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Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

Focus. Desire. at @foto_museum Winterthur opened Feb 28 and is on view until June 14

Curated by Doris Gassert and Christopher Nixon, the exhibition includes over 100 works from 2005 - 2025, spanning my early Brooklyn portraits and zine culture to the development of the studio as site, itinerant works that developed into artist volumes, and then back into the studio for what became the umbrella DARK ROOM project.

The curators have organized the layout into four sections : 1. Studio 2. Dark Room I 3. Archive and 4. Dark Room II.

There will be a catalogue featuring essays by Kobena Mercer, Lily Cho, Ismahan Wayah, Joël Vacheron, Ronald Rose-Antoinette, Stefan Gronert, and the curators Doris and Christopher. It will be available in time for the second iteration opening at Sprengel Museum in Hannover June 30th.

photo credits:
installation views by Conradin Fei
exhibition opening by Johanna Bommer
artist walkthrough by Mariella Lorena Preisinger

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

FOCUS. DESIRE. a survey of work 2005 - 2025 opens February 27 at @foto_museum Winterthur. Curated by Doris Gassert and Christopher Nixon.

This conversation began in summer 2023. I’m excited for this first European museum survey! It’ll be on view until June 14 before opening at the Sprengel Museum in Hanover in July.

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

DARKROOM A - Z (teaser). available for pre-order at Aperture - link in bio. Ships in October! Book launches/signings all fall and winter

Format: Hardback
Number of pages: 456
Number of images: 350
Publication date: 2024-11-12
Measurements: 9.6 x 11.6 inches

edited by Lesley Martin
designed by Silas Munro / Polymode Studio
commissioned texts by Gökcan Demirkazik
research and project management Nico Dregni and Hope Koyama

IG deleted. trying again. too tired to repost captions for each work but here is a selection from @foto_museum exhibition currently on view in Winterthur. These are from 2008 - 2024

IG deleted. trying again. too tired to repost captions for each work but here is a selection from @foto_museum exhibition currently on view in Winterthur. These are from 2008 - 2024

IG deleted. trying again. too tired to repost captions for each work but here is a selection from @foto_museum exhibition currently on view in Winterthur. These are from 2008 - 2024

IG deleted. trying again. too tired to repost captions for each work but here is a selection from @foto_museum exhibition currently on view in Winterthur. These are from 2008 - 2024

IG deleted. trying again. too tired to repost captions for each work but here is a selection from @foto_museum exhibition currently on view in Winterthur. These are from 2008 - 2024

IG deleted. trying again. too tired to repost captions for each work but here is a selection from @foto_museum exhibition currently on view in Winterthur. These are from 2008 - 2024

IG deleted. trying again. too tired to repost captions for each work but here is a selection from @foto_museum exhibition currently on view in Winterthur. These are from 2008 - 2024

excerpts from another review of the SHOOT zine fascimile, by Megan N Liberty in the @brooklynrail

published by @primaryinformation

excerpts from another review of the SHOOT zine fascimile, by Megan N Liberty in the @brooklynrail

published by @primaryinformation

excerpts from another review of the SHOOT zine fascimile, by Megan N Liberty in the @brooklynrail

published by @primaryinformation

excerpts from another review of the SHOOT zine fascimile, by Megan N Liberty in the @brooklynrail

published by @primaryinformation

excerpts from another review of the SHOOT zine fascimile, by Megan N Liberty in the @brooklynrail

published by @primaryinformation

excerpts from another review of the SHOOT zine fascimile, by Megan N Liberty in the @brooklynrail

published by @primaryinformation

SHOOT zines republished by @primaryinformation reviewed by Sam Moore for @dazed 📠📸

SHOOT zines republished by @primaryinformation reviewed by Sam Moore for @dazed 📠📸

SHOOT zines republished by @primaryinformation reviewed by Sam Moore for @dazed 📠📸

SHOOT zines republished by @primaryinformation reviewed by Sam Moore for @dazed 📠📸

SHOOT zines republished by @primaryinformation reviewed by Sam Moore for @dazed 📠📸

SHOOT zines republished by @primaryinformation reviewed by Sam Moore for @dazed 📠📸

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DESANA and PAUL MPAGI SEPUYA
@documentspace Chicago

what a fabulous pairing, brilliant idea of Aron and Sibylle in collab w Jimmy DeSana Estate @ppowgallery

JIMMY DeSANA & PAUL MPAGI SEPUYA
opening this Friday, Jan 9, thru March 21
@documentspace Chicago

This intergenerational dialogue between the work of Jimmy DeSana (b. 1949, Detroit, MI – d. 1990, New York, NY) and Paul Mpagi Sepuya (b. 1982, San Bernardino, CA) unfolds as a set of carefully matched pairings. Both artists use photography to engage with queer bodies and the politics of representation, implicating the viewer as much as any figure who appears in the frame. Closely associated with New York City’s No Wave and downtown art scenes in the late 1970s and employing a rich array of photographic processes, DeSana drew on Surrealism in presenting bodies in confusing entanglement with everyday objects as well as one another. Anticipating the sexual anxieties of the imminent AIDS crisis, he infused queer erotics with equal parts absurdity and dread. Beginning his career in the mid-2000s, Sepuya’s work comes from his intimate involvement and collaboration with queer communities on both U.S. coasts. The desiring gaze can only take in Sepuya’s bodies via fragmentation, mirroring or the clever reproduction of his previous photographs; effects meticulously produced by Sepuya in the studio rather than by any digital manipulation. Side by side, DeSana and Sepuya remind us that queer aesthetics—much like queer liberation—is a continual process, never far from the lived, corporeal world.

details of :

Figure (0X5A4229), 2019
Negative (_1420670), 2024
Untitled Collage (2018-045), 2018
Andre, 2005

JIMMY DeSANA & PAUL MPAGI SEPUYA
opening this Friday, Jan 9, thru March 21
@documentspace Chicago

This intergenerational dialogue between the work of Jimmy DeSana (b. 1949, Detroit, MI – d. 1990, New York, NY) and Paul Mpagi Sepuya (b. 1982, San Bernardino, CA) unfolds as a set of carefully matched pairings. Both artists use photography to engage with queer bodies and the politics of representation, implicating the viewer as much as any figure who appears in the frame. Closely associated with New York City’s No Wave and downtown art scenes in the late 1970s and employing a rich array of photographic processes, DeSana drew on Surrealism in presenting bodies in confusing entanglement with everyday objects as well as one another. Anticipating the sexual anxieties of the imminent AIDS crisis, he infused queer erotics with equal parts absurdity and dread. Beginning his career in the mid-2000s, Sepuya’s work comes from his intimate involvement and collaboration with queer communities on both U.S. coasts. The desiring gaze can only take in Sepuya’s bodies via fragmentation, mirroring or the clever reproduction of his previous photographs; effects meticulously produced by Sepuya in the studio rather than by any digital manipulation. Side by side, DeSana and Sepuya remind us that queer aesthetics—much like queer liberation—is a continual process, never far from the lived, corporeal world.

details of :

Figure (0X5A4229), 2019
Negative (_1420670), 2024
Untitled Collage (2018-045), 2018
Andre, 2005

JIMMY DeSANA & PAUL MPAGI SEPUYA
opening this Friday, Jan 9, thru March 21
@documentspace Chicago

This intergenerational dialogue between the work of Jimmy DeSana (b. 1949, Detroit, MI – d. 1990, New York, NY) and Paul Mpagi Sepuya (b. 1982, San Bernardino, CA) unfolds as a set of carefully matched pairings. Both artists use photography to engage with queer bodies and the politics of representation, implicating the viewer as much as any figure who appears in the frame. Closely associated with New York City’s No Wave and downtown art scenes in the late 1970s and employing a rich array of photographic processes, DeSana drew on Surrealism in presenting bodies in confusing entanglement with everyday objects as well as one another. Anticipating the sexual anxieties of the imminent AIDS crisis, he infused queer erotics with equal parts absurdity and dread. Beginning his career in the mid-2000s, Sepuya’s work comes from his intimate involvement and collaboration with queer communities on both U.S. coasts. The desiring gaze can only take in Sepuya’s bodies via fragmentation, mirroring or the clever reproduction of his previous photographs; effects meticulously produced by Sepuya in the studio rather than by any digital manipulation. Side by side, DeSana and Sepuya remind us that queer aesthetics—much like queer liberation—is a continual process, never far from the lived, corporeal world.

details of :

Figure (0X5A4229), 2019
Negative (_1420670), 2024
Untitled Collage (2018-045), 2018
Andre, 2005

JIMMY DeSANA & PAUL MPAGI SEPUYA
opening this Friday, Jan 9, thru March 21
@documentspace Chicago

This intergenerational dialogue between the work of Jimmy DeSana (b. 1949, Detroit, MI – d. 1990, New York, NY) and Paul Mpagi Sepuya (b. 1982, San Bernardino, CA) unfolds as a set of carefully matched pairings. Both artists use photography to engage with queer bodies and the politics of representation, implicating the viewer as much as any figure who appears in the frame. Closely associated with New York City’s No Wave and downtown art scenes in the late 1970s and employing a rich array of photographic processes, DeSana drew on Surrealism in presenting bodies in confusing entanglement with everyday objects as well as one another. Anticipating the sexual anxieties of the imminent AIDS crisis, he infused queer erotics with equal parts absurdity and dread. Beginning his career in the mid-2000s, Sepuya’s work comes from his intimate involvement and collaboration with queer communities on both U.S. coasts. The desiring gaze can only take in Sepuya’s bodies via fragmentation, mirroring or the clever reproduction of his previous photographs; effects meticulously produced by Sepuya in the studio rather than by any digital manipulation. Side by side, DeSana and Sepuya remind us that queer aesthetics—much like queer liberation—is a continual process, never far from the lived, corporeal world.

details of :

Figure (0X5A4229), 2019
Negative (_1420670), 2024
Untitled Collage (2018-045), 2018
Andre, 2005

JIMMY DeSANA & PAUL MPAGI SEPUYA
opening this Friday, Jan 9, thru March 21
@documentspace Chicago

This intergenerational dialogue between the work of Jimmy DeSana (b. 1949, Detroit, MI – d. 1990, New York, NY) and Paul Mpagi Sepuya (b. 1982, San Bernardino, CA) unfolds as a set of carefully matched pairings. Both artists use photography to engage with queer bodies and the politics of representation, implicating the viewer as much as any figure who appears in the frame. Closely associated with New York City’s No Wave and downtown art scenes in the late 1970s and employing a rich array of photographic processes, DeSana drew on Surrealism in presenting bodies in confusing entanglement with everyday objects as well as one another. Anticipating the sexual anxieties of the imminent AIDS crisis, he infused queer erotics with equal parts absurdity and dread. Beginning his career in the mid-2000s, Sepuya’s work comes from his intimate involvement and collaboration with queer communities on both U.S. coasts. The desiring gaze can only take in Sepuya’s bodies via fragmentation, mirroring or the clever reproduction of his previous photographs; effects meticulously produced by Sepuya in the studio rather than by any digital manipulation. Side by side, DeSana and Sepuya remind us that queer aesthetics—much like queer liberation—is a continual process, never far from the lived, corporeal world.

details of :

Figure (0X5A4229), 2019
Negative (_1420670), 2024
Untitled Collage (2018-045), 2018
Andre, 2005

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

some 2025 portraits or such - all before this fall. you know i hold onto things a long time before disseminating… realizing i hadn’t shared any since last april. many of these accompany new and yet unseen works in progress and experiments with process and picture-making. portraits will always be the starting point and they are a joy to share, and there will be more, but i’m challenging myself and clearing out much of what was indicative of the last 8 years and giving myself 2026 to explore what’s new. if i’m lucky i’ll share it with the world in 2027 or beyond…

hi Ian, Jonzu, Jacob, Carlos, Tony, Brent, Aaron, Jason, Anthony, Quil and Parker, Jack and model, Carina and Daniel 😘

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

EXCERPTS & FRAGMENTSw @nomadicdivision

currently on view til 12/21@2413hyperion

Thursdays - Saturdays 11am - 5pm and by appt

“Paul Mpagi Sepuya: Excerpts & Fragments” is on view now through December 21 at 2413 Hyperion.

Leandro Huerto (@leandrohuerto) visited the show to speak with Paul Mpagi Sepuya (@pagmi) and LAND Deputy Director Christopher Mangum-James (@notmagnum). Watch to learn more about the significance of Paul’s early zines, the unique storefront installation, and more.

The exhibition is open Thursday-Saturday from 11AM-5PM, or by appointment. More info at the link in our bio.

Video by Leandro Huerto.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.

Still thinking about this past Saturday’s opening for “Paul Mpagi Sepuya: Excerpts & Fragments” at 2413 Hyperion. Thank you to everyone for coming out.

Framed by Hyperion Avenue and the constellation of spaces past and present that have historically brought queer people together, this exhibition presents Sepuya’s own extensive map of personal relationships captured in photographs.

Visit the exhibition is open through December 21, Thursday through Saturday from 11AM—5PM. If you would like to visit the exhibition outside of those days and times, please email your preferred date and time to rsvp@nomadicdivision.org. 

Photos by @ginaclyne.