Instagram Story Viewer

We're excited to share 'The Green Man' bronze plaque, a public artwork created collaboratively by participants of Portal Project and Antropia CIC.

The plaque reimagines the ancient figure of the Green Man - a guardian of thresholds and a symbol of renewal, resilience and hope.

Each plaque carries a unique QR code linking to resources for people affected by homelessness and will be installed in public spaces across London.

The first plaque will be installed in the garden of St. Paul's Church (AKA Actors' Church) in Covent Garden in late January. The other is currently on loan to @swisschurchlondon.

If you or your organisation would like to house a plaque, please get in touch! We have an edition of 5.

Visit our website to learn more about The Green Man and the ideas behind this project (link in bio).

1. 'The Green Man' plaque in bronze (approx 25 x 15cm) photograph by @neenapercy cast by @alfscastingcompany
2. Clay Green Man design by Johnny B, Portal Project artist
3. 'Stories at the Seams' exhibition install shot of 'The Green Man' bronze, photograph by @neenapercy

We're excited to share 'The Green Man' bronze plaque, a public artwork created collaboratively by participants of Portal Project and Antropia CIC.

The plaque reimagines the ancient figure of the Green Man - a guardian of thresholds and a symbol of renewal, resilience and hope.

Each plaque carries a unique QR code linking to resources for people affected by homelessness and will be installed in public spaces across London.

The first plaque will be installed in the garden of St. Paul's Church (AKA Actors' Church) in Covent Garden in late January. The other is currently on loan to @swisschurchlondon.

If you or your organisation would like to house a plaque, please get in touch! We have an edition of 5.

Visit our website to learn more about The Green Man and the ideas behind this project (link in bio).

1. 'The Green Man' plaque in bronze (approx 25 x 15cm) photograph by @neenapercy cast by @alfscastingcompany
2. Clay Green Man design by Johnny B, Portal Project artist
3. 'Stories at the Seams' exhibition install shot of 'The Green Man' bronze, photograph by @neenapercy

We're excited to share 'The Green Man' bronze plaque, a public artwork created collaboratively by participants of Portal Project and Antropia CIC.

The plaque reimagines the ancient figure of the Green Man - a guardian of thresholds and a symbol of renewal, resilience and hope.

Each plaque carries a unique QR code linking to resources for people affected by homelessness and will be installed in public spaces across London.

The first plaque will be installed in the garden of St. Paul's Church (AKA Actors' Church) in Covent Garden in late January. The other is currently on loan to @swisschurchlondon.

If you or your organisation would like to house a plaque, please get in touch! We have an edition of 5.

Visit our website to learn more about The Green Man and the ideas behind this project (link in bio).

1. 'The Green Man' plaque in bronze (approx 25 x 15cm) photograph by @neenapercy cast by @alfscastingcompany
2. Clay Green Man design by Johnny B, Portal Project artist
3. 'Stories at the Seams' exhibition install shot of 'The Green Man' bronze, photograph by @neenapercy

So pleased to announce ‘Stories at the Seams’ by Portal Project, opening next Thursday 6 Nov at @swisschurchlondon. This is our first public exhibition via new CIC, Antropia @a.n.t.r.o.p.i.a

Emerging from an annual workshop and mentorship programme, the exhibition is by a collective of 13 artists (Portal Project) with lived experience of homelessness and explores the threshold between reality and mythology.

Artists: Alastair, Daiga, John J Sheehy, Johnny B, Lewis EM, L (el), Lui Saatchi, Mary Vallely, Matt R, Peter H, Pete C. , RICASO, Richard Fletcher

🗓️ 6 - 9 Nov 2025
~ Opening hours: Friday - Sunday, 12 - 6pm
~ Private view (all welcome): Thurs 6 Nov, 5 - 8pm & includes a short talk by John Bird, Founder of the Big Issue, on art and healing.

Portal Project is a collaborative art collective, coordinated through Antropia CIC, working with people affected by homelessness. Through weekly workshops, we co-create public artworks, exhibitions and events that share their stories and perspectives.

Stemming from the artists’ own journeys, the works in ‘Stories at the Seams’ explore entanglements of lived experience and mythology. Spanning drawings, paintings and ceramics, they weave together folklore and memory, cityscapes and ancient deities, bodies and plant ecologies. The exhibition maps the artists’ personal and creative accounts of living between worlds. Here, at the junction of wildness and home, exclusion and belonging, where the known world begins to fray, thresholds emerge into the fantastical.

The exhibition includes a collaboratively made Green Man plaque, designed by Portal Project artists and Antropia CIC. It will form part of a limited series of six public artworks to be installed across Camden. Each holds a QR code linking to an online resource list for people experiencing homelessness, offering information on shelters, food and shower access points, as well as health and legal support.

In partnership with @bigissueuk @rochestersquareofficial @swisschurchlondon @londongraphiccentre

About year ago, I started working on a new body of drawings looking at fossils, stars, Wiltshire chalk streams and storytelling.

They have very much been supported by a recent DYCP grant (thanks to @aceagrams) through @hotdesque , which all began in the magical city of Turin on a research residency with @nthspace.

Happy to be sharing this piece, ‘Snakestones on the Mantle’, in coloured pencil & graphite, 50x70cm.

We’ve been busy recently forming a Community Interest Company @a.n.t.r.o.p.i.a , focussing on art & wellbeing through participatory and site-responsive projects (in collaboration with wonderful artist, curator and healer @amandacamenisch).

We’ll still be continuing with our art/curatorial stuff here but, if you’re interested in seeing what we’re up to there, do give us a follow / check out our snazzy new website www.antropia.org.uk

More about Antropia:
➰We approach public art and art-making as active forces that can shape experience, shift perception, and open pathways between people, places, and ideas.

➰We believe that public spaces hold memory, emotion, conflict, and potential. Through creative interventions, these spaces can become positive catalysts for places and people.

➰Through workshops, installations, performances, research and collective events, we work with individuals and communities of all ages, including those experiencing marginalisation, displacement or isolation, as well as children and young people.

➰We work to create and/or co-create projects that centre care, imagination, and social connection and help people become active agents in shaping their environments and stories.

Big thanks to @yanco.studio for the logo design

We’ve been busy recently forming a Community Interest Company @a.n.t.r.o.p.i.a , focussing on art & wellbeing through participatory and site-responsive projects (in collaboration with wonderful artist, curator and healer @amandacamenisch).

We’ll still be continuing with our art/curatorial stuff here but, if you’re interested in seeing what we’re up to there, do give us a follow / check out our snazzy new website www.antropia.org.uk

More about Antropia:
➰We approach public art and art-making as active forces that can shape experience, shift perception, and open pathways between people, places, and ideas.

➰We believe that public spaces hold memory, emotion, conflict, and potential. Through creative interventions, these spaces can become positive catalysts for places and people.

➰Through workshops, installations, performances, research and collective events, we work with individuals and communities of all ages, including those experiencing marginalisation, displacement or isolation, as well as children and young people.

➰We work to create and/or co-create projects that centre care, imagination, and social connection and help people become active agents in shaping their environments and stories.

Big thanks to @yanco.studio for the logo design

We’ve been busy recently forming a Community Interest Company @a.n.t.r.o.p.i.a , focussing on art & wellbeing through participatory and site-responsive projects (in collaboration with wonderful artist, curator and healer @amandacamenisch).

We’ll still be continuing with our art/curatorial stuff here but, if you’re interested in seeing what we’re up to there, do give us a follow / check out our snazzy new website www.antropia.org.uk

More about Antropia:
➰We approach public art and art-making as active forces that can shape experience, shift perception, and open pathways between people, places, and ideas.

➰We believe that public spaces hold memory, emotion, conflict, and potential. Through creative interventions, these spaces can become positive catalysts for places and people.

➰Through workshops, installations, performances, research and collective events, we work with individuals and communities of all ages, including those experiencing marginalisation, displacement or isolation, as well as children and young people.

➰We work to create and/or co-create projects that centre care, imagination, and social connection and help people become active agents in shaping their environments and stories.

Big thanks to @yanco.studio for the logo design

What fun we had last weekend, making little recycled paper puppets of the flora and fauna of London’s waterways. These cuties got plenty of love too 🐀🌱

Thank you to everyone who stopped by!

The workshop was supported by @citywestminster as part of the North Paddington Canalside Festival.

🍃 Join us on 6th September, 12 - 4pm under the Westway Flyover (W9 2HE), for ‘Waterway Puppets’, a kinetic puppet-making workshop tuning into the biodiversity and interconnectedness of the Grand Union Canal.

We’ll be up-cycling and collaging recycled and biodegradable materials to create moving cardboard figures of the more-than-human life we share the London waterways with.

🔗 Link in bio for further more info & to book

Suitable for adults looking for a creative outlet, families, children (aged 5 upwards) and young people.

This workshop is part of the of the @westminster North Paddington Canalside Festival. The festival & activity location is under the Westway flyover and in the grassy area in front of the Westbourne Park Bus Garage.

See map (img 3) for specific location and access instructions.

🍃 Join us on 6th September, 12 - 4pm under the Westway Flyover (W9 2HE), for ‘Waterway Puppets’, a kinetic puppet-making workshop tuning into the biodiversity and interconnectedness of the Grand Union Canal.

We’ll be up-cycling and collaging recycled and biodegradable materials to create moving cardboard figures of the more-than-human life we share the London waterways with.

🔗 Link in bio for further more info & to book

Suitable for adults looking for a creative outlet, families, children (aged 5 upwards) and young people.

This workshop is part of the of the @westminster North Paddington Canalside Festival. The festival & activity location is under the Westway flyover and in the grassy area in front of the Westbourne Park Bus Garage.

See map (img 3) for specific location and access instructions.

🍃 Join us on 6th September, 12 - 4pm under the Westway Flyover (W9 2HE), for ‘Waterway Puppets’, a kinetic puppet-making workshop tuning into the biodiversity and interconnectedness of the Grand Union Canal.

We’ll be up-cycling and collaging recycled and biodegradable materials to create moving cardboard figures of the more-than-human life we share the London waterways with.

🔗 Link in bio for further more info & to book

Suitable for adults looking for a creative outlet, families, children (aged 5 upwards) and young people.

This workshop is part of the of the @westminster North Paddington Canalside Festival. The festival & activity location is under the Westway flyover and in the grassy area in front of the Westbourne Park Bus Garage.

See map (img 3) for specific location and access instructions.

Thinking through and between scales of perception and experience, we’ve been looking at these intricate foraminifera microfossils.

These tiny fossilised skeletons of microscopic plants and animals from the deep seabed have extremely fast evolutionary rates and sensitivity to temperature changes. When they die, they mix with sand and silt—sediments that prevent their complete decay and form layers of suspended past lives.

These unique beings have been indicators in decades-long research into calibrating geological time. They hold knowledge of ancient and future climate changes, as well secrets for the potential build up of fossil resources for deep-sea mining. Like a scripture, they point to deep time, life and our shared delicate future.

🐚

Img 2: University of Leeds Electron Optics Image Laboratory
Img 4: Journal of Micropalaeontology: “Deep-sea benthic foraminifera from Ocean Drilling Program (ODP) Sites 752, 1168 and 1139, southern Indian Ocean”

Thinking through and between scales of perception and experience, we’ve been looking at these intricate foraminifera microfossils.

These tiny fossilised skeletons of microscopic plants and animals from the deep seabed have extremely fast evolutionary rates and sensitivity to temperature changes. When they die, they mix with sand and silt—sediments that prevent their complete decay and form layers of suspended past lives.

These unique beings have been indicators in decades-long research into calibrating geological time. They hold knowledge of ancient and future climate changes, as well secrets for the potential build up of fossil resources for deep-sea mining. Like a scripture, they point to deep time, life and our shared delicate future.

🐚

Img 2: University of Leeds Electron Optics Image Laboratory
Img 4: Journal of Micropalaeontology: “Deep-sea benthic foraminifera from Ocean Drilling Program (ODP) Sites 752, 1168 and 1139, southern Indian Ocean”

Thinking through and between scales of perception and experience, we’ve been looking at these intricate foraminifera microfossils.

These tiny fossilised skeletons of microscopic plants and animals from the deep seabed have extremely fast evolutionary rates and sensitivity to temperature changes. When they die, they mix with sand and silt—sediments that prevent their complete decay and form layers of suspended past lives.

These unique beings have been indicators in decades-long research into calibrating geological time. They hold knowledge of ancient and future climate changes, as well secrets for the potential build up of fossil resources for deep-sea mining. Like a scripture, they point to deep time, life and our shared delicate future.

🐚

Img 2: University of Leeds Electron Optics Image Laboratory
Img 4: Journal of Micropalaeontology: “Deep-sea benthic foraminifera from Ocean Drilling Program (ODP) Sites 752, 1168 and 1139, southern Indian Ocean”

Thinking through and between scales of perception and experience, we’ve been looking at these intricate foraminifera microfossils.

These tiny fossilised skeletons of microscopic plants and animals from the deep seabed have extremely fast evolutionary rates and sensitivity to temperature changes. When they die, they mix with sand and silt—sediments that prevent their complete decay and form layers of suspended past lives.

These unique beings have been indicators in decades-long research into calibrating geological time. They hold knowledge of ancient and future climate changes, as well secrets for the potential build up of fossil resources for deep-sea mining. Like a scripture, they point to deep time, life and our shared delicate future.

🐚

Img 2: University of Leeds Electron Optics Image Laboratory
Img 4: Journal of Micropalaeontology: “Deep-sea benthic foraminifera from Ocean Drilling Program (ODP) Sites 752, 1168 and 1139, southern Indian Ocean”

Finally sharing some of the beautiful contributions made during a collaborative embossing workshop at King’s College London last year, organised by Frederika Tevebring @tevebrings.art.

The result is a fold-out book of speculative amalgams and reconfigurations of enlarged seeds, cells and other micro-organisms, fossilised on foil and food trays.

Inspired by ongoing research into re-enchantment, interspecies kinship and staging, we considered micro-macro perspectives to create series of hybrid inscriptions of more-than-human lifeforms.

contributions by:
@marisamusing
@fani_parali
@romero.beca
@mariacynkier
& more!

This workshop was in tandem with the ‘Pasts to Come’ exhibition @lifeatkings curated by @tevebrings.art

Finally sharing some of the beautiful contributions made during a collaborative embossing workshop at King’s College London last year, organised by Frederika Tevebring @tevebrings.art.

The result is a fold-out book of speculative amalgams and reconfigurations of enlarged seeds, cells and other micro-organisms, fossilised on foil and food trays.

Inspired by ongoing research into re-enchantment, interspecies kinship and staging, we considered micro-macro perspectives to create series of hybrid inscriptions of more-than-human lifeforms.

contributions by:
@marisamusing
@fani_parali
@romero.beca
@mariacynkier
& more!

This workshop was in tandem with the ‘Pasts to Come’ exhibition @lifeatkings curated by @tevebrings.art

Finally sharing some of the beautiful contributions made during a collaborative embossing workshop at King’s College London last year, organised by Frederika Tevebring @tevebrings.art.

The result is a fold-out book of speculative amalgams and reconfigurations of enlarged seeds, cells and other micro-organisms, fossilised on foil and food trays.

Inspired by ongoing research into re-enchantment, interspecies kinship and staging, we considered micro-macro perspectives to create series of hybrid inscriptions of more-than-human lifeforms.

contributions by:
@marisamusing
@fani_parali
@romero.beca
@mariacynkier
& more!

This workshop was in tandem with the ‘Pasts to Come’ exhibition @lifeatkings curated by @tevebrings.art

Finally sharing some of the beautiful contributions made during a collaborative embossing workshop at King’s College London last year, organised by Frederika Tevebring @tevebrings.art.

The result is a fold-out book of speculative amalgams and reconfigurations of enlarged seeds, cells and other micro-organisms, fossilised on foil and food trays.

Inspired by ongoing research into re-enchantment, interspecies kinship and staging, we considered micro-macro perspectives to create series of hybrid inscriptions of more-than-human lifeforms.

contributions by:
@marisamusing
@fani_parali
@romero.beca
@mariacynkier
& more!

This workshop was in tandem with the ‘Pasts to Come’ exhibition @lifeatkings curated by @tevebrings.art

Finally sharing some of the beautiful contributions made during a collaborative embossing workshop at King’s College London last year, organised by Frederika Tevebring @tevebrings.art.

The result is a fold-out book of speculative amalgams and reconfigurations of enlarged seeds, cells and other micro-organisms, fossilised on foil and food trays.

Inspired by ongoing research into re-enchantment, interspecies kinship and staging, we considered micro-macro perspectives to create series of hybrid inscriptions of more-than-human lifeforms.

contributions by:
@marisamusing
@fani_parali
@romero.beca
@mariacynkier
& more!

This workshop was in tandem with the ‘Pasts to Come’ exhibition @lifeatkings curated by @tevebrings.art

Throwback to our collaborative film Terrestrial Act, can’t believe this was already 4 years ago in Earth Time 🌱

These stills feature artworks by @samcarvosso that were woven into a visual narrative, using theatrical tropes to animate supposedly inanimate matter on stage.

Shot on stage at the Theatre Royal Newcastle with cinematographer @rosie_taylor_

Throwback to our collaborative film Terrestrial Act, can’t believe this was already 4 years ago in Earth Time 🌱

These stills feature artworks by @samcarvosso that were woven into a visual narrative, using theatrical tropes to animate supposedly inanimate matter on stage.

Shot on stage at the Theatre Royal Newcastle with cinematographer @rosie_taylor_

After an auspicious alignment last weekend of Jupiter, Mars, Venus and Saturn, here are some spheres and circles currently orbiting our studio:

Seaweed farming in the Philippines, the cleared Amazon farmland in Brazil exposing ancient earthworks, vertical farming in the UK, billionaires vending machine rooms in the USA, 14th and 15th century English astronomical tables and astrolabes.

After an auspicious alignment last weekend of Jupiter, Mars, Venus and Saturn, here are some spheres and circles currently orbiting our studio:

Seaweed farming in the Philippines, the cleared Amazon farmland in Brazil exposing ancient earthworks, vertical farming in the UK, billionaires vending machine rooms in the USA, 14th and 15th century English astronomical tables and astrolabes.

After an auspicious alignment last weekend of Jupiter, Mars, Venus and Saturn, here are some spheres and circles currently orbiting our studio:

Seaweed farming in the Philippines, the cleared Amazon farmland in Brazil exposing ancient earthworks, vertical farming in the UK, billionaires vending machine rooms in the USA, 14th and 15th century English astronomical tables and astrolabes.

After an auspicious alignment last weekend of Jupiter, Mars, Venus and Saturn, here are some spheres and circles currently orbiting our studio:

Seaweed farming in the Philippines, the cleared Amazon farmland in Brazil exposing ancient earthworks, vertical farming in the UK, billionaires vending machine rooms in the USA, 14th and 15th century English astronomical tables and astrolabes.

After an auspicious alignment last weekend of Jupiter, Mars, Venus and Saturn, here are some spheres and circles currently orbiting our studio:

Seaweed farming in the Philippines, the cleared Amazon farmland in Brazil exposing ancient earthworks, vertical farming in the UK, billionaires vending machine rooms in the USA, 14th and 15th century English astronomical tables and astrolabes.

After an auspicious alignment last weekend of Jupiter, Mars, Venus and Saturn, here are some spheres and circles currently orbiting our studio:

Seaweed farming in the Philippines, the cleared Amazon farmland in Brazil exposing ancient earthworks, vertical farming in the UK, billionaires vending machine rooms in the USA, 14th and 15th century English astronomical tables and astrolabes.

Our new piece made for the San Mei Gallery Fundraiser Exhibition - now available for sale online and in person for their urgent fundraiser. Link in bio.

The piece draws on our ongoing process of shifting focus between past and present, staged and unstaged, organic and fabricated.

‘Moonflower’ depicts a night-blooming flower, plants which evolved to open at night to attract moth pollinators. Native to tropical regions of North and South America, it was used by Mesoamerican civilisations as part of a chemical process of vulcanisation, to create rubber from tree sap. This process predates by at least 3,000 years American chemist Charles Goodyear’s patented ‘invention’ of vulcanisation in 1844. 

Made from embossed copper and hand-cut paper collage, and sitting between digital aesthetics and hand craft, the flower acts as a central character on a neon grid and a blue-screen backdrop, waiting to be implanted into film.

Our new piece made for the San Mei Gallery Fundraiser Exhibition - now available for sale online and in person for their urgent fundraiser. Link in bio.

The piece draws on our ongoing process of shifting focus between past and present, staged and unstaged, organic and fabricated.

‘Moonflower’ depicts a night-blooming flower, plants which evolved to open at night to attract moth pollinators. Native to tropical regions of North and South America, it was used by Mesoamerican civilisations as part of a chemical process of vulcanisation, to create rubber from tree sap. This process predates by at least 3,000 years American chemist Charles Goodyear’s patented ‘invention’ of vulcanisation in 1844. 

Made from embossed copper and hand-cut paper collage, and sitting between digital aesthetics and hand craft, the flower acts as a central character on a neon grid and a blue-screen backdrop, waiting to be implanted into film.

Working @sanmeigallery over the last two years has been such a rewarding experience, supporting other emerging artists and building a growing community.

However, we’re facing a critical moment and need all the help we can gather! 💪
 
Recently our core funder was forced to withdraw funding accounting for 50% of our income due to their own challenges. 

For our Fundraiser Exhibition, over 80 artists have generously contributed artworks available for sale! Process of making my own one pictured 👆

✨Join us on Thursday, 28th November, 6–10pm, at San Mei Gallery for our launch and exhibition opening! With raffle prizes, performances and drinks ✨

Details:
* Thursday, 28th November, 6–10pm

* 28th Nov – 15th Dec 2024 (online and in person)

* San Mei Gallery, SW9 7TB

* £5 donation on the door, includes prize draw entry

Featuring:
Alexi Marshall, Ali Hewson, Anna Reading, Annie Strachan, Amba Sayal-Bennet, Benjamin Arthur Brown, Bobby Dowler, Camilla Bliss, Carlotta Roma, Corey Bartle-Sanderson, Daisy Smith, Egle Jauncems, Eleanor Arnold, Eleanor Wang, Ella Merriman, Ellie MacGarry, Emily Stapleton Jefferis, Farrokh Aman, Flora Bradwell, Frances Gibson, Francesca Anfossi, Francis Whorrall-Campbell, Grace Richardson, Hannah Lim, Harold Offeh, Hazel O’Sullivan, Hotdesque, Hsi-Nong Huang, Ian Giles, Isabel Mills, Jake Fisk, Janet Currier, Jane Hayes Greenwood, Janne Meijer, James Jessiman, Joe Gamble, Joe Moss, Jon Kipps, Josie Perry, Josh C. Wright, Joy Stokes, Julia Villamonte, Kate Bright, Katie Childs, Korallia Stergides, Laura Kate Sutton, Lauren Godfrey, Lilah Fowler, Louis Newby, Laila Majid, Lucy Page, Luke Burton, Madeleine Pledge, Maisie Ridpath, Maria Joranko, Melanie Jackson, Milan Tarascas, Mimi Lanfranchi, Moe Redish, Mona Osman, Nathalie Hollis, Niki Usagi, Olivia Mundy, Oriele Steiner, Patrick Stratton, Pietra Galli, Mafalda Costa, Polam Chan, Puer Deorum, Rafaella Lazarou, Rana Begum, Rebeca Romero, Rhian Harris-Mussi, Sam Nicholson, Sam Williams, Tahmina Negmat, Tiffany Wellington, Unu Sohn, Valerie Savchits, Verity Birt, Wei Yang, Will Vetch, Zishi Han.

Image: Daisy Smith @kartoffeln.zusammen

Working @sanmeigallery over the last two years has been such a rewarding experience, supporting other emerging artists and building a growing community.

However, we’re facing a critical moment and need all the help we can gather! 💪
 
Recently our core funder was forced to withdraw funding accounting for 50% of our income due to their own challenges. 

For our Fundraiser Exhibition, over 80 artists have generously contributed artworks available for sale! Process of making my own one pictured 👆

✨Join us on Thursday, 28th November, 6–10pm, at San Mei Gallery for our launch and exhibition opening! With raffle prizes, performances and drinks ✨

Details:
* Thursday, 28th November, 6–10pm

* 28th Nov – 15th Dec 2024 (online and in person)

* San Mei Gallery, SW9 7TB

* £5 donation on the door, includes prize draw entry

Featuring:
Alexi Marshall, Ali Hewson, Anna Reading, Annie Strachan, Amba Sayal-Bennet, Benjamin Arthur Brown, Bobby Dowler, Camilla Bliss, Carlotta Roma, Corey Bartle-Sanderson, Daisy Smith, Egle Jauncems, Eleanor Arnold, Eleanor Wang, Ella Merriman, Ellie MacGarry, Emily Stapleton Jefferis, Farrokh Aman, Flora Bradwell, Frances Gibson, Francesca Anfossi, Francis Whorrall-Campbell, Grace Richardson, Hannah Lim, Harold Offeh, Hazel O’Sullivan, Hotdesque, Hsi-Nong Huang, Ian Giles, Isabel Mills, Jake Fisk, Janet Currier, Jane Hayes Greenwood, Janne Meijer, James Jessiman, Joe Gamble, Joe Moss, Jon Kipps, Josie Perry, Josh C. Wright, Joy Stokes, Julia Villamonte, Kate Bright, Katie Childs, Korallia Stergides, Laura Kate Sutton, Lauren Godfrey, Lilah Fowler, Louis Newby, Laila Majid, Lucy Page, Luke Burton, Madeleine Pledge, Maisie Ridpath, Maria Joranko, Melanie Jackson, Milan Tarascas, Mimi Lanfranchi, Moe Redish, Mona Osman, Nathalie Hollis, Niki Usagi, Olivia Mundy, Oriele Steiner, Patrick Stratton, Pietra Galli, Mafalda Costa, Polam Chan, Puer Deorum, Rafaella Lazarou, Rana Begum, Rebeca Romero, Rhian Harris-Mussi, Sam Nicholson, Sam Williams, Tahmina Negmat, Tiffany Wellington, Unu Sohn, Valerie Savchits, Verity Birt, Wei Yang, Will Vetch, Zishi Han.

Image: Daisy Smith @kartoffeln.zusammen