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I picked up this beautiful table clock, thanks to a tip by @mayamariang at @emmausdenhaag 


Unfortunately the movement is missing but the intricate moon phase dial still makes it a special piece.


The nameplate suggests it was made by Alexander Cumming, a Scottish inventor and clockmaker based in London during the late 18th and early 19th century.

Next to his innovative clocks he revolutionised the development of the modern toilet and built barrel organs.

I strive for a similar multifaceted approach to making. If you’re curious to see what I’m currently exploring come by our open studio @krameri.kramerei during @bermuda.open

We’ll be there from 11:00 — 18:00
on both Saturday and Sunday.
Come for a chat, a coffee or just a quick peak:)



📍Helena van Doeverenplantsoen 3

Hope to see you there💚

I picked up this beautiful table clock, thanks to a tip by @mayamariang at @emmausdenhaag 


Unfortunately the movement is missing but the intricate moon phase dial still makes it a special piece.


The nameplate suggests it was made by Alexander Cumming, a Scottish inventor and clockmaker based in London during the late 18th and early 19th century.

Next to his innovative clocks he revolutionised the development of the modern toilet and built barrel organs.

I strive for a similar multifaceted approach to making. If you’re curious to see what I’m currently exploring come by our open studio @krameri.kramerei during @bermuda.open

We’ll be there from 11:00 — 18:00
on both Saturday and Sunday.
Come for a chat, a coffee or just a quick peak:)



📍Helena van Doeverenplantsoen 3

Hope to see you there💚

I picked up this beautiful table clock, thanks to a tip by @mayamariang at @emmausdenhaag 


Unfortunately the movement is missing but the intricate moon phase dial still makes it a special piece.


The nameplate suggests it was made by Alexander Cumming, a Scottish inventor and clockmaker based in London during the late 18th and early 19th century.

Next to his innovative clocks he revolutionised the development of the modern toilet and built barrel organs.

I strive for a similar multifaceted approach to making. If you’re curious to see what I’m currently exploring come by our open studio @krameri.kramerei during @bermuda.open

We’ll be there from 11:00 — 18:00
on both Saturday and Sunday.
Come for a chat, a coffee or just a quick peak:)



📍Helena van Doeverenplantsoen 3

Hope to see you there💚

𝑺𝑷𝑨𝑻𝑰𝑨𝑳 𝑨𝑹𝑻

𝐊𝐀𝐒𝐀𝐍𝐀𝐑𝐃𝐉𝐎 (@kasanardjo.wip / @noahkasanardjo) 𝐚𝐢𝐦𝐬 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞 𝐰𝐨𝐫𝐤𝐬 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐢𝐧𝐬𝐭𝐚𝐥𝐥𝐚𝐭𝐢𝐨𝐧𝐬. 𝐂𝐫𝐞𝐚𝐭𝐢𝐧𝐠 𝐜𝐨𝐧𝐭𝐞𝐱𝐭𝐬 𝐰𝐡𝐞𝐫𝐞 𝐩𝐞𝐨𝐩𝐥𝐞 𝐜𝐚𝐧 𝐞𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭, 𝐫𝐞𝐟𝐥𝐞𝐜𝐭 𝐚𝐧𝐝 𝐜𝐨𝐧𝐧𝐞𝐜𝐭, 𝐜𝐨𝐦𝐛𝐢𝐧𝐞𝐝 𝐰𝐢𝐭𝐡 𝐡𝐢𝐬 𝐜𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲, 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐃𝐑𝐀𝐀𝐃𝐋𝐎𝐎𝐒, 𝐰𝐡𝐞𝐫𝐞 𝐡𝐞 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐬 𝐡𝐢𝐬 𝐫𝐨𝐥𝐞 𝐚𝐬 𝐚𝐫𝐭- 𝐚𝐧𝐝 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫. 𝐇𝐢𝐬 𝐰𝐨𝐫𝐤 𝐢𝐬 𝐬𝐩𝐫𝐞𝐚𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡𝐨𝐮𝐭 𝐭𝐡𝐞 𝐯𝐞𝐧𝐮𝐞.
𝐈𝐧 𝐨𝐮𝐫 𝐩𝐡𝐨𝐧𝐞-𝐟𝐫𝐞𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭, 𝐋𝐞𝐚 𝐒𝐨𝐩𝐡𝐢𝐞 𝐯𝐚𝐧 𝐓ö𝐫𝐧𝐞 (@leavontoerne) 𝐜𝐫𝐞𝐚𝐭𝐞𝐬 𝐚 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐩𝐨𝐢𝐧𝐭 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐟𝐨𝐫 𝐡𝐮𝐦𝐚𝐧 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐰𝐡𝐞𝐫𝐞 𝐯𝐢𝐬𝐢𝐭𝐨𝐫𝐬 𝐜𝐚𝐧 𝐥𝐞𝐚𝐯𝐞 𝐛𝐞𝐡𝐢𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐭𝐫𝐚𝐜𝐞𝐬, 𝐨𝐫 𝐟𝐢𝐧𝐝 𝐭𝐡𝐨𝐬𝐞 𝐨𝐟 𝐬𝐨𝐦𝐞𝐨𝐧𝐞 𝐭𝐡𝐞𝐲 𝐜𝐫𝐨𝐬𝐬𝐞𝐝 𝐩𝐚𝐭𝐡𝐬 𝐰𝐢𝐭𝐡.
𝐎𝐬𝐬𝐢𝐩 𝐁𝐥𝐢𝐭𝐬 (@ossip_blits) 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐡𝐢𝐬 𝐰𝐨𝐫𝐤 ‘𝐂𝐨𝐮𝐥𝐝 𝐈 𝐓𝐫𝐨𝐮𝐛𝐥𝐞 𝐘𝐨𝐮 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐓𝐢𝐦𝐞?’, 𝐠𝐫𝐨𝐰𝐧 𝐟𝐫𝐨𝐦 𝐚𝐧 𝐢𝐧𝐭𝐮𝐢𝐭𝐢𝐯𝐞 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐚𝐧𝐝 𝐚 𝐝𝐞𝐞𝐩 𝐜𝐮𝐫𝐢𝐨𝐬𝐢𝐭𝐲 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐜𝐬 𝐭𝐡𝐚𝐭 𝐬𝐡𝐚𝐩𝐞 𝐨𝐮𝐫 𝐰𝐨𝐫𝐥𝐝. 𝐇𝐢𝐬 𝐝𝐞𝐥𝐢𝐜𝐚𝐭𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐬𝐦𝐬 𝐮𝐧𝐟𝐨𝐥𝐝 𝐬𝐥𝐨𝐰𝐥𝐲, 𝐫𝐞𝐯𝐞𝐚𝐥𝐢𝐧𝐠 𝐨𝐮𝐫 𝐨𝐛𝐬𝐞𝐬𝐬𝐢𝐯𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐢𝐭𝐡 𝐭𝐢𝐦𝐞, 𝐜𝐨𝐧𝐭𝐫𝐨𝐥, 𝐚𝐧𝐝 𝐞𝐟𝐟𝐢𝐜𝐢𝐞𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐬𝐡𝐚𝐩𝐞𝐬 𝐨𝐮𝐫 𝐩𝐞𝐫𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐨𝐟 𝐫𝐞𝐚𝐥𝐢𝐭𝐲.
𝐓𝐲𝐦𝐨𝐧 𝐙𝐚𝐧𝐢𝐞𝐰𝐬𝐤𝐢’𝐬 (@tymon_zaniewski) 𝐜𝐨𝐦𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐞𝐝 𝐰𝐨𝐫𝐤 ‘𝐂𝐚𝐧𝐨𝐩𝐲’, 𝐰𝐢𝐥𝐥 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦 𝐭𝐡𝐞 𝐬𝐩𝐚𝐜𝐞 𝐢𝐧𝐭𝐨 𝐚 𝐟𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐞𝐝, 𝐚𝐥𝐦𝐨𝐬𝐭 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐥𝐚𝐧𝐝𝐬𝐜𝐚𝐩𝐞. 𝐒𝐮𝐛𝐭𝐥𝐞 𝐠𝐥𝐢𝐭𝐜𝐡𝐞𝐬 𝐚𝐧𝐝 𝐬𝐮𝐛𝐥𝐢𝐦𝐢𝐧𝐚𝐥 𝐧𝐨𝐢𝐬𝐞𝐬 𝐝𝐢𝐬𝐫𝐮𝐩𝐭 𝐰𝐡𝐚𝐭 𝐚𝐭 𝐟𝐢𝐫𝐬𝐭 𝐟𝐞𝐞𝐥𝐬 𝐜𝐚𝐥𝐦 𝐚𝐧𝐝 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞, 𝐠𝐫𝐚𝐝𝐮𝐚𝐥𝐥𝐲 𝐬𝐡𝐢𝐟𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐚𝐭𝐦𝐨𝐬𝐩𝐡𝐞𝐫𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐫𝐨𝐨𝐦 𝐢𝐧𝐭𝐨 𝐦𝐨𝐦𝐞𝐧𝐭𝐬 𝐨𝐟 𝐢𝐧𝐭𝐞𝐧𝐬𝐢𝐭𝐲 𝐚𝐧𝐝 𝐜𝐡𝐚𝐨𝐬.

𝑺𝑷𝑨𝑻𝑰𝑨𝑳 𝑨𝑹𝑻

𝐊𝐀𝐒𝐀𝐍𝐀𝐑𝐃𝐉𝐎 (@kasanardjo.wip / @noahkasanardjo) 𝐚𝐢𝐦𝐬 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞 𝐰𝐨𝐫𝐤𝐬 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐢𝐧𝐬𝐭𝐚𝐥𝐥𝐚𝐭𝐢𝐨𝐧𝐬. 𝐂𝐫𝐞𝐚𝐭𝐢𝐧𝐠 𝐜𝐨𝐧𝐭𝐞𝐱𝐭𝐬 𝐰𝐡𝐞𝐫𝐞 𝐩𝐞𝐨𝐩𝐥𝐞 𝐜𝐚𝐧 𝐞𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭, 𝐫𝐞𝐟𝐥𝐞𝐜𝐭 𝐚𝐧𝐝 𝐜𝐨𝐧𝐧𝐞𝐜𝐭, 𝐜𝐨𝐦𝐛𝐢𝐧𝐞𝐝 𝐰𝐢𝐭𝐡 𝐡𝐢𝐬 𝐜𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲, 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐃𝐑𝐀𝐀𝐃𝐋𝐎𝐎𝐒, 𝐰𝐡𝐞𝐫𝐞 𝐡𝐞 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐬 𝐡𝐢𝐬 𝐫𝐨𝐥𝐞 𝐚𝐬 𝐚𝐫𝐭- 𝐚𝐧𝐝 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫. 𝐇𝐢𝐬 𝐰𝐨𝐫𝐤 𝐢𝐬 𝐬𝐩𝐫𝐞𝐚𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡𝐨𝐮𝐭 𝐭𝐡𝐞 𝐯𝐞𝐧𝐮𝐞.
𝐈𝐧 𝐨𝐮𝐫 𝐩𝐡𝐨𝐧𝐞-𝐟𝐫𝐞𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭, 𝐋𝐞𝐚 𝐒𝐨𝐩𝐡𝐢𝐞 𝐯𝐚𝐧 𝐓ö𝐫𝐧𝐞 (@leavontoerne) 𝐜𝐫𝐞𝐚𝐭𝐞𝐬 𝐚 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐩𝐨𝐢𝐧𝐭 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐟𝐨𝐫 𝐡𝐮𝐦𝐚𝐧 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐰𝐡𝐞𝐫𝐞 𝐯𝐢𝐬𝐢𝐭𝐨𝐫𝐬 𝐜𝐚𝐧 𝐥𝐞𝐚𝐯𝐞 𝐛𝐞𝐡𝐢𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐭𝐫𝐚𝐜𝐞𝐬, 𝐨𝐫 𝐟𝐢𝐧𝐝 𝐭𝐡𝐨𝐬𝐞 𝐨𝐟 𝐬𝐨𝐦𝐞𝐨𝐧𝐞 𝐭𝐡𝐞𝐲 𝐜𝐫𝐨𝐬𝐬𝐞𝐝 𝐩𝐚𝐭𝐡𝐬 𝐰𝐢𝐭𝐡.
𝐎𝐬𝐬𝐢𝐩 𝐁𝐥𝐢𝐭𝐬 (@ossip_blits) 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐡𝐢𝐬 𝐰𝐨𝐫𝐤 ‘𝐂𝐨𝐮𝐥𝐝 𝐈 𝐓𝐫𝐨𝐮𝐛𝐥𝐞 𝐘𝐨𝐮 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐓𝐢𝐦𝐞?’, 𝐠𝐫𝐨𝐰𝐧 𝐟𝐫𝐨𝐦 𝐚𝐧 𝐢𝐧𝐭𝐮𝐢𝐭𝐢𝐯𝐞 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐚𝐧𝐝 𝐚 𝐝𝐞𝐞𝐩 𝐜𝐮𝐫𝐢𝐨𝐬𝐢𝐭𝐲 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐜𝐬 𝐭𝐡𝐚𝐭 𝐬𝐡𝐚𝐩𝐞 𝐨𝐮𝐫 𝐰𝐨𝐫𝐥𝐝. 𝐇𝐢𝐬 𝐝𝐞𝐥𝐢𝐜𝐚𝐭𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐬𝐦𝐬 𝐮𝐧𝐟𝐨𝐥𝐝 𝐬𝐥𝐨𝐰𝐥𝐲, 𝐫𝐞𝐯𝐞𝐚𝐥𝐢𝐧𝐠 𝐨𝐮𝐫 𝐨𝐛𝐬𝐞𝐬𝐬𝐢𝐯𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐢𝐭𝐡 𝐭𝐢𝐦𝐞, 𝐜𝐨𝐧𝐭𝐫𝐨𝐥, 𝐚𝐧𝐝 𝐞𝐟𝐟𝐢𝐜𝐢𝐞𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐬𝐡𝐚𝐩𝐞𝐬 𝐨𝐮𝐫 𝐩𝐞𝐫𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐨𝐟 𝐫𝐞𝐚𝐥𝐢𝐭𝐲.
𝐓𝐲𝐦𝐨𝐧 𝐙𝐚𝐧𝐢𝐞𝐰𝐬𝐤𝐢’𝐬 (@tymon_zaniewski) 𝐜𝐨𝐦𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐞𝐝 𝐰𝐨𝐫𝐤 ‘𝐂𝐚𝐧𝐨𝐩𝐲’, 𝐰𝐢𝐥𝐥 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦 𝐭𝐡𝐞 𝐬𝐩𝐚𝐜𝐞 𝐢𝐧𝐭𝐨 𝐚 𝐟𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐞𝐝, 𝐚𝐥𝐦𝐨𝐬𝐭 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐥𝐚𝐧𝐝𝐬𝐜𝐚𝐩𝐞. 𝐒𝐮𝐛𝐭𝐥𝐞 𝐠𝐥𝐢𝐭𝐜𝐡𝐞𝐬 𝐚𝐧𝐝 𝐬𝐮𝐛𝐥𝐢𝐦𝐢𝐧𝐚𝐥 𝐧𝐨𝐢𝐬𝐞𝐬 𝐝𝐢𝐬𝐫𝐮𝐩𝐭 𝐰𝐡𝐚𝐭 𝐚𝐭 𝐟𝐢𝐫𝐬𝐭 𝐟𝐞𝐞𝐥𝐬 𝐜𝐚𝐥𝐦 𝐚𝐧𝐝 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞, 𝐠𝐫𝐚𝐝𝐮𝐚𝐥𝐥𝐲 𝐬𝐡𝐢𝐟𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐚𝐭𝐦𝐨𝐬𝐩𝐡𝐞𝐫𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐫𝐨𝐨𝐦 𝐢𝐧𝐭𝐨 𝐦𝐨𝐦𝐞𝐧𝐭𝐬 𝐨𝐟 𝐢𝐧𝐭𝐞𝐧𝐬𝐢𝐭𝐲 𝐚𝐧𝐝 𝐜𝐡𝐚𝐨𝐬.

𝑺𝑷𝑨𝑻𝑰𝑨𝑳 𝑨𝑹𝑻

𝐊𝐀𝐒𝐀𝐍𝐀𝐑𝐃𝐉𝐎 (@kasanardjo.wip / @noahkasanardjo) 𝐚𝐢𝐦𝐬 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞 𝐰𝐨𝐫𝐤𝐬 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐢𝐧𝐬𝐭𝐚𝐥𝐥𝐚𝐭𝐢𝐨𝐧𝐬. 𝐂𝐫𝐞𝐚𝐭𝐢𝐧𝐠 𝐜𝐨𝐧𝐭𝐞𝐱𝐭𝐬 𝐰𝐡𝐞𝐫𝐞 𝐩𝐞𝐨𝐩𝐥𝐞 𝐜𝐚𝐧 𝐞𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭, 𝐫𝐞𝐟𝐥𝐞𝐜𝐭 𝐚𝐧𝐝 𝐜𝐨𝐧𝐧𝐞𝐜𝐭, 𝐜𝐨𝐦𝐛𝐢𝐧𝐞𝐝 𝐰𝐢𝐭𝐡 𝐡𝐢𝐬 𝐜𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲, 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐃𝐑𝐀𝐀𝐃𝐋𝐎𝐎𝐒, 𝐰𝐡𝐞𝐫𝐞 𝐡𝐞 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐬 𝐡𝐢𝐬 𝐫𝐨𝐥𝐞 𝐚𝐬 𝐚𝐫𝐭- 𝐚𝐧𝐝 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫. 𝐇𝐢𝐬 𝐰𝐨𝐫𝐤 𝐢𝐬 𝐬𝐩𝐫𝐞𝐚𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡𝐨𝐮𝐭 𝐭𝐡𝐞 𝐯𝐞𝐧𝐮𝐞.
𝐈𝐧 𝐨𝐮𝐫 𝐩𝐡𝐨𝐧𝐞-𝐟𝐫𝐞𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭, 𝐋𝐞𝐚 𝐒𝐨𝐩𝐡𝐢𝐞 𝐯𝐚𝐧 𝐓ö𝐫𝐧𝐞 (@leavontoerne) 𝐜𝐫𝐞𝐚𝐭𝐞𝐬 𝐚 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐩𝐨𝐢𝐧𝐭 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐟𝐨𝐫 𝐡𝐮𝐦𝐚𝐧 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐰𝐡𝐞𝐫𝐞 𝐯𝐢𝐬𝐢𝐭𝐨𝐫𝐬 𝐜𝐚𝐧 𝐥𝐞𝐚𝐯𝐞 𝐛𝐞𝐡𝐢𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐭𝐫𝐚𝐜𝐞𝐬, 𝐨𝐫 𝐟𝐢𝐧𝐝 𝐭𝐡𝐨𝐬𝐞 𝐨𝐟 𝐬𝐨𝐦𝐞𝐨𝐧𝐞 𝐭𝐡𝐞𝐲 𝐜𝐫𝐨𝐬𝐬𝐞𝐝 𝐩𝐚𝐭𝐡𝐬 𝐰𝐢𝐭𝐡.
𝐎𝐬𝐬𝐢𝐩 𝐁𝐥𝐢𝐭𝐬 (@ossip_blits) 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐡𝐢𝐬 𝐰𝐨𝐫𝐤 ‘𝐂𝐨𝐮𝐥𝐝 𝐈 𝐓𝐫𝐨𝐮𝐛𝐥𝐞 𝐘𝐨𝐮 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐓𝐢𝐦𝐞?’, 𝐠𝐫𝐨𝐰𝐧 𝐟𝐫𝐨𝐦 𝐚𝐧 𝐢𝐧𝐭𝐮𝐢𝐭𝐢𝐯𝐞 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐚𝐧𝐝 𝐚 𝐝𝐞𝐞𝐩 𝐜𝐮𝐫𝐢𝐨𝐬𝐢𝐭𝐲 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐜𝐬 𝐭𝐡𝐚𝐭 𝐬𝐡𝐚𝐩𝐞 𝐨𝐮𝐫 𝐰𝐨𝐫𝐥𝐝. 𝐇𝐢𝐬 𝐝𝐞𝐥𝐢𝐜𝐚𝐭𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐬𝐦𝐬 𝐮𝐧𝐟𝐨𝐥𝐝 𝐬𝐥𝐨𝐰𝐥𝐲, 𝐫𝐞𝐯𝐞𝐚𝐥𝐢𝐧𝐠 𝐨𝐮𝐫 𝐨𝐛𝐬𝐞𝐬𝐬𝐢𝐯𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐢𝐭𝐡 𝐭𝐢𝐦𝐞, 𝐜𝐨𝐧𝐭𝐫𝐨𝐥, 𝐚𝐧𝐝 𝐞𝐟𝐟𝐢𝐜𝐢𝐞𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐬𝐡𝐚𝐩𝐞𝐬 𝐨𝐮𝐫 𝐩𝐞𝐫𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐨𝐟 𝐫𝐞𝐚𝐥𝐢𝐭𝐲.
𝐓𝐲𝐦𝐨𝐧 𝐙𝐚𝐧𝐢𝐞𝐰𝐬𝐤𝐢’𝐬 (@tymon_zaniewski) 𝐜𝐨𝐦𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐞𝐝 𝐰𝐨𝐫𝐤 ‘𝐂𝐚𝐧𝐨𝐩𝐲’, 𝐰𝐢𝐥𝐥 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦 𝐭𝐡𝐞 𝐬𝐩𝐚𝐜𝐞 𝐢𝐧𝐭𝐨 𝐚 𝐟𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐞𝐝, 𝐚𝐥𝐦𝐨𝐬𝐭 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐥𝐚𝐧𝐝𝐬𝐜𝐚𝐩𝐞. 𝐒𝐮𝐛𝐭𝐥𝐞 𝐠𝐥𝐢𝐭𝐜𝐡𝐞𝐬 𝐚𝐧𝐝 𝐬𝐮𝐛𝐥𝐢𝐦𝐢𝐧𝐚𝐥 𝐧𝐨𝐢𝐬𝐞𝐬 𝐝𝐢𝐬𝐫𝐮𝐩𝐭 𝐰𝐡𝐚𝐭 𝐚𝐭 𝐟𝐢𝐫𝐬𝐭 𝐟𝐞𝐞𝐥𝐬 𝐜𝐚𝐥𝐦 𝐚𝐧𝐝 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞, 𝐠𝐫𝐚𝐝𝐮𝐚𝐥𝐥𝐲 𝐬𝐡𝐢𝐟𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐚𝐭𝐦𝐨𝐬𝐩𝐡𝐞𝐫𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐫𝐨𝐨𝐦 𝐢𝐧𝐭𝐨 𝐦𝐨𝐦𝐞𝐧𝐭𝐬 𝐨𝐟 𝐢𝐧𝐭𝐞𝐧𝐬𝐢𝐭𝐲 𝐚𝐧𝐝 𝐜𝐡𝐚𝐨𝐬.

𝑺𝑷𝑨𝑻𝑰𝑨𝑳 𝑨𝑹𝑻

𝐊𝐀𝐒𝐀𝐍𝐀𝐑𝐃𝐉𝐎 (@kasanardjo.wip / @noahkasanardjo) 𝐚𝐢𝐦𝐬 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞 𝐰𝐨𝐫𝐤𝐬 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐢𝐧𝐬𝐭𝐚𝐥𝐥𝐚𝐭𝐢𝐨𝐧𝐬. 𝐂𝐫𝐞𝐚𝐭𝐢𝐧𝐠 𝐜𝐨𝐧𝐭𝐞𝐱𝐭𝐬 𝐰𝐡𝐞𝐫𝐞 𝐩𝐞𝐨𝐩𝐥𝐞 𝐜𝐚𝐧 𝐞𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭, 𝐫𝐞𝐟𝐥𝐞𝐜𝐭 𝐚𝐧𝐝 𝐜𝐨𝐧𝐧𝐞𝐜𝐭, 𝐜𝐨𝐦𝐛𝐢𝐧𝐞𝐝 𝐰𝐢𝐭𝐡 𝐡𝐢𝐬 𝐜𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲, 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐃𝐑𝐀𝐀𝐃𝐋𝐎𝐎𝐒, 𝐰𝐡𝐞𝐫𝐞 𝐡𝐞 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐬 𝐡𝐢𝐬 𝐫𝐨𝐥𝐞 𝐚𝐬 𝐚𝐫𝐭- 𝐚𝐧𝐝 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫. 𝐇𝐢𝐬 𝐰𝐨𝐫𝐤 𝐢𝐬 𝐬𝐩𝐫𝐞𝐚𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡𝐨𝐮𝐭 𝐭𝐡𝐞 𝐯𝐞𝐧𝐮𝐞.
𝐈𝐧 𝐨𝐮𝐫 𝐩𝐡𝐨𝐧𝐞-𝐟𝐫𝐞𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭, 𝐋𝐞𝐚 𝐒𝐨𝐩𝐡𝐢𝐞 𝐯𝐚𝐧 𝐓ö𝐫𝐧𝐞 (@leavontoerne) 𝐜𝐫𝐞𝐚𝐭𝐞𝐬 𝐚 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐩𝐨𝐢𝐧𝐭 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐟𝐨𝐫 𝐡𝐮𝐦𝐚𝐧 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐰𝐡𝐞𝐫𝐞 𝐯𝐢𝐬𝐢𝐭𝐨𝐫𝐬 𝐜𝐚𝐧 𝐥𝐞𝐚𝐯𝐞 𝐛𝐞𝐡𝐢𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐭𝐫𝐚𝐜𝐞𝐬, 𝐨𝐫 𝐟𝐢𝐧𝐝 𝐭𝐡𝐨𝐬𝐞 𝐨𝐟 𝐬𝐨𝐦𝐞𝐨𝐧𝐞 𝐭𝐡𝐞𝐲 𝐜𝐫𝐨𝐬𝐬𝐞𝐝 𝐩𝐚𝐭𝐡𝐬 𝐰𝐢𝐭𝐡.
𝐎𝐬𝐬𝐢𝐩 𝐁𝐥𝐢𝐭𝐬 (@ossip_blits) 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐡𝐢𝐬 𝐰𝐨𝐫𝐤 ‘𝐂𝐨𝐮𝐥𝐝 𝐈 𝐓𝐫𝐨𝐮𝐛𝐥𝐞 𝐘𝐨𝐮 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐓𝐢𝐦𝐞?’, 𝐠𝐫𝐨𝐰𝐧 𝐟𝐫𝐨𝐦 𝐚𝐧 𝐢𝐧𝐭𝐮𝐢𝐭𝐢𝐯𝐞 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐚𝐧𝐝 𝐚 𝐝𝐞𝐞𝐩 𝐜𝐮𝐫𝐢𝐨𝐬𝐢𝐭𝐲 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐜𝐬 𝐭𝐡𝐚𝐭 𝐬𝐡𝐚𝐩𝐞 𝐨𝐮𝐫 𝐰𝐨𝐫𝐥𝐝. 𝐇𝐢𝐬 𝐝𝐞𝐥𝐢𝐜𝐚𝐭𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐬𝐦𝐬 𝐮𝐧𝐟𝐨𝐥𝐝 𝐬𝐥𝐨𝐰𝐥𝐲, 𝐫𝐞𝐯𝐞𝐚𝐥𝐢𝐧𝐠 𝐨𝐮𝐫 𝐨𝐛𝐬𝐞𝐬𝐬𝐢𝐯𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐢𝐭𝐡 𝐭𝐢𝐦𝐞, 𝐜𝐨𝐧𝐭𝐫𝐨𝐥, 𝐚𝐧𝐝 𝐞𝐟𝐟𝐢𝐜𝐢𝐞𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐬𝐡𝐚𝐩𝐞𝐬 𝐨𝐮𝐫 𝐩𝐞𝐫𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐨𝐟 𝐫𝐞𝐚𝐥𝐢𝐭𝐲.
𝐓𝐲𝐦𝐨𝐧 𝐙𝐚𝐧𝐢𝐞𝐰𝐬𝐤𝐢’𝐬 (@tymon_zaniewski) 𝐜𝐨𝐦𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐞𝐝 𝐰𝐨𝐫𝐤 ‘𝐂𝐚𝐧𝐨𝐩𝐲’, 𝐰𝐢𝐥𝐥 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦 𝐭𝐡𝐞 𝐬𝐩𝐚𝐜𝐞 𝐢𝐧𝐭𝐨 𝐚 𝐟𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐞𝐝, 𝐚𝐥𝐦𝐨𝐬𝐭 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐥𝐚𝐧𝐝𝐬𝐜𝐚𝐩𝐞. 𝐒𝐮𝐛𝐭𝐥𝐞 𝐠𝐥𝐢𝐭𝐜𝐡𝐞𝐬 𝐚𝐧𝐝 𝐬𝐮𝐛𝐥𝐢𝐦𝐢𝐧𝐚𝐥 𝐧𝐨𝐢𝐬𝐞𝐬 𝐝𝐢𝐬𝐫𝐮𝐩𝐭 𝐰𝐡𝐚𝐭 𝐚𝐭 𝐟𝐢𝐫𝐬𝐭 𝐟𝐞𝐞𝐥𝐬 𝐜𝐚𝐥𝐦 𝐚𝐧𝐝 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞, 𝐠𝐫𝐚𝐝𝐮𝐚𝐥𝐥𝐲 𝐬𝐡𝐢𝐟𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐚𝐭𝐦𝐨𝐬𝐩𝐡𝐞𝐫𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐫𝐨𝐨𝐦 𝐢𝐧𝐭𝐨 𝐦𝐨𝐦𝐞𝐧𝐭𝐬 𝐨𝐟 𝐢𝐧𝐭𝐞𝐧𝐬𝐢𝐭𝐲 𝐚𝐧𝐝 𝐜𝐡𝐚𝐨𝐬.

𝑺𝑷𝑨𝑻𝑰𝑨𝑳 𝑨𝑹𝑻

𝐊𝐀𝐒𝐀𝐍𝐀𝐑𝐃𝐉𝐎 (@kasanardjo.wip / @noahkasanardjo) 𝐚𝐢𝐦𝐬 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞 𝐰𝐨𝐫𝐤𝐬 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐢𝐧𝐬𝐭𝐚𝐥𝐥𝐚𝐭𝐢𝐨𝐧𝐬. 𝐂𝐫𝐞𝐚𝐭𝐢𝐧𝐠 𝐜𝐨𝐧𝐭𝐞𝐱𝐭𝐬 𝐰𝐡𝐞𝐫𝐞 𝐩𝐞𝐨𝐩𝐥𝐞 𝐜𝐚𝐧 𝐞𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭, 𝐫𝐞𝐟𝐥𝐞𝐜𝐭 𝐚𝐧𝐝 𝐜𝐨𝐧𝐧𝐞𝐜𝐭, 𝐜𝐨𝐦𝐛𝐢𝐧𝐞𝐝 𝐰𝐢𝐭𝐡 𝐡𝐢𝐬 𝐜𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲, 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐃𝐑𝐀𝐀𝐃𝐋𝐎𝐎𝐒, 𝐰𝐡𝐞𝐫𝐞 𝐡𝐞 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐬 𝐡𝐢𝐬 𝐫𝐨𝐥𝐞 𝐚𝐬 𝐚𝐫𝐭- 𝐚𝐧𝐝 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫. 𝐇𝐢𝐬 𝐰𝐨𝐫𝐤 𝐢𝐬 𝐬𝐩𝐫𝐞𝐚𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡𝐨𝐮𝐭 𝐭𝐡𝐞 𝐯𝐞𝐧𝐮𝐞.
𝐈𝐧 𝐨𝐮𝐫 𝐩𝐡𝐨𝐧𝐞-𝐟𝐫𝐞𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭, 𝐋𝐞𝐚 𝐒𝐨𝐩𝐡𝐢𝐞 𝐯𝐚𝐧 𝐓ö𝐫𝐧𝐞 (@leavontoerne) 𝐜𝐫𝐞𝐚𝐭𝐞𝐬 𝐚 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐩𝐨𝐢𝐧𝐭 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐟𝐨𝐫 𝐡𝐮𝐦𝐚𝐧 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐰𝐡𝐞𝐫𝐞 𝐯𝐢𝐬𝐢𝐭𝐨𝐫𝐬 𝐜𝐚𝐧 𝐥𝐞𝐚𝐯𝐞 𝐛𝐞𝐡𝐢𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐭𝐫𝐚𝐜𝐞𝐬, 𝐨𝐫 𝐟𝐢𝐧𝐝 𝐭𝐡𝐨𝐬𝐞 𝐨𝐟 𝐬𝐨𝐦𝐞𝐨𝐧𝐞 𝐭𝐡𝐞𝐲 𝐜𝐫𝐨𝐬𝐬𝐞𝐝 𝐩𝐚𝐭𝐡𝐬 𝐰𝐢𝐭𝐡.
𝐎𝐬𝐬𝐢𝐩 𝐁𝐥𝐢𝐭𝐬 (@ossip_blits) 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐡𝐢𝐬 𝐰𝐨𝐫𝐤 ‘𝐂𝐨𝐮𝐥𝐝 𝐈 𝐓𝐫𝐨𝐮𝐛𝐥𝐞 𝐘𝐨𝐮 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐓𝐢𝐦𝐞?’, 𝐠𝐫𝐨𝐰𝐧 𝐟𝐫𝐨𝐦 𝐚𝐧 𝐢𝐧𝐭𝐮𝐢𝐭𝐢𝐯𝐞 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐚𝐧𝐝 𝐚 𝐝𝐞𝐞𝐩 𝐜𝐮𝐫𝐢𝐨𝐬𝐢𝐭𝐲 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐜𝐬 𝐭𝐡𝐚𝐭 𝐬𝐡𝐚𝐩𝐞 𝐨𝐮𝐫 𝐰𝐨𝐫𝐥𝐝. 𝐇𝐢𝐬 𝐝𝐞𝐥𝐢𝐜𝐚𝐭𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐬𝐦𝐬 𝐮𝐧𝐟𝐨𝐥𝐝 𝐬𝐥𝐨𝐰𝐥𝐲, 𝐫𝐞𝐯𝐞𝐚𝐥𝐢𝐧𝐠 𝐨𝐮𝐫 𝐨𝐛𝐬𝐞𝐬𝐬𝐢𝐯𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐢𝐭𝐡 𝐭𝐢𝐦𝐞, 𝐜𝐨𝐧𝐭𝐫𝐨𝐥, 𝐚𝐧𝐝 𝐞𝐟𝐟𝐢𝐜𝐢𝐞𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐬𝐡𝐚𝐩𝐞𝐬 𝐨𝐮𝐫 𝐩𝐞𝐫𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐨𝐟 𝐫𝐞𝐚𝐥𝐢𝐭𝐲.
𝐓𝐲𝐦𝐨𝐧 𝐙𝐚𝐧𝐢𝐞𝐰𝐬𝐤𝐢’𝐬 (@tymon_zaniewski) 𝐜𝐨𝐦𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐞𝐝 𝐰𝐨𝐫𝐤 ‘𝐂𝐚𝐧𝐨𝐩𝐲’, 𝐰𝐢𝐥𝐥 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦 𝐭𝐡𝐞 𝐬𝐩𝐚𝐜𝐞 𝐢𝐧𝐭𝐨 𝐚 𝐟𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐞𝐝, 𝐚𝐥𝐦𝐨𝐬𝐭 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐥𝐚𝐧𝐝𝐬𝐜𝐚𝐩𝐞. 𝐒𝐮𝐛𝐭𝐥𝐞 𝐠𝐥𝐢𝐭𝐜𝐡𝐞𝐬 𝐚𝐧𝐝 𝐬𝐮𝐛𝐥𝐢𝐦𝐢𝐧𝐚𝐥 𝐧𝐨𝐢𝐬𝐞𝐬 𝐝𝐢𝐬𝐫𝐮𝐩𝐭 𝐰𝐡𝐚𝐭 𝐚𝐭 𝐟𝐢𝐫𝐬𝐭 𝐟𝐞𝐞𝐥𝐬 𝐜𝐚𝐥𝐦 𝐚𝐧𝐝 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞, 𝐠𝐫𝐚𝐝𝐮𝐚𝐥𝐥𝐲 𝐬𝐡𝐢𝐟𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐚𝐭𝐦𝐨𝐬𝐩𝐡𝐞𝐫𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐫𝐨𝐨𝐦 𝐢𝐧𝐭𝐨 𝐦𝐨𝐦𝐞𝐧𝐭𝐬 𝐨𝐟 𝐢𝐧𝐭𝐞𝐧𝐬𝐢𝐭𝐲 𝐚𝐧𝐝 𝐜𝐡𝐚𝐨𝐬.

𝑺𝑷𝑨𝑻𝑰𝑨𝑳 𝑨𝑹𝑻

𝐊𝐀𝐒𝐀𝐍𝐀𝐑𝐃𝐉𝐎 (@kasanardjo.wip / @noahkasanardjo) 𝐚𝐢𝐦𝐬 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞 𝐰𝐨𝐫𝐤𝐬 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐢𝐧𝐬𝐭𝐚𝐥𝐥𝐚𝐭𝐢𝐨𝐧𝐬. 𝐂𝐫𝐞𝐚𝐭𝐢𝐧𝐠 𝐜𝐨𝐧𝐭𝐞𝐱𝐭𝐬 𝐰𝐡𝐞𝐫𝐞 𝐩𝐞𝐨𝐩𝐥𝐞 𝐜𝐚𝐧 𝐞𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭, 𝐫𝐞𝐟𝐥𝐞𝐜𝐭 𝐚𝐧𝐝 𝐜𝐨𝐧𝐧𝐞𝐜𝐭, 𝐜𝐨𝐦𝐛𝐢𝐧𝐞𝐝 𝐰𝐢𝐭𝐡 𝐡𝐢𝐬 𝐜𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨𝐰𝐚𝐫𝐝𝐬 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲, 𝐜𝐨𝐦𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐢𝐧 𝐃𝐑𝐀𝐀𝐃𝐋𝐎𝐎𝐒, 𝐰𝐡𝐞𝐫𝐞 𝐡𝐞 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐬 𝐡𝐢𝐬 𝐫𝐨𝐥𝐞 𝐚𝐬 𝐚𝐫𝐭- 𝐚𝐧𝐝 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫. 𝐇𝐢𝐬 𝐰𝐨𝐫𝐤 𝐢𝐬 𝐬𝐩𝐫𝐞𝐚𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡𝐨𝐮𝐭 𝐭𝐡𝐞 𝐯𝐞𝐧𝐮𝐞.
𝐈𝐧 𝐨𝐮𝐫 𝐩𝐡𝐨𝐧𝐞-𝐟𝐫𝐞𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭, 𝐋𝐞𝐚 𝐒𝐨𝐩𝐡𝐢𝐞 𝐯𝐚𝐧 𝐓ö𝐫𝐧𝐞 (@leavontoerne) 𝐜𝐫𝐞𝐚𝐭𝐞𝐬 𝐚 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐩𝐨𝐢𝐧𝐭 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐟𝐨𝐫 𝐡𝐮𝐦𝐚𝐧 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧, 𝐰𝐡𝐞𝐫𝐞 𝐯𝐢𝐬𝐢𝐭𝐨𝐫𝐬 𝐜𝐚𝐧 𝐥𝐞𝐚𝐯𝐞 𝐛𝐞𝐡𝐢𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐭𝐫𝐚𝐜𝐞𝐬, 𝐨𝐫 𝐟𝐢𝐧𝐝 𝐭𝐡𝐨𝐬𝐞 𝐨𝐟 𝐬𝐨𝐦𝐞𝐨𝐧𝐞 𝐭𝐡𝐞𝐲 𝐜𝐫𝐨𝐬𝐬𝐞𝐝 𝐩𝐚𝐭𝐡𝐬 𝐰𝐢𝐭𝐡.
𝐎𝐬𝐬𝐢𝐩 𝐁𝐥𝐢𝐭𝐬 (@ossip_blits) 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬 𝐡𝐢𝐬 𝐰𝐨𝐫𝐤 ‘𝐂𝐨𝐮𝐥𝐝 𝐈 𝐓𝐫𝐨𝐮𝐛𝐥𝐞 𝐘𝐨𝐮 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐓𝐢𝐦𝐞?’, 𝐠𝐫𝐨𝐰𝐧 𝐟𝐫𝐨𝐦 𝐚𝐧 𝐢𝐧𝐭𝐮𝐢𝐭𝐢𝐯𝐞 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐚𝐧𝐝 𝐚 𝐝𝐞𝐞𝐩 𝐜𝐮𝐫𝐢𝐨𝐬𝐢𝐭𝐲 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐜𝐬 𝐭𝐡𝐚𝐭 𝐬𝐡𝐚𝐩𝐞 𝐨𝐮𝐫 𝐰𝐨𝐫𝐥𝐝. 𝐇𝐢𝐬 𝐝𝐞𝐥𝐢𝐜𝐚𝐭𝐞 𝐦𝐞𝐜𝐡𝐚𝐧𝐢𝐬𝐦𝐬 𝐮𝐧𝐟𝐨𝐥𝐝 𝐬𝐥𝐨𝐰𝐥𝐲, 𝐫𝐞𝐯𝐞𝐚𝐥𝐢𝐧𝐠 𝐨𝐮𝐫 𝐨𝐛𝐬𝐞𝐬𝐬𝐢𝐯𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐰𝐢𝐭𝐡 𝐭𝐢𝐦𝐞, 𝐜𝐨𝐧𝐭𝐫𝐨𝐥, 𝐚𝐧𝐝 𝐞𝐟𝐟𝐢𝐜𝐢𝐞𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐬𝐡𝐚𝐩𝐞𝐬 𝐨𝐮𝐫 𝐩𝐞𝐫𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐨𝐟 𝐫𝐞𝐚𝐥𝐢𝐭𝐲.
𝐓𝐲𝐦𝐨𝐧 𝐙𝐚𝐧𝐢𝐞𝐰𝐬𝐤𝐢’𝐬 (@tymon_zaniewski) 𝐜𝐨𝐦𝐦𝐢𝐬𝐬𝐢𝐨𝐧𝐞𝐝 𝐰𝐨𝐫𝐤 ‘𝐂𝐚𝐧𝐨𝐩𝐲’, 𝐰𝐢𝐥𝐥 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦 𝐭𝐡𝐞 𝐬𝐩𝐚𝐜𝐞 𝐢𝐧𝐭𝐨 𝐚 𝐟𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐞𝐝, 𝐚𝐥𝐦𝐨𝐬𝐭 𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐥𝐚𝐧𝐝𝐬𝐜𝐚𝐩𝐞. 𝐒𝐮𝐛𝐭𝐥𝐞 𝐠𝐥𝐢𝐭𝐜𝐡𝐞𝐬 𝐚𝐧𝐝 𝐬𝐮𝐛𝐥𝐢𝐦𝐢𝐧𝐚𝐥 𝐧𝐨𝐢𝐬𝐞𝐬 𝐝𝐢𝐬𝐫𝐮𝐩𝐭 𝐰𝐡𝐚𝐭 𝐚𝐭 𝐟𝐢𝐫𝐬𝐭 𝐟𝐞𝐞𝐥𝐬 𝐜𝐚𝐥𝐦 𝐚𝐧𝐝 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐯𝐞, 𝐠𝐫𝐚𝐝𝐮𝐚𝐥𝐥𝐲 𝐬𝐡𝐢𝐟𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐚𝐭𝐦𝐨𝐬𝐩𝐡𝐞𝐫𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐫𝐨𝐨𝐦 𝐢𝐧𝐭𝐨 𝐦𝐨𝐦𝐞𝐧𝐭𝐬 𝐨𝐟 𝐢𝐧𝐭𝐞𝐧𝐬𝐢𝐭𝐲 𝐚𝐧𝐝 𝐜𝐡𝐚𝐨𝐬.

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Made from a bicycle wheel, it relies on small pushes from an AC-motor-driven arm to keep moving. By embracing the friction it creates a continuous irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Made from a bicycle wheel, it relies on small pushes from an AC-motor-driven arm to keep moving. By embracing the friction it creates a continuous irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Made from a bicycle wheel, it relies on small pushes from an AC-motor-driven arm to keep moving. By embracing the friction it creates a continuous irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Made from a bicycle wheel, it relies on small pushes from an AC-motor-driven arm to keep moving. By embracing the friction it creates a continuous irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Made from a bicycle wheel, it relies on small pushes from an AC-motor-driven arm to keep moving. By embracing the friction it creates a continuous irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Inspired by the usually precise timekeeping mechanisms.
The combination of a balance wheel and a pendulum act in a much less predictable way, creating calm but irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Inspired by the usually precise timekeeping mechanisms.
The combination of a balance wheel and a pendulum act in a much less predictable way, creating calm but irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

𝘾𝙤𝙪𝙡𝙙 𝙄 𝙩𝙧𝙤𝙪𝙗𝙡𝙚 𝙮𝙤𝙪 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙏𝙞𝙢𝙚?
2025

📸 by the lovely @aaryansinha

A closer look at the balance-wheel pendulum. One of the Time-telling devices of my graduation installation.

Inspired by the usually precise timekeeping mechanisms.
The combination of a balance wheel and a pendulum act in a much less predictable way, creating calm but irregular rhythm.

@royalacademyofart.thehague
@artscience.interfaculty

Dear friends,

You are warmly invited to the upcoming exhibition: 𝑪𝒐𝒖𝒍𝒅 𝑰 𝒕𝒓𝒐𝒖𝒍𝒃𝒆 𝒚𝒐𝒖 𝒇𝒐𝒓 𝒕𝒉𝒆 𝑻𝒊𝒎𝒆?

A glimpse into an ongoing exploration of how we sense, feel, and imagine time.
With new and old works, created in collaboration with Grzegorz Gębski & Halldór Sörli Ólafsson @hallo__yolo

Opening at Kunsthuis Waterland @kunsthuiswaterland
🗓️ 𝙎𝙖𝙩 𝟮𝟵 𝙉𝙤𝙫, 𝙛𝙧𝙤𝙢 𝟭𝟱:𝟯𝟬 (𝙥𝙪𝙗𝙡𝙞𝙘 𝙧𝙚𝙖𝙙𝙞𝙣𝙜 𝙖𝙩 𝟭𝟳:𝟬𝟬)

The exhibition will be open until the 13th of December.

Would love to see you there! 💚

Dear friends,

You are warmly invited to the upcoming exhibition: 𝑪𝒐𝒖𝒍𝒅 𝑰 𝒕𝒓𝒐𝒖𝒍𝒃𝒆 𝒚𝒐𝒖 𝒇𝒐𝒓 𝒕𝒉𝒆 𝑻𝒊𝒎𝒆?

A glimpse into an ongoing exploration of how we sense, feel, and imagine time.
With new and old works, created in collaboration with Grzegorz Gębski & Halldór Sörli Ólafsson @hallo__yolo

Opening at Kunsthuis Waterland @kunsthuiswaterland
🗓️ 𝙎𝙖𝙩 𝟮𝟵 𝙉𝙤𝙫, 𝙛𝙧𝙤𝙢 𝟭𝟱:𝟯𝟬 (𝙥𝙪𝙗𝙡𝙞𝙘 𝙧𝙚𝙖𝙙𝙞𝙣𝙜 𝙖𝙩 𝟭𝟳:𝟬𝟬)

The exhibition will be open until the 13th of December.

Would love to see you there! 💚

Dear friends,

You are warmly invited to the upcoming exhibition: 𝑪𝒐𝒖𝒍𝒅 𝑰 𝒕𝒓𝒐𝒖𝒍𝒃𝒆 𝒚𝒐𝒖 𝒇𝒐𝒓 𝒕𝒉𝒆 𝑻𝒊𝒎𝒆?

A glimpse into an ongoing exploration of how we sense, feel, and imagine time.
With new and old works, created in collaboration with Grzegorz Gębski & Halldór Sörli Ólafsson @hallo__yolo

Opening at Kunsthuis Waterland @kunsthuiswaterland
🗓️ 𝙎𝙖𝙩 𝟮𝟵 𝙉𝙤𝙫, 𝙛𝙧𝙤𝙢 𝟭𝟱:𝟯𝟬 (𝙥𝙪𝙗𝙡𝙞𝙘 𝙧𝙚𝙖𝙙𝙞𝙣𝙜 𝙖𝙩 𝟭𝟳:𝟬𝟬)

The exhibition will be open until the 13th of December.

Would love to see you there! 💚

Dear Friends,
2nd circle inviters you to
Second circle sessions: Edition 0.0

Friday 15 Nov - 19:00 - 23:00 (Opening 🎈)
Saturday 16 Nov - 11:00 - 16:00
Adres: Helicopter Ulenpasstraat 55, Den Haag

Were excited to announce that on Friday we’ll kick off the first edition of the 2nd circle sessions. 2nd circle sessions is a series of week long residencies. During these residences selected artist engage in this process resulting in a public presentation at the end of that week.

Are you an artist, designer, Composer, performer, maker or whateverer and are interested in such a process of collaborative making come by for the first session or send us a message @vogonxpoetry on instagram.

An initiative by Ossip Blits, Omer van Soldt and Ruben Dijkstal in collaboration with Helicopter artist initiatives and studios.

Kisses, see you there :)

P.S. bring a doorknob get a free beer on us!

A continuation of "Eight coils of Copper"
at the Kunstkapel in Amsterdam.

In collaboration with @andreas.tegnander
2022

"Diffracted Signals" a reaction on the installation ''Eight coils of Copper"
Performed at @laurelprojectspace on the 28th of November 2021

Composition by: @andreas.tegnander

Alt Sax: Aina Font Zaragoza
Contrabass: Pietro Elia Barcellona
Tenor Sax: Ada Rave
Cello: Diana Sanz Pascual

Have you heard from Copper?
Graduation project
2021

Have you heard from Copper?
Graduation Project
2021

Have you heard from Copper?
Graduation Project
2021