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Hello my gentle sun, let's talk:

Today is the official release day of the Meubles Meldem Catalogue.

It is distributed by SOCCOCHICO, you can find a direct link in bio. It is described in such a way:

Guy Meldem is developing a collection of comfortable, functional furniture that is disturbed (or augmented) by sculptural and pictorial reflections. These objects, made from poor, raw, recycled, standard and readily available materials, are designed to be infinitely reproducible and sold at affordable prices. 

The result of this work is presented in Meubles Meldem: a hybrid object between an artist's catalogue and an advertising mailing, 64 pages printed in cyan, magenta, yellow, black and fluorescent red.

🍉

The Radical Poetics of Materiality

In VC-Edition Nr. 17, Guy Meldem @guymeldem explores radical material honesty—celebrating immediacy, roughness, and improvisation. During a week-long workshop at ZHdK, BA Visual Communication students redefined what a lamp can be when freed from functional expectations.
The results are provisional luminous constructions—between function and fiction—built from mesh, posters, wire, and glue. Instability became method; experimentation became insight. This edition captures these gestures and experiments as a reflection on design as an act of thought.

DM us, write an email or come by at our office to order the publication.

The Radical Poetics of Materiality. 2023. VC-Edition Nr. 17. Produced in the third semester workshop with contributions by:
Viviane Bettschart @vivianedominique
Stanislas Favre @stanislas.favre
Miles Fischli @ichmachsfischli
Jelka Freivogel @vreifogel
Niclas Funk @curdin28
Alicia Godel @aliciamariagodel
Loïs Grimm @grimmwerk
Lia Grünig @liagruenig
Nina Hitz @nina____hitz
Marina Huber @marinaguscetti
Marc Iselin @mark.izelin
Clara Kuhnke @clara.kuhnke
Alison Léger @alisonleger_
Aatos Mononen
Vivien Pöhls @gravivik
Valerie Rohner @valerie_rohner
Justin Scharer @justinscharer
Lea Spiess @spiess.lea
Praveena Srirathan @praveenaax
Lisa Steiger
Dennis Vugts @44444dennis

Supervised by Guy Meldem @guymeldem
Introductory Text by Jonas Voegeli @infinityvoegeli

ISBN 978-3-907450-01-7

#publication #materiality #designresearch #vcedition #graphicdesign #vczhdk #visualcommunication #zhdk

The Radical Poetics of Materiality

In VC-Edition Nr. 17, Guy Meldem @guymeldem explores radical material honesty—celebrating immediacy, roughness, and improvisation. During a week-long workshop at ZHdK, BA Visual Communication students redefined what a lamp can be when freed from functional expectations.
The results are provisional luminous constructions—between function and fiction—built from mesh, posters, wire, and glue. Instability became method; experimentation became insight. This edition captures these gestures and experiments as a reflection on design as an act of thought.

DM us, write an email or come by at our office to order the publication.

The Radical Poetics of Materiality. 2023. VC-Edition Nr. 17. Produced in the third semester workshop with contributions by:
Viviane Bettschart @vivianedominique
Stanislas Favre @stanislas.favre
Miles Fischli @ichmachsfischli
Jelka Freivogel @vreifogel
Niclas Funk @curdin28
Alicia Godel @aliciamariagodel
Loïs Grimm @grimmwerk
Lia Grünig @liagruenig
Nina Hitz @nina____hitz
Marina Huber @marinaguscetti
Marc Iselin @mark.izelin
Clara Kuhnke @clara.kuhnke
Alison Léger @alisonleger_
Aatos Mononen
Vivien Pöhls @gravivik
Valerie Rohner @valerie_rohner
Justin Scharer @justinscharer
Lea Spiess @spiess.lea
Praveena Srirathan @praveenaax
Lisa Steiger
Dennis Vugts @44444dennis

Supervised by Guy Meldem @guymeldem
Introductory Text by Jonas Voegeli @infinityvoegeli

ISBN 978-3-907450-01-7

#publication #materiality #designresearch #vcedition #graphicdesign #vczhdk #visualcommunication #zhdk

The Radical Poetics of Materiality

In VC-Edition Nr. 17, Guy Meldem @guymeldem explores radical material honesty—celebrating immediacy, roughness, and improvisation. During a week-long workshop at ZHdK, BA Visual Communication students redefined what a lamp can be when freed from functional expectations.
The results are provisional luminous constructions—between function and fiction—built from mesh, posters, wire, and glue. Instability became method; experimentation became insight. This edition captures these gestures and experiments as a reflection on design as an act of thought.

DM us, write an email or come by at our office to order the publication.

The Radical Poetics of Materiality. 2023. VC-Edition Nr. 17. Produced in the third semester workshop with contributions by:
Viviane Bettschart @vivianedominique
Stanislas Favre @stanislas.favre
Miles Fischli @ichmachsfischli
Jelka Freivogel @vreifogel
Niclas Funk @curdin28
Alicia Godel @aliciamariagodel
Loïs Grimm @grimmwerk
Lia Grünig @liagruenig
Nina Hitz @nina____hitz
Marina Huber @marinaguscetti
Marc Iselin @mark.izelin
Clara Kuhnke @clara.kuhnke
Alison Léger @alisonleger_
Aatos Mononen
Vivien Pöhls @gravivik
Valerie Rohner @valerie_rohner
Justin Scharer @justinscharer
Lea Spiess @spiess.lea
Praveena Srirathan @praveenaax
Lisa Steiger
Dennis Vugts @44444dennis

Supervised by Guy Meldem @guymeldem
Introductory Text by Jonas Voegeli @infinityvoegeli

ISBN 978-3-907450-01-7

#publication #materiality #designresearch #vcedition #graphicdesign #vczhdk #visualcommunication #zhdk

The Radical Poetics of Materiality

In VC-Edition Nr. 17, Guy Meldem @guymeldem explores radical material honesty—celebrating immediacy, roughness, and improvisation. During a week-long workshop at ZHdK, BA Visual Communication students redefined what a lamp can be when freed from functional expectations.
The results are provisional luminous constructions—between function and fiction—built from mesh, posters, wire, and glue. Instability became method; experimentation became insight. This edition captures these gestures and experiments as a reflection on design as an act of thought.

DM us, write an email or come by at our office to order the publication.

The Radical Poetics of Materiality. 2023. VC-Edition Nr. 17. Produced in the third semester workshop with contributions by:
Viviane Bettschart @vivianedominique
Stanislas Favre @stanislas.favre
Miles Fischli @ichmachsfischli
Jelka Freivogel @vreifogel
Niclas Funk @curdin28
Alicia Godel @aliciamariagodel
Loïs Grimm @grimmwerk
Lia Grünig @liagruenig
Nina Hitz @nina____hitz
Marina Huber @marinaguscetti
Marc Iselin @mark.izelin
Clara Kuhnke @clara.kuhnke
Alison Léger @alisonleger_
Aatos Mononen
Vivien Pöhls @gravivik
Valerie Rohner @valerie_rohner
Justin Scharer @justinscharer
Lea Spiess @spiess.lea
Praveena Srirathan @praveenaax
Lisa Steiger
Dennis Vugts @44444dennis

Supervised by Guy Meldem @guymeldem
Introductory Text by Jonas Voegeli @infinityvoegeli

ISBN 978-3-907450-01-7

#publication #materiality #designresearch #vcedition #graphicdesign #vczhdk #visualcommunication #zhdk

The Radical Poetics of Materiality

In VC-Edition Nr. 17, Guy Meldem @guymeldem explores radical material honesty—celebrating immediacy, roughness, and improvisation. During a week-long workshop at ZHdK, BA Visual Communication students redefined what a lamp can be when freed from functional expectations.
The results are provisional luminous constructions—between function and fiction—built from mesh, posters, wire, and glue. Instability became method; experimentation became insight. This edition captures these gestures and experiments as a reflection on design as an act of thought.

DM us, write an email or come by at our office to order the publication.

The Radical Poetics of Materiality. 2023. VC-Edition Nr. 17. Produced in the third semester workshop with contributions by:
Viviane Bettschart @vivianedominique
Stanislas Favre @stanislas.favre
Miles Fischli @ichmachsfischli
Jelka Freivogel @vreifogel
Niclas Funk @curdin28
Alicia Godel @aliciamariagodel
Loïs Grimm @grimmwerk
Lia Grünig @liagruenig
Nina Hitz @nina____hitz
Marina Huber @marinaguscetti
Marc Iselin @mark.izelin
Clara Kuhnke @clara.kuhnke
Alison Léger @alisonleger_
Aatos Mononen
Vivien Pöhls @gravivik
Valerie Rohner @valerie_rohner
Justin Scharer @justinscharer
Lea Spiess @spiess.lea
Praveena Srirathan @praveenaax
Lisa Steiger
Dennis Vugts @44444dennis

Supervised by Guy Meldem @guymeldem
Introductory Text by Jonas Voegeli @infinityvoegeli

ISBN 978-3-907450-01-7

#publication #materiality #designresearch #vcedition #graphicdesign #vczhdk #visualcommunication #zhdk

The Radical Poetics of Materiality

In VC-Edition Nr. 17, Guy Meldem @guymeldem explores radical material honesty—celebrating immediacy, roughness, and improvisation. During a week-long workshop at ZHdK, BA Visual Communication students redefined what a lamp can be when freed from functional expectations.
The results are provisional luminous constructions—between function and fiction—built from mesh, posters, wire, and glue. Instability became method; experimentation became insight. This edition captures these gestures and experiments as a reflection on design as an act of thought.

DM us, write an email or come by at our office to order the publication.

The Radical Poetics of Materiality. 2023. VC-Edition Nr. 17. Produced in the third semester workshop with contributions by:
Viviane Bettschart @vivianedominique
Stanislas Favre @stanislas.favre
Miles Fischli @ichmachsfischli
Jelka Freivogel @vreifogel
Niclas Funk @curdin28
Alicia Godel @aliciamariagodel
Loïs Grimm @grimmwerk
Lia Grünig @liagruenig
Nina Hitz @nina____hitz
Marina Huber @marinaguscetti
Marc Iselin @mark.izelin
Clara Kuhnke @clara.kuhnke
Alison Léger @alisonleger_
Aatos Mononen
Vivien Pöhls @gravivik
Valerie Rohner @valerie_rohner
Justin Scharer @justinscharer
Lea Spiess @spiess.lea
Praveena Srirathan @praveenaax
Lisa Steiger
Dennis Vugts @44444dennis

Supervised by Guy Meldem @guymeldem
Introductory Text by Jonas Voegeli @infinityvoegeli

ISBN 978-3-907450-01-7

#publication #materiality #designresearch #vcedition #graphicdesign #vczhdk #visualcommunication #zhdk

The Radical Poetics of Materiality

In VC-Edition Nr. 17, Guy Meldem @guymeldem explores radical material honesty—celebrating immediacy, roughness, and improvisation. During a week-long workshop at ZHdK, BA Visual Communication students redefined what a lamp can be when freed from functional expectations.
The results are provisional luminous constructions—between function and fiction—built from mesh, posters, wire, and glue. Instability became method; experimentation became insight. This edition captures these gestures and experiments as a reflection on design as an act of thought.

DM us, write an email or come by at our office to order the publication.

The Radical Poetics of Materiality. 2023. VC-Edition Nr. 17. Produced in the third semester workshop with contributions by:
Viviane Bettschart @vivianedominique
Stanislas Favre @stanislas.favre
Miles Fischli @ichmachsfischli
Jelka Freivogel @vreifogel
Niclas Funk @curdin28
Alicia Godel @aliciamariagodel
Loïs Grimm @grimmwerk
Lia Grünig @liagruenig
Nina Hitz @nina____hitz
Marina Huber @marinaguscetti
Marc Iselin @mark.izelin
Clara Kuhnke @clara.kuhnke
Alison Léger @alisonleger_
Aatos Mononen
Vivien Pöhls @gravivik
Valerie Rohner @valerie_rohner
Justin Scharer @justinscharer
Lea Spiess @spiess.lea
Praveena Srirathan @praveenaax
Lisa Steiger
Dennis Vugts @44444dennis

Supervised by Guy Meldem @guymeldem
Introductory Text by Jonas Voegeli @infinityvoegeli

ISBN 978-3-907450-01-7

#publication #materiality #designresearch #vcedition #graphicdesign #vczhdk #visualcommunication #zhdk

Chandigarh Furniture (Bootleg reprint)
Release this Thursday 6:30pm @offprint_projects → Table 156

The self-published volume presents extremely worn-out pieces of furniture—some of them with improvised repairs—from Chandigarh, India. The first edition was awarded @mostbeautifulswissbooks 2014. This reissue includes 5 new design pieces and is produced in India. Cover printed on Sri Aurobindo Handmade Paper (various colours) and designed by Shayd Art, Sector 22-B, Chandigarh.

Pre-order available online: Link in Bio

Printed in India
ISBN 978-2-9701730-8-3
Published by @maxitype_com
#Chandigarh #Furniture #Design #Maximage

Chandigarh Furniture (Bootleg reprint)
Release this Thursday 6:30pm @offprint_projects → Table 156

The self-published volume presents extremely worn-out pieces of furniture—some of them with improvised repairs—from Chandigarh, India. The first edition was awarded @mostbeautifulswissbooks 2014. This reissue includes 5 new design pieces and is produced in India. Cover printed on Sri Aurobindo Handmade Paper (various colours) and designed by Shayd Art, Sector 22-B, Chandigarh.

Pre-order available online: Link in Bio

Printed in India
ISBN 978-2-9701730-8-3
Published by @maxitype_com
#Chandigarh #Furniture #Design #Maximage

Chandigarh Furniture (Bootleg reprint)
Release this Thursday 6:30pm @offprint_projects → Table 156

The self-published volume presents extremely worn-out pieces of furniture—some of them with improvised repairs—from Chandigarh, India. The first edition was awarded @mostbeautifulswissbooks 2014. This reissue includes 5 new design pieces and is produced in India. Cover printed on Sri Aurobindo Handmade Paper (various colours) and designed by Shayd Art, Sector 22-B, Chandigarh.

Pre-order available online: Link in Bio

Printed in India
ISBN 978-2-9701730-8-3
Published by @maxitype_com
#Chandigarh #Furniture #Design #Maximage

Chandigarh Furniture (Bootleg reprint)
Release this Thursday 6:30pm @offprint_projects → Table 156

The self-published volume presents extremely worn-out pieces of furniture—some of them with improvised repairs—from Chandigarh, India. The first edition was awarded @mostbeautifulswissbooks 2014. This reissue includes 5 new design pieces and is produced in India. Cover printed on Sri Aurobindo Handmade Paper (various colours) and designed by Shayd Art, Sector 22-B, Chandigarh.

Pre-order available online: Link in Bio

Printed in India
ISBN 978-2-9701730-8-3
Published by @maxitype_com
#Chandigarh #Furniture #Design #Maximage

Chandigarh Furniture (Bootleg reprint)
Release this Thursday 6:30pm @offprint_projects → Table 156

The self-published volume presents extremely worn-out pieces of furniture—some of them with improvised repairs—from Chandigarh, India. The first edition was awarded @mostbeautifulswissbooks 2014. This reissue includes 5 new design pieces and is produced in India. Cover printed on Sri Aurobindo Handmade Paper (various colours) and designed by Shayd Art, Sector 22-B, Chandigarh.

Pre-order available online: Link in Bio

Printed in India
ISBN 978-2-9701730-8-3
Published by @maxitype_com
#Chandigarh #Furniture #Design #Maximage

Chandigarh Furniture (Bootleg reprint)
Release this Thursday 6:30pm @offprint_projects → Table 156

The self-published volume presents extremely worn-out pieces of furniture—some of them with improvised repairs—from Chandigarh, India. The first edition was awarded @mostbeautifulswissbooks 2014. This reissue includes 5 new design pieces and is produced in India. Cover printed on Sri Aurobindo Handmade Paper (various colours) and designed by Shayd Art, Sector 22-B, Chandigarh.

Pre-order available online: Link in Bio

Printed in India
ISBN 978-2-9701730-8-3
Published by @maxitype_com
#Chandigarh #Furniture #Design #Maximage

Chandigarh Furniture (Bootleg reprint)
Release this Thursday 6:30pm @offprint_projects → Table 156

The self-published volume presents extremely worn-out pieces of furniture—some of them with improvised repairs—from Chandigarh, India. The first edition was awarded @mostbeautifulswissbooks 2014. This reissue includes 5 new design pieces and is produced in India. Cover printed on Sri Aurobindo Handmade Paper (various colours) and designed by Shayd Art, Sector 22-B, Chandigarh.

Pre-order available online: Link in Bio

Printed in India
ISBN 978-2-9701730-8-3
Published by @maxitype_com
#Chandigarh #Furniture #Design #Maximage

Hey there, busy June: I will show a chair at the Suspicious Objects exhibition opening at @fuse.zurich with @secondnature_design_projects in Zurich this Thursday the 12th. I will also show some chairs and a lamp at @basel.social.club opening this Sunday the 15th. And finally, even though I didn't win the price at the @swissdesignawards 💔, I am very happy about my display, so please come at the opening on Monday the 16th at the Messe.

☄️ Guy Meldem @guymeldem is one of the finalists in the Product Design category of the Swiss Design Awards 2025! We're thrilled to share his nominated project!
–
Meubles Meldem is a furniture design and self-production project. The pieces are designed to be comfortable and functional, yet disrupted (or enhanced) by sculptural and pictorial reflections. Drawing inspiration from DIY cultures, sculpture and vernacular construction, its approach explores the boundaries between art and design.

Made from raw, recycled, standard and easily accessible materials, these objects are infinitely reproducible and sold at affordable prices. Each piece in the catalogue is made to order, produced in unlimited quantities, dated and signed. The production line is designed for quick, on-demand manufacturing to optimise costs and minimise waste by keeping inventory low. Everything is made locally in Apples and Lausanne. Work time is compensated fairly while striving to keep the furniture accessible to most people. These goals are achieved by reducing construction time, limiting the range of materials used, and incorporating recycled materials whenever possible. In a world increasingly shaped by neoliberal market logic, this project is a way of breaking free from it.
–

📆 SAVE THE DATE 📅
Swiss Design Awards 2025
17-22 June, 2025
Hall 1.1, Messe Basel
Free Admission

16 June
16.30 Award ceremony
18:00 Opening Swiss Art & Design Awards
–

#SwissDesignAwards2025 #SDA2025 #SDA25

☄️ Guy Meldem @guymeldem is one of the finalists in the Product Design category of the Swiss Design Awards 2025! We're thrilled to share his nominated project!
–
Meubles Meldem is a furniture design and self-production project. The pieces are designed to be comfortable and functional, yet disrupted (or enhanced) by sculptural and pictorial reflections. Drawing inspiration from DIY cultures, sculpture and vernacular construction, its approach explores the boundaries between art and design.

Made from raw, recycled, standard and easily accessible materials, these objects are infinitely reproducible and sold at affordable prices. Each piece in the catalogue is made to order, produced in unlimited quantities, dated and signed. The production line is designed for quick, on-demand manufacturing to optimise costs and minimise waste by keeping inventory low. Everything is made locally in Apples and Lausanne. Work time is compensated fairly while striving to keep the furniture accessible to most people. These goals are achieved by reducing construction time, limiting the range of materials used, and incorporating recycled materials whenever possible. In a world increasingly shaped by neoliberal market logic, this project is a way of breaking free from it.
–

📆 SAVE THE DATE 📅
Swiss Design Awards 2025
17-22 June, 2025
Hall 1.1, Messe Basel
Free Admission

16 June
16.30 Award ceremony
18:00 Opening Swiss Art & Design Awards
–

#SwissDesignAwards2025 #SDA2025 #SDA25

☄️ Guy Meldem @guymeldem is one of the finalists in the Product Design category of the Swiss Design Awards 2025! We're thrilled to share his nominated project!
–
Meubles Meldem is a furniture design and self-production project. The pieces are designed to be comfortable and functional, yet disrupted (or enhanced) by sculptural and pictorial reflections. Drawing inspiration from DIY cultures, sculpture and vernacular construction, its approach explores the boundaries between art and design.

Made from raw, recycled, standard and easily accessible materials, these objects are infinitely reproducible and sold at affordable prices. Each piece in the catalogue is made to order, produced in unlimited quantities, dated and signed. The production line is designed for quick, on-demand manufacturing to optimise costs and minimise waste by keeping inventory low. Everything is made locally in Apples and Lausanne. Work time is compensated fairly while striving to keep the furniture accessible to most people. These goals are achieved by reducing construction time, limiting the range of materials used, and incorporating recycled materials whenever possible. In a world increasingly shaped by neoliberal market logic, this project is a way of breaking free from it.
–

📆 SAVE THE DATE 📅
Swiss Design Awards 2025
17-22 June, 2025
Hall 1.1, Messe Basel
Free Admission

16 June
16.30 Award ceremony
18:00 Opening Swiss Art & Design Awards
–

#SwissDesignAwards2025 #SDA2025 #SDA25

☄️ Guy Meldem @guymeldem is one of the finalists in the Product Design category of the Swiss Design Awards 2025! We're thrilled to share his nominated project!
–
Meubles Meldem is a furniture design and self-production project. The pieces are designed to be comfortable and functional, yet disrupted (or enhanced) by sculptural and pictorial reflections. Drawing inspiration from DIY cultures, sculpture and vernacular construction, its approach explores the boundaries between art and design.

Made from raw, recycled, standard and easily accessible materials, these objects are infinitely reproducible and sold at affordable prices. Each piece in the catalogue is made to order, produced in unlimited quantities, dated and signed. The production line is designed for quick, on-demand manufacturing to optimise costs and minimise waste by keeping inventory low. Everything is made locally in Apples and Lausanne. Work time is compensated fairly while striving to keep the furniture accessible to most people. These goals are achieved by reducing construction time, limiting the range of materials used, and incorporating recycled materials whenever possible. In a world increasingly shaped by neoliberal market logic, this project is a way of breaking free from it.
–

📆 SAVE THE DATE 📅
Swiss Design Awards 2025
17-22 June, 2025
Hall 1.1, Messe Basel
Free Admission

16 June
16.30 Award ceremony
18:00 Opening Swiss Art & Design Awards
–

#SwissDesignAwards2025 #SDA2025 #SDA25

Édition
Meubles Meldem X Moyard

Retrouvez l’article complet
www.moyard.ch
Journal

@guymeldem

#moyard #moyardarchitecturedinterieur

Édition
Meubles Meldem X Moyard

Retrouvez l’article complet
www.moyard.ch
Journal

@guymeldem

#moyard #moyardarchitecturedinterieur

Édition
Meubles Meldem X Moyard

Retrouvez l’article complet
www.moyard.ch
Journal

@guymeldem

#moyard #moyardarchitecturedinterieur

Édition
Meubles Meldem X Moyard

Retrouvez l’article complet
www.moyard.ch
Journal

@guymeldem

#moyard #moyardarchitecturedinterieur

If you happen to visit the city of Beauvais north of Paris, please pay a visit to @le.quadrilatere , a beautiful contemporary art center situated just next to the cathedral. If you pay attention to the furniture you will find some bespoke new chairs and a lamp/coat hanger I designed in collaboration with @ateliersjetj from Brussels. Many other great designers involved too:
@tommylhomme
@studioelementaires
@maxime.trsbt
@atelierbiermann
@chatillonarchitectes

If you happen to visit the city of Beauvais north of Paris, please pay a visit to @le.quadrilatere , a beautiful contemporary art center situated just next to the cathedral. If you pay attention to the furniture you will find some bespoke new chairs and a lamp/coat hanger I designed in collaboration with @ateliersjetj from Brussels. Many other great designers involved too:
@tommylhomme
@studioelementaires
@maxime.trsbt
@atelierbiermann
@chatillonarchitectes

If you happen to visit the city of Beauvais north of Paris, please pay a visit to @le.quadrilatere , a beautiful contemporary art center situated just next to the cathedral. If you pay attention to the furniture you will find some bespoke new chairs and a lamp/coat hanger I designed in collaboration with @ateliersjetj from Brussels. Many other great designers involved too:
@tommylhomme
@studioelementaires
@maxime.trsbt
@atelierbiermann
@chatillonarchitectes

If you happen to visit the city of Beauvais north of Paris, please pay a visit to @le.quadrilatere , a beautiful contemporary art center situated just next to the cathedral. If you pay attention to the furniture you will find some bespoke new chairs and a lamp/coat hanger I designed in collaboration with @ateliersjetj from Brussels. Many other great designers involved too:
@tommylhomme
@studioelementaires
@maxime.trsbt
@atelierbiermann
@chatillonarchitectes

If you happen to visit the city of Beauvais north of Paris, please pay a visit to @le.quadrilatere , a beautiful contemporary art center situated just next to the cathedral. If you pay attention to the furniture you will find some bespoke new chairs and a lamp/coat hanger I designed in collaboration with @ateliersjetj from Brussels. Many other great designers involved too:
@tommylhomme
@studioelementaires
@maxime.trsbt
@atelierbiermann
@chatillonarchitectes

If you happen to visit the city of Beauvais north of Paris, please pay a visit to @le.quadrilatere , a beautiful contemporary art center situated just next to the cathedral. If you pay attention to the furniture you will find some bespoke new chairs and a lamp/coat hanger I designed in collaboration with @ateliersjetj from Brussels. Many other great designers involved too:
@tommylhomme
@studioelementaires
@maxime.trsbt
@atelierbiermann
@chatillonarchitectes

If you happen to visit the city of Beauvais north of Paris, please pay a visit to @le.quadrilatere , a beautiful contemporary art center situated just next to the cathedral. If you pay attention to the furniture you will find some bespoke new chairs and a lamp/coat hanger I designed in collaboration with @ateliersjetj from Brussels. Many other great designers involved too:
@tommylhomme
@studioelementaires
@maxime.trsbt
@atelierbiermann
@chatillonarchitectes

Hi sweetie, here are a few objects and new prototypes shown earlier this year @secondnature_design_projects in very good company. (Armchair, low armchair, 2 seater low armchair, very small coffee table and coat hanger)

IN PLAIN SIGHT
Group Show
06.12.24 – 08.03.25

@alexandra.gerber
@altherr_weiss
@dimitri_baehler
@hotwireextensions
@livialauber
@maltevandermeyden
@bauer_bornemann
@nicolas.zanoni
@piccolli_furniture
@profiler.world
@sebastian.kommer

In Plain Sight showcases furniture and sculptural objects that embrace the unassuming. Rooted in appropriation, the legacy of the ready-made, and objets trouvés, these works move beyond conceptual declarations to critically engage with material excess, recontextualization, and reinterpretation. 

Through playful gestures, minimal interventions, and subtle provocations, they transform neutral industrial components, discarded items, and surplus materials. By shifting contexts, they reveal new aesthetic potentials and unexpected object typologies.

Here, “sight” becomes an active process—a dialogue between seeing, understanding, and experiencing. In John Berger’s words: “The relation between what we see and what we know is never settled.”

@secondnature_design_projects
@secondnaturegallery

Photo @jeremy_ayer

Hi sweetie, here are a few objects and new prototypes shown earlier this year @secondnature_design_projects in very good company. (Armchair, low armchair, 2 seater low armchair, very small coffee table and coat hanger)

IN PLAIN SIGHT
Group Show
06.12.24 – 08.03.25

@alexandra.gerber
@altherr_weiss
@dimitri_baehler
@hotwireextensions
@livialauber
@maltevandermeyden
@bauer_bornemann
@nicolas.zanoni
@piccolli_furniture
@profiler.world
@sebastian.kommer

In Plain Sight showcases furniture and sculptural objects that embrace the unassuming. Rooted in appropriation, the legacy of the ready-made, and objets trouvés, these works move beyond conceptual declarations to critically engage with material excess, recontextualization, and reinterpretation. 

Through playful gestures, minimal interventions, and subtle provocations, they transform neutral industrial components, discarded items, and surplus materials. By shifting contexts, they reveal new aesthetic potentials and unexpected object typologies.

Here, “sight” becomes an active process—a dialogue between seeing, understanding, and experiencing. In John Berger’s words: “The relation between what we see and what we know is never settled.”

@secondnature_design_projects
@secondnaturegallery

Photo @jeremy_ayer

Hi sweetie, here are a few objects and new prototypes shown earlier this year @secondnature_design_projects in very good company. (Armchair, low armchair, 2 seater low armchair, very small coffee table and coat hanger)

IN PLAIN SIGHT
Group Show
06.12.24 – 08.03.25

@alexandra.gerber
@altherr_weiss
@dimitri_baehler
@hotwireextensions
@livialauber
@maltevandermeyden
@bauer_bornemann
@nicolas.zanoni
@piccolli_furniture
@profiler.world
@sebastian.kommer

In Plain Sight showcases furniture and sculptural objects that embrace the unassuming. Rooted in appropriation, the legacy of the ready-made, and objets trouvés, these works move beyond conceptual declarations to critically engage with material excess, recontextualization, and reinterpretation. 

Through playful gestures, minimal interventions, and subtle provocations, they transform neutral industrial components, discarded items, and surplus materials. By shifting contexts, they reveal new aesthetic potentials and unexpected object typologies.

Here, “sight” becomes an active process—a dialogue between seeing, understanding, and experiencing. In John Berger’s words: “The relation between what we see and what we know is never settled.”

@secondnature_design_projects
@secondnaturegallery

Photo @jeremy_ayer

Hi sweetie, here are a few objects and new prototypes shown earlier this year @secondnature_design_projects in very good company. (Armchair, low armchair, 2 seater low armchair, very small coffee table and coat hanger)

IN PLAIN SIGHT
Group Show
06.12.24 – 08.03.25

@alexandra.gerber
@altherr_weiss
@dimitri_baehler
@hotwireextensions
@livialauber
@maltevandermeyden
@bauer_bornemann
@nicolas.zanoni
@piccolli_furniture
@profiler.world
@sebastian.kommer

In Plain Sight showcases furniture and sculptural objects that embrace the unassuming. Rooted in appropriation, the legacy of the ready-made, and objets trouvés, these works move beyond conceptual declarations to critically engage with material excess, recontextualization, and reinterpretation. 

Through playful gestures, minimal interventions, and subtle provocations, they transform neutral industrial components, discarded items, and surplus materials. By shifting contexts, they reveal new aesthetic potentials and unexpected object typologies.

Here, “sight” becomes an active process—a dialogue between seeing, understanding, and experiencing. In John Berger’s words: “The relation between what we see and what we know is never settled.”

@secondnature_design_projects
@secondnaturegallery

Photo @jeremy_ayer

Hi sweetie, here are a few objects and new prototypes shown earlier this year @secondnature_design_projects in very good company. (Armchair, low armchair, 2 seater low armchair, very small coffee table and coat hanger)

IN PLAIN SIGHT
Group Show
06.12.24 – 08.03.25

@alexandra.gerber
@altherr_weiss
@dimitri_baehler
@hotwireextensions
@livialauber
@maltevandermeyden
@bauer_bornemann
@nicolas.zanoni
@piccolli_furniture
@profiler.world
@sebastian.kommer

In Plain Sight showcases furniture and sculptural objects that embrace the unassuming. Rooted in appropriation, the legacy of the ready-made, and objets trouvés, these works move beyond conceptual declarations to critically engage with material excess, recontextualization, and reinterpretation. 

Through playful gestures, minimal interventions, and subtle provocations, they transform neutral industrial components, discarded items, and surplus materials. By shifting contexts, they reveal new aesthetic potentials and unexpected object typologies.

Here, “sight” becomes an active process—a dialogue between seeing, understanding, and experiencing. In John Berger’s words: “The relation between what we see and what we know is never settled.”

@secondnature_design_projects
@secondnaturegallery

Photo @jeremy_ayer

Hi sweetie, here are a few objects and new prototypes shown earlier this year @secondnature_design_projects in very good company. (Armchair, low armchair, 2 seater low armchair, very small coffee table and coat hanger)

IN PLAIN SIGHT
Group Show
06.12.24 – 08.03.25

@alexandra.gerber
@altherr_weiss
@dimitri_baehler
@hotwireextensions
@livialauber
@maltevandermeyden
@bauer_bornemann
@nicolas.zanoni
@piccolli_furniture
@profiler.world
@sebastian.kommer

In Plain Sight showcases furniture and sculptural objects that embrace the unassuming. Rooted in appropriation, the legacy of the ready-made, and objets trouvés, these works move beyond conceptual declarations to critically engage with material excess, recontextualization, and reinterpretation. 

Through playful gestures, minimal interventions, and subtle provocations, they transform neutral industrial components, discarded items, and surplus materials. By shifting contexts, they reveal new aesthetic potentials and unexpected object typologies.

Here, “sight” becomes an active process—a dialogue between seeing, understanding, and experiencing. In John Berger’s words: “The relation between what we see and what we know is never settled.”

@secondnature_design_projects
@secondnaturegallery

Photo @jeremy_ayer

Hi sweetie, here are a few objects and new prototypes shown earlier this year @secondnature_design_projects in very good company. (Armchair, low armchair, 2 seater low armchair, very small coffee table and coat hanger)

IN PLAIN SIGHT
Group Show
06.12.24 – 08.03.25

@alexandra.gerber
@altherr_weiss
@dimitri_baehler
@hotwireextensions
@livialauber
@maltevandermeyden
@bauer_bornemann
@nicolas.zanoni
@piccolli_furniture
@profiler.world
@sebastian.kommer

In Plain Sight showcases furniture and sculptural objects that embrace the unassuming. Rooted in appropriation, the legacy of the ready-made, and objets trouvés, these works move beyond conceptual declarations to critically engage with material excess, recontextualization, and reinterpretation. 

Through playful gestures, minimal interventions, and subtle provocations, they transform neutral industrial components, discarded items, and surplus materials. By shifting contexts, they reveal new aesthetic potentials and unexpected object typologies.

Here, “sight” becomes an active process—a dialogue between seeing, understanding, and experiencing. In John Berger’s words: “The relation between what we see and what we know is never settled.”

@secondnature_design_projects
@secondnaturegallery

Photo @jeremy_ayer

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

Vous êtes cordialement invitéexs au finissage de l’exposition «Meubles MMMEOLYDAREDM» ce vendredi 15 novembre à la Villa Moyard à Morges @la_villa_moyard , à partir de 18h30.

La Villa Moyard accueille Meubles Meldem pour une collaboration particulière. À cette occasion, Guy Meldem a travaillé avec les ateliers de restauration Moyard pour revisiter l’un des fauteuils de sa collection. Il a pu s’appuyer sur le savoir-faire unique de l’équipe, en particulier du tapissier Yves Bally, de l’ébéniste Garry Chételat et du designer Mathieu Winkler. Ils ont ainsi pu explorer une large gamme de techniques artisanales, des plus traditionnelles aux plus contemporaines. Le résultat est une série de six fauteuils, similaires dans leur conception, mais aux qualités nettement distinctes. Du pin au chêne, de la mousse PU au crin de cheval, du flocage au velours, et de la rondelle au clou Louis XIII, chaque pièce se distingue par des particularités techniques et économiques propres à chaque matériau et méthode.

SOLD OUT ! 🇵🇸❤️
This is a special edition of the stackable chair, painted in the colors of the palestinian flag. It is sold 200 chf, and 100% of those 200 chf will be given to an association in support of Palestinian victims.
It is an edition of 10, signed and numbered. It can be delivered for additional costs or picked up directly in Lausanne. Free Palestine !

First picture by taken by @magali.dougados.photographies during the exhibition "Meubles Meldem" at @espace_labo

SOLD OUT ! 🇵🇸❤️
This is a special edition of the stackable chair, painted in the colors of the palestinian flag. It is sold 200 chf, and 100% of those 200 chf will be given to an association in support of Palestinian victims.
It is an edition of 10, signed and numbered. It can be delivered for additional costs or picked up directly in Lausanne. Free Palestine !

First picture by taken by @magali.dougados.photographies during the exhibition "Meubles Meldem" at @espace_labo

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

Hi Sweetie, where have u been?
You know that as human beings, the need to connect with others is hard-wired. You're more than welcome to attend the finissage of the Meubles Meldem exhibition at @espace_labo , which will take place on Friday June 21 from 6pm.

The exhibition will be open until June 23.
Le Labo is open Wednesday to Friday from 3pm to 7pm, and Saturday from 2pm to 7pm.

The photographs were taken by @magali.dougados.photographies

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud

«Qualité de Vie» @pano_vevey last days of the exhibition ! To be seen until this saturday in Vevey
🍉
Pictures by @juliengremaud