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Jackson Yeomans
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The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
The Ladder: A Feature Film by Emilio Miguel Torres
Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting
One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.
Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.
Alice and Olivia - Directors cut
Shot a really cool spot for Alice and Olivia exctited to finally share it!
DP : @elliott_atk
Gaffer : @felrus
Edit : @matthewhove
Color : @elliott_atk
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Bleeding: Fin
I swear this is the last one
Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth
Technical details:
Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)
Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.
Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible
Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts
Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed
Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Sometime in September
35mm 4 perf
Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats
Special thanks to
@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
Buena Vista Social Club - The Musical Spot
Director: Ray Smiling @raythedestroyer
Managing Directors: Kamila Prokop @kamilaprokop &
David Richards
Founders: @patrickmillingsmith & Brian Carmody
Producer: Gillian Altman @gjaltman
Production Company: d7 @wearedivision7
Client: Buena Vista Social Club @buenavistamusical
Producer: Manny Caston @mannycaston
DOP: Tyler Clark @tylerclarkdp
Gaffer: @felrus 😎
Key Grip: @liam_mu
1st AC: @iglesiasdp
Edit Company: Cabin @cabinedit
Camera: @keslowcamera
Camera Support: @handheldfilms
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.