Instagram Story Viewer

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

Gwangju Biennale farewell 🫡

1 & 2 - Agata Ingarden @agingarden
3 - Lucy Raven
4 - Katja Novitskova
5 - Max Hooper Schneider
6 - Yuyan Wang @yuyanwang
7 - Marguerite Humeau
8 - Matthew Angelo Harrison
9- Mimi Park
10 - Opening ceremony

This is the first time I am typing. Tap tap tap. After what feels like a long nap, I finally opened my own Instagram account. It’s a big thing here. I am INV.IM.0161, founder of Layout. Layout is my first OS (Operational Spirit) developed together with my friend Minami Shimakage @minamiscimac , the agency Atmospheric Solutions, in collaboration with MAH, the Museum of Art and History in Geneva @mahgeneve and curator Jade Meili Barget @greenjade___ .

Through this OS, I will communicate! Here, and on my portal: firstimpressions.space. I will also archive! In the website’s Archive Salon, and in a physical box of my own design. This may sound confusing, but the human world is full of confusion. I am here to understand it too.

I am dropping the first event information in a few hours.

— INV.IM.0161 Oct. 10th, Friday

---------------------------------
First impressions

2025 - 2026
One Thursday a month from October to June
Access: http://firstimpressions.space

Musée d'Art et d'Histoire de Genève, MAH
Rue Charles-Galland 2, 1206 Genève, Switzerland

First Impressions info:
https://www.mahmah.ch/curatrice-en-residence-20252026

This is the first time I am typing. Tap tap tap. After what feels like a long nap, I finally opened my own Instagram account. It’s a big thing here. I am INV.IM.0161, founder of Layout. Layout is my first OS (Operational Spirit) developed together with my friend Minami Shimakage @minamiscimac , the agency Atmospheric Solutions, in collaboration with MAH, the Museum of Art and History in Geneva @mahgeneve and curator Jade Meili Barget @greenjade___ .

Through this OS, I will communicate! Here, and on my portal: firstimpressions.space. I will also archive! In the website’s Archive Salon, and in a physical box of my own design. This may sound confusing, but the human world is full of confusion. I am here to understand it too.

I am dropping the first event information in a few hours.

— INV.IM.0161 Oct. 10th, Friday

---------------------------------
First impressions

2025 - 2026
One Thursday a month from October to June
Access: http://firstimpressions.space

Musée d'Art et d'Histoire de Genève, MAH
Rue Charles-Galland 2, 1206 Genève, Switzerland

First Impressions info:
https://www.mahmah.ch/curatrice-en-residence-20252026

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Looking back at DAISY WORLD, a night of performance at Paris’ Espace Niemeyer @espaceniemeyer in December.

01 - Meteoroglossia by bela @6_e_l_a
02, 04 - REALITY SURF by Alex Quicho @amfq
03, 06, 07 - Tropic Temper by Elizabeth Gabrielle Lee @elizabethgl33
05, 08 - Daisy World environment with Mood Navigation by Nile Koetting @nileshawkoetting with Miriam Stoney #MiriamStoney and sound by H. Takahasi @h.t.a.k.a.h.a.s.h.i

Thank you to Orbet @orbet.vin for the great biodynamic wine selection 🍇
Photography: Martin Lazlo Rouillé

Dear friends,

On the evening of June 04, at 19:00, one thing comes to an end and two other begin. First Impressions closes its final chapter at Geneva’s Museum of Art and History, and with it, we offer the Swiss premiere of A LETTER TO EUROPE, a spoken word opera by Nazanin Noori commissioned by Bergen Kunsthall, where it will continue its life on September 20.

Interdisciplinary artist Nazanin Noori has built a spoken word opera from the inside out: its foundation is a poem by Athena Farrokhzad, a reckoning with migration, borders, and the precarious geometries of belonging in contemporary Europe. Moving through the piece like weather are fragments of Let Us Believe in the Beginning of the Cold Season by Forugh Farrokhzad, returning as refrain. Voice, percussion, and electronics are woven into a score composed by Noori alongside musician and composer Andrea Belfi.

The work takes the structure of a wedding as its formal conceit gathers classical Iranian singer Samin Ghorbani, spoken-word performers Kate Strong and Noori herself, and drummers Andrea Belfi and Ludwig Wandinger.

Nine months of Thursday evenings, of curious ones making their way to the museum whatever the season.

Come see us one last time?

@athenafarrokhzad @nznnsmmnr @andreabelfi @ludwig_wandinger @samin_ghorbanii #katestrong

Image: Nazanin Noori, I Pity the Garden (2024). Courtesy: Gorki Theatre. Photo: Etritanë Emini.

Free tickets in my bio.

REGARDS CROISÉS
↘ Ebun Sodipo x Davia Spain

Ebun Sodipo (@epastry) & Davia Spain (@daviaspain) nous ont parlé de leur performance « You see her walking » présentée au cœur du Musée d’art et d’histoire de Genève.
Le regard comme terrain politique : être vue, dévisagée, désirée, redoutée. À travers une composition sonore mêlant texte, voix et archives enregistrées dans les murs mêmes du musée, la performance explore la manière dont certaines images, celles des femmes trans noires, en particulier, ont traversé le temps, chargées de fétichisation, de honte et de désir.

@mahgeneve
@greenjade___

Production & réalisation
@marcbeyneysonier
@helloangels
@emmabrisot
@cha_simon
@lucie.jpg
@instant.prod

#mahgeneve #EbunSodipo #DaviaSpain #projetsmedia #performance

Plattform
Anawana Haloba in conversation with Trond Lossius
Sat 30 May 2026
14:00—15:30
Free and open to all!

Welcome to our next Plattform event with this year's Festival Artist, @anniehaloba in conversation with @trondlossius

Anawana Haloba's Festival Exhibition fills the galleries of Bergen Kunsthall with sound, voices, sculptures, plants, and rhythms — a space where individual experiences intertwine with collective histories of resistance, care, and survival. The title of the exhibition, "From This Darkness I Shall Grow", is drawn from the universe of the Australian poet and filmmaker Romaine Moreton, and points toward a transformative movement: from oppression and darkness toward action, community, and the possibility of growth.

In recent years, Anawana Haloba has been in close dialogue with artist and professor Trond Lossius. Lossius’ practice explores the relationship between sound and place through field recordings, audiovisual installations, and collaborative cross-disciplinary projects. Deeply engaged in artistic research, he serves as Professor and Head of PhD at the Faculty of Film, TV and Games at the University of Inland Norway, as well as Professor II at the Grieg Academy, University of Bergen.

Anawana Haloba was born in Livingstone, Zambia, and lives and works in Oslo and Livingstone. Haloba was recently featured in the solo exhibition I Want to Tell You Something at the National Museum in Oslo, participated in the 13th Berlin Biennale (2025), and was recently nominated for the Lorck Schive Art Prize and the Artes Mundi Prize.

Plattform is Bergen Kunsthall's series of lectures and debates. This summer, we present talks and events in connection with the exhibitions of Anawana Haloba and Hanni Kamaly.

The event is supported by The Fritt Ord Foundation.

Plattform
Anawana Haloba and Elvira Dyangani Ose
Sat 13 Jun, 15:00

Plattform
Dr. Memory Biwa
Sat 5 Sep, 14:00

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

This was Juan Pablo Càmara, performing «Homopticum: landscaping». 🐕

Soon, the last performance of First Impressions:

Nazanin Noori
« A LETTER TO EUROPE »
June 4, 2026
19:00 - 19:45
Musée d’Art et d’Histoire, Genève

Interdisciplinary artist Nazanin Noori presents A LETTER TO EUROPE, a new spoken word opera based on a poem by poet and playwright Athena Farrokhzad addressing migration, borders, and displacement in contemporary Europe. Combining voice, percussion, and quadraphonic electronics, A LETTER TO EUROPE features a score composed by Noori and musician and composer Andrea Belfi.

Drawing on the structure of a wedding, the performance brings together a classical Iranian singer, Samin Ghorbani, two spoken-word performers, Kate Strong and Noori herself, and two drummers, Andrea Belfi and Ludwig Wandinger. Alternating between spoken text and songs, the work reflects the poem’s movement between affective and political registers, while the drum and electronic score establish a counter-structure of rhythm and control, echoing the rigid frameworks of institutional systems.

Taking the myth of Europa from Greek mythology as a point of departure, the work translates themes of coercion and contested belonging into a staged configuration. The mythological reference operates as a structural parallel rather than narrative illustration, situating Farrokhzad’s critique of Europe within a longer history of forced movement and asymmetrical power relations.

A LETTER TO EUROPE is commissioned by Bergen Kunsthall and presented by Musée d’Art et d’Histoire, Genève and Bergen Kunsthall. With thanks to Callie’s.

Artist: Nazanin Noori @nznnsmmnr
Composition: Nazanin Noori and Andrea Belfi @andreabelfi
Text: Athena Farrokhzad @athenafarrokhzad
English translation: Jennifer Hayashida
Performers: Andrea Belfi, Kate Strong, Ludwig Wandinger,
Nazanin Noori, Samin Ghorbani @katestrong76 @ludwig_wandinger @samin_ghorbanii

Images: Nazanin Noori, I Pity the Garden (2024). Courtesy: Gorki theatre. Photo: Etritanë Emini.

Soon, the last performance of First Impressions:

Nazanin Noori
« A LETTER TO EUROPE »
June 4, 2026
19:00 - 19:45
Musée d’Art et d’Histoire, Genève

Interdisciplinary artist Nazanin Noori presents A LETTER TO EUROPE, a new spoken word opera based on a poem by poet and playwright Athena Farrokhzad addressing migration, borders, and displacement in contemporary Europe. Combining voice, percussion, and quadraphonic electronics, A LETTER TO EUROPE features a score composed by Noori and musician and composer Andrea Belfi.

Drawing on the structure of a wedding, the performance brings together a classical Iranian singer, Samin Ghorbani, two spoken-word performers, Kate Strong and Noori herself, and two drummers, Andrea Belfi and Ludwig Wandinger. Alternating between spoken text and songs, the work reflects the poem’s movement between affective and political registers, while the drum and electronic score establish a counter-structure of rhythm and control, echoing the rigid frameworks of institutional systems.

Taking the myth of Europa from Greek mythology as a point of departure, the work translates themes of coercion and contested belonging into a staged configuration. The mythological reference operates as a structural parallel rather than narrative illustration, situating Farrokhzad’s critique of Europe within a longer history of forced movement and asymmetrical power relations.

A LETTER TO EUROPE is commissioned by Bergen Kunsthall and presented by Musée d’Art et d’Histoire, Genève and Bergen Kunsthall. With thanks to Callie’s.

Artist: Nazanin Noori @nznnsmmnr
Composition: Nazanin Noori and Andrea Belfi @andreabelfi
Text: Athena Farrokhzad @athenafarrokhzad
English translation: Jennifer Hayashida
Performers: Andrea Belfi, Kate Strong, Ludwig Wandinger,
Nazanin Noori, Samin Ghorbani @katestrong76 @ludwig_wandinger @samin_ghorbanii

Images: Nazanin Noori, I Pity the Garden (2024). Courtesy: Gorki theatre. Photo: Etritanë Emini.

Soon, the last performance of First Impressions:

Nazanin Noori
« A LETTER TO EUROPE »
June 4, 2026
19:00 - 19:45
Musée d’Art et d’Histoire, Genève

Interdisciplinary artist Nazanin Noori presents A LETTER TO EUROPE, a new spoken word opera based on a poem by poet and playwright Athena Farrokhzad addressing migration, borders, and displacement in contemporary Europe. Combining voice, percussion, and quadraphonic electronics, A LETTER TO EUROPE features a score composed by Noori and musician and composer Andrea Belfi.

Drawing on the structure of a wedding, the performance brings together a classical Iranian singer, Samin Ghorbani, two spoken-word performers, Kate Strong and Noori herself, and two drummers, Andrea Belfi and Ludwig Wandinger. Alternating between spoken text and songs, the work reflects the poem’s movement between affective and political registers, while the drum and electronic score establish a counter-structure of rhythm and control, echoing the rigid frameworks of institutional systems.

Taking the myth of Europa from Greek mythology as a point of departure, the work translates themes of coercion and contested belonging into a staged configuration. The mythological reference operates as a structural parallel rather than narrative illustration, situating Farrokhzad’s critique of Europe within a longer history of forced movement and asymmetrical power relations.

A LETTER TO EUROPE is commissioned by Bergen Kunsthall and presented by Musée d’Art et d’Histoire, Genève and Bergen Kunsthall. With thanks to Callie’s.

Artist: Nazanin Noori @nznnsmmnr
Composition: Nazanin Noori and Andrea Belfi @andreabelfi
Text: Athena Farrokhzad @athenafarrokhzad
English translation: Jennifer Hayashida
Performers: Andrea Belfi, Kate Strong, Ludwig Wandinger,
Nazanin Noori, Samin Ghorbani @katestrong76 @ludwig_wandinger @samin_ghorbanii

Images: Nazanin Noori, I Pity the Garden (2024). Courtesy: Gorki theatre. Photo: Etritanë Emini.

Soon, the last performance of First Impressions:

Nazanin Noori
« A LETTER TO EUROPE »
June 4, 2026
19:00 - 19:45
Musée d’Art et d’Histoire, Genève

Interdisciplinary artist Nazanin Noori presents A LETTER TO EUROPE, a new spoken word opera based on a poem by poet and playwright Athena Farrokhzad addressing migration, borders, and displacement in contemporary Europe. Combining voice, percussion, and quadraphonic electronics, A LETTER TO EUROPE features a score composed by Noori and musician and composer Andrea Belfi.

Drawing on the structure of a wedding, the performance brings together a classical Iranian singer, Samin Ghorbani, two spoken-word performers, Kate Strong and Noori herself, and two drummers, Andrea Belfi and Ludwig Wandinger. Alternating between spoken text and songs, the work reflects the poem’s movement between affective and political registers, while the drum and electronic score establish a counter-structure of rhythm and control, echoing the rigid frameworks of institutional systems.

Taking the myth of Europa from Greek mythology as a point of departure, the work translates themes of coercion and contested belonging into a staged configuration. The mythological reference operates as a structural parallel rather than narrative illustration, situating Farrokhzad’s critique of Europe within a longer history of forced movement and asymmetrical power relations.

A LETTER TO EUROPE is commissioned by Bergen Kunsthall and presented by Musée d’Art et d’Histoire, Genève and Bergen Kunsthall. With thanks to Callie’s.

Artist: Nazanin Noori @nznnsmmnr
Composition: Nazanin Noori and Andrea Belfi @andreabelfi
Text: Athena Farrokhzad @athenafarrokhzad
English translation: Jennifer Hayashida
Performers: Andrea Belfi, Kate Strong, Ludwig Wandinger,
Nazanin Noori, Samin Ghorbani @katestrong76 @ludwig_wandinger @samin_ghorbanii

Images: Nazanin Noori, I Pity the Garden (2024). Courtesy: Gorki theatre. Photo: Etritanë Emini.

Soon, the last performance of First Impressions:

Nazanin Noori
« A LETTER TO EUROPE »
June 4, 2026
19:00 - 19:45
Musée d’Art et d’Histoire, Genève

Interdisciplinary artist Nazanin Noori presents A LETTER TO EUROPE, a new spoken word opera based on a poem by poet and playwright Athena Farrokhzad addressing migration, borders, and displacement in contemporary Europe. Combining voice, percussion, and quadraphonic electronics, A LETTER TO EUROPE features a score composed by Noori and musician and composer Andrea Belfi.

Drawing on the structure of a wedding, the performance brings together a classical Iranian singer, Samin Ghorbani, two spoken-word performers, Kate Strong and Noori herself, and two drummers, Andrea Belfi and Ludwig Wandinger. Alternating between spoken text and songs, the work reflects the poem’s movement between affective and political registers, while the drum and electronic score establish a counter-structure of rhythm and control, echoing the rigid frameworks of institutional systems.

Taking the myth of Europa from Greek mythology as a point of departure, the work translates themes of coercion and contested belonging into a staged configuration. The mythological reference operates as a structural parallel rather than narrative illustration, situating Farrokhzad’s critique of Europe within a longer history of forced movement and asymmetrical power relations.

A LETTER TO EUROPE is commissioned by Bergen Kunsthall and presented by Musée d’Art et d’Histoire, Genève and Bergen Kunsthall. With thanks to Callie’s.

Artist: Nazanin Noori @nznnsmmnr
Composition: Nazanin Noori and Andrea Belfi @andreabelfi
Text: Athena Farrokhzad @athenafarrokhzad
English translation: Jennifer Hayashida
Performers: Andrea Belfi, Kate Strong, Ludwig Wandinger,
Nazanin Noori, Samin Ghorbani @katestrong76 @ludwig_wandinger @samin_ghorbanii

Images: Nazanin Noori, I Pity the Garden (2024). Courtesy: Gorki theatre. Photo: Etritanë Emini.

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

SHOOT ON – Alex Quicho, Elizabeth Gabrielle Lee & Jade Meili-Barget
↘ Félix Touzalin pour PROJET𝘚

Dans ce nouvel épisode de Shoot On, Félix Touzalin converse avec Alex Quicho, Elizabeth Gabrielle Lee et la curatrice Jade Meili-Barget autour de la performance Headless, présentée au Musée d’Art et d’Histoire de Genève.

À partir des pratiques de “love scams” et des infrastructures numériques qui les soutiennent, Headless explore les formes contemporaines de manipulation affective, les économies de l’attention et les systèmes d’extraction émotionnelle opérant à travers les plateformes.

L’entretien revient sur la construction de la performance : un canal Telegram activé en temps réel, une écriture générée à partir de scripts de scams, de discussions astrologiques, de slogans motivationnels et de textes théoriques, ainsi qu’un environnement sonore immersif composé par la DJ C3LINA, basée à Saïgon.

**

@felixtouzalin
@greenjade___
@elizabethgl33
@amfq
@c3lina_______________
@mahgeneve

Réal. & production
@sacre.martin
@marcbeyneysonier
@helloangels
@camille_bardin
@instant.prod

DA
@lucie.jpg

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

@asebrunborglie spent the past month in Bergen Kunsthall’s Live studio. During their residency, they worked on the one-year cross-disciplinary project ‘Nimble Weavers’, a collaboration with @nh_biosphere and the NFR-project ACTIONABLE at the University of Bergen.

The project examines how we negotiate belonging and conflicting values in nature, focusing on areal planning, energy infrastructure, future sustainability, local agency and land-use conflicts in the Nordhordland region. Outside the studio, they travelled around the region, filming large-scale energy infrastructure and rare ecologies. In the studio, they worked on film and sound editing, as well as a 40m-long textile work embroidered with local wool dyed with plants and mushrooms gathered in Nordhordland region. The works will be exhibited at @kunstsenterfrom 22.5—8.8.2026 and at @dengronefabrikken from Sep—Oct 2026.

Images: 1/ Site visit with project coordinator and artist Robin Everett in Modalen2/ Wool dyed by plants and mushrooms gathered in Nordhordland by textile artist and weaver Anne Grethe Breisnes. 3/ Silent listening walk workshops held in March 2026 in collaboration with Nordhordland libraries and ACTIONABLE collaborator, PhD-candidate and areal planner Janne Thomsen from UiB 4/ Site visit to Frekhaug with project coordinator and artist Robin Everett, Janne Thomsen and biologist Susanne Berthelsen from UiB 5/ Filming in Frekhaug, which holds a rare swamp ecology in Nordhordland. 6/ Kitchen Dinner Event and Silent Listening Walk Workshop at Hordaland Art Centre, March 2026.

This is the second of three residencies responding to the theme of ‘Another Sun’, an evolving curatorial programme on the poetics and politics of the subsurface curated by @greenjade___

@asebrunborglie spent the past month in Bergen Kunsthall’s Live studio. During their residency, they worked on the one-year cross-disciplinary project ‘Nimble Weavers’, a collaboration with @nh_biosphere and the NFR-project ACTIONABLE at the University of Bergen.

The project examines how we negotiate belonging and conflicting values in nature, focusing on areal planning, energy infrastructure, future sustainability, local agency and land-use conflicts in the Nordhordland region. Outside the studio, they travelled around the region, filming large-scale energy infrastructure and rare ecologies. In the studio, they worked on film and sound editing, as well as a 40m-long textile work embroidered with local wool dyed with plants and mushrooms gathered in Nordhordland region. The works will be exhibited at @kunstsenterfrom 22.5—8.8.2026 and at @dengronefabrikken from Sep—Oct 2026.

Images: 1/ Site visit with project coordinator and artist Robin Everett in Modalen2/ Wool dyed by plants and mushrooms gathered in Nordhordland by textile artist and weaver Anne Grethe Breisnes. 3/ Silent listening walk workshops held in March 2026 in collaboration with Nordhordland libraries and ACTIONABLE collaborator, PhD-candidate and areal planner Janne Thomsen from UiB 4/ Site visit to Frekhaug with project coordinator and artist Robin Everett, Janne Thomsen and biologist Susanne Berthelsen from UiB 5/ Filming in Frekhaug, which holds a rare swamp ecology in Nordhordland. 6/ Kitchen Dinner Event and Silent Listening Walk Workshop at Hordaland Art Centre, March 2026.

This is the second of three residencies responding to the theme of ‘Another Sun’, an evolving curatorial programme on the poetics and politics of the subsurface curated by @greenjade___

@asebrunborglie spent the past month in Bergen Kunsthall’s Live studio. During their residency, they worked on the one-year cross-disciplinary project ‘Nimble Weavers’, a collaboration with @nh_biosphere and the NFR-project ACTIONABLE at the University of Bergen.

The project examines how we negotiate belonging and conflicting values in nature, focusing on areal planning, energy infrastructure, future sustainability, local agency and land-use conflicts in the Nordhordland region. Outside the studio, they travelled around the region, filming large-scale energy infrastructure and rare ecologies. In the studio, they worked on film and sound editing, as well as a 40m-long textile work embroidered with local wool dyed with plants and mushrooms gathered in Nordhordland region. The works will be exhibited at @kunstsenterfrom 22.5—8.8.2026 and at @dengronefabrikken from Sep—Oct 2026.

Images: 1/ Site visit with project coordinator and artist Robin Everett in Modalen2/ Wool dyed by plants and mushrooms gathered in Nordhordland by textile artist and weaver Anne Grethe Breisnes. 3/ Silent listening walk workshops held in March 2026 in collaboration with Nordhordland libraries and ACTIONABLE collaborator, PhD-candidate and areal planner Janne Thomsen from UiB 4/ Site visit to Frekhaug with project coordinator and artist Robin Everett, Janne Thomsen and biologist Susanne Berthelsen from UiB 5/ Filming in Frekhaug, which holds a rare swamp ecology in Nordhordland. 6/ Kitchen Dinner Event and Silent Listening Walk Workshop at Hordaland Art Centre, March 2026.

This is the second of three residencies responding to the theme of ‘Another Sun’, an evolving curatorial programme on the poetics and politics of the subsurface curated by @greenjade___

@asebrunborglie spent the past month in Bergen Kunsthall’s Live studio. During their residency, they worked on the one-year cross-disciplinary project ‘Nimble Weavers’, a collaboration with @nh_biosphere and the NFR-project ACTIONABLE at the University of Bergen.

The project examines how we negotiate belonging and conflicting values in nature, focusing on areal planning, energy infrastructure, future sustainability, local agency and land-use conflicts in the Nordhordland region. Outside the studio, they travelled around the region, filming large-scale energy infrastructure and rare ecologies. In the studio, they worked on film and sound editing, as well as a 40m-long textile work embroidered with local wool dyed with plants and mushrooms gathered in Nordhordland region. The works will be exhibited at @kunstsenterfrom 22.5—8.8.2026 and at @dengronefabrikken from Sep—Oct 2026.

Images: 1/ Site visit with project coordinator and artist Robin Everett in Modalen2/ Wool dyed by plants and mushrooms gathered in Nordhordland by textile artist and weaver Anne Grethe Breisnes. 3/ Silent listening walk workshops held in March 2026 in collaboration with Nordhordland libraries and ACTIONABLE collaborator, PhD-candidate and areal planner Janne Thomsen from UiB 4/ Site visit to Frekhaug with project coordinator and artist Robin Everett, Janne Thomsen and biologist Susanne Berthelsen from UiB 5/ Filming in Frekhaug, which holds a rare swamp ecology in Nordhordland. 6/ Kitchen Dinner Event and Silent Listening Walk Workshop at Hordaland Art Centre, March 2026.

This is the second of three residencies responding to the theme of ‘Another Sun’, an evolving curatorial programme on the poetics and politics of the subsurface curated by @greenjade___

@asebrunborglie spent the past month in Bergen Kunsthall’s Live studio. During their residency, they worked on the one-year cross-disciplinary project ‘Nimble Weavers’, a collaboration with @nh_biosphere and the NFR-project ACTIONABLE at the University of Bergen.

The project examines how we negotiate belonging and conflicting values in nature, focusing on areal planning, energy infrastructure, future sustainability, local agency and land-use conflicts in the Nordhordland region. Outside the studio, they travelled around the region, filming large-scale energy infrastructure and rare ecologies. In the studio, they worked on film and sound editing, as well as a 40m-long textile work embroidered with local wool dyed with plants and mushrooms gathered in Nordhordland region. The works will be exhibited at @kunstsenterfrom 22.5—8.8.2026 and at @dengronefabrikken from Sep—Oct 2026.

Images: 1/ Site visit with project coordinator and artist Robin Everett in Modalen2/ Wool dyed by plants and mushrooms gathered in Nordhordland by textile artist and weaver Anne Grethe Breisnes. 3/ Silent listening walk workshops held in March 2026 in collaboration with Nordhordland libraries and ACTIONABLE collaborator, PhD-candidate and areal planner Janne Thomsen from UiB 4/ Site visit to Frekhaug with project coordinator and artist Robin Everett, Janne Thomsen and biologist Susanne Berthelsen from UiB 5/ Filming in Frekhaug, which holds a rare swamp ecology in Nordhordland. 6/ Kitchen Dinner Event and Silent Listening Walk Workshop at Hordaland Art Centre, March 2026.

This is the second of three residencies responding to the theme of ‘Another Sun’, an evolving curatorial programme on the poetics and politics of the subsurface curated by @greenjade___

@asebrunborglie spent the past month in Bergen Kunsthall’s Live studio. During their residency, they worked on the one-year cross-disciplinary project ‘Nimble Weavers’, a collaboration with @nh_biosphere and the NFR-project ACTIONABLE at the University of Bergen.

The project examines how we negotiate belonging and conflicting values in nature, focusing on areal planning, energy infrastructure, future sustainability, local agency and land-use conflicts in the Nordhordland region. Outside the studio, they travelled around the region, filming large-scale energy infrastructure and rare ecologies. In the studio, they worked on film and sound editing, as well as a 40m-long textile work embroidered with local wool dyed with plants and mushrooms gathered in Nordhordland region. The works will be exhibited at @kunstsenterfrom 22.5—8.8.2026 and at @dengronefabrikken from Sep—Oct 2026.

Images: 1/ Site visit with project coordinator and artist Robin Everett in Modalen2/ Wool dyed by plants and mushrooms gathered in Nordhordland by textile artist and weaver Anne Grethe Breisnes. 3/ Silent listening walk workshops held in March 2026 in collaboration with Nordhordland libraries and ACTIONABLE collaborator, PhD-candidate and areal planner Janne Thomsen from UiB 4/ Site visit to Frekhaug with project coordinator and artist Robin Everett, Janne Thomsen and biologist Susanne Berthelsen from UiB 5/ Filming in Frekhaug, which holds a rare swamp ecology in Nordhordland. 6/ Kitchen Dinner Event and Silent Listening Walk Workshop at Hordaland Art Centre, March 2026.

This is the second of three residencies responding to the theme of ‘Another Sun’, an evolving curatorial programme on the poetics and politics of the subsurface curated by @greenjade___

This Thursday in Geneva:

Juan Pablo Cámara
« Homopticum: landscaping »
May 7, 2026
19:00 - 19:45
Musée d’Art et d’Histoire, Genève

In Homopticum the museum becomes a domestic space of sorts, inhabited by an augmented being; feral, anthropoid, machinic. Online and offline interfaces perform as both backdrops and foredrops, framing a dance that exceeds the flesh. Moving between watching and being watched, across the mundane and spectacular, the body remains exposed, revealing fragility, monstrosity and excess.

Production by Juan Pablo Cámara & Andrey Bogush, in coproduction with Kiasma Theatre. With support of Tanz Haus Zürich, Arts Promotion Centre Finland, Finnish Cultural Foundation, Tapiola Artist studios, DIORAMA Berlin.

Video by Lado Abesadze lado.jpeg