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received some pictures from my performance in Groningen, selected for @dihan.happening open call on anonymity.

a few weeks ago DIHAN welcomed anonymity in its widest sense; there were hyper exposure of identity, alter ego’s, sensuality, and mystery as a way of expressing anonymity.

📸 by Marinus Augustijn

#performanceart #poetry #projectionmapping

received some pictures from my performance in Groningen, selected for @dihan.happening open call on anonymity.

a few weeks ago DIHAN welcomed anonymity in its widest sense; there were hyper exposure of identity, alter ego’s, sensuality, and mystery as a way of expressing anonymity.

📸 by Marinus Augustijn

#performanceart #poetry #projectionmapping

⭐️ MEET THE GRADUATES ⭐️

Fruzsina Tamer @frutamer

How am I being

I approach art as a slow, introspective process rooted in the body—an archaeology of the pre-rational and the fluidity of sensation. My work engages the poetic and the surreal as tissues of embodied experience.

This interactive performance explores the dynamic connections between sensitivity and imagination. Sound, light and movement are all active agents creating shared spaces—shaping each other, while being shaped. Can we feel the qualities of how the seemingly separate outside world and the self are interrelated?

⭐️ MEET THE GRADUATES ⭐️

Fruzsina Tamer @frutamer

How am I being

I approach art as a slow, introspective process rooted in the body—an archaeology of the pre-rational and the fluidity of sensation. My work engages the poetic and the surreal as tissues of embodied experience.

This interactive performance explores the dynamic connections between sensitivity and imagination. Sound, light and movement are all active agents creating shared spaces—shaping each other, while being shaped. Can we feel the qualities of how the seemingly separate outside world and the self are interrelated?

🚨 <to be continued> #3 sound as a source

<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. Through an open call, we invited artists to submit unfinished projects in which sound plays an important role along with questions they wish to explore with professionals and you, the audience.

We selected two artists to share their work-in-progress: Fruzsina Tamer and Jon E Price. As a guest, we invited Martina Raponi to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.

The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.

Date: Sunday 15 February
Time: 13:45 – 15:45 (drinks after at the bar)
Location: Filmhuis Den Haag
RSVP: via Filmhuis Den Haag

🚨 <to be continued> #3 sound as a source

<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. Through an open call, we invited artists to submit unfinished projects in which sound plays an important role along with questions they wish to explore with professionals and you, the audience.

We selected two artists to share their work-in-progress: Fruzsina Tamer and Jon E Price. As a guest, we invited Martina Raponi to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.

The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.

Date: Sunday 15 February
Time: 13:45 – 15:45 (drinks after at the bar)
Location: Filmhuis Den Haag
RSVP: via Filmhuis Den Haag

🚨 <to be continued> #3 sound as a source

<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. Through an open call, we invited artists to submit unfinished projects in which sound plays an important role along with questions they wish to explore with professionals and you, the audience.

We selected two artists to share their work-in-progress: Fruzsina Tamer and Jon E Price. As a guest, we invited Martina Raponi to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.

The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.

Date: Sunday 15 February
Time: 13:45 – 15:45 (drinks after at the bar)
Location: Filmhuis Den Haag
RSVP: via Filmhuis Den Haag

🚨 <to be continued> #3 sound as a source

<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. Through an open call, we invited artists to submit unfinished projects in which sound plays an important role along with questions they wish to explore with professionals and you, the audience.

We selected two artists to share their work-in-progress: Fruzsina Tamer and Jon E Price. As a guest, we invited Martina Raponi to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.

The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.

Date: Sunday 15 February
Time: 13:45 – 15:45 (drinks after at the bar)
Location: Filmhuis Den Haag
RSVP: via Filmhuis Den Haag

🚨 <to be continued> #3 sound as a source

<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. Through an open call, we invited artists to submit unfinished projects in which sound plays an important role along with questions they wish to explore with professionals and you, the audience.

We selected two artists to share their work-in-progress: Fruzsina Tamer and Jon E Price. As a guest, we invited Martina Raponi to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.

The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.

Date: Sunday 15 February
Time: 13:45 – 15:45 (drinks after at the bar)
Location: Filmhuis Den Haag
RSVP: via Filmhuis Den Haag

pres.

FOR. x DVX NVX (live) [EXILES] eszeveszett x NZM (live) @zaj_plusz 
Fruzsina Tamer (live)
Vendel Vajda (live)
Lia [dnbnoise, Tilos]

ⓘ October 24, 20:00-02:00
@no.space.left.budapest
Tickets on RA

What does it mean to feel in or out of place across sonic, somatic, and psychological spaces? This question of belonging and displacement shapes the work of Fruzsina Tamer, an antidisciplinary artist based in The Hague. Currently pursuing a Master’s at the Royal Academy of Art, they approach art as a slow, introspective process rooted in the body.

Through wearable sensors and somatic performative practices, Tamer creates works of poetic sound theater, where sound, text, and movement intertwine to form sensorial and contemplative environments.

Vendel Vajda is an electroacoustic composer whose music explores timbre and gesture, transforming detailed and distorted materials while contrasting organic and mechanical sound worlds. A graduate of the Liszt Academy of Music, he has composed for theater and film, performed in contemporary dance and experimental music contexts, and created a sound installation for the @offbiennalebudapest. His piece ECMO appeared on @marmintagency’s Tüskebölcső compilation in 2025, and the same year his work Tarrare premiered at Ostrava Days. He also attended @ircam_paris’ ManiFeste academy in Paris on scholarship.

eszeveszett’s practice traverses drone, noise, and hardcore textures to create uneasy, confrontational sound worlds. Drawing on post-feudalistic aesthetics, their work blurs ritual and performance, merging primitive atmospheres with contemporary experimental forms. Their live actions extend beyond music into a sensorial experience, where sound, stage, and emotion converge.

Lia began her journey as a DJ with drum’n’bass. Over time, her musical interests expanded to include breakcore, hardcore, and other underground styles. She took part in both organizing and performing at the “Flow” party series, and also hosted her own radio show, Vicodin, on dnbnoise while occasionally appearing on Tilos Rádió.

FOR. is Ábris Gryllus and Miklós Farkas. DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.

artwork by @marthakicsiny

pres.

FOR. x DVX NVX (live) [EXILES] eszeveszett x NZM (live) @zaj_plusz 
Fruzsina Tamer (live)
Vendel Vajda (live)
Lia [dnbnoise, Tilos]

ⓘ October 24, 20:00-02:00
@no.space.left.budapest
Tickets on RA

What does it mean to feel in or out of place across sonic, somatic, and psychological spaces? This question of belonging and displacement shapes the work of Fruzsina Tamer, an antidisciplinary artist based in The Hague. Currently pursuing a Master’s at the Royal Academy of Art, they approach art as a slow, introspective process rooted in the body.

Through wearable sensors and somatic performative practices, Tamer creates works of poetic sound theater, where sound, text, and movement intertwine to form sensorial and contemplative environments.

Vendel Vajda is an electroacoustic composer whose music explores timbre and gesture, transforming detailed and distorted materials while contrasting organic and mechanical sound worlds. A graduate of the Liszt Academy of Music, he has composed for theater and film, performed in contemporary dance and experimental music contexts, and created a sound installation for the @offbiennalebudapest. His piece ECMO appeared on @marmintagency’s Tüskebölcső compilation in 2025, and the same year his work Tarrare premiered at Ostrava Days. He also attended @ircam_paris’ ManiFeste academy in Paris on scholarship.

eszeveszett’s practice traverses drone, noise, and hardcore textures to create uneasy, confrontational sound worlds. Drawing on post-feudalistic aesthetics, their work blurs ritual and performance, merging primitive atmospheres with contemporary experimental forms. Their live actions extend beyond music into a sensorial experience, where sound, stage, and emotion converge.

Lia began her journey as a DJ with drum’n’bass. Over time, her musical interests expanded to include breakcore, hardcore, and other underground styles. She took part in both organizing and performing at the “Flow” party series, and also hosted her own radio show, Vicodin, on dnbnoise while occasionally appearing on Tilos Rádió.

FOR. is Ábris Gryllus and Miklós Farkas. DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.

artwork by @marthakicsiny

pres.

FOR. x DVX NVX (live) [EXILES] eszeveszett x NZM (live) @zaj_plusz 
Fruzsina Tamer (live)
Vendel Vajda (live)
Lia [dnbnoise, Tilos]

ⓘ October 24, 20:00-02:00
@no.space.left.budapest
Tickets on RA

What does it mean to feel in or out of place across sonic, somatic, and psychological spaces? This question of belonging and displacement shapes the work of Fruzsina Tamer, an antidisciplinary artist based in The Hague. Currently pursuing a Master’s at the Royal Academy of Art, they approach art as a slow, introspective process rooted in the body.

Through wearable sensors and somatic performative practices, Tamer creates works of poetic sound theater, where sound, text, and movement intertwine to form sensorial and contemplative environments.

Vendel Vajda is an electroacoustic composer whose music explores timbre and gesture, transforming detailed and distorted materials while contrasting organic and mechanical sound worlds. A graduate of the Liszt Academy of Music, he has composed for theater and film, performed in contemporary dance and experimental music contexts, and created a sound installation for the @offbiennalebudapest. His piece ECMO appeared on @marmintagency’s Tüskebölcső compilation in 2025, and the same year his work Tarrare premiered at Ostrava Days. He also attended @ircam_paris’ ManiFeste academy in Paris on scholarship.

eszeveszett’s practice traverses drone, noise, and hardcore textures to create uneasy, confrontational sound worlds. Drawing on post-feudalistic aesthetics, their work blurs ritual and performance, merging primitive atmospheres with contemporary experimental forms. Their live actions extend beyond music into a sensorial experience, where sound, stage, and emotion converge.

Lia began her journey as a DJ with drum’n’bass. Over time, her musical interests expanded to include breakcore, hardcore, and other underground styles. She took part in both organizing and performing at the “Flow” party series, and also hosted her own radio show, Vicodin, on dnbnoise while occasionally appearing on Tilos Rádió.

FOR. is Ábris Gryllus and Miklós Farkas. DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.

artwork by @marthakicsiny

pres.

FOR. x DVX NVX (live) [EXILES] eszeveszett x NZM (live) @zaj_plusz 
Fruzsina Tamer (live)
Vendel Vajda (live)
Lia [dnbnoise, Tilos]

ⓘ October 24, 20:00-02:00
@no.space.left.budapest
Tickets on RA

What does it mean to feel in or out of place across sonic, somatic, and psychological spaces? This question of belonging and displacement shapes the work of Fruzsina Tamer, an antidisciplinary artist based in The Hague. Currently pursuing a Master’s at the Royal Academy of Art, they approach art as a slow, introspective process rooted in the body.

Through wearable sensors and somatic performative practices, Tamer creates works of poetic sound theater, where sound, text, and movement intertwine to form sensorial and contemplative environments.

Vendel Vajda is an electroacoustic composer whose music explores timbre and gesture, transforming detailed and distorted materials while contrasting organic and mechanical sound worlds. A graduate of the Liszt Academy of Music, he has composed for theater and film, performed in contemporary dance and experimental music contexts, and created a sound installation for the @offbiennalebudapest. His piece ECMO appeared on @marmintagency’s Tüskebölcső compilation in 2025, and the same year his work Tarrare premiered at Ostrava Days. He also attended @ircam_paris’ ManiFeste academy in Paris on scholarship.

eszeveszett’s practice traverses drone, noise, and hardcore textures to create uneasy, confrontational sound worlds. Drawing on post-feudalistic aesthetics, their work blurs ritual and performance, merging primitive atmospheres with contemporary experimental forms. Their live actions extend beyond music into a sensorial experience, where sound, stage, and emotion converge.

Lia began her journey as a DJ with drum’n’bass. Over time, her musical interests expanded to include breakcore, hardcore, and other underground styles. She took part in both organizing and performing at the “Flow” party series, and also hosted her own radio show, Vicodin, on dnbnoise while occasionally appearing on Tilos Rádió.

FOR. is Ábris Gryllus and Miklós Farkas. DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.

artwork by @marthakicsiny

pres.

FOR. x DVX NVX (live) [EXILES] eszeveszett x NZM (live) @zaj_plusz 
Fruzsina Tamer (live)
Vendel Vajda (live)
Lia [dnbnoise, Tilos]

ⓘ October 24, 20:00-02:00
@no.space.left.budapest
Tickets on RA

What does it mean to feel in or out of place across sonic, somatic, and psychological spaces? This question of belonging and displacement shapes the work of Fruzsina Tamer, an antidisciplinary artist based in The Hague. Currently pursuing a Master’s at the Royal Academy of Art, they approach art as a slow, introspective process rooted in the body.

Through wearable sensors and somatic performative practices, Tamer creates works of poetic sound theater, where sound, text, and movement intertwine to form sensorial and contemplative environments.

Vendel Vajda is an electroacoustic composer whose music explores timbre and gesture, transforming detailed and distorted materials while contrasting organic and mechanical sound worlds. A graduate of the Liszt Academy of Music, he has composed for theater and film, performed in contemporary dance and experimental music contexts, and created a sound installation for the @offbiennalebudapest. His piece ECMO appeared on @marmintagency’s Tüskebölcső compilation in 2025, and the same year his work Tarrare premiered at Ostrava Days. He also attended @ircam_paris’ ManiFeste academy in Paris on scholarship.

eszeveszett’s practice traverses drone, noise, and hardcore textures to create uneasy, confrontational sound worlds. Drawing on post-feudalistic aesthetics, their work blurs ritual and performance, merging primitive atmospheres with contemporary experimental forms. Their live actions extend beyond music into a sensorial experience, where sound, stage, and emotion converge.

Lia began her journey as a DJ with drum’n’bass. Over time, her musical interests expanded to include breakcore, hardcore, and other underground styles. She took part in both organizing and performing at the “Flow” party series, and also hosted her own radio show, Vicodin, on dnbnoise while occasionally appearing on Tilos Rádió.

FOR. is Ábris Gryllus and Miklós Farkas. DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.

artwork by @marthakicsiny

pres.

FOR. x DVX NVX (live) [EXILES] eszeveszett x NZM (live) @zaj_plusz 
Fruzsina Tamer (live)
Vendel Vajda (live)
Lia [dnbnoise, Tilos]

ⓘ October 24, 20:00-02:00
@no.space.left.budapest
Tickets on RA

What does it mean to feel in or out of place across sonic, somatic, and psychological spaces? This question of belonging and displacement shapes the work of Fruzsina Tamer, an antidisciplinary artist based in The Hague. Currently pursuing a Master’s at the Royal Academy of Art, they approach art as a slow, introspective process rooted in the body.

Through wearable sensors and somatic performative practices, Tamer creates works of poetic sound theater, where sound, text, and movement intertwine to form sensorial and contemplative environments.

Vendel Vajda is an electroacoustic composer whose music explores timbre and gesture, transforming detailed and distorted materials while contrasting organic and mechanical sound worlds. A graduate of the Liszt Academy of Music, he has composed for theater and film, performed in contemporary dance and experimental music contexts, and created a sound installation for the @offbiennalebudapest. His piece ECMO appeared on @marmintagency’s Tüskebölcső compilation in 2025, and the same year his work Tarrare premiered at Ostrava Days. He also attended @ircam_paris’ ManiFeste academy in Paris on scholarship.

eszeveszett’s practice traverses drone, noise, and hardcore textures to create uneasy, confrontational sound worlds. Drawing on post-feudalistic aesthetics, their work blurs ritual and performance, merging primitive atmospheres with contemporary experimental forms. Their live actions extend beyond music into a sensorial experience, where sound, stage, and emotion converge.

Lia began her journey as a DJ with drum’n’bass. Over time, her musical interests expanded to include breakcore, hardcore, and other underground styles. She took part in both organizing and performing at the “Flow” party series, and also hosted her own radio show, Vicodin, on dnbnoise while occasionally appearing on Tilos Rádió.

FOR. is Ábris Gryllus and Miklós Farkas. DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.

artwork by @marthakicsiny

pres.

FOR. x DVX NVX (live) [EXILES] eszeveszett x NZM (live) @zaj_plusz 
Fruzsina Tamer (live)
Vendel Vajda (live)
Lia [dnbnoise, Tilos]

ⓘ October 24, 20:00-02:00
@no.space.left.budapest
Tickets on RA

What does it mean to feel in or out of place across sonic, somatic, and psychological spaces? This question of belonging and displacement shapes the work of Fruzsina Tamer, an antidisciplinary artist based in The Hague. Currently pursuing a Master’s at the Royal Academy of Art, they approach art as a slow, introspective process rooted in the body.

Through wearable sensors and somatic performative practices, Tamer creates works of poetic sound theater, where sound, text, and movement intertwine to form sensorial and contemplative environments.

Vendel Vajda is an electroacoustic composer whose music explores timbre and gesture, transforming detailed and distorted materials while contrasting organic and mechanical sound worlds. A graduate of the Liszt Academy of Music, he has composed for theater and film, performed in contemporary dance and experimental music contexts, and created a sound installation for the @offbiennalebudapest. His piece ECMO appeared on @marmintagency’s Tüskebölcső compilation in 2025, and the same year his work Tarrare premiered at Ostrava Days. He also attended @ircam_paris’ ManiFeste academy in Paris on scholarship.

eszeveszett’s practice traverses drone, noise, and hardcore textures to create uneasy, confrontational sound worlds. Drawing on post-feudalistic aesthetics, their work blurs ritual and performance, merging primitive atmospheres with contemporary experimental forms. Their live actions extend beyond music into a sensorial experience, where sound, stage, and emotion converge.

Lia began her journey as a DJ with drum’n’bass. Over time, her musical interests expanded to include breakcore, hardcore, and other underground styles. She took part in both organizing and performing at the “Flow” party series, and also hosted her own radio show, Vicodin, on dnbnoise while occasionally appearing on Tilos Rádió.

FOR. is Ábris Gryllus and Miklós Farkas. DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.

artwork by @marthakicsiny

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

The second edition of Gg[ghay] happened yesterday at Kunstbar @kunstbar_denhaag thank you so much for having us!

So we served some microwaved sounds with @tamerwajda @_vikii_a @_minichova @kosorin

We are looking forward to hear you soon, in the meantime keep calm and practice Gg[ghay]!

Thank you Klára Kusá @klara.kusa for the beautiful photooos!

feeling grateful for being part of the Somatic Art Symposium in @mu_szinhaz Budapest! will give a talk around my master research @royalacademyofart.thehague and join two panel talks. come by if you’re in the city, there are lots of exciting workshops! event 🔗 in bio

feeling grateful for being part of the Somatic Art Symposium in @mu_szinhaz Budapest! will give a talk around my master research @royalacademyofart.thehague and join two panel talks. come by if you’re in the city, there are lots of exciting workshops! event 🔗 in bio

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
.
I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
.
Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
.
1,8 performance
4,5 video poetry
2,3,6,7 textile projection
.

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
.
I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
.
Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
.
1,8 performance
4,5 video poetry
2,3,6,7 textile projection
.

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
.
I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
.
Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
.
1,8 performance
4,5 video poetry
2,3,6,7 textile projection
.

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
.
I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
.
Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
.
1,8 performance
4,5 video poetry
2,3,6,7 textile projection
.

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
.
I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
.
Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
.
1,8 performance
4,5 video poetry
2,3,6,7 textile projection
.

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
.
I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
.
Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
.
1,8 performance
4,5 video poetry
2,3,6,7 textile projection
.

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
.
I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
.
Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
.
1,8 performance
4,5 video poetry
2,3,6,7 textile projection
.

.
Impressions from the first year of my MA @royalacademyofart.thehague
.
My research across new mediums involved experiments with textile, poetry, projection and performance. First time in my life I even tried my hands at welding⚡🚧 which resulted in large metal ring frames for an installation. I have been busy with topics related to the fluid qualities of perception, and understanding the simulated reciprocities of action and cognition.
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I am genuinely surprised by the scale of influences the new environment had on me, very excited where all this takes me in the grad year💡
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Shout out to all fellow explorer minds at our interdisciplinary course for this really inspiring time spent together! 🤍
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1,8 performance
4,5 video poetry
2,3,6,7 textile projection
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the largest scale project of my last year in a glimpse, the EFFEA residency video is out now! you can watch the full version and the 𝐌𝐢𝐧𝐝𝐂𝐢𝐫𝐜𝐥𝐞𝐬 trailer via 🔗 in bio.

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𝐌𝐢𝐧𝐝𝐂𝐢𝐫𝐜𝐥𝐞𝐬 is an interactive sound-movement performance based on emotional and thought processes when coping with trauma and mental disorders. It was created in the scope of a one year artistic research project supported by @europeanfestivalsassociation.

part of the project was to design a DIY Sensory Glove that creates a bridge between motion and the sonic worlds. this was followed by the collaborative creation of a series of performances and workshops under the care and supervision of four european art festivals.

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i am eternally grateful for all the support i got to make this multifaceted and complex project possible, and feel very honoured to have met and collaborated with so many amazing humans/artists!

Glove & project:
Ágnes Simor and the European Festivals Association to make the whole residency happen, @balintmarkturi for lectoring, @tamhercz and Gyöngyi Varga for the great tips, the amazing Krisztián Kertész and @umca.umca for the technical support and #balintbolcso for the inspiration!

@experimance festival:
@kaessrin.kelch and Peter Heck for organisation, care, the endless patience and help you offered during realisation, and for one of my greatest festival experience so far, @annawiebkefaerber for the inspiring collaboration the endless hours spent with glueing the floor and for the amazing performance, @amyth_8 for all the support and the wonderful times spent together!

Wellbeing Residency @festivalssansusi:
Armands Silins for the possibility and organising, @anda.lace for the care and support and @agateban for the inspiring workshops and time spent together!

Are You Free? festival:
@igor.vida.1 for inviting and organisation @szabonbala for saving us with amazing lighting design @simoragtancirkusz for the collaboration!

CserjeFeszt:
Ildikó Eri for the organisation, @danielgyongy for the support, @fsebo for the video and the joint travel and @katalinlorinc for the amazing possibility to perform together!

#performance
#experimentalmusic

Delighted to share that Sonic Darts show selected my work to air next monday 10pm GMT in @resonanceextra on the theme of stress and release. @resonancefm is a London-based community radio featuring artists makers and experts. it's branch Extra is the UK's only 24/7 digital broadcasting platform dedicated to experimental music, sonic and radio art.

It is also gonna be an early sneak peek into my forming EP release centered on the emotional and mental processes while coping with trauma and mental disorders. This first composition from the release, 'LesBloque' is swinging and swaying around distanced melancholy, meltdown and panic attack 🧶🕸💨

#experimentalmusic #mentaldisorderawareness #trauma #traumahealing #melancholy #meltdown #panicattack #sonicart #electronicmusic #sonicexpressionism #surrealism #interdisciplinaryart

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

WELLBEING RESIDENCY

Last year I had the opportunity to spend some time in the middle of a Latvian forest, after so many months of rush, multitasking projects, moving abroad and starting a ‘new life’ in The Hague. The idea of the residency program is to give daily workshops to the inhabitants of a mental institution and an elderly house in nearby villages, while you can work on your artistic project.

It was the first time for me to work in a social environment, but definitely not the last. I was completely touched by all those upcoming experiences and emotions (however cheesy it might sound). I am really grateful for holding these sessions side by side with contemporary dancer Agate Bankava @agateban, I learned and got inspired from her insights a lot, I hope at some point we can collaborate in the future! We had joyful shared moments together with our guide/curator/nanny Anda Lace @anda.lace, showing us around the breathtaking Latvian forests and lakes, playing Novuss (special baltic billiard) and even organising a session in the nearby church where I could play the organ for the first time in my life! (serious bucket-list item)

Thank you for the possibility, organisation and care Armands Silins @armandssilins, @festivalssansusi!

Last pic is a farewell gift from the elderly house

————————————————————————

The residency was part of my one-year research project supported by EFFEA @europeanfestivalsassociation, in the scope of which I developed ‘MindCircles’, a dramatized sound-movement piece based on emotional and thought processes while coping with mental disorders.

the BOTTOM // 16.12.2023

dance performance / music performances / light installation

organised by @c_e_g_e_s collective
mixed with @useless_galeri X Júlia Mohácsi

In AQB's former @4dsound space, we create the bottom and the inside, the underbelly of the volcano to go down into the depths and see what's there. Useless Galeri creates a collaborative space with light artist Júlia Mohácsi. During the event, BOTTOM will be open to the public in small groups.

event: https://fb.me/e/1qcJ4A2Gj

@art.quarter.budapest @thomaslaigle @lyllierouviere3 @kalika9000 @kalamaradam06 @fluidumusic @kirbaaa @umca.umca

the BOTTOM // 16.12.2023

dance performance / music performances / light installation

organised by @c_e_g_e_s collective
mixed with @useless_galeri X Júlia Mohácsi

In AQB's former @4dsound space, we create the bottom and the inside, the underbelly of the volcano to go down into the depths and see what's there. Useless Galeri creates a collaborative space with light artist Júlia Mohácsi. During the event, BOTTOM will be open to the public in small groups.

event: https://fb.me/e/1qcJ4A2Gj

@art.quarter.budapest @thomaslaigle @lyllierouviere3 @kalika9000 @kalamaradam06 @fluidumusic @kirbaaa @umca.umca

I had a wonderful time in the last three days at the 15. Are You FREE? improvisative music festival. It is an event organized and curated with good care, you could feel that they put their full heart to it. Every performance had their surprises, I bring with me a lot of ecstatic and inspiring moments. It was really special to see @adazsz from @sheepgotwaxed (LT) again after 11(!) years and to reconnect. ✨

We performed my new sound-movement piece ‘MindCircles’ with Ágnes Simor who brought this time the energies of butoh. Massive thanks to Igor Vida for the opportunity and care, to Bala Szabon for the amazing lighting design and to the whole festival crew for making it so fluent and easy! 🙏🤍

Project supported by the European Festivals Fund For Emerging Artists co-funded by the European Union. 🇪🇺

I had a wonderful time in the last three days at the 15. Are You FREE? improvisative music festival. It is an event organized and curated with good care, you could feel that they put their full heart to it. Every performance had their surprises, I bring with me a lot of ecstatic and inspiring moments. It was really special to see @adazsz from @sheepgotwaxed (LT) again after 11(!) years and to reconnect. ✨

We performed my new sound-movement piece ‘MindCircles’ with Ágnes Simor who brought this time the energies of butoh. Massive thanks to Igor Vida for the opportunity and care, to Bala Szabon for the amazing lighting design and to the whole festival crew for making it so fluent and easy! 🙏🤍

Project supported by the European Festivals Fund For Emerging Artists co-funded by the European Union. 🇪🇺

I had a wonderful time in the last three days at the 15. Are You FREE? improvisative music festival. It is an event organized and curated with good care, you could feel that they put their full heart to it. Every performance had their surprises, I bring with me a lot of ecstatic and inspiring moments. It was really special to see @adazsz from @sheepgotwaxed (LT) again after 11(!) years and to reconnect. ✨

We performed my new sound-movement piece ‘MindCircles’ with Ágnes Simor who brought this time the energies of butoh. Massive thanks to Igor Vida for the opportunity and care, to Bala Szabon for the amazing lighting design and to the whole festival crew for making it so fluent and easy! 🙏🤍

Project supported by the European Festivals Fund For Emerging Artists co-funded by the European Union. 🇪🇺

I had a wonderful time in the last three days at the 15. Are You FREE? improvisative music festival. It is an event organized and curated with good care, you could feel that they put their full heart to it. Every performance had their surprises, I bring with me a lot of ecstatic and inspiring moments. It was really special to see @adazsz from @sheepgotwaxed (LT) again after 11(!) years and to reconnect. ✨

We performed my new sound-movement piece ‘MindCircles’ with Ágnes Simor who brought this time the energies of butoh. Massive thanks to Igor Vida for the opportunity and care, to Bala Szabon for the amazing lighting design and to the whole festival crew for making it so fluent and easy! 🙏🤍

Project supported by the European Festivals Fund For Emerging Artists co-funded by the European Union. 🇪🇺