk it’s available on their website. Shout out to @merlinfulcher_ for the guidance. 🖤

I wrote a walking tour of the area surrounding Victoria park for @opencity_uk it’s available on their website. Shout out to @merlinfulcher_ for the guidance. 🖤

I wrote a walking tour of the area surrounding Victoria park for @opencity_uk it’s available on their website. Shout out to @merlinfulcher_ for the guidance. 🖤

I wrote a walking tour of the area surrounding Victoria park for @opencity_uk it’s available on their website. Shout out to @merlinfulcher_ for the guidance. 🖤

I wrote a walking tour of the area surrounding Victoria park for @opencity_uk it’s available on their website. Shout out to @merlinfulcher_ for the guidance. 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤

My latest film, WHEN ONE DOOR OPENS (2024), is showing this coming week at @museomaxxi in the Restless Architecture exhibition curated by @diller_scofidio_renfro in the Gallery 2 so if you’re in the city come through… A big S/O to Pippo Ciorra, Alessandra Spagnoli, @cibicjasmina and @francescamuse for their trust 🖤