Mark C. O’Flaherty
Words, pictures, conversations, mezcal, dim sum, chilled reds (nothing natural). Londoner, Irish passport, in @ft_weekend @fthtsi @nytimes + elsewhere

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

We are broken. Utterly utterly COMPLETELY broken. The size of the hole in our hearts is immense. You occupied a TREMENDOUS space in our lives Albertus. You were a giant, wonderful, kind, funny, talented man. I am drained from crying. The grief is exhausting. You were - ARE – so loved. I wasn’t going to post anything on here, because it feels tawdry compared to how much you mean to us. It’s private. But I also want everyone to know how much we love you. You and Eddie were among the first close friends we made when we moved to New York, and you immediately became our people, our gang. I loved coming over for pizza and playing with Pooks, the cat you loved even more than your trips to opera at the Met. I loved our picnics, and hanging out in your studio, which was just the most wild cave of ribbons and blocks and felt and art. You had that absurd storage unit full of vintage Gaultier that you couldn’t part with. That day we watched the Macy’s Day Parade with a wicked hangover from your window was magical – Snoopy and the other inflatables floating right past the window. I loved that the hats you made me were bigger than the ones for Oprah (“Your head is enormous Mark!”). I adored us all going for steak frites and red wine at Raoul’s, I was in absolute hysterics when we went to lap dancing clubs and The Cock at 2am, then had to have all our clothes dry cleaned to get the jizz off. You made us all laugh SO MUCH when we took you to Coney Island for the Mermaid Parade and you couldn’t believe how far from Manhattan we were going. “It’s just a few more stops! We are nearly there!” You made magic for Broadway and Vogue, and with Thom Browne, Marc Jacobs, Caroline Herrrera, Alexander Wang and Proenza Schouler, as well as Gap and J. Crew. I was so proud to see your face on billboards. You were so much a product of your South African heritage, and adored safaris and nature, and your homeland was a constant source of inspiration. I just KNOW that your future was going to take you back home to live amid all that beauty, with the man you love. You were Old New York. You were the best. You’ve left Eddie and Pooks and all of us, and we don’t know what to do without you.

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

I really don't want to be on American soil right now, or for the foreseable future, but nothing would keep me from celebrating Lola and Eric's wedding with them, or hugging Eddie and having the opportunity to remember all the great things about our beloved Albertus. I LOVE all the people I got to spend time with over the last few days in New York and I miss not being able to see them as much as I used to, while—I suppose—not missing the city itself all that much at all. (Apart from the louche thrill of weekday day drinking in darkened dive bars)
Two memorials and a wedding in the space of a few days (along with a fair few other things—some of them hilariously disastrous/injurious, some of them remarkable and healing in a great way) have left me rinsed out. I keep saying I won't be back before the end of the decade, but friends are working on things (on both sides of the Atlantic) that will come to fruition which will inevitably get me on a plane again. We all do what we can… We create stuff. And create a community.
My favourite quote of the week was from Nick (who looks very tall in the photo at The Chelsea Hotel): “I walk around midtown sometimes and see all these out-of-towners going to all these shit places, getting ripped off during their once a year visit, and it’s probably them going back to their red states to take away our rights purely out of spite. ‘How much for a ticket to see a show and for a burger!? That’s it! No abortions or genderless toilets for you Satanists’!”

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

“The light that burns twice as bright burns half as long, and you have burned so very very brightly”
News reached us on Monday just as we had sat down in a bar: Mark Quinn died suddenly on Saturday at home in Dublin. When I read the message, I thought about not saying anything to Neil. If I ignored it, it wouldn’t be true. But I did. We sat in silence, feeling like lead, disassociating. We tried to park it out of our heads and hearts until we got back home, and although it still doesn’t seem possible, the world has shifted.
It seems ridiculous Mark isn’t around. It’s an outrage he would die. It’s not something he’d do. He was a force of nature, operating on a different frequency to the rest of us. As Cillian once said: “If Mark isn’t living life to extremes, he doesn’t feel like he’s alive.”
Mark made everyone feel they were the most special person in his orbit. He was so Irish—incorrigible, with charisma to burn. He could have got away with murder. Hell, I’d have helped him do it. He would have made it a lark.
He could charm the birds from the trees, and the pants off anyone. He was hilarious, smarter than you, and a gentleman. He was a cheerleader for everything you wanted to achieve. He was loyal and had no ego. He rode horses, had beautiful eyes and the most genuine smile. He always bought dinner, no matter how many times I tried to get the card to the waiter first. When someone spiked the champagne at our wedding with MDMA, we blamed him. He hadn’t done it, but was the most obvious suspect. He was a handful.
It feels wrong to use the toxic carcass of social media to write this, but I really want everyone to know how great Mark was. If you knew him, you KNEW. My thoughts are with his family in Ireland, who I know are devastated.
After we heard the news on Monday, we left the bar and walked up a hill past a row of florist’s stalls, full of orchids. The smell was incredible. Mark knew how much I hate orchids, because the flowers fall away, and they look dead for so long before they bloom again. And I hate the reminder of what’s missing.

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

In today’s @fthtsi - the result of a day with the Nemeth family at their store in Tokyo last December. It’s 40 years since @christophernemeth_official moved from @house_of_beauty_and_culture and London to Tokyo to work with his wife Keiko on his iconoclastic label. He died in 2010 but Keiko and her daughters Lui and Riyo Nemeth have kept the designs alive. And the shop in Omotesando is a place of pilgrimage. You can buy select pieces from Dover Street Market, but this is the mothership. It’s like the old Pop Shop and World’s End - its existence is the thing. Just being inside it feels like you’re engaging with the work in a unique way. It’s always the first place I head to when I’m in Japan and it documents so much history about London and @judyblame and a really radical time for fashion as much as it is a great shop. I don’t wear anyone else’s denim. Nemeth forever… 🖤

From the beginning, it was clear among fashionable tastemakers that Philippe Starck would leave his mark on design by rethinking the process.
One of Ian Schrager’s closest friends, fashion designer Norma Kamali, remembers the early concepts Starck designed for the hotelier:
“You would be sure you’d always see something completely new,” she says. “Starck had a twinkle in his eye. Ian and Philippe changed the way people used hotels. It became an entertainment, and an experience worth copying by many.”
Swipe to read our exclusive interview and discover @starck’s fantastical design philosophy.
Link in bio for the full feature with @markc_oflaherty ✍️

From the beginning, it was clear among fashionable tastemakers that Philippe Starck would leave his mark on design by rethinking the process.
One of Ian Schrager’s closest friends, fashion designer Norma Kamali, remembers the early concepts Starck designed for the hotelier:
“You would be sure you’d always see something completely new,” she says. “Starck had a twinkle in his eye. Ian and Philippe changed the way people used hotels. It became an entertainment, and an experience worth copying by many.”
Swipe to read our exclusive interview and discover @starck’s fantastical design philosophy.
Link in bio for the full feature with @markc_oflaherty ✍️

From the beginning, it was clear among fashionable tastemakers that Philippe Starck would leave his mark on design by rethinking the process.
One of Ian Schrager’s closest friends, fashion designer Norma Kamali, remembers the early concepts Starck designed for the hotelier:
“You would be sure you’d always see something completely new,” she says. “Starck had a twinkle in his eye. Ian and Philippe changed the way people used hotels. It became an entertainment, and an experience worth copying by many.”
Swipe to read our exclusive interview and discover @starck’s fantastical design philosophy.
Link in bio for the full feature with @markc_oflaherty ✍️

From the beginning, it was clear among fashionable tastemakers that Philippe Starck would leave his mark on design by rethinking the process.
One of Ian Schrager’s closest friends, fashion designer Norma Kamali, remembers the early concepts Starck designed for the hotelier:
“You would be sure you’d always see something completely new,” she says. “Starck had a twinkle in his eye. Ian and Philippe changed the way people used hotels. It became an entertainment, and an experience worth copying by many.”
Swipe to read our exclusive interview and discover @starck’s fantastical design philosophy.
Link in bio for the full feature with @markc_oflaherty ✍️

From the beginning, it was clear among fashionable tastemakers that Philippe Starck would leave his mark on design by rethinking the process.
One of Ian Schrager’s closest friends, fashion designer Norma Kamali, remembers the early concepts Starck designed for the hotelier:
“You would be sure you’d always see something completely new,” she says. “Starck had a twinkle in his eye. Ian and Philippe changed the way people used hotels. It became an entertainment, and an experience worth copying by many.”
Swipe to read our exclusive interview and discover @starck’s fantastical design philosophy.
Link in bio for the full feature with @markc_oflaherty ✍️

Once in a while I get to be a featured contributor in a magazine I have a story in. Go me! It’s such an ego boost, and when I get an email from an editor asking me to answer a Q&A, I stop whatever I’m doing and make myself a coffee and luxuriate in it…I will kick a deadline into the long grass to engage. I love labouring over every answer. For the latest issue of @livingcorriere I was given the big bit of the page (for my story on Stanley Wong in Kyoto), and talked about the Kate Bush song that makes me cry when I think of my mum, the Piers Gough building we live in, a certain McQueen coat from his Nihilism collection, and how the biggest complement ever paid to me was by a PR who accidentally copied me into an email to her colleagues describing me as “edgy, with great hair, and hates kids”. I also mention my new book here which I’m not supposed to talk about until next week because of the contract. But it’s in Italian here, so give me a break. This is also the first time my @ruthhogben portrait has been in print (wearing new season @skeltonjohn of course). I sound so much cooler in Italian. And Ruthie makes me look how I wish I looked IRL

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends
Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Rights of spring. Shoots in Antwerp and Paris. Jaunts to Ireland. Barnaby and Molly’s birthdays. Flowers, cocktails, long lunches, Jack in the Green… Ceramics with Martha Freud and long overdue catch ups with friends

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

Words and pictures from the new issue of Harrods Magazine, from a wonderful day in December in Tokyo with the team behind @im_men_official - Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi.
The last time I shot at the Miyake Design Studio it was with Issey-san himself. I was really surprised when the Miyake menswear was stopped, but I think IM Men is the best work that’s come out of the studio for decades. It’s so clever.
When Miyake moved his special projects department into House 1032, a glass and concrete building built for him in Shibuya by architect Kojiro Kitayama (the youngest sibling of Tadao Ando) in 1987, it established what would become a spectacular time capsule, but also a design landmark that remains home to radical new design. Among the pieces inherited by the Miyake Design Studio is a rare suite of cardboard furniture by Frank Gehry in one of the main meeting rooms. Around the corner is a powder coated metal wire chair by Tom Dixon next to an umbrella stand and chairs by Shiro Kuramata of the Ettore Sottsass-founded postmodern Memphis collective. The whole place is a reminder that the 1980s – when Miyake developed cult status in the west – was as much about industrial modernism as it was pop kitsch.
When I visited the studio the team were showing me pieces and mood boards from Spring/Summer 2026 collection, Dancing Texture, inspired by the ceramics of Shoji Kamoda.
Many thanks to all @isseymiyakeofficial and to @amylbroomfield and @katie_service_ for the commission. Such a delight to do. #isseymiyake #immen
#miyake

A total joy to work with @j.bruce.garden (and his dogs Frida and Nohni) on tomorrow’s @ft_weekend story on his Field Nursery project. He’s doing radical things with horticulture, and comes from an art background that informs everything – including creating an “edge of chaos” garden for @simon_costin at his crazy house in Cornwall.
I particularly love what Bruce has been doing with Derek Jarman’s garden in Dungeness – a place that obsesses me and has done since I wrote my dissertation at film school about Jarman and Greenaway (and their very different but equally painterly approach to filmmaking). Jonny is keeping the legacy alive and also, literally, growing it. It’s become a favourite day out for home counties tourists who add it to an itinerary of National Trust properties without any knowledge of Jarmen’s polemic.
From tomorrow’s story:
Bruce has been the head gardener at the late artist, gay rights and Aids activist Derek Jarman’s Prospect Cottage in Dungeness, Kent, since Jarman’s partner, and Bruce’s friend, Keith Collins died in 2018. The shingle garden is defined by its pagan hag stones, circular rock arrangements and rusted iron punctuating the silvery green curls of sea kale, sage and lavender. As a student, Bruce had been fascinated by Jarman’s 1991 memoir Modern Nature, detailing his life in the now celebrated garden at the cottage he bought in 1986.
When Bruce studied art history at Cambridge, he saw gardening as “window dressing for rich people’s homes” but viewed Jarman’s garden as a manifestation of “anti-establishment politics, mysticism and the occult”. Today he frequently encounters teenagers who have made a pilgrimage there after reading his books and seeing his films. “I’m so heartened by that,” he says. “It’s a place of inspirational refuge. I like to have flashes of orange hot marigolds and other brash bold colour in the garden — Derek was a showman and loved camp.”

A total joy to work with @j.bruce.garden (and his dogs Frida and Nohni) on tomorrow’s @ft_weekend story on his Field Nursery project. He’s doing radical things with horticulture, and comes from an art background that informs everything – including creating an “edge of chaos” garden for @simon_costin at his crazy house in Cornwall.
I particularly love what Bruce has been doing with Derek Jarman’s garden in Dungeness – a place that obsesses me and has done since I wrote my dissertation at film school about Jarman and Greenaway (and their very different but equally painterly approach to filmmaking). Jonny is keeping the legacy alive and also, literally, growing it. It’s become a favourite day out for home counties tourists who add it to an itinerary of National Trust properties without any knowledge of Jarmen’s polemic.
From tomorrow’s story:
Bruce has been the head gardener at the late artist, gay rights and Aids activist Derek Jarman’s Prospect Cottage in Dungeness, Kent, since Jarman’s partner, and Bruce’s friend, Keith Collins died in 2018. The shingle garden is defined by its pagan hag stones, circular rock arrangements and rusted iron punctuating the silvery green curls of sea kale, sage and lavender. As a student, Bruce had been fascinated by Jarman’s 1991 memoir Modern Nature, detailing his life in the now celebrated garden at the cottage he bought in 1986.
When Bruce studied art history at Cambridge, he saw gardening as “window dressing for rich people’s homes” but viewed Jarman’s garden as a manifestation of “anti-establishment politics, mysticism and the occult”. Today he frequently encounters teenagers who have made a pilgrimage there after reading his books and seeing his films. “I’m so heartened by that,” he says. “It’s a place of inspirational refuge. I like to have flashes of orange hot marigolds and other brash bold colour in the garden — Derek was a showman and loved camp.”

A total joy to work with @j.bruce.garden (and his dogs Frida and Nohni) on tomorrow’s @ft_weekend story on his Field Nursery project. He’s doing radical things with horticulture, and comes from an art background that informs everything – including creating an “edge of chaos” garden for @simon_costin at his crazy house in Cornwall.
I particularly love what Bruce has been doing with Derek Jarman’s garden in Dungeness – a place that obsesses me and has done since I wrote my dissertation at film school about Jarman and Greenaway (and their very different but equally painterly approach to filmmaking). Jonny is keeping the legacy alive and also, literally, growing it. It’s become a favourite day out for home counties tourists who add it to an itinerary of National Trust properties without any knowledge of Jarmen’s polemic.
From tomorrow’s story:
Bruce has been the head gardener at the late artist, gay rights and Aids activist Derek Jarman’s Prospect Cottage in Dungeness, Kent, since Jarman’s partner, and Bruce’s friend, Keith Collins died in 2018. The shingle garden is defined by its pagan hag stones, circular rock arrangements and rusted iron punctuating the silvery green curls of sea kale, sage and lavender. As a student, Bruce had been fascinated by Jarman’s 1991 memoir Modern Nature, detailing his life in the now celebrated garden at the cottage he bought in 1986.
When Bruce studied art history at Cambridge, he saw gardening as “window dressing for rich people’s homes” but viewed Jarman’s garden as a manifestation of “anti-establishment politics, mysticism and the occult”. Today he frequently encounters teenagers who have made a pilgrimage there after reading his books and seeing his films. “I’m so heartened by that,” he says. “It’s a place of inspirational refuge. I like to have flashes of orange hot marigolds and other brash bold colour in the garden — Derek was a showman and loved camp.”

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

Packed the SAD lamp away for another season… a few fun things that really brightened up the end of winter, including an always welcome visit from Paul Murray from Dublin, and jaunts to Deal, Rye and Snowdonia. Bring on the Easter Bunny!

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋

It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋
It’s always easy to remember when Molly’s birthday is because in 2020 when she celebrated by going axe throwing in NY the whole world closed down the next morning because of the plague. This is the first birthday in her London home… and it was GORGEOUS. Superb pasta bake, and one of Neil’s INCREDIBLE Guinness cakes with cream cheese frosting 😋
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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