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“Jakob Kudsk Steensen on Non-Human Pathways” by Peter Bauman @monkantony with @jakob_kudsk_steensen

Virtual worldbuilding artist Jakob Kudsk Steensen speaks with Peter Bauman about the centrality of fieldwork and process to his practice. They discuss archiving vanishing environments in virtual worlds, the play between structure and daydream in his creative process and the embodied sensibility behind Steensen’s slow, textured approach to digital worldbuilding. An exhibition of his work, Otherworlds, is on view at Phi @phi.officiel (Montreal) through September 13, 2026.

🫱 lerandom.art/editorial/jakob-kudsk-steensen-on-non-human-pathways

🔗 Link to Editorials in bio

Mentions: @fondationlv @fondationbeyeler @cisternerne @serpentineuk @moriartmuseum @hamburger.kunsthalle @arosartmuseum @kadistkadist @las_artfoundation @smkmuseum @gaiaartfoundation @mattmccorkle_ @arca1000000

Cover image: Jakob Kudsk Steensen, Psychosphere (Stills from moving image, spatialised sound, interactive glass, fiberglass and resin sculptures), 2025 © Jakob Kudsk Steensen

“Jakob Kudsk Steensen on Non-Human Pathways” by Peter Bauman @monkantony with @jakob_kudsk_steensen

Virtual worldbuilding artist Jakob Kudsk Steensen speaks with Peter Bauman about the centrality of fieldwork and process to his practice. They discuss archiving vanishing environments in virtual worlds, the play between structure and daydream in his creative process and the embodied sensibility behind Steensen’s slow, textured approach to digital worldbuilding. An exhibition of his work, Otherworlds, is on view at Phi @phi.officiel (Montreal) through September 13, 2026.

🫱 lerandom.art/editorial/jakob-kudsk-steensen-on-non-human-pathways

🔗 Link to Editorials in bio

Mentions: @fondationlv @fondationbeyeler @cisternerne @serpentineuk @moriartmuseum @hamburger.kunsthalle @arosartmuseum @kadistkadist @las_artfoundation @smkmuseum @gaiaartfoundation @mattmccorkle_ @arca1000000

Cover image: Jakob Kudsk Steensen, Psychosphere (Stills from moving image, spatialised sound, interactive glass, fiberglass and resin sculptures), 2025 © Jakob Kudsk Steensen

“Jakob Kudsk Steensen on Non-Human Pathways” by Peter Bauman @monkantony with @jakob_kudsk_steensen

Virtual worldbuilding artist Jakob Kudsk Steensen speaks with Peter Bauman about the centrality of fieldwork and process to his practice. They discuss archiving vanishing environments in virtual worlds, the play between structure and daydream in his creative process and the embodied sensibility behind Steensen’s slow, textured approach to digital worldbuilding. An exhibition of his work, Otherworlds, is on view at Phi @phi.officiel (Montreal) through September 13, 2026.

🫱 lerandom.art/editorial/jakob-kudsk-steensen-on-non-human-pathways

🔗 Link to Editorials in bio

Mentions: @fondationlv @fondationbeyeler @cisternerne @serpentineuk @moriartmuseum @hamburger.kunsthalle @arosartmuseum @kadistkadist @las_artfoundation @smkmuseum @gaiaartfoundation @mattmccorkle_ @arca1000000

Cover image: Jakob Kudsk Steensen, Psychosphere (Stills from moving image, spatialised sound, interactive glass, fiberglass and resin sculptures), 2025 © Jakob Kudsk Steensen

“Jakob Kudsk Steensen on Non-Human Pathways” by Peter Bauman @monkantony with @jakob_kudsk_steensen

Virtual worldbuilding artist Jakob Kudsk Steensen speaks with Peter Bauman about the centrality of fieldwork and process to his practice. They discuss archiving vanishing environments in virtual worlds, the play between structure and daydream in his creative process and the embodied sensibility behind Steensen’s slow, textured approach to digital worldbuilding. An exhibition of his work, Otherworlds, is on view at Phi @phi.officiel (Montreal) through September 13, 2026.

🫱 lerandom.art/editorial/jakob-kudsk-steensen-on-non-human-pathways

🔗 Link to Editorials in bio

Mentions: @fondationlv @fondationbeyeler @cisternerne @serpentineuk @moriartmuseum @hamburger.kunsthalle @arosartmuseum @kadistkadist @las_artfoundation @smkmuseum @gaiaartfoundation @mattmccorkle_ @arca1000000

Cover image: Jakob Kudsk Steensen, Psychosphere (Stills from moving image, spatialised sound, interactive glass, fiberglass and resin sculptures), 2025 © Jakob Kudsk Steensen

“Jakob Kudsk Steensen on Non-Human Pathways” by Peter Bauman @monkantony with @jakob_kudsk_steensen

Virtual worldbuilding artist Jakob Kudsk Steensen speaks with Peter Bauman about the centrality of fieldwork and process to his practice. They discuss archiving vanishing environments in virtual worlds, the play between structure and daydream in his creative process and the embodied sensibility behind Steensen’s slow, textured approach to digital worldbuilding. An exhibition of his work, Otherworlds, is on view at Phi @phi.officiel (Montreal) through September 13, 2026.

🫱 lerandom.art/editorial/jakob-kudsk-steensen-on-non-human-pathways

🔗 Link to Editorials in bio

Mentions: @fondationlv @fondationbeyeler @cisternerne @serpentineuk @moriartmuseum @hamburger.kunsthalle @arosartmuseum @kadistkadist @las_artfoundation @smkmuseum @gaiaartfoundation @mattmccorkle_ @arca1000000

Cover image: Jakob Kudsk Steensen, Psychosphere (Stills from moving image, spatialised sound, interactive glass, fiberglass and resin sculptures), 2025 © Jakob Kudsk Steensen

“Jakob Kudsk Steensen on Non-Human Pathways” by Peter Bauman @monkantony with @jakob_kudsk_steensen

Virtual worldbuilding artist Jakob Kudsk Steensen speaks with Peter Bauman about the centrality of fieldwork and process to his practice. They discuss archiving vanishing environments in virtual worlds, the play between structure and daydream in his creative process and the embodied sensibility behind Steensen’s slow, textured approach to digital worldbuilding. An exhibition of his work, Otherworlds, is on view at Phi @phi.officiel (Montreal) through September 13, 2026.

🫱 lerandom.art/editorial/jakob-kudsk-steensen-on-non-human-pathways

🔗 Link to Editorials in bio

Mentions: @fondationlv @fondationbeyeler @cisternerne @serpentineuk @moriartmuseum @hamburger.kunsthalle @arosartmuseum @kadistkadist @las_artfoundation @smkmuseum @gaiaartfoundation @mattmccorkle_ @arca1000000

Cover image: Jakob Kudsk Steensen, Psychosphere (Stills from moving image, spatialised sound, interactive glass, fiberglass and resin sculptures), 2025 © Jakob Kudsk Steensen

“Avery Singer on the Dopamine Blowout” by Peter Bauman @monkantony

Painter Avery Singer @thoughtsondeck is exhibiting a new canvas, Vanessa (2026), at the Protocol Art show, Strange Rules, in Venice. The artist spoke with Peter Bauman about her accidental path to painting and the recent integration of custom AI workflows into her practice. They discuss slop aesthetics, the dopamine blowout of contemporary image consumption, and how Baudrillard’s theories of spectacle inform Singer’s long use of technology to interrogate the changing nature of image production.

🫱 lerandom.art/editorial/avery-singer-on-the-dopamine-blowout

Link to Editorials in bio

Mentions: @coppergilothstudio @jane.veeder @anickayi_studio @christopherkulendranthomas @hauserwirth @themuseumofmodernart @metmuseum @guggenheim @tate @whitneymuseum @newmuseum @stedelijkmuseum @labiennale @brooklynrail @lance.brewer

Cover image: Avery Singer, Free Fall (Study), 2022 (Detail). Acrylic on canvas. © Avery Singer. Courtesy of the artist and Hauser & Wirth. Photo by Lance Brewer

“Avery Singer on the Dopamine Blowout” by Peter Bauman @monkantony

Painter Avery Singer @thoughtsondeck is exhibiting a new canvas, Vanessa (2026), at the Protocol Art show, Strange Rules, in Venice. The artist spoke with Peter Bauman about her accidental path to painting and the recent integration of custom AI workflows into her practice. They discuss slop aesthetics, the dopamine blowout of contemporary image consumption, and how Baudrillard’s theories of spectacle inform Singer’s long use of technology to interrogate the changing nature of image production.

🫱 lerandom.art/editorial/avery-singer-on-the-dopamine-blowout

Link to Editorials in bio

Mentions: @coppergilothstudio @jane.veeder @anickayi_studio @christopherkulendranthomas @hauserwirth @themuseumofmodernart @metmuseum @guggenheim @tate @whitneymuseum @newmuseum @stedelijkmuseum @labiennale @brooklynrail @lance.brewer

Cover image: Avery Singer, Free Fall (Study), 2022 (Detail). Acrylic on canvas. © Avery Singer. Courtesy of the artist and Hauser & Wirth. Photo by Lance Brewer

“Avery Singer on the Dopamine Blowout” by Peter Bauman @monkantony

Painter Avery Singer @thoughtsondeck is exhibiting a new canvas, Vanessa (2026), at the Protocol Art show, Strange Rules, in Venice. The artist spoke with Peter Bauman about her accidental path to painting and the recent integration of custom AI workflows into her practice. They discuss slop aesthetics, the dopamine blowout of contemporary image consumption, and how Baudrillard’s theories of spectacle inform Singer’s long use of technology to interrogate the changing nature of image production.

🫱 lerandom.art/editorial/avery-singer-on-the-dopamine-blowout

Link to Editorials in bio

Mentions: @coppergilothstudio @jane.veeder @anickayi_studio @christopherkulendranthomas @hauserwirth @themuseumofmodernart @metmuseum @guggenheim @tate @whitneymuseum @newmuseum @stedelijkmuseum @labiennale @brooklynrail @lance.brewer

Cover image: Avery Singer, Free Fall (Study), 2022 (Detail). Acrylic on canvas. © Avery Singer. Courtesy of the artist and Hauser & Wirth. Photo by Lance Brewer

“Avery Singer on the Dopamine Blowout” by Peter Bauman @monkantony

Painter Avery Singer @thoughtsondeck is exhibiting a new canvas, Vanessa (2026), at the Protocol Art show, Strange Rules, in Venice. The artist spoke with Peter Bauman about her accidental path to painting and the recent integration of custom AI workflows into her practice. They discuss slop aesthetics, the dopamine blowout of contemporary image consumption, and how Baudrillard’s theories of spectacle inform Singer’s long use of technology to interrogate the changing nature of image production.

🫱 lerandom.art/editorial/avery-singer-on-the-dopamine-blowout

Link to Editorials in bio

Mentions: @coppergilothstudio @jane.veeder @anickayi_studio @christopherkulendranthomas @hauserwirth @themuseumofmodernart @metmuseum @guggenheim @tate @whitneymuseum @newmuseum @stedelijkmuseum @labiennale @brooklynrail @lance.brewer

Cover image: Avery Singer, Free Fall (Study), 2022 (Detail). Acrylic on canvas. © Avery Singer. Courtesy of the artist and Hauser & Wirth. Photo by Lance Brewer

“Avery Singer on the Dopamine Blowout” by Peter Bauman @monkantony

Painter Avery Singer @thoughtsondeck is exhibiting a new canvas, Vanessa (2026), at the Protocol Art show, Strange Rules, in Venice. The artist spoke with Peter Bauman about her accidental path to painting and the recent integration of custom AI workflows into her practice. They discuss slop aesthetics, the dopamine blowout of contemporary image consumption, and how Baudrillard’s theories of spectacle inform Singer’s long use of technology to interrogate the changing nature of image production.

🫱 lerandom.art/editorial/avery-singer-on-the-dopamine-blowout

Link to Editorials in bio

Mentions: @coppergilothstudio @jane.veeder @anickayi_studio @christopherkulendranthomas @hauserwirth @themuseumofmodernart @metmuseum @guggenheim @tate @whitneymuseum @newmuseum @stedelijkmuseum @labiennale @brooklynrail @lance.brewer

Cover image: Avery Singer, Free Fall (Study), 2022 (Detail). Acrylic on canvas. © Avery Singer. Courtesy of the artist and Hauser & Wirth. Photo by Lance Brewer

“Avery Singer on the Dopamine Blowout” by Peter Bauman @monkantony

Painter Avery Singer @thoughtsondeck is exhibiting a new canvas, Vanessa (2026), at the Protocol Art show, Strange Rules, in Venice. The artist spoke with Peter Bauman about her accidental path to painting and the recent integration of custom AI workflows into her practice. They discuss slop aesthetics, the dopamine blowout of contemporary image consumption, and how Baudrillard’s theories of spectacle inform Singer’s long use of technology to interrogate the changing nature of image production.

🫱 lerandom.art/editorial/avery-singer-on-the-dopamine-blowout

Link to Editorials in bio

Mentions: @coppergilothstudio @jane.veeder @anickayi_studio @christopherkulendranthomas @hauserwirth @themuseumofmodernart @metmuseum @guggenheim @tate @whitneymuseum @newmuseum @stedelijkmuseum @labiennale @brooklynrail @lance.brewer

Cover image: Avery Singer, Free Fall (Study), 2022 (Detail). Acrylic on canvas. © Avery Singer. Courtesy of the artist and Hauser & Wirth. Photo by Lance Brewer

New York City Digital Art Guide by @lovidlovid, @emailyedelman, @josh_yakov & @monkantony

Updated for 2026

*Link in bio

🔗 lerandom.art/editorial/new-york-city-digital-art-guide

New York Frieze Week—Michael Connor, Regina Harsanyi & Karyn Nakamura with Peter Bauman

We preview @friezeofficial week in NY

Mentions: @rhizomedotorg @newmuseum @themuseumofmodernart @gucaslelfond @michaeljconnor @movingimagenyc @frog_spit_simulation @travess @made.by.oona @rheapl3x @lindadouniar @isthisanart @jonaslund @yoshisodeoka @thoughtsondeck @agnieszka.kurant @bianjie.systems @artontezos @tezos @whitneymuseum @petzelgallery @yehwan.yen.song @newartdealers @tefaf @labiennale

Available on our YouTube channel and wherever you listen to podcasts

“The Cerebral Samba: Protocol Art, Worldbuilding & Our Two Brains” by Peter Bauman @monkantony

Might we experience reality itself as a protocol and world in a divided brain? Bauman argues protocol art and worldbuilding externalize the brain’s two halves: the protocolic urge to formalize reality into rules and the worlding urge to inhabit it as an open, living environment. Bauman investigates in the midst of a transatlantic dialogue on systems in art between Strange Rules alongside @labiennale and @rhizomedotorg’s 7x7 during New York @friezeofficial Week.

🫱 lerandom.art/editorial/the-cerebral-samba-protocol-art-worldbuilding-our-two-brains

*Link to Editorials in bio

Mentions: @jakob_kudsk_steensen @plantoidz @trevorpaglen @__katecrawford__ @cavvvia @holly_herndon @matdryhurst @bottoproject

Cover image: Jakob Kudsk Steensen, Boreal Dreams (Still and detail of live simulation), 2025

“The Cerebral Samba: Protocol Art, Worldbuilding & Our Two Brains” by Peter Bauman @monkantony

Might we experience reality itself as a protocol and world in a divided brain? Bauman argues protocol art and worldbuilding externalize the brain’s two halves: the protocolic urge to formalize reality into rules and the worlding urge to inhabit it as an open, living environment. Bauman investigates in the midst of a transatlantic dialogue on systems in art between Strange Rules alongside @labiennale and @rhizomedotorg’s 7x7 during New York @friezeofficial Week.

🫱 lerandom.art/editorial/the-cerebral-samba-protocol-art-worldbuilding-our-two-brains

*Link to Editorials in bio

Mentions: @jakob_kudsk_steensen @plantoidz @trevorpaglen @__katecrawford__ @cavvvia @holly_herndon @matdryhurst @bottoproject

Cover image: Jakob Kudsk Steensen, Boreal Dreams (Still and detail of live simulation), 2025

“The Cerebral Samba: Protocol Art, Worldbuilding & Our Two Brains” by Peter Bauman @monkantony

Might we experience reality itself as a protocol and world in a divided brain? Bauman argues protocol art and worldbuilding externalize the brain’s two halves: the protocolic urge to formalize reality into rules and the worlding urge to inhabit it as an open, living environment. Bauman investigates in the midst of a transatlantic dialogue on systems in art between Strange Rules alongside @labiennale and @rhizomedotorg’s 7x7 during New York @friezeofficial Week.

🫱 lerandom.art/editorial/the-cerebral-samba-protocol-art-worldbuilding-our-two-brains

*Link to Editorials in bio

Mentions: @jakob_kudsk_steensen @plantoidz @trevorpaglen @__katecrawford__ @cavvvia @holly_herndon @matdryhurst @bottoproject

Cover image: Jakob Kudsk Steensen, Boreal Dreams (Still and detail of live simulation), 2025

“The Cerebral Samba: Protocol Art, Worldbuilding & Our Two Brains” by Peter Bauman @monkantony

Might we experience reality itself as a protocol and world in a divided brain? Bauman argues protocol art and worldbuilding externalize the brain’s two halves: the protocolic urge to formalize reality into rules and the worlding urge to inhabit it as an open, living environment. Bauman investigates in the midst of a transatlantic dialogue on systems in art between Strange Rules alongside @labiennale and @rhizomedotorg’s 7x7 during New York @friezeofficial Week.

🫱 lerandom.art/editorial/the-cerebral-samba-protocol-art-worldbuilding-our-two-brains

*Link to Editorials in bio

Mentions: @jakob_kudsk_steensen @plantoidz @trevorpaglen @__katecrawford__ @cavvvia @holly_herndon @matdryhurst @bottoproject

Cover image: Jakob Kudsk Steensen, Boreal Dreams (Still and detail of live simulation), 2025

“The Cerebral Samba: Protocol Art, Worldbuilding & Our Two Brains” by Peter Bauman @monkantony

Might we experience reality itself as a protocol and world in a divided brain? Bauman argues protocol art and worldbuilding externalize the brain’s two halves: the protocolic urge to formalize reality into rules and the worlding urge to inhabit it as an open, living environment. Bauman investigates in the midst of a transatlantic dialogue on systems in art between Strange Rules alongside @labiennale and @rhizomedotorg’s 7x7 during New York @friezeofficial Week.

🫱 lerandom.art/editorial/the-cerebral-samba-protocol-art-worldbuilding-our-two-brains

*Link to Editorials in bio

Mentions: @jakob_kudsk_steensen @plantoidz @trevorpaglen @__katecrawford__ @cavvvia @holly_herndon @matdryhurst @bottoproject

Cover image: Jakob Kudsk Steensen, Boreal Dreams (Still and detail of live simulation), 2025

“Shohei Fujimoto on Remembering Space” by Peter Bauman @monkantony with @shohei_fujimoto

Data artist Shohei Fujimoto produces site-specific, data-driven perceptual installations. The artist spoke with Peter Bauman about the primitive structures underlying human perception, how the body remembers space, and whether simulated realities can ever fully replicate physical experience. Fujimoto is exhibiting at Personal Structures in Palazzo Mora alongside the Venice Biennale (May 9–November 22, 2026).

🫱 lerandom.art/editorial/shohei-fujimoto-on-remembering-space

*Link to Editorials in bio

Mentions: @labiennale @signalspaceprague @artechouse @newcitygas @berlinatonal @mutekmontreal @illuminateadelaide @noorriyadhfestival

“Shohei Fujimoto on Remembering Space” by Peter Bauman @monkantony with @shohei_fujimoto

Data artist Shohei Fujimoto produces site-specific, data-driven perceptual installations. The artist spoke with Peter Bauman about the primitive structures underlying human perception, how the body remembers space, and whether simulated realities can ever fully replicate physical experience. Fujimoto is exhibiting at Personal Structures in Palazzo Mora alongside the Venice Biennale (May 9–November 22, 2026).

🫱 lerandom.art/editorial/shohei-fujimoto-on-remembering-space

*Link to Editorials in bio

Mentions: @labiennale @signalspaceprague @artechouse @newcitygas @berlinatonal @mutekmontreal @illuminateadelaide @noorriyadhfestival

“Shohei Fujimoto on Remembering Space” by Peter Bauman @monkantony with @shohei_fujimoto

Data artist Shohei Fujimoto produces site-specific, data-driven perceptual installations. The artist spoke with Peter Bauman about the primitive structures underlying human perception, how the body remembers space, and whether simulated realities can ever fully replicate physical experience. Fujimoto is exhibiting at Personal Structures in Palazzo Mora alongside the Venice Biennale (May 9–November 22, 2026).

🫱 lerandom.art/editorial/shohei-fujimoto-on-remembering-space

*Link to Editorials in bio

Mentions: @labiennale @signalspaceprague @artechouse @newcitygas @berlinatonal @mutekmontreal @illuminateadelaide @noorriyadhfestival

“Shohei Fujimoto on Remembering Space” by Peter Bauman @monkantony with @shohei_fujimoto

Data artist Shohei Fujimoto produces site-specific, data-driven perceptual installations. The artist spoke with Peter Bauman about the primitive structures underlying human perception, how the body remembers space, and whether simulated realities can ever fully replicate physical experience. Fujimoto is exhibiting at Personal Structures in Palazzo Mora alongside the Venice Biennale (May 9–November 22, 2026).

🫱 lerandom.art/editorial/shohei-fujimoto-on-remembering-space

*Link to Editorials in bio

Mentions: @labiennale @signalspaceprague @artechouse @newcitygas @berlinatonal @mutekmontreal @illuminateadelaide @noorriyadhfestival

“Shohei Fujimoto on Remembering Space” by Peter Bauman @monkantony with @shohei_fujimoto

Data artist Shohei Fujimoto produces site-specific, data-driven perceptual installations. The artist spoke with Peter Bauman about the primitive structures underlying human perception, how the body remembers space, and whether simulated realities can ever fully replicate physical experience. Fujimoto is exhibiting at Personal Structures in Palazzo Mora alongside the Venice Biennale (May 9–November 22, 2026).

🫱 lerandom.art/editorial/shohei-fujimoto-on-remembering-space

*Link to Editorials in bio

Mentions: @labiennale @signalspaceprague @artechouse @newcitygas @berlinatonal @mutekmontreal @illuminateadelaide @noorriyadhfestival

“Shohei Fujimoto on Remembering Space” by Peter Bauman @monkantony with @shohei_fujimoto

Data artist Shohei Fujimoto produces site-specific, data-driven perceptual installations. The artist spoke with Peter Bauman about the primitive structures underlying human perception, how the body remembers space, and whether simulated realities can ever fully replicate physical experience. Fujimoto is exhibiting at Personal Structures in Palazzo Mora alongside the Venice Biennale (May 9–November 22, 2026).

🫱 lerandom.art/editorial/shohei-fujimoto-on-remembering-space

*Link to Editorials in bio

Mentions: @labiennale @signalspaceprague @artechouse @newcitygas @berlinatonal @mutekmontreal @illuminateadelaide @noorriyadhfestival

“Jane Veeder on Loving Change” by Copper Giloth @coppergilothstudio & Peter Bauman @monkantony

Veeder (@jane.veeder) began her career in electronic media arts in 1976 and became a member of the pioneering Chicago computer graphics community and EVL. Her computer-animation Montana (1982) is part of MoMA’s video collection. Veeder spoke with her longtime friend from the Chicago new media scene, Copper Giloth, as well as Peter Bauman. They cover Veeder’s path from ceramic sculpture to analog video with Phil Morton to real-time computer animation. Veeder’s interactive experiments on the Zgrass machine’s repurposed video game hardware anticipated by decades the game-engine-driven world-building that now anchors major museum collections and biennials.

🫱 lerandom.art/editorial/jane-veeder-on-loving-change

*Link to Editorials in bio

Mentions: @joantruckenbrod @francisfordcoppola @louiseledeen @saicpics @thisisuic @uicengineering @themuseumofmodernart @ontariosciencecentre @arselectronica @acmsiggraph @sanfranciscostate @atari @lacma

“Jane Veeder on Loving Change” by Copper Giloth @coppergilothstudio & Peter Bauman @monkantony

Veeder (@jane.veeder) began her career in electronic media arts in 1976 and became a member of the pioneering Chicago computer graphics community and EVL. Her computer-animation Montana (1982) is part of MoMA’s video collection. Veeder spoke with her longtime friend from the Chicago new media scene, Copper Giloth, as well as Peter Bauman. They cover Veeder’s path from ceramic sculpture to analog video with Phil Morton to real-time computer animation. Veeder’s interactive experiments on the Zgrass machine’s repurposed video game hardware anticipated by decades the game-engine-driven world-building that now anchors major museum collections and biennials.

🫱 lerandom.art/editorial/jane-veeder-on-loving-change

*Link to Editorials in bio

Mentions: @joantruckenbrod @francisfordcoppola @louiseledeen @saicpics @thisisuic @uicengineering @themuseumofmodernart @ontariosciencecentre @arselectronica @acmsiggraph @sanfranciscostate @atari @lacma

“Jane Veeder on Loving Change” by Copper Giloth @coppergilothstudio & Peter Bauman @monkantony

Veeder (@jane.veeder) began her career in electronic media arts in 1976 and became a member of the pioneering Chicago computer graphics community and EVL. Her computer-animation Montana (1982) is part of MoMA’s video collection. Veeder spoke with her longtime friend from the Chicago new media scene, Copper Giloth, as well as Peter Bauman. They cover Veeder’s path from ceramic sculpture to analog video with Phil Morton to real-time computer animation. Veeder’s interactive experiments on the Zgrass machine’s repurposed video game hardware anticipated by decades the game-engine-driven world-building that now anchors major museum collections and biennials.

🫱 lerandom.art/editorial/jane-veeder-on-loving-change

*Link to Editorials in bio

Mentions: @joantruckenbrod @francisfordcoppola @louiseledeen @saicpics @thisisuic @uicengineering @themuseumofmodernart @ontariosciencecentre @arselectronica @acmsiggraph @sanfranciscostate @atari @lacma

“Jane Veeder on Loving Change” by Copper Giloth @coppergilothstudio & Peter Bauman @monkantony

Veeder (@jane.veeder) began her career in electronic media arts in 1976 and became a member of the pioneering Chicago computer graphics community and EVL. Her computer-animation Montana (1982) is part of MoMA’s video collection. Veeder spoke with her longtime friend from the Chicago new media scene, Copper Giloth, as well as Peter Bauman. They cover Veeder’s path from ceramic sculpture to analog video with Phil Morton to real-time computer animation. Veeder’s interactive experiments on the Zgrass machine’s repurposed video game hardware anticipated by decades the game-engine-driven world-building that now anchors major museum collections and biennials.

🫱 lerandom.art/editorial/jane-veeder-on-loving-change

*Link to Editorials in bio

Mentions: @joantruckenbrod @francisfordcoppola @louiseledeen @saicpics @thisisuic @uicengineering @themuseumofmodernart @ontariosciencecentre @arselectronica @acmsiggraph @sanfranciscostate @atari @lacma

“Jane Veeder on Loving Change” by Copper Giloth @coppergilothstudio & Peter Bauman @monkantony

Veeder (@jane.veeder) began her career in electronic media arts in 1976 and became a member of the pioneering Chicago computer graphics community and EVL. Her computer-animation Montana (1982) is part of MoMA’s video collection. Veeder spoke with her longtime friend from the Chicago new media scene, Copper Giloth, as well as Peter Bauman. They cover Veeder’s path from ceramic sculpture to analog video with Phil Morton to real-time computer animation. Veeder’s interactive experiments on the Zgrass machine’s repurposed video game hardware anticipated by decades the game-engine-driven world-building that now anchors major museum collections and biennials.

🫱 lerandom.art/editorial/jane-veeder-on-loving-change

*Link to Editorials in bio

Mentions: @joantruckenbrod @francisfordcoppola @louiseledeen @saicpics @thisisuic @uicengineering @themuseumofmodernart @ontariosciencecentre @arselectronica @acmsiggraph @sanfranciscostate @atari @lacma

“Jane Veeder on Loving Change” by Copper Giloth @coppergilothstudio & Peter Bauman @monkantony

Veeder (@jane.veeder) began her career in electronic media arts in 1976 and became a member of the pioneering Chicago computer graphics community and EVL. Her computer-animation Montana (1982) is part of MoMA’s video collection. Veeder spoke with her longtime friend from the Chicago new media scene, Copper Giloth, as well as Peter Bauman. They cover Veeder’s path from ceramic sculpture to analog video with Phil Morton to real-time computer animation. Veeder’s interactive experiments on the Zgrass machine’s repurposed video game hardware anticipated by decades the game-engine-driven world-building that now anchors major museum collections and biennials.

🫱 lerandom.art/editorial/jane-veeder-on-loving-change

*Link to Editorials in bio

Mentions: @joantruckenbrod @francisfordcoppola @louiseledeen @saicpics @thisisuic @uicengineering @themuseumofmodernart @ontariosciencecentre @arselectronica @acmsiggraph @sanfranciscostate @atari @lacma

“Jane Veeder on Loving Change” by Copper Giloth @coppergilothstudio & Peter Bauman @monkantony

Veeder (@jane.veeder) began her career in electronic media arts in 1976 and became a member of the pioneering Chicago computer graphics community and EVL. Her computer-animation Montana (1982) is part of MoMA’s video collection. Veeder spoke with her longtime friend from the Chicago new media scene, Copper Giloth, as well as Peter Bauman. They cover Veeder’s path from ceramic sculpture to analog video with Phil Morton to real-time computer animation. Veeder’s interactive experiments on the Zgrass machine’s repurposed video game hardware anticipated by decades the game-engine-driven world-building that now anchors major museum collections and biennials.

🫱 lerandom.art/editorial/jane-veeder-on-loving-change

*Link to Editorials in bio

Mentions: @joantruckenbrod @francisfordcoppola @louiseledeen @saicpics @thisisuic @uicengineering @themuseumofmodernart @ontariosciencecentre @arselectronica @acmsiggraph @sanfranciscostate @atari @lacma

“Ed Fornieles on Art as Human Sacrifice” by Peter Bauman @monkantony with @eddfornieles

Artist Ed Fornieles spoke with Peter Bauman, exploring how ecosystems and emergent systems underpin his practice. They cover the post-internet generation’s legacy, models of human-AI collaboration and art as human sacrifice, a person dedicating their life to what they make.

🫱 lerandom.art/editorial/ed-fornieles-on-art-as-human-sacrifice

*Link to Editorials in bio

Mentions: @hansulrichobrist @serpentineuk @carlos_ishikawa @guestprojects @deankissick

“Ed Fornieles on Art as Human Sacrifice” by Peter Bauman @monkantony with @eddfornieles

Artist Ed Fornieles spoke with Peter Bauman, exploring how ecosystems and emergent systems underpin his practice. They cover the post-internet generation’s legacy, models of human-AI collaboration and art as human sacrifice, a person dedicating their life to what they make.

🫱 lerandom.art/editorial/ed-fornieles-on-art-as-human-sacrifice

*Link to Editorials in bio

Mentions: @hansulrichobrist @serpentineuk @carlos_ishikawa @guestprojects @deankissick

“Ed Fornieles on Art as Human Sacrifice” by Peter Bauman @monkantony with @eddfornieles

Artist Ed Fornieles spoke with Peter Bauman, exploring how ecosystems and emergent systems underpin his practice. They cover the post-internet generation’s legacy, models of human-AI collaboration and art as human sacrifice, a person dedicating their life to what they make.

🫱 lerandom.art/editorial/ed-fornieles-on-art-as-human-sacrifice

*Link to Editorials in bio

Mentions: @hansulrichobrist @serpentineuk @carlos_ishikawa @guestprojects @deankissick

“Ed Fornieles on Art as Human Sacrifice” by Peter Bauman @monkantony with @eddfornieles

Artist Ed Fornieles spoke with Peter Bauman, exploring how ecosystems and emergent systems underpin his practice. They cover the post-internet generation’s legacy, models of human-AI collaboration and art as human sacrifice, a person dedicating their life to what they make.

🫱 lerandom.art/editorial/ed-fornieles-on-art-as-human-sacrifice

*Link to Editorials in bio

Mentions: @hansulrichobrist @serpentineuk @carlos_ishikawa @guestprojects @deankissick

“Ed Fornieles on Art as Human Sacrifice” by Peter Bauman @monkantony with @eddfornieles

Artist Ed Fornieles spoke with Peter Bauman, exploring how ecosystems and emergent systems underpin his practice. They cover the post-internet generation’s legacy, models of human-AI collaboration and art as human sacrifice, a person dedicating their life to what they make.

🫱 lerandom.art/editorial/ed-fornieles-on-art-as-human-sacrifice

*Link to Editorials in bio

Mentions: @hansulrichobrist @serpentineuk @carlos_ishikawa @guestprojects @deankissick

“Aaron Hertzmann on Caring about People” by Peter Bauman @monkantony with @aaronhertzmann

AI scientist, researcher and artist Hertzmann spoke with Bauman, arguing that AI can automate certain tasks but that true authorship remains a human social construct rooted in personal relationships and agency. They cover the enduring question of whether machines can make art, AI’s historical analogies from photography to streaming, and what is genuinely new about this moment.

🫱 lerandom.art/editorial/aaron-hertzmann-on-caring-about-people

*Link to Editorials in bio

Mentions: @genekogan @memo_akten @annaridler @quasimondo @scott__draves @karpathy @bottoproject @adobe @uofwa @pixar @teslamotors

“Aaron Hertzmann on Caring about People” by Peter Bauman @monkantony with @aaronhertzmann

AI scientist, researcher and artist Hertzmann spoke with Bauman, arguing that AI can automate certain tasks but that true authorship remains a human social construct rooted in personal relationships and agency. They cover the enduring question of whether machines can make art, AI’s historical analogies from photography to streaming, and what is genuinely new about this moment.

🫱 lerandom.art/editorial/aaron-hertzmann-on-caring-about-people

*Link to Editorials in bio

Mentions: @genekogan @memo_akten @annaridler @quasimondo @scott__draves @karpathy @bottoproject @adobe @uofwa @pixar @teslamotors

“Aaron Hertzmann on Caring about People” by Peter Bauman @monkantony with @aaronhertzmann

AI scientist, researcher and artist Hertzmann spoke with Bauman, arguing that AI can automate certain tasks but that true authorship remains a human social construct rooted in personal relationships and agency. They cover the enduring question of whether machines can make art, AI’s historical analogies from photography to streaming, and what is genuinely new about this moment.

🫱 lerandom.art/editorial/aaron-hertzmann-on-caring-about-people

*Link to Editorials in bio

Mentions: @genekogan @memo_akten @annaridler @quasimondo @scott__draves @karpathy @bottoproject @adobe @uofwa @pixar @teslamotors

“Aaron Hertzmann on Caring about People” by Peter Bauman @monkantony with @aaronhertzmann

AI scientist, researcher and artist Hertzmann spoke with Bauman, arguing that AI can automate certain tasks but that true authorship remains a human social construct rooted in personal relationships and agency. They cover the enduring question of whether machines can make art, AI’s historical analogies from photography to streaming, and what is genuinely new about this moment.

🫱 lerandom.art/editorial/aaron-hertzmann-on-caring-about-people

*Link to Editorials in bio

Mentions: @genekogan @memo_akten @annaridler @quasimondo @scott__draves @karpathy @bottoproject @adobe @uofwa @pixar @teslamotors

“Aaron Hertzmann on Caring about People” by Peter Bauman @monkantony with @aaronhertzmann

AI scientist, researcher and artist Hertzmann spoke with Bauman, arguing that AI can automate certain tasks but that true authorship remains a human social construct rooted in personal relationships and agency. They cover the enduring question of whether machines can make art, AI’s historical analogies from photography to streaming, and what is genuinely new about this moment.

🫱 lerandom.art/editorial/aaron-hertzmann-on-caring-about-people

*Link to Editorials in bio

Mentions: @genekogan @memo_akten @annaridler @quasimondo @scott__draves @karpathy @bottoproject @adobe @uofwa @pixar @teslamotors

💡✨

“Keiken on the Worldbuilding Lens” by Peter Bauman @monkantony with @_keiken_

‍Hana Amori @hana_keiken, co-founder of the artist collective Keiken, spoke with Peter Bauman about worldbuilding as a fundamental lens for making to explore consciousness, community and lived experience. They cover fantasy as protection, relationality as ethos and what it means to collaborate with both humans and machines.

🫱🌐 lerandom.art/editorial/keiken-on-the-worldbuilding-lens

*Link to Editorials in bio

Mentions: @hana_keiken @isa_delfin__ @matibratkowski @wavesovspace @eyecheng @hayato_tabata @gabrielmassan @donalddhoffman @cavvvia @somersethouse @lumen_prize @chanelofficial @21_kanazawa @arko_art_center

“Keiken on the Worldbuilding Lens” by Peter Bauman @monkantony with @_keiken_

‍Hana Amori @hana_keiken, co-founder of the artist collective Keiken, spoke with Peter Bauman about worldbuilding as a fundamental lens for making to explore consciousness, community and lived experience. They cover fantasy as protection, relationality as ethos and what it means to collaborate with both humans and machines.

🫱🌐 lerandom.art/editorial/keiken-on-the-worldbuilding-lens

*Link to Editorials in bio

Mentions: @hana_keiken @isa_delfin__ @matibratkowski @wavesovspace @eyecheng @hayato_tabata @gabrielmassan @donalddhoffman @cavvvia @somersethouse @lumen_prize @chanelofficial @21_kanazawa @arko_art_center

“Keiken on the Worldbuilding Lens” by Peter Bauman @monkantony with @_keiken_

‍Hana Amori @hana_keiken, co-founder of the artist collective Keiken, spoke with Peter Bauman about worldbuilding as a fundamental lens for making to explore consciousness, community and lived experience. They cover fantasy as protection, relationality as ethos and what it means to collaborate with both humans and machines.

🫱🌐 lerandom.art/editorial/keiken-on-the-worldbuilding-lens

*Link to Editorials in bio

Mentions: @hana_keiken @isa_delfin__ @matibratkowski @wavesovspace @eyecheng @hayato_tabata @gabrielmassan @donalddhoffman @cavvvia @somersethouse @lumen_prize @chanelofficial @21_kanazawa @arko_art_center

“Keiken on the Worldbuilding Lens” by Peter Bauman @monkantony with @_keiken_

‍Hana Amori @hana_keiken, co-founder of the artist collective Keiken, spoke with Peter Bauman about worldbuilding as a fundamental lens for making to explore consciousness, community and lived experience. They cover fantasy as protection, relationality as ethos and what it means to collaborate with both humans and machines.

🫱🌐 lerandom.art/editorial/keiken-on-the-worldbuilding-lens

*Link to Editorials in bio

Mentions: @hana_keiken @isa_delfin__ @matibratkowski @wavesovspace @eyecheng @hayato_tabata @gabrielmassan @donalddhoffman @cavvvia @somersethouse @lumen_prize @chanelofficial @21_kanazawa @arko_art_center

“Keiken on the Worldbuilding Lens” by Peter Bauman @monkantony with @_keiken_

‍Hana Amori @hana_keiken, co-founder of the artist collective Keiken, spoke with Peter Bauman about worldbuilding as a fundamental lens for making to explore consciousness, community and lived experience. They cover fantasy as protection, relationality as ethos and what it means to collaborate with both humans and machines.

🫱🌐 lerandom.art/editorial/keiken-on-the-worldbuilding-lens

*Link to Editorials in bio

Mentions: @hana_keiken @isa_delfin__ @matibratkowski @wavesovspace @eyecheng @hayato_tabata @gabrielmassan @donalddhoffman @cavvvia @somersethouse @lumen_prize @chanelofficial @21_kanazawa @arko_art_center

My interview with @sougwen in the @theartnewspaper.official @artbasel HK Issue