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the perennially brilliant @cassmccombs + his band are here next week! @sydneyoperahouse 🌌@thornburytheatre 🌄 @theatreroyalcastlemaine 🎆

♪♪ ₊˚♬ • @wednesday_gurl Australia and NZ next week 😇
Wellington & both Melbourne dates sold out
Low tix in Lyttleton, Fremantle & Sydney

@catelebon talks loves with @janerocca_ in @sydneymorningherald 🌟 tour very soon! @sydneyoperahouse @arrival.fest @rising.melbourne @openseasonbrisbane @theprincessbrisbane

👑🎁 • @studiobarnhus Thank you @guardian 🗞️🗞️🗞️ @thefield_axel on how a chance meeting at a burger van resulted in a new label deal and the first record since 2018.

Also thank you to @andrewryce and @pitchfork for the nice review.

⋆˚꩜｡⋆ • @pitchfork Eight years since his last record, Swedish ambient-techno musician the Field still constitutes a category of one. But his trademark style, epic and blissed out as ever, benefits from a newfound looseness. Read our review of Now You Exist EP at the link in bio.

@kurtvile cover story in @thelineofbestfit 💎🎉

🗣️🗣️🗣️• @elthamhotelnsw Blending the great fuzzy guitars of shoegaze with a faint Southern twang and lyrics fixated on the traumas of small-town life, Wednesday are an indie rock band from Asheville, North Carolina led by songwriter, vocalist, and guitarist Karly Hartzman.

The group’s songs manage to be deeply personal while touching on doubts and anxieties that are universally recognisable. What started as a solo project in 2017, time has added a full band behind Hartzman (that until recently included MJ Lenderman too - he’s still an active contributor in recordings).

We’re playing off-site hosts to Wednesday’s Northern Rivers show in the iconic Mullum Civic Hall early June. The tour is presented by @mistletone and @jetblackcatmusic. You can grab tickets via the music tab on our website.

we are so excited to announce that @rose.m.k has joined Mistletone as our Director of Touring 🫡
Rose has been part of the team for many years & now it’s official! please give her a warm welcome! 💫💫

💫⭐️🌟 • @kurtvile On the racks tday @nytimes
Pics @michellegustafson

🤌✨ • @janerocca_ SUNDAY LIFE: My interview with Cate Le Bon in print this weekend. Her new album Michelangelo Dying is out now. Read story via link in my bio. @catelebon @mistletone @sundaylifeau @rising.melbourne #catelebon #risingmelbourne #linkinbio

@thefield_axel ✴️✳️✴️ • @studiobarnhus 𝐓𝐡𝐞 𝐅𝐢𝐞𝐥𝐝 - 𝑵𝙤𝒘 𝒀𝙤𝒖 𝑬𝙭𝒊𝙨𝒕 out now on all digital platforms and 12” vinyl @studiobarnhus

Written, produced and recorded by @thefield_axel
Mixed by @barker_volteklabs 
Mastered by @matthewstylesharris @horizontalstudios 
Artwork by @bosman.xyz
Studio Barnhus 2026
BARN 128

Over the last two decades, The Field has refined a language of repetition that feels not assembled but uncovered. His loops don’t just cycle; they gather weight over time, so the tracks seem set in motion rather than composed – patterns established early, then gently altered, their emotional temperature shifting almost imperceptibly.

On this five-track EP for Studio Barnhus, the Swedish producer’s first solo release in 8 years, The Field returns to the sonic architecture that defined his seminal debut From Here We Go Sublime, but with a (dare we say Studio Barnhus-esque) looseness that allows the structures to breathe.

Tracks like In Our Dreams and 333 706 move forward on meditative chords, harmonies stretching their reach until the tracks feel elated by their own momentum.

The B-side tilts the frame. Another Day introduces some melodic immediacy, folding a tender vocal presence into The Field’s glittering matrix of sound, softening the grid without dissolving it. Now You Exist is a grand finale radiating with restrained euphoria.

The Field’s music never insists, it just draws you in and keeps you there. In a landmark crossing of paths for the Stockholm label, Studio Barnhus proudly presents Now You Exist, out May 15 on vinyl and all digital platforms

< 2 weeks! 🛎️⌛️ • @cassmccombs Interior Live Oak live New Zealand and Australia starts May 26. Photo by Sasha Vine.