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lerakelemen
Lera Kelemen
a rose is a rose is a rose
only so much adrift to brace my self control
2025
artist’s slip dress (absent) / metallic watch cases sourced from collectors, watch makers & English households (1930-2010) / archival glassine paper / wire / wood display structure
dimensions, variable (object: 74 x 42 x 15 cm / display: 240 x 200 x 240)
—
Barthes would call this the punctum, that tiny wound where meaning is overexposed. The collectioneuse’s moment of tenderness, or perhaps of jealousy, towards her objects. Her self-induced sequestration-by-words. My sense of self, lost & preserved, you say, already ceased, and there’s no better illusion than the wristwatch.
—
A slip dress I wore nightly, impulsed to preserve it - its movement & permanence, its folds. First, I placed it in a bag, then froze it. Then let it sit on the table in my studio. Over the next two months, I gradually retraced the shape & volume. The process became systematic & intentional - a precision aimed at protecting the item precious & frail, that covered, revealed, made me feel seen, exposed, frail, fierce - through a multitude of gazes. Over 500 discarded metallic watch cases retrace that dynamic carelessness, the control & ecstasy.
—
On view until February at Kunsthalle Bega
Photo: Vlad Cîndea
only so much adrift to brace my self control
2025
artist’s slip dress (absent) / metallic watch cases sourced from collectors, watch makers & English households (1930-2010) / archival glassine paper / wire / wood display structure
dimensions, variable (object: 74 x 42 x 15 cm / display: 240 x 200 x 240)
—
Barthes would call this the punctum, that tiny wound where meaning is overexposed. The collectioneuse’s moment of tenderness, or perhaps of jealousy, towards her objects. Her self-induced sequestration-by-words. My sense of self, lost & preserved, you say, already ceased, and there’s no better illusion than the wristwatch.
—
A slip dress I wore nightly, impulsed to preserve it - its movement & permanence, its folds. First, I placed it in a bag, then froze it. Then let it sit on the table in my studio. Over the next two months, I gradually retraced the shape & volume. The process became systematic & intentional - a precision aimed at protecting the item precious & frail, that covered, revealed, made me feel seen, exposed, frail, fierce - through a multitude of gazes. Over 500 discarded metallic watch cases retrace that dynamic carelessness, the control & ecstasy.
—
On view until February at Kunsthalle Bega
Photo: Vlad Cîndea
only so much adrift to brace my self control
2025
artist’s slip dress (absent) / metallic watch cases sourced from collectors, watch makers & English households (1930-2010) / archival glassine paper / wire / wood display structure
dimensions, variable (object: 74 x 42 x 15 cm / display: 240 x 200 x 240)
—
Barthes would call this the punctum, that tiny wound where meaning is overexposed. The collectioneuse’s moment of tenderness, or perhaps of jealousy, towards her objects. Her self-induced sequestration-by-words. My sense of self, lost & preserved, you say, already ceased, and there’s no better illusion than the wristwatch.
—
A slip dress I wore nightly, impulsed to preserve it - its movement & permanence, its folds. First, I placed it in a bag, then froze it. Then let it sit on the table in my studio. Over the next two months, I gradually retraced the shape & volume. The process became systematic & intentional - a precision aimed at protecting the item precious & frail, that covered, revealed, made me feel seen, exposed, frail, fierce - through a multitude of gazes. Over 500 discarded metallic watch cases retrace that dynamic carelessness, the control & ecstasy.
—
On view until February at Kunsthalle Bega
Photo: Vlad Cîndea
Dept. of Sweet Libations (2025)
Installation View
closure — bracelet
—
On view until February at Kunsthalle Bega
Curated by Gia Tidorescu
Photo: Vlad Cîndea
Dept. of Sweet Libations (2025)
Installation View
closure — bracelet
—
On view until February at Kunsthalle Bega
Curated by Gia Tidorescu
Photo: Vlad Cîndea
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
CORPOREUS, THIRSTY BY LERA KELEMEN
Lera Kelemen’s installation practice reflects on notions of femininity, confinement, body structure, vulnerability and equilibrium. Analysing the limitations of bodies in space, she uses her own corporeality to model and enliven matter. Her works result in conceptually immersive settings where shapes, surfaces and armatures blend together to define new entities.
Corporeus, thirsty marks the artist’s first solo-show in London, showcasing works produced in her studio at Feelium between 2023–2024. The installation consists of clay sculptures, metal constructions and repurposed aged objects placed in a site-specific environment taking over the main gallery.
The production process involves applying body pressure to a soft material and letting it settle at its own pace. Air, temperature and temporality determine shape. On the brink of an existential crisis, the bodies feel the constraints of the environment and internalise it, tackling emotion & reason, impulse & control. There is no back story, just a state of frenzy.
Underlining an inherent feeling of losing balance, the sculptures border uncertainty and paralysis. Their lack of life hints at a broken morphological sequence - organic or otherwise. Delicately bound by straps and buckles, these bodies hang in a suspended state, longing for connection and warmth. The installation room becomes an uncanny capsule where materiality conjures meaning.
Artist: @lerakelemen
Solo show at Feelium, London UK, 2024.
reading
last Saturday at @union_pacific_london
with @silenciosolutions
curated & co-curated by Martin @martindemayorga & Lu Rose @lurosecunningham
—
excerpt
in the gallery there are 2 candles
one marks the hours & the minutes,
the other one marks directions.
I stand inside both,
halfway West
from this point I can see every detail
the silk cuffs sticking out of coats,
or a particular colour scheme
that divides a human into earth and sky
—
photography Finn Carlow
painting Sebastián Espejo
reading
last Saturday at @union_pacific_london
with @silenciosolutions
curated & co-curated by Martin @martindemayorga & Lu Rose @lurosecunningham
—
excerpt
in the gallery there are 2 candles
one marks the hours & the minutes,
the other one marks directions.
I stand inside both,
halfway West
from this point I can see every detail
the silk cuffs sticking out of coats,
or a particular colour scheme
that divides a human into earth and sky
—
photography Finn Carlow
painting Sebastián Espejo
reading
last Saturday at @union_pacific_london
with @silenciosolutions
curated & co-curated by Martin @martindemayorga & Lu Rose @lurosecunningham
—
excerpt
in the gallery there are 2 candles
one marks the hours & the minutes,
the other one marks directions.
I stand inside both,
halfway West
from this point I can see every detail
the silk cuffs sticking out of coats,
or a particular colour scheme
that divides a human into earth and sky
—
photography Finn Carlow
painting Sebastián Espejo
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
archive drop (1)
ahead of @silenciosolutions reading
Saturday at @union_pacific_london
Love Box (Essence)
2025
handmade box, glassine, collected chewing gums, latex, bodily fluids, wedding petals, hairclip
22 × 10 cm
—
Part of Here Elsewhere, Bleur Gallery
Curated by Ana Aguirre
Photos by Katy Dillon
@bleur_art
@_anamariaag
Love Box (Essence)
2025
handmade box, glassine, collected chewing gums, latex, bodily fluids, wedding petals, hairclip
22 × 10 cm
—
Part of Here Elsewhere, Bleur Gallery
Curated by Ana Aguirre
Photos by Katy Dillon
@bleur_art
@_anamariaag
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