
Happy and honored to be joining @prodcofficial for commercial representation in the USA/UK/AMS markets. Big love to @ianponsjewell and Zico Judge for having me and the whole @prodcofficial gang @tobytobin @mirandajane much love and excited to create some epic stuff with this amazing team and also excited to see what all the other creators cook up soon. loving this new group of positive creative energy!
FILM | Cannes Lions Silver Winner🤸♀️Trailer for MV i directed for Nike. [Woo! Goo!] by Atarashii Gakkou . A song about moving your butt during studying to boost your brain! Made with the geniuses at @wktokyo @nedallll @currodlv @yuninota @ssachi0528 @niketokyo _ @mizyu_leaders @suzuka_leaders @rin_leaders @kanon_leaders tomostudio @kosukelawrence @_mikul @kaihoshinosandy @nozominski @scotty_fingers @chelseamiwa @naomivolvox @annaliuannaliuanna plus many more (missing ppl let me know if i missed u all) @videovinod @ahato @hideakij check the video link for full credits
…the making of stills came back from the lab all weird…🎞️….big love to all my Cast/Crew. @moyamada21 @w.ode93 @oli_millar @ahato @usmankawazoe @gucci.lunch @morisuke_08 @masamit0125 @kennedyinla @yurika_98 @aikotaikot @kazuhiro.sawataishi @shochiku_cos @timebasedarts @jun_gaffer @maksmaks @oylmiller
🏯🎬🐈 The Castle of the Cat!
Previz Editor: Ahato
Producers: Masahiro Oyamada @moyamada21, Wataru Ode @w.ode93 Production Manager: Yurika Yamada @yurika_98, Jeongyeon An, Tamon Shirakuni, Jeffrey Lo
1st AD: Kennedy Taylor @kennedyinla
2nd AD: Tom Harwood @tomojapjap
Director of Photography: Oliver Millar @oli_millar
Production Designer: Masami Tanaka @masamit0125
Casting Directors: Mai Ikeda, Yurika Kagami
Gaffer: Jun Tanaka @jun_gaffer
1st AC: Anthony Rilocapro @rilocamera
Key Grip: Tsuneyuki Aiko @aikotaikot
Location Manager: Hiro Kuni
Costume Design: Kazuhiro Sawataishi @kazuhiro.sawataishi
Wardrobe: Yuko Toyoshima @shochiku_cos
Wig: Koji Arai
Hair: Ai Nakano
Make Up: Michiko Funabiki
DIT: Tomohito Goshozono @tomogoshozono
Sound: Shiho Miyazawa @shihosound
Treatment support @digitaldebz @kaihoshinosandy
Offline Editor: Sachi Sasaki
VFX: Time Based Arts @timebasedarts
VFX Producers: Matt Squires, Alessandra Milani
VFX Supervisor: Andre Bittencourt
2D Artists: Danny Peoples, Grant Bonser, Liam Doyle, Lucy Lawrence, Simon Melin
CGI Lead: Federico Vanone
CGI Artists: Ashley West, Bethan Williams, Chris Wood, Emma Malric, Hendrik Kramer, Ian Baird, Ihor Obukhovskyi, Nick Smalley, Oliver Lémery
Concept Artist: Billy Stockwell
DMP Artists: François Leroy, Billy Stockwell, Lee Mathews
Colourist: Ruth Wardell
Colour Assistant: Aiden Tobin, Tom Matthews Music Company: SIREN @ Factory Ltd
Sound Design Studio: Factory Studios
Composer: King Toot
Sound Designer & Mix: Mark Hills
Music Producer: Alice Benton
Audio Producer: Oliva Endersby
Final Sound Mixing: Factory Studios | Nomad TokyoCreative Director: Max Pilwat @maksmaks
Andrew Miller @oylmiller
Copywriter: Marina Danjo
Art Director: Kazuhi Yoshikawa
Designer: Akane Yasuda @akaa.ne
Head of Brand Management: Jordan Cappadocia @jordancap
Brand Director: Caroline Melody Meyer
Brand Executive: Kowen Liu
Senior Producer: Elisha Yuling Lai @elishalai
Production Assistant: Emi Yamashita Grey
Strategy Director: Andrea Chen
Comms Strategist: Patrick Fahey
PR Director: Kazuki Kyogoku
Head of Production: Michelle Brough
Chief Creative Officer: Erwin Federizo
President: Eleanor Thodey
🔔🥊🕹️Short Teaser for The Fury Continues | Chris Eubank Jr VS Conor Benn / Full Film on profile/site.Directed by Me @mackshepp
With @ksi & @ishowspeed
Production Company: @prodcofficial
Founding Partners / EPs: @ianponsjewell & Zico Judge
MD/EP: Jon Adams
EP: Amy Appleton
HOP: @samlevene99
Producer: Dulcie Kellett
DOP: @oztavio
Director’s Assistant: @kaihoshinosandy
On Set Editor: @ahato
2nd Unit DOP: @lil.wontons
Production Manager: Sam Linzell
Talent Coordinator: Becky Thompson
Production Designer: @ohwilliams
Stylist: @bukonla
Client: @ringmagazine
His Excellency Chairman of General Entertainment Authority: @turkialalshik
Agency: Big Time Creative Shop
CEO: Mohammed Sehly
CCO: Rayyan Aoun
Creative Director: Saymon Medeiros
Senior Agency Producer: Inas Nagy
VFX: @glassworksvfx
CG Artists:
Matt Fletcher, @ruedigerka, Jef Fleurkens, @beckscwall,
Felix Marrington-Reeve, Julian Johnson, @aelmesdesign,
Davide Uccellani, marianotazzioli, Victor Vinyals, Vladimir Venkov
CG Animators:
@iamplayplay, Mateusz Kozlowski, @ahearsum,
@danielroberthope, Jordi Girones, Luis Trehino
FX Artists:
@wangerdanger2000, Tim Borgmann, @tom_distasio, @frameworks.gr
Pixel Artists & Animators:
@why_not_h, @liinaozolinna, @jim.derks,
@pablo.navarro.animation
2D Artists:
@nilcompton, @duncanmalcolm, @alexisdacamara,
@a_banjo, @linkisur, @_seanmoran,
Jef Fleurkens, @chongololo
Producers: @rlukyanov, @mickynoe
Production Coordinator: @mia_kriks, @aarstikyte
COO: @dbuncle
MCR: Natalia Bartyzel
Rotoscoping: Team VFX Artist
Rotoscoping: Hoop VFX
Tracking / Rotoscoping: @pandora_visuals
Colourist: @vanessa_colour
Editor: @davidgesslbauer
Editing House: @thequarryedit
Editing Producer: Dilia Knobel-Winterstein
Edit Assistant:
@ira.trifanov, @lawrence_k_lakshmanan, @nachosantanas
Music and Mix: @schallbauer
Sound Design & Mix: Jon Clarke
Assistant Sound Design & Mix: Andy Isaias
Audio Producer: Ciara Wakley
EYECANDY FEATURE: HP ’Tap’
Great use of 2D and 3D animation to create a stop motion effect
1. Stop motion macro animation
2. Stop motion > 3D animation
3. Split diopter sequence
4. Stop motion 3D animation
5. Stop motion 3D animation
Director: @mackshepp
Production Company @prodcofficial
Partners / EPs: @ianponsjewell and Zico Judge
EP / MP: Emma Wilcockson
Line Producer: Hera King
DOP: @filipmaarek
Production Designer: @tristanmur
Post Production Producer: @ann_mykhailenko
Creative Assistant: @kaihoshinosandy
MU Artist: @evaquilezmakeup
Stylist: @nuriadurawork
Agency: @droga5
ECD @jonopaull
CD @miarafo
CD @caramiacecchini
CD FL: Cody Tidmore
Copywriter: Cameron Sharer
AP: Harit Muttreja
Art Director: Lindsey Evans
Account Director: Griffin Miller
Account Lead: Lea Mastroberti
Senior Producer: Patrick Wood
Editorial
Ed. Co: @cartel.tv
Editor: @natekatz_
VFX
Co: @timebasedarts
VFX Sup: Sheldon Gardner
Online: Ria Shroff
2D Lead: Sheldon Gardner
2D: Ria Shroff, Manolo Perez, Lucy Lawrence, Viola Bascombe, Danny Peoples, Grant White, Liam Doyle, Miguel Carballal, Mike Outlaw, Olivia O’Neil, Stephen Grasso, Valentina Bartiromo
3D Lead: Sam Osborne
3D: Chris Wood, Tushar Kewlani, Dan Hope, Dan Lane, Federico Vanone, Joe Ibbett, Maxime Ponsart, Nick Smalley, Hendrik Kramer, Teodora Retegan, Nigel Timms
Design: Stephen Ross, Doug McGinness, Tom Robinson
Grade: Ruth Wardell
Post Prod: Tom Manton, Matt Squires
PA: Lily Barron
Sound
Sound Design: @yuka_._o
Client: HP
Global Mktg Lead: Leyla Tezcan Bell
Product Mktg (Future Innovation): Connor Rock
Brand Strategy Lead: Jemma Card
Service Prod – Spain
Prod Co: @blur__________
MP/EP: Ines Segura
HOP: Pablo Herraiz
HOP (BCN): @gaidolfifrancesca
Prod: Raquel Castelló
PM: Mireia Fontanals
Coord: Alex Osi
Talent Coord: Nerea Soms
PA: Manuela Greene, Nuria Carreras
Grip
Key Grip: Xavi Torres
Grip: Andi Marturano, Alex Moreno, Laura Martínez, Eric Van Der Plassche, Daniel Vergara, Nestor Delseny
HMU
MUAH: @evaquilezmakeup
MUAH Asst: @carofdezalamos, @erion_mua
Nail: Neisha Planas
Prosthetics: Andrea
Wardrobe
Stylist: @nuriadurawork
Asst: @pat_jur, Yanina Malvarez
Truck: Jesus Rodenas
EYECANDY FEATURE: HP ’Tap’
Great use of 2D and 3D animation to create a stop motion effect
1. Stop motion macro animation
2. Stop motion > 3D animation
3. Split diopter sequence
4. Stop motion 3D animation
5. Stop motion 3D animation
Director: @mackshepp
Production Company @prodcofficial
Partners / EPs: @ianponsjewell and Zico Judge
EP / MP: Emma Wilcockson
Line Producer: Hera King
DOP: @filipmaarek
Production Designer: @tristanmur
Post Production Producer: @ann_mykhailenko
Creative Assistant: @kaihoshinosandy
MU Artist: @evaquilezmakeup
Stylist: @nuriadurawork
Agency: @droga5
ECD @jonopaull
CD @miarafo
CD @caramiacecchini
CD FL: Cody Tidmore
Copywriter: Cameron Sharer
AP: Harit Muttreja
Art Director: Lindsey Evans
Account Director: Griffin Miller
Account Lead: Lea Mastroberti
Senior Producer: Patrick Wood
Editorial
Ed. Co: @cartel.tv
Editor: @natekatz_
VFX
Co: @timebasedarts
VFX Sup: Sheldon Gardner
Online: Ria Shroff
2D Lead: Sheldon Gardner
2D: Ria Shroff, Manolo Perez, Lucy Lawrence, Viola Bascombe, Danny Peoples, Grant White, Liam Doyle, Miguel Carballal, Mike Outlaw, Olivia O’Neil, Stephen Grasso, Valentina Bartiromo
3D Lead: Sam Osborne
3D: Chris Wood, Tushar Kewlani, Dan Hope, Dan Lane, Federico Vanone, Joe Ibbett, Maxime Ponsart, Nick Smalley, Hendrik Kramer, Teodora Retegan, Nigel Timms
Design: Stephen Ross, Doug McGinness, Tom Robinson
Grade: Ruth Wardell
Post Prod: Tom Manton, Matt Squires
PA: Lily Barron
Sound
Sound Design: @yuka_._o
Client: HP
Global Mktg Lead: Leyla Tezcan Bell
Product Mktg (Future Innovation): Connor Rock
Brand Strategy Lead: Jemma Card
Service Prod – Spain
Prod Co: @blur__________
MP/EP: Ines Segura
HOP: Pablo Herraiz
HOP (BCN): @gaidolfifrancesca
Prod: Raquel Castelló
PM: Mireia Fontanals
Coord: Alex Osi
Talent Coord: Nerea Soms
PA: Manuela Greene, Nuria Carreras
Grip
Key Grip: Xavi Torres
Grip: Andi Marturano, Alex Moreno, Laura Martínez, Eric Van Der Plassche, Daniel Vergara, Nestor Delseny
HMU
MUAH: @evaquilezmakeup
MUAH Asst: @carofdezalamos, @erion_mua
Nail: Neisha Planas
Prosthetics: Andrea
Wardrobe
Stylist: @nuriadurawork
Asst: @pat_jur, Yanina Malvarez
Truck: Jesus Rodenas
EYECANDY FEATURE: HP ’Tap’
Great use of 2D and 3D animation to create a stop motion effect
1. Stop motion macro animation
2. Stop motion > 3D animation
3. Split diopter sequence
4. Stop motion 3D animation
5. Stop motion 3D animation
Director: @mackshepp
Production Company @prodcofficial
Partners / EPs: @ianponsjewell and Zico Judge
EP / MP: Emma Wilcockson
Line Producer: Hera King
DOP: @filipmaarek
Production Designer: @tristanmur
Post Production Producer: @ann_mykhailenko
Creative Assistant: @kaihoshinosandy
MU Artist: @evaquilezmakeup
Stylist: @nuriadurawork
Agency: @droga5
ECD @jonopaull
CD @miarafo
CD @caramiacecchini
CD FL: Cody Tidmore
Copywriter: Cameron Sharer
AP: Harit Muttreja
Art Director: Lindsey Evans
Account Director: Griffin Miller
Account Lead: Lea Mastroberti
Senior Producer: Patrick Wood
Editorial
Ed. Co: @cartel.tv
Editor: @natekatz_
VFX
Co: @timebasedarts
VFX Sup: Sheldon Gardner
Online: Ria Shroff
2D Lead: Sheldon Gardner
2D: Ria Shroff, Manolo Perez, Lucy Lawrence, Viola Bascombe, Danny Peoples, Grant White, Liam Doyle, Miguel Carballal, Mike Outlaw, Olivia O’Neil, Stephen Grasso, Valentina Bartiromo
3D Lead: Sam Osborne
3D: Chris Wood, Tushar Kewlani, Dan Hope, Dan Lane, Federico Vanone, Joe Ibbett, Maxime Ponsart, Nick Smalley, Hendrik Kramer, Teodora Retegan, Nigel Timms
Design: Stephen Ross, Doug McGinness, Tom Robinson
Grade: Ruth Wardell
Post Prod: Tom Manton, Matt Squires
PA: Lily Barron
Sound
Sound Design: @yuka_._o
Client: HP
Global Mktg Lead: Leyla Tezcan Bell
Product Mktg (Future Innovation): Connor Rock
Brand Strategy Lead: Jemma Card
Service Prod – Spain
Prod Co: @blur__________
MP/EP: Ines Segura
HOP: Pablo Herraiz
HOP (BCN): @gaidolfifrancesca
Prod: Raquel Castelló
PM: Mireia Fontanals
Coord: Alex Osi
Talent Coord: Nerea Soms
PA: Manuela Greene, Nuria Carreras
Grip
Key Grip: Xavi Torres
Grip: Andi Marturano, Alex Moreno, Laura Martínez, Eric Van Der Plassche, Daniel Vergara, Nestor Delseny
HMU
MUAH: @evaquilezmakeup
MUAH Asst: @carofdezalamos, @erion_mua
Nail: Neisha Planas
Prosthetics: Andrea
Wardrobe
Stylist: @nuriadurawork
Asst: @pat_jur, Yanina Malvarez
Truck: Jesus Rodenas
EYECANDY FEATURE: HP ’Tap’
Great use of 2D and 3D animation to create a stop motion effect
1. Stop motion macro animation
2. Stop motion > 3D animation
3. Split diopter sequence
4. Stop motion 3D animation
5. Stop motion 3D animation
Director: @mackshepp
Production Company @prodcofficial
Partners / EPs: @ianponsjewell and Zico Judge
EP / MP: Emma Wilcockson
Line Producer: Hera King
DOP: @filipmaarek
Production Designer: @tristanmur
Post Production Producer: @ann_mykhailenko
Creative Assistant: @kaihoshinosandy
MU Artist: @evaquilezmakeup
Stylist: @nuriadurawork
Agency: @droga5
ECD @jonopaull
CD @miarafo
CD @caramiacecchini
CD FL: Cody Tidmore
Copywriter: Cameron Sharer
AP: Harit Muttreja
Art Director: Lindsey Evans
Account Director: Griffin Miller
Account Lead: Lea Mastroberti
Senior Producer: Patrick Wood
Editorial
Ed. Co: @cartel.tv
Editor: @natekatz_
VFX
Co: @timebasedarts
VFX Sup: Sheldon Gardner
Online: Ria Shroff
2D Lead: Sheldon Gardner
2D: Ria Shroff, Manolo Perez, Lucy Lawrence, Viola Bascombe, Danny Peoples, Grant White, Liam Doyle, Miguel Carballal, Mike Outlaw, Olivia O’Neil, Stephen Grasso, Valentina Bartiromo
3D Lead: Sam Osborne
3D: Chris Wood, Tushar Kewlani, Dan Hope, Dan Lane, Federico Vanone, Joe Ibbett, Maxime Ponsart, Nick Smalley, Hendrik Kramer, Teodora Retegan, Nigel Timms
Design: Stephen Ross, Doug McGinness, Tom Robinson
Grade: Ruth Wardell
Post Prod: Tom Manton, Matt Squires
PA: Lily Barron
Sound
Sound Design: @yuka_._o
Client: HP
Global Mktg Lead: Leyla Tezcan Bell
Product Mktg (Future Innovation): Connor Rock
Brand Strategy Lead: Jemma Card
Service Prod – Spain
Prod Co: @blur__________
MP/EP: Ines Segura
HOP: Pablo Herraiz
HOP (BCN): @gaidolfifrancesca
Prod: Raquel Castelló
PM: Mireia Fontanals
Coord: Alex Osi
Talent Coord: Nerea Soms
PA: Manuela Greene, Nuria Carreras
Grip
Key Grip: Xavi Torres
Grip: Andi Marturano, Alex Moreno, Laura Martínez, Eric Van Der Plassche, Daniel Vergara, Nestor Delseny
HMU
MUAH: @evaquilezmakeup
MUAH Asst: @carofdezalamos, @erion_mua
Nail: Neisha Planas
Prosthetics: Andrea
Wardrobe
Stylist: @nuriadurawork
Asst: @pat_jur, Yanina Malvarez
Truck: Jesus Rodenas
EYECANDY FEATURE: HP ’Tap’
Great use of 2D and 3D animation to create a stop motion effect
1. Stop motion macro animation
2. Stop motion > 3D animation
3. Split diopter sequence
4. Stop motion 3D animation
5. Stop motion 3D animation
Director: @mackshepp
Production Company @prodcofficial
Partners / EPs: @ianponsjewell and Zico Judge
EP / MP: Emma Wilcockson
Line Producer: Hera King
DOP: @filipmaarek
Production Designer: @tristanmur
Post Production Producer: @ann_mykhailenko
Creative Assistant: @kaihoshinosandy
MU Artist: @evaquilezmakeup
Stylist: @nuriadurawork
Agency: @droga5
ECD @jonopaull
CD @miarafo
CD @caramiacecchini
CD FL: Cody Tidmore
Copywriter: Cameron Sharer
AP: Harit Muttreja
Art Director: Lindsey Evans
Account Director: Griffin Miller
Account Lead: Lea Mastroberti
Senior Producer: Patrick Wood
Editorial
Ed. Co: @cartel.tv
Editor: @natekatz_
VFX
Co: @timebasedarts
VFX Sup: Sheldon Gardner
Online: Ria Shroff
2D Lead: Sheldon Gardner
2D: Ria Shroff, Manolo Perez, Lucy Lawrence, Viola Bascombe, Danny Peoples, Grant White, Liam Doyle, Miguel Carballal, Mike Outlaw, Olivia O’Neil, Stephen Grasso, Valentina Bartiromo
3D Lead: Sam Osborne
3D: Chris Wood, Tushar Kewlani, Dan Hope, Dan Lane, Federico Vanone, Joe Ibbett, Maxime Ponsart, Nick Smalley, Hendrik Kramer, Teodora Retegan, Nigel Timms
Design: Stephen Ross, Doug McGinness, Tom Robinson
Grade: Ruth Wardell
Post Prod: Tom Manton, Matt Squires
PA: Lily Barron
Sound
Sound Design: @yuka_._o
Client: HP
Global Mktg Lead: Leyla Tezcan Bell
Product Mktg (Future Innovation): Connor Rock
Brand Strategy Lead: Jemma Card
Service Prod – Spain
Prod Co: @blur__________
MP/EP: Ines Segura
HOP: Pablo Herraiz
HOP (BCN): @gaidolfifrancesca
Prod: Raquel Castelló
PM: Mireia Fontanals
Coord: Alex Osi
Talent Coord: Nerea Soms
PA: Manuela Greene, Nuria Carreras
Grip
Key Grip: Xavi Torres
Grip: Andi Marturano, Alex Moreno, Laura Martínez, Eric Van Der Plassche, Daniel Vergara, Nestor Delseny
HMU
MUAH: @evaquilezmakeup
MUAH Asst: @carofdezalamos, @erion_mua
Nail: Neisha Planas
Prosthetics: Andrea
Wardrobe
Stylist: @nuriadurawork
Asst: @pat_jur, Yanina Malvarez
Truck: Jesus Rodenas
EYECANDY FEATURE: Adidas - Ekiden (2024). A first time feature for directors @mackshepp and @kaihoshinosandy. Dope sound design and original composition that drives the film.
1. Tracking (from behind) > frenetic void sequence
2. Tracking close-up (towards camera)
3. Extreme slow motion wide + speed ramp
4. POV > third person tracking + quick cuts
5. POV > third person silhouette > crash zoom
6. Frenetic void sequence
7. Step print jump cuts
Shot on A-Minima and Arri 235.
Color Stock.
35mm
Directors: @mackshepp, @kaihoshinosandy
DOP: @oli_millar
Prod Co: @twinbrainsfilms
Prod Designer: Maya Tanaka
Assts: Frank Okay, Kevin Hagstrom, Taylor Fehr
Executive Producers: @janieversace, @sakamat
Producer: @nanaka_sakurai, Taro Iwato (Y’s)
Offline Editor: @davidgesslbauer, Henri Nagano
Online Editor: @shanelester
VFX: @slavkogavric_vfx @mosemgmt
Scoring/ Composition: @schallbauer
Sound design: @starecrazy
Color Grader: @sgllng @_baconx_
PMs: Masayuki Shiobara (Y’s), Hiroshi Sato (Y’s)
Gaffer: @arataijichi
Best Boy Electric: Yoshitoshi Miyahara
Key Grip: Tsuneyoshi Aiko
Grip: Team Tokky’s
SFX: Naomi Hayashi
Stylist: @kanemitru
Asst Minori Yunohara, Hanako
Key hair stylist: @kaztolor
Asst Itsuka Toki, Komomo Satou
Key makeup artist: @risakomatsushita
Asst Ema Yamashita, Natsuki Kanematsu
1st AD: @bigpapasrey
2nd AD: @tomojapjap
3rd AD: @nozominski
1st AC: @rilocamera
2nd AC: @usmankawazoe
3rd AC: Elliot Johnson
Loader: @taku_mu2t_
DIT: @ earl13
Onset Editor: @ahato
Sound: @shihomiyaz
PAs: @ha.hao @thisisnotkei kenji_b23 @jamesdewinton
H&S Officer: @medic_etsuko
Agency: TBWA Japan
EYECANDY FEATURE: Adidas - Ekiden (2024). A first time feature for directors @mackshepp and @kaihoshinosandy. Dope sound design and original composition that drives the film.
1. Tracking (from behind) > frenetic void sequence
2. Tracking close-up (towards camera)
3. Extreme slow motion wide + speed ramp
4. POV > third person tracking + quick cuts
5. POV > third person silhouette > crash zoom
6. Frenetic void sequence
7. Step print jump cuts
Shot on A-Minima and Arri 235.
Color Stock.
35mm
Directors: @mackshepp, @kaihoshinosandy
DOP: @oli_millar
Prod Co: @twinbrainsfilms
Prod Designer: Maya Tanaka
Assts: Frank Okay, Kevin Hagstrom, Taylor Fehr
Executive Producers: @janieversace, @sakamat
Producer: @nanaka_sakurai, Taro Iwato (Y’s)
Offline Editor: @davidgesslbauer, Henri Nagano
Online Editor: @shanelester
VFX: @slavkogavric_vfx @mosemgmt
Scoring/ Composition: @schallbauer
Sound design: @starecrazy
Color Grader: @sgllng @_baconx_
PMs: Masayuki Shiobara (Y’s), Hiroshi Sato (Y’s)
Gaffer: @arataijichi
Best Boy Electric: Yoshitoshi Miyahara
Key Grip: Tsuneyoshi Aiko
Grip: Team Tokky’s
SFX: Naomi Hayashi
Stylist: @kanemitru
Asst Minori Yunohara, Hanako
Key hair stylist: @kaztolor
Asst Itsuka Toki, Komomo Satou
Key makeup artist: @risakomatsushita
Asst Ema Yamashita, Natsuki Kanematsu
1st AD: @bigpapasrey
2nd AD: @tomojapjap
3rd AD: @nozominski
1st AC: @rilocamera
2nd AC: @usmankawazoe
3rd AC: Elliot Johnson
Loader: @taku_mu2t_
DIT: @ earl13
Onset Editor: @ahato
Sound: @shihomiyaz
PAs: @ha.hao @thisisnotkei kenji_b23 @jamesdewinton
H&S Officer: @medic_etsuko
Agency: TBWA Japan
EYECANDY FEATURE: Adidas - Ekiden (2024). A first time feature for directors @mackshepp and @kaihoshinosandy. Dope sound design and original composition that drives the film.
1. Tracking (from behind) > frenetic void sequence
2. Tracking close-up (towards camera)
3. Extreme slow motion wide + speed ramp
4. POV > third person tracking + quick cuts
5. POV > third person silhouette > crash zoom
6. Frenetic void sequence
7. Step print jump cuts
Shot on A-Minima and Arri 235.
Color Stock.
35mm
Directors: @mackshepp, @kaihoshinosandy
DOP: @oli_millar
Prod Co: @twinbrainsfilms
Prod Designer: Maya Tanaka
Assts: Frank Okay, Kevin Hagstrom, Taylor Fehr
Executive Producers: @janieversace, @sakamat
Producer: @nanaka_sakurai, Taro Iwato (Y’s)
Offline Editor: @davidgesslbauer, Henri Nagano
Online Editor: @shanelester
VFX: @slavkogavric_vfx @mosemgmt
Scoring/ Composition: @schallbauer
Sound design: @starecrazy
Color Grader: @sgllng @_baconx_
PMs: Masayuki Shiobara (Y’s), Hiroshi Sato (Y’s)
Gaffer: @arataijichi
Best Boy Electric: Yoshitoshi Miyahara
Key Grip: Tsuneyoshi Aiko
Grip: Team Tokky’s
SFX: Naomi Hayashi
Stylist: @kanemitru
Asst Minori Yunohara, Hanako
Key hair stylist: @kaztolor
Asst Itsuka Toki, Komomo Satou
Key makeup artist: @risakomatsushita
Asst Ema Yamashita, Natsuki Kanematsu
1st AD: @bigpapasrey
2nd AD: @tomojapjap
3rd AD: @nozominski
1st AC: @rilocamera
2nd AC: @usmankawazoe
3rd AC: Elliot Johnson
Loader: @taku_mu2t_
DIT: @ earl13
Onset Editor: @ahato
Sound: @shihomiyaz
PAs: @ha.hao @thisisnotkei kenji_b23 @jamesdewinton
H&S Officer: @medic_etsuko
Agency: TBWA Japan
EYECANDY FEATURE: Adidas - Ekiden (2024). A first time feature for directors @mackshepp and @kaihoshinosandy. Dope sound design and original composition that drives the film.
1. Tracking (from behind) > frenetic void sequence
2. Tracking close-up (towards camera)
3. Extreme slow motion wide + speed ramp
4. POV > third person tracking + quick cuts
5. POV > third person silhouette > crash zoom
6. Frenetic void sequence
7. Step print jump cuts
Shot on A-Minima and Arri 235.
Color Stock.
35mm
Directors: @mackshepp, @kaihoshinosandy
DOP: @oli_millar
Prod Co: @twinbrainsfilms
Prod Designer: Maya Tanaka
Assts: Frank Okay, Kevin Hagstrom, Taylor Fehr
Executive Producers: @janieversace, @sakamat
Producer: @nanaka_sakurai, Taro Iwato (Y’s)
Offline Editor: @davidgesslbauer, Henri Nagano
Online Editor: @shanelester
VFX: @slavkogavric_vfx @mosemgmt
Scoring/ Composition: @schallbauer
Sound design: @starecrazy
Color Grader: @sgllng @_baconx_
PMs: Masayuki Shiobara (Y’s), Hiroshi Sato (Y’s)
Gaffer: @arataijichi
Best Boy Electric: Yoshitoshi Miyahara
Key Grip: Tsuneyoshi Aiko
Grip: Team Tokky’s
SFX: Naomi Hayashi
Stylist: @kanemitru
Asst Minori Yunohara, Hanako
Key hair stylist: @kaztolor
Asst Itsuka Toki, Komomo Satou
Key makeup artist: @risakomatsushita
Asst Ema Yamashita, Natsuki Kanematsu
1st AD: @bigpapasrey
2nd AD: @tomojapjap
3rd AD: @nozominski
1st AC: @rilocamera
2nd AC: @usmankawazoe
3rd AC: Elliot Johnson
Loader: @taku_mu2t_
DIT: @ earl13
Onset Editor: @ahato
Sound: @shihomiyaz
PAs: @ha.hao @thisisnotkei kenji_b23 @jamesdewinton
H&S Officer: @medic_etsuko
Agency: TBWA Japan
EYECANDY FEATURE: Adidas - Ekiden (2024). A first time feature for directors @mackshepp and @kaihoshinosandy. Dope sound design and original composition that drives the film.
1. Tracking (from behind) > frenetic void sequence
2. Tracking close-up (towards camera)
3. Extreme slow motion wide + speed ramp
4. POV > third person tracking + quick cuts
5. POV > third person silhouette > crash zoom
6. Frenetic void sequence
7. Step print jump cuts
Shot on A-Minima and Arri 235.
Color Stock.
35mm
Directors: @mackshepp, @kaihoshinosandy
DOP: @oli_millar
Prod Co: @twinbrainsfilms
Prod Designer: Maya Tanaka
Assts: Frank Okay, Kevin Hagstrom, Taylor Fehr
Executive Producers: @janieversace, @sakamat
Producer: @nanaka_sakurai, Taro Iwato (Y’s)
Offline Editor: @davidgesslbauer, Henri Nagano
Online Editor: @shanelester
VFX: @slavkogavric_vfx @mosemgmt
Scoring/ Composition: @schallbauer
Sound design: @starecrazy
Color Grader: @sgllng @_baconx_
PMs: Masayuki Shiobara (Y’s), Hiroshi Sato (Y’s)
Gaffer: @arataijichi
Best Boy Electric: Yoshitoshi Miyahara
Key Grip: Tsuneyoshi Aiko
Grip: Team Tokky’s
SFX: Naomi Hayashi
Stylist: @kanemitru
Asst Minori Yunohara, Hanako
Key hair stylist: @kaztolor
Asst Itsuka Toki, Komomo Satou
Key makeup artist: @risakomatsushita
Asst Ema Yamashita, Natsuki Kanematsu
1st AD: @bigpapasrey
2nd AD: @tomojapjap
3rd AD: @nozominski
1st AC: @rilocamera
2nd AC: @usmankawazoe
3rd AC: Elliot Johnson
Loader: @taku_mu2t_
DIT: @ earl13
Onset Editor: @ahato
Sound: @shihomiyaz
PAs: @ha.hao @thisisnotkei kenji_b23 @jamesdewinton
H&S Officer: @medic_etsuko
Agency: TBWA Japan
EYECANDY FEATURE: Adidas - Ekiden (2024). A first time feature for directors @mackshepp and @kaihoshinosandy. Dope sound design and original composition that drives the film.
1. Tracking (from behind) > frenetic void sequence
2. Tracking close-up (towards camera)
3. Extreme slow motion wide + speed ramp
4. POV > third person tracking + quick cuts
5. POV > third person silhouette > crash zoom
6. Frenetic void sequence
7. Step print jump cuts
Shot on A-Minima and Arri 235.
Color Stock.
35mm
Directors: @mackshepp, @kaihoshinosandy
DOP: @oli_millar
Prod Co: @twinbrainsfilms
Prod Designer: Maya Tanaka
Assts: Frank Okay, Kevin Hagstrom, Taylor Fehr
Executive Producers: @janieversace, @sakamat
Producer: @nanaka_sakurai, Taro Iwato (Y’s)
Offline Editor: @davidgesslbauer, Henri Nagano
Online Editor: @shanelester
VFX: @slavkogavric_vfx @mosemgmt
Scoring/ Composition: @schallbauer
Sound design: @starecrazy
Color Grader: @sgllng @_baconx_
PMs: Masayuki Shiobara (Y’s), Hiroshi Sato (Y’s)
Gaffer: @arataijichi
Best Boy Electric: Yoshitoshi Miyahara
Key Grip: Tsuneyoshi Aiko
Grip: Team Tokky’s
SFX: Naomi Hayashi
Stylist: @kanemitru
Asst Minori Yunohara, Hanako
Key hair stylist: @kaztolor
Asst Itsuka Toki, Komomo Satou
Key makeup artist: @risakomatsushita
Asst Ema Yamashita, Natsuki Kanematsu
1st AD: @bigpapasrey
2nd AD: @tomojapjap
3rd AD: @nozominski
1st AC: @rilocamera
2nd AC: @usmankawazoe
3rd AC: Elliot Johnson
Loader: @taku_mu2t_
DIT: @ earl13
Onset Editor: @ahato
Sound: @shihomiyaz
PAs: @ha.hao @thisisnotkei kenji_b23 @jamesdewinton
H&S Officer: @medic_etsuko
Agency: TBWA Japan
EYECANDY FEATURE: Adidas - Ekiden (2024). A first time feature for directors @mackshepp and @kaihoshinosandy. Dope sound design and original composition that drives the film.
1. Tracking (from behind) > frenetic void sequence
2. Tracking close-up (towards camera)
3. Extreme slow motion wide + speed ramp
4. POV > third person tracking + quick cuts
5. POV > third person silhouette > crash zoom
6. Frenetic void sequence
7. Step print jump cuts
Shot on A-Minima and Arri 235.
Color Stock.
35mm
Directors: @mackshepp, @kaihoshinosandy
DOP: @oli_millar
Prod Co: @twinbrainsfilms
Prod Designer: Maya Tanaka
Assts: Frank Okay, Kevin Hagstrom, Taylor Fehr
Executive Producers: @janieversace, @sakamat
Producer: @nanaka_sakurai, Taro Iwato (Y’s)
Offline Editor: @davidgesslbauer, Henri Nagano
Online Editor: @shanelester
VFX: @slavkogavric_vfx @mosemgmt
Scoring/ Composition: @schallbauer
Sound design: @starecrazy
Color Grader: @sgllng @_baconx_
PMs: Masayuki Shiobara (Y’s), Hiroshi Sato (Y’s)
Gaffer: @arataijichi
Best Boy Electric: Yoshitoshi Miyahara
Key Grip: Tsuneyoshi Aiko
Grip: Team Tokky’s
SFX: Naomi Hayashi
Stylist: @kanemitru
Asst Minori Yunohara, Hanako
Key hair stylist: @kaztolor
Asst Itsuka Toki, Komomo Satou
Key makeup artist: @risakomatsushita
Asst Ema Yamashita, Natsuki Kanematsu
1st AD: @bigpapasrey
2nd AD: @tomojapjap
3rd AD: @nozominski
1st AC: @rilocamera
2nd AC: @usmankawazoe
3rd AC: Elliot Johnson
Loader: @taku_mu2t_
DIT: @ earl13
Onset Editor: @ahato
Sound: @shihomiyaz
PAs: @ha.hao @thisisnotkei kenji_b23 @jamesdewinton
H&S Officer: @medic_etsuko
Agency: TBWA Japan
W072 ‘Tap’ directed by @mackshepp for HP with Droga5
Director: @mackshepp
Production Company: ProdCo @prodcofficial
Founding Partners / EPs: @ianponsjewell and Zico Judge
EP / MP: Emma Wilcockson
Associate Producer: Sophie Laine Floyd
Line Producer: Hera King
DOP: @filipmaarek
Production Designer: @tristanmur
Post Production Producer: @ann_mykhailenko
Creative Assistant: @kaihoshinosandy
MU Artist: @evaquilezmakeup
Stylist: @nuriadurawork
Client: HP
Global Commercial Marketing Campaign Lead at HP: Leyla Tezcan Bell
Product Marketing Future Innovation Lead HP: Connor Rock
Global Brand Strategy Lead: Jemma Card
Agency: Droga5
ECD: Jono Paull
CD: Mia Rafowitz
CD: Cara Mia Cecchini
CD FL: Cody Tidmore
Copywriter: Cameron Sharer
AP: Harit Muttreja
Art Director: Lindsey Evans
Account Director: Griffin Miller
Account Lead: Lea Mastroberti
Senior Producer: Patrick Wood
Editorial: @cartel.tv
Editor: @natekatz_
VFX: @timebasedarts
VFX Supervisor: Sheldon Gardner
Online Artist: Ria Shroff
2D Lead: Sheldon Gardner
2D Team: Ria Shroff, Manolo Perez, Lucy Lawrence, Viola Bascombe, Danny Peoples, Grant White, Liam Doyle, Miguel Carballal, Mike Outlaw, Olivia O'Neil, Stephen Grasso & Valentina Bartiromo
3D Lead: Sam Osborne
3D Team: Chris Wood, Tushar Kewlani, Dan Hope, Dan Lane, Federico Vanone, Joe Ibbett, Maxime Ponsart, Nick Smalley, Hendrik Kramer, Teodora Retegan & Nigel Timms
Design: Stephen Ross, Doug McGinness, Tom Robinson
Grade: Ruth Wardell
Post Producer: Tom Manton & Matt Squires
Production Assistant: Lily Barron
Sound Designer: @yuka_._o
Service Production Spain: @blur__________
MP / EP: Ines Segura
HOP: Pablo Herraiz
HOP Barcelona: @gaidolfifrancesca
Producer: Raquel Castelló
Production Manager: Mireia Fontanals
Production Coordinator: Alex Osi
Talent Coordinator: Nerea Soms
Production Assistant: Manuela Greene
Production Assistant: Nuria Carreras
Director’s Driver: Jabi Soms
Client Driver: Joan Pujolar
Agency Driver: Max Álvarez
Crew Driver: Sufi Mazzauri & Miguel Michavila
Talent Driver: Carlos Marcerano & Marc Berlanga
Craft Service Blaze: @marcospalletta
Unit Manager: Carles Rius
ECO Manager: Eva Moreno
Full film for Amazon Manga ✂️✍️🦾🦿100% practical Agency: @wktokyoDirector: @mackshepp rep’d by @prodcofficial
Production Company: @aoipro @aoiglobal
Creative Assistant and Script Co-writer : @kaihoshinosandy
Director of Photography: @oli_millarBolt Arm Operator Genius: @alex_bartholo__dop
Production Designer : @masamit0125
1st AD: @hideaki_jimbo
Editor: @Ahato
VFX: @mill_shanghai
Music Composer: Chris White | @siren_uk
Sound Designer: Mark Hills /@factorystudiosuk
SFX / Stop Motion Supervisor: @mathew_amonson Actors: @kenshiro_iwai • @narumi.kanon.official • @elamai0315 • @_oguradesuyo_
Apple | Mac - Work Is Worth It / Shot on iPhone directed by Me w dop @jeremysnell and 2nd unit @kaihoshinosandy and @anantjae @desmondlhb edit @davidgesslbauer and wizard @ahato A big thank you to the entire 🇮🇳team. 🥹
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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View profiles and photos anonymously with ease using the Private Profile Viewer.
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Anonstories lets users view Instagram stories without alerting the creator.
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Prioritizes secure, anonymous browsing without requiring login credentials.
Users can view public stories by simply entering a username—no account needed.
Downloads photos (JPEG) and videos (MP4) with ease.
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Content from private accounts can only be accessed by followers.
Files are for personal or educational use only and must comply with copyright rules.
Enter a public username to view or download stories. The service generates direct links for saving content locally.