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lostritto
Carl Lostritto
Professor and Director, UTK School of Architecture. Computing drawings and rendering strangeness. And of course, remembering Lucia.
Post Nuclear Blooms by Mark Stanley with research assistants:
Katie Hutt
Kylie McDonalo
Isabella Myers
Eli Oliver
𝐀𝐥𝐠𝐨𝐫𝐢𝐭𝐡𝐦𝐢𝐜 𝐀𝐫𝐭 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐲 𝐯𝟑.𝟎
March 26 – 28, 2026
Gray Area
2665 Mission St, San Francisco
aaassembly.org
Artisanal algorithmicists and computational craftspeople, assemble! Algorithmic Art Assembly returns for three nights of extreme computer music, algorave, and bit-shifted R’n’B futures, plus daytime talks tracing process-based practices across code, sound, and systems.
Hands-on workshops round out the program: real-time neural audio performance, computational poetry, and building a custom creative coding IDE.
Pictured here:
Keith Fullerton Whitman builds self-sustaining musical frameworks from primitive analogue-computing concepts and contemporary sound-tools. Early software-based micro-sequencing and generative rhythms as Hrvatski. Projects Generators, Occlusions, and Redactions. Repeat commissions from GRM for Acousmonium diffusion. Musique Concrète lineage.
Carl Lostritto writes code to control vintage pen-plotters, producing algorithmic drawings that probe computation's relationship to material reality. Two decades of iterative experiments with custom tools and drawing machines. Author of Computational Drawing and Impossible and Hyper-Real Elements of Architecture. MIT Design and Computation.
Catty Dan Zhang architects fluid environments from air, smoke, images, and objects. Her installations map mobile relationships between structures, bodies, and planetary systems. Founder of Temporary Office. Author of Pamphlet Architecture 3
Full Lineup:
Carl Lostritto (@lostritto)
Catty Dan Zhang (@cattydanzhang)
Char Stiles (@charstiles)
Chia Amisola (@hotemogf)
Claire L. Evans (@clairelevans)
Codie (@hi_codie)
Daniel Temkin (@danieltemkin_)
DELI KUVVETI (@delikuvveti )
Gábor Lázár (@gabor.lazar)
Kara-Lis Coverdale (@k__lc)
Keith Fullerton Whitman (@keithfullertonwhitman)
Kindohm (@wetbreadtrick)
Luisa Mei (@luisa__mei)
Nathan Ho (@nathan.w.ho)
nnirror (@_nnirror_ )
R Tyler (@1000instamilligrams )
Ruaridh Law (@ruaridhlaw)
Sebastian Camens (@sebastiancamens)
Tom Hall (@tomhallsonics)
tsrono (@tsrono)
William Fields (@williamfieldsy)
Wolff Parkinson White (@wolffparkinsonwhitenyc)
c_robo_ (@c_robo_)
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
Dirty Drawings no.5: Chimeric Practices – Drawing in the Analogue-Digital Threshold
• designed and curated by Abdullah Mallah @abdullah.s.mallah x Bilge Bal @ballbii
• November 2025 -March 2026
#09 Carl Lostritto
Drawing Algorithms from Games, Toys, and Puzzles
11 March 2026, Wednesday
7 PM (GMT+3, Istanbul) / 12 PM (GMT-4, Knoxville)
Online Talk via zoom
https://us02web.zoom.us/j/89453720237
Meeting ID: 894 5372 0237
*
Drawing Algorithms from Games, Toys, and Puzzles
Architectural drawing—or any drawing, for that matter—is often discussed in terms of content or method, as though the two concerns occupy distinct realms of inquiry. We can talk about what we draw, or we can talk about how we draw. This talk proposes an alternative: drawings in which the method becomes the content. Almost like drawings of drawings, the work presented here takes “solved” games like Connect Four, solvable newspaper puzzles, or toys used to make repetitive radial drawings and exaggerates them into unsolvable spatial conditions. Translated into rule-based procedures and executed with a digitally controlled pen plotter, these systems produce drawings that are both highly precise and conspicuously irregular. They remain in a state of flux, where the logic of their construction is legible but not fully recoverable, persisting as a compelling but total mystery unless explained.
About
Carl Lostritto is Director of the School of Architecture at the University of Tennessee Knoxville. He is the author of two books: Computational Drawing, From Foundational Exercises to Theories of Representation and Impossible and Hyper-Real Elements of Architecture.
In 2012 I wrote a short essay, “rendering drawing,” for the @clogclogclog journal issue on rendering. There is so much in that publication that’s relevant today in the context of generative AI. Latent image cultures, mistrusting refined and realistic images, anxiety about relinquishing control, standardization of style, and an oblique curious optimism. I don’t think AI was mentioned much, if at all, in the issue, (there’s an excellent @clogclogclog on the topic of AI six years later) but reading it today, it’s hard not to see most of that discourse with an AI frame. In 2012 I was interested in rendering geometry that wasn’t a building, wasn’t a construct, and wasn’t even material in some sense. Looking back, my rationale was sound: using technology to disrupt the legibility of technology in creative practice is imperative. However, I’ve not really ever been satisfied with the result of “rendered drawings” because drawings are meant to be read, not translated, extruded, etc. I’m now thinking about the digital space of rendering as though it IS a drawing and it is real. Instead of a-material these are hyper-material. There’s ink, servo motor sounds, a substrate, etc. It’s all digital, of course, and all the materiality a fiction. But I’m about to co-teach a Drawing with Robots class at @utk_arch and with very physically material and very real robots. I’m looking forward to a controlled mess… (and very little overt AI)
In 2012 I wrote a short essay, “rendering drawing,” for the @clogclogclog journal issue on rendering. There is so much in that publication that’s relevant today in the context of generative AI. Latent image cultures, mistrusting refined and realistic images, anxiety about relinquishing control, standardization of style, and an oblique curious optimism. I don’t think AI was mentioned much, if at all, in the issue, (there’s an excellent @clogclogclog on the topic of AI six years later) but reading it today, it’s hard not to see most of that discourse with an AI frame. In 2012 I was interested in rendering geometry that wasn’t a building, wasn’t a construct, and wasn’t even material in some sense. Looking back, my rationale was sound: using technology to disrupt the legibility of technology in creative practice is imperative. However, I’ve not really ever been satisfied with the result of “rendered drawings” because drawings are meant to be read, not translated, extruded, etc. I’m now thinking about the digital space of rendering as though it IS a drawing and it is real. Instead of a-material these are hyper-material. There’s ink, servo motor sounds, a substrate, etc. It’s all digital, of course, and all the materiality a fiction. But I’m about to co-teach a Drawing with Robots class at @utk_arch and with very physically material and very real robots. I’m looking forward to a controlled mess… (and very little overt AI)
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
‘In the Sky: Clouds Lent Out Use Discipline’ features 40 digital clouds made by 31 collaborators during 2024-25, installed in six low-res tarp clouds.
📸:
1. Cloud 33 @lostritto + sky overview
2. 6 low-res clouds
3. Cloud 40 from recording the installation process assisted by @utk_arch students
4. Exhibition info sheets
5. Floor/sky seam + cloud 30 @itch_chin
6. Cloud 10 @itsgalo + cloud 32 @lostritto
7. Cloud 26 @roy.kim.a
8. Some clouds
9. Cloud 20 @materialpropositions + cloud 7 @emlavoll
10. Some clouds
11. Cloud 3 @chelseacloud213
12. Cloud 18 @kress.julie + cloud 36 @cattydanzhang
#cloudslentoutusediscipline @utkgalleries @utkcoad
@kress.julie @d_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @cleekandcompany @daniel.esco1 @_sergiogomescosta_ #kailumgraves @chelseacloud213 @materialpropositions @tomte.niche @j_akerman @cabinet_bv @itch_chin @hildemaassen @nina.coulson @termrakc
#☁ #sky #installation
Sky and clouds now in the Ewing Gallery @utkgalleries !
#cloudslentoutusediscipline #☁️ @utkcoad
Sky and clouds now in the Ewing Gallery @utkgalleries !
#cloudslentoutusediscipline #☁️ @utkcoad
Clouds Lent Out Use Discipline (CLOUD) is a collaborative project initiated by Catty Dan Zhang and Carl Lostritto at the beginning of 2024 as a monthly ritual of making digital clouds. A collaboration formed upon shared interest in atmospheric form and a diffuse creative practice, it is conducted through divergent computational processes that explore clouds as objects, elements, architectures, spaces, systems, or constructs.
.
In the Sky: Clouds Lent Out Use Discipline opened today at the Ewing Gallery of Art + Architecture. We invite you to drop by, take off your shoes, get your head in the clouds, and check out this collaborative, creative practice.
Clouds Lent Out Use Discipline (CLOUD) is a collaborative project initiated by Catty Dan Zhang and Carl Lostritto at the beginning of 2024 as a monthly ritual of making digital clouds. A collaboration formed upon shared interest in atmospheric form and a diffuse creative practice, it is conducted through divergent computational processes that explore clouds as objects, elements, architectures, spaces, systems, or constructs.
.
In the Sky: Clouds Lent Out Use Discipline opened today at the Ewing Gallery of Art + Architecture. We invite you to drop by, take off your shoes, get your head in the clouds, and check out this collaborative, creative practice.
Clouds Lent Out Use Discipline (CLOUD) is a collaborative project initiated by Catty Dan Zhang and Carl Lostritto at the beginning of 2024 as a monthly ritual of making digital clouds. A collaboration formed upon shared interest in atmospheric form and a diffuse creative practice, it is conducted through divergent computational processes that explore clouds as objects, elements, architectures, spaces, systems, or constructs.
.
In the Sky: Clouds Lent Out Use Discipline opened today at the Ewing Gallery of Art + Architecture. We invite you to drop by, take off your shoes, get your head in the clouds, and check out this collaborative, creative practice.
Clouds Lent Out Use Discipline (CLOUD) is a collaborative project initiated by Catty Dan Zhang and Carl Lostritto at the beginning of 2024 as a monthly ritual of making digital clouds. A collaboration formed upon shared interest in atmospheric form and a diffuse creative practice, it is conducted through divergent computational processes that explore clouds as objects, elements, architectures, spaces, systems, or constructs.
.
In the Sky: Clouds Lent Out Use Discipline opened today at the Ewing Gallery of Art + Architecture. We invite you to drop by, take off your shoes, get your head in the clouds, and check out this collaborative, creative practice.
Clouds Lent Out Use Discipline (CLOUD) is a collaborative project initiated by Catty Dan Zhang and Carl Lostritto at the beginning of 2024 as a monthly ritual of making digital clouds. A collaboration formed upon shared interest in atmospheric form and a diffuse creative practice, it is conducted through divergent computational processes that explore clouds as objects, elements, architectures, spaces, systems, or constructs.
.
In the Sky: Clouds Lent Out Use Discipline opened today at the Ewing Gallery of Art + Architecture. We invite you to drop by, take off your shoes, get your head in the clouds, and check out this collaborative, creative practice.
My latest cloud in our ongoing series. This one is part of the #cloudslentoutusediscipline exhibit @utkgalleries supported by @utkcoad. An invisible volumetric flow field directs the dashes, spewed from a wood scaffold. Despite the swarm appearance, this cloud is strictly contained and determined. @cattydanzhang and I are excited that so many other clouds are joining ours in the sky!
The clouds from the #cloudslentoutusediscipline project are going in the sky for an exhibit next month supported by @utkcoad in the @utkgalleries. This project was initiated by us last year and now includes work from @kress.julie @D_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @Cleekandcompany @Daniel.esco1 @_sergiogomescosta_ #KailumGraves @chelseacloud213 @materialpropositions @Tomte.niche @j_akerman @cabinetbv @itch_chin @hildemaassen @nina.coulson and @termrakc
The clouds from the #cloudslentoutusediscipline project are going in the sky for an exhibit next month supported by @utkcoad in the @utkgalleries. This project was initiated by us last year and now includes work from @kress.julie @D_altschul @emlavoll @hollie0002 @nerohe @andrewmadl @itsgalo @uri_wegman @starkmanly @chaufla @scottsingeisen @h.ligler @roy.kim.a @icallender @frushiewushie @jeandashpaul @Cleekandcompany @Daniel.esco1 @_sergiogomescosta_ #KailumGraves @chelseacloud213 @materialpropositions @Tomte.niche @j_akerman @cabinetbv @itch_chin @hildemaassen @nina.coulson and @termrakc
#cloudslentoutusediscipline (CLOUD) is accepting submissions (see my saved story for more info)
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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