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⏹️ http://Boutique.hfbk.net ⏹️

A website for the HFBK Boutique, the new exhibition space of HFBK Hamburg (@hfbkhamburg).

Situated in the southwest vitrine of MediaMarkt, this space showcases artistic works by HFBK students and graduates, bringing art to new audiences through rotating micro-residencies. Outside of reception hours, the Boutique is only viewable through its vitrine windows.
Inspired by the humor of the Boutique’s unconventional concept and location, the website design mirrors guests’ experience of the space. Visitors interact with the reflective 3D image gallery throughout the site. The title is etched in virtual window fog while cyber-goo wraps around all the site’s contents. The archive page offers a thin preview of any given exhibit on hover to emulate peeping into the Boutique through the metal bars that drop behind the windows during closing hours.

🟣Design and Development:
Liudmila Savelyeva (@pointofd)
Tigran Saakyan (@tikosaha)

🔵This website was created under the supervision of Christoph Knoth (@christophknoth), Konrad Renner (@konradrenner), and Lukas Simoneit (@lkssmnt) as part of the Perceptive Publishing workshop from Klasse Digitale Grafik(@klassedigitalegrafik).

🟢Special thanks to Antonio Hofmeister Ribeiro (@antonio_hof) for development support.

🟡Typefaces:
Social Light and Social Light Italic by ABC Dinamo (@abcdinamo)
Scriptual Monoline by Elias Hanzer (@elias_hanzer)

#hfbkhamburg #klassedigitalegrafik #hfbkboutique #website #exhibitionwebsite

⏹️ http://Boutique.hfbk.net ⏹️

A website for the HFBK Boutique, the new exhibition space of HFBK Hamburg (@hfbkhamburg).

Situated in the southwest vitrine of MediaMarkt, this space showcases artistic works by HFBK students and graduates, bringing art to new audiences through rotating micro-residencies. Outside of reception hours, the Boutique is only viewable through its vitrine windows.
Inspired by the humor of the Boutique’s unconventional concept and location, the website design mirrors guests’ experience of the space. Visitors interact with the reflective 3D image gallery throughout the site. The title is etched in virtual window fog while cyber-goo wraps around all the site’s contents. The archive page offers a thin preview of any given exhibit on hover to emulate peeping into the Boutique through the metal bars that drop behind the windows during closing hours.

🟣Design and Development:
Liudmila Savelyeva (@pointofd)
Tigran Saakyan (@tikosaha)

🔵This website was created under the supervision of Christoph Knoth (@christophknoth), Konrad Renner (@konradrenner), and Lukas Simoneit (@lkssmnt) as part of the Perceptive Publishing workshop from Klasse Digitale Grafik(@klassedigitalegrafik).

🟢Special thanks to Antonio Hofmeister Ribeiro (@antonio_hof) for development support.

🟡Typefaces:
Social Light and Social Light Italic by ABC Dinamo (@abcdinamo)
Scriptual Monoline by Elias Hanzer (@elias_hanzer)

#hfbkhamburg #klassedigitalegrafik #hfbkboutique #website #exhibitionwebsite

⏹️ http://Boutique.hfbk.net ⏹️

A website for the HFBK Boutique, the new exhibition space of HFBK Hamburg (@hfbkhamburg).

Situated in the southwest vitrine of MediaMarkt, this space showcases artistic works by HFBK students and graduates, bringing art to new audiences through rotating micro-residencies. Outside of reception hours, the Boutique is only viewable through its vitrine windows.
Inspired by the humor of the Boutique’s unconventional concept and location, the website design mirrors guests’ experience of the space. Visitors interact with the reflective 3D image gallery throughout the site. The title is etched in virtual window fog while cyber-goo wraps around all the site’s contents. The archive page offers a thin preview of any given exhibit on hover to emulate peeping into the Boutique through the metal bars that drop behind the windows during closing hours.

🟣Design and Development:
Liudmila Savelyeva (@pointofd)
Tigran Saakyan (@tikosaha)

🔵This website was created under the supervision of Christoph Knoth (@christophknoth), Konrad Renner (@konradrenner), and Lukas Simoneit (@lkssmnt) as part of the Perceptive Publishing workshop from Klasse Digitale Grafik(@klassedigitalegrafik).

🟢Special thanks to Antonio Hofmeister Ribeiro (@antonio_hof) for development support.

🟡Typefaces:
Social Light and Social Light Italic by ABC Dinamo (@abcdinamo)
Scriptual Monoline by Elias Hanzer (@elias_hanzer)

#hfbkhamburg #klassedigitalegrafik #hfbkboutique #website #exhibitionwebsite

⏹️ http://Boutique.hfbk.net ⏹️

A website for the HFBK Boutique, the new exhibition space of HFBK Hamburg (@hfbkhamburg).

Situated in the southwest vitrine of MediaMarkt, this space showcases artistic works by HFBK students and graduates, bringing art to new audiences through rotating micro-residencies. Outside of reception hours, the Boutique is only viewable through its vitrine windows.
Inspired by the humor of the Boutique’s unconventional concept and location, the website design mirrors guests’ experience of the space. Visitors interact with the reflective 3D image gallery throughout the site. The title is etched in virtual window fog while cyber-goo wraps around all the site’s contents. The archive page offers a thin preview of any given exhibit on hover to emulate peeping into the Boutique through the metal bars that drop behind the windows during closing hours.

🟣Design and Development:
Liudmila Savelyeva (@pointofd)
Tigran Saakyan (@tikosaha)

🔵This website was created under the supervision of Christoph Knoth (@christophknoth), Konrad Renner (@konradrenner), and Lukas Simoneit (@lkssmnt) as part of the Perceptive Publishing workshop from Klasse Digitale Grafik(@klassedigitalegrafik).

🟢Special thanks to Antonio Hofmeister Ribeiro (@antonio_hof) for development support.

🟡Typefaces:
Social Light and Social Light Italic by ABC Dinamo (@abcdinamo)
Scriptual Monoline by Elias Hanzer (@elias_hanzer)

#hfbkhamburg #klassedigitalegrafik #hfbkboutique #website #exhibitionwebsite

⏹️ http://Boutique.hfbk.net ⏹️

A website for the HFBK Boutique, the new exhibition space of HFBK Hamburg (@hfbkhamburg).

Situated in the southwest vitrine of MediaMarkt, this space showcases artistic works by HFBK students and graduates, bringing art to new audiences through rotating micro-residencies. Outside of reception hours, the Boutique is only viewable through its vitrine windows.
Inspired by the humor of the Boutique’s unconventional concept and location, the website design mirrors guests’ experience of the space. Visitors interact with the reflective 3D image gallery throughout the site. The title is etched in virtual window fog while cyber-goo wraps around all the site’s contents. The archive page offers a thin preview of any given exhibit on hover to emulate peeping into the Boutique through the metal bars that drop behind the windows during closing hours.

🟣Design and Development:
Liudmila Savelyeva (@pointofd)
Tigran Saakyan (@tikosaha)

🔵This website was created under the supervision of Christoph Knoth (@christophknoth), Konrad Renner (@konradrenner), and Lukas Simoneit (@lkssmnt) as part of the Perceptive Publishing workshop from Klasse Digitale Grafik(@klassedigitalegrafik).

🟢Special thanks to Antonio Hofmeister Ribeiro (@antonio_hof) for development support.

🟡Typefaces:
Social Light and Social Light Italic by ABC Dinamo (@abcdinamo)
Scriptual Monoline by Elias Hanzer (@elias_hanzer)

#hfbkhamburg #klassedigitalegrafik #hfbkboutique #website #exhibitionwebsite

⏹️ http://Boutique.hfbk.net ⏹️

A website for the HFBK Boutique, the new exhibition space of HFBK Hamburg (@hfbkhamburg).

Situated in the southwest vitrine of MediaMarkt, this space showcases artistic works by HFBK students and graduates, bringing art to new audiences through rotating micro-residencies. Outside of reception hours, the Boutique is only viewable through its vitrine windows.
Inspired by the humor of the Boutique’s unconventional concept and location, the website design mirrors guests’ experience of the space. Visitors interact with the reflective 3D image gallery throughout the site. The title is etched in virtual window fog while cyber-goo wraps around all the site’s contents. The archive page offers a thin preview of any given exhibit on hover to emulate peeping into the Boutique through the metal bars that drop behind the windows during closing hours.

🟣Design and Development:
Liudmila Savelyeva (@pointofd)
Tigran Saakyan (@tikosaha)

🔵This website was created under the supervision of Christoph Knoth (@christophknoth), Konrad Renner (@konradrenner), and Lukas Simoneit (@lkssmnt) as part of the Perceptive Publishing workshop from Klasse Digitale Grafik(@klassedigitalegrafik).

🟢Special thanks to Antonio Hofmeister Ribeiro (@antonio_hof) for development support.

🟡Typefaces:
Social Light and Social Light Italic by ABC Dinamo (@abcdinamo)
Scriptual Monoline by Elias Hanzer (@elias_hanzer)

#hfbkhamburg #klassedigitalegrafik #hfbkboutique #website #exhibitionwebsite

⏹️ http://Boutique.hfbk.net ⏹️

A website for the HFBK Boutique, the new exhibition space of HFBK Hamburg (@hfbkhamburg).

Situated in the southwest vitrine of MediaMarkt, this space showcases artistic works by HFBK students and graduates, bringing art to new audiences through rotating micro-residencies. Outside of reception hours, the Boutique is only viewable through its vitrine windows.
Inspired by the humor of the Boutique’s unconventional concept and location, the website design mirrors guests’ experience of the space. Visitors interact with the reflective 3D image gallery throughout the site. The title is etched in virtual window fog while cyber-goo wraps around all the site’s contents. The archive page offers a thin preview of any given exhibit on hover to emulate peeping into the Boutique through the metal bars that drop behind the windows during closing hours.

🟣Design and Development:
Liudmila Savelyeva (@pointofd)
Tigran Saakyan (@tikosaha)

🔵This website was created under the supervision of Christoph Knoth (@christophknoth), Konrad Renner (@konradrenner), and Lukas Simoneit (@lkssmnt) as part of the Perceptive Publishing workshop from Klasse Digitale Grafik(@klassedigitalegrafik).

🟢Special thanks to Antonio Hofmeister Ribeiro (@antonio_hof) for development support.

🟡Typefaces:
Social Light and Social Light Italic by ABC Dinamo (@abcdinamo)
Scriptual Monoline by Elias Hanzer (@elias_hanzer)

#hfbkhamburg #klassedigitalegrafik #hfbkboutique #website #exhibitionwebsite

https://archives-of-the-body.hfbk.net
🔵
The website „Archives of the Body“ is part of the multi-part project „Archives of the Body–The Body in Archiving“. The digital publication, edited by Hanne Loreck and Vanessa Gravenor, contains 16 academic and artistic research contributions approximating the topic from multiple angles. As such, the publication becomes an archive itself, moving between archival organization and fluent, organic and bodily motion.

Navigating between different contributions, the elements dis- and reassemble fragmentarilly and leave their grid-like positioning to form an ever-changing, multi-dimensional body of knowledge.

The publication is divided into five different chapters accessible by filtering. Displaying the contribution of different chapters intermingled next to each other allows the emergence of unexpected connections and shared meanings. While the landing page and the page transitions reflect fluidity and intangibility, the contributions provide a more structured, concentrated space.
Cross-references in each contribution invite the user to find their own path through the publication.

Concept, design and development: Karen Czock @kaczock, Sophia Krasomil @sophia_krasomil, Maja Redlin @maja_redlin, Liudmila Savelyeva @pointofd

Editors: Hanne Loreck, Vanessa Gravenor
Supervisors: Konrad Renner @klassedigitalegrafik

https://archives-of-the-body.hfbk.net
🔵
The website „Archives of the Body“ is part of the multi-part project „Archives of the Body–The Body in Archiving“. The digital publication, edited by Hanne Loreck and Vanessa Gravenor, contains 16 academic and artistic research contributions approximating the topic from multiple angles. As such, the publication becomes an archive itself, moving between archival organization and fluent, organic and bodily motion.

Navigating between different contributions, the elements dis- and reassemble fragmentarilly and leave their grid-like positioning to form an ever-changing, multi-dimensional body of knowledge.

The publication is divided into five different chapters accessible by filtering. Displaying the contribution of different chapters intermingled next to each other allows the emergence of unexpected connections and shared meanings. While the landing page and the page transitions reflect fluidity and intangibility, the contributions provide a more structured, concentrated space.
Cross-references in each contribution invite the user to find their own path through the publication.

Concept, design and development: Karen Czock @kaczock, Sophia Krasomil @sophia_krasomil, Maja Redlin @maja_redlin, Liudmila Savelyeva @pointofd

Editors: Hanne Loreck, Vanessa Gravenor
Supervisors: Konrad Renner @klassedigitalegrafik

https://archives-of-the-body.hfbk.net
🔵
The website „Archives of the Body“ is part of the multi-part project „Archives of the Body–The Body in Archiving“. The digital publication, edited by Hanne Loreck and Vanessa Gravenor, contains 16 academic and artistic research contributions approximating the topic from multiple angles. As such, the publication becomes an archive itself, moving between archival organization and fluent, organic and bodily motion.

Navigating between different contributions, the elements dis- and reassemble fragmentarilly and leave their grid-like positioning to form an ever-changing, multi-dimensional body of knowledge.

The publication is divided into five different chapters accessible by filtering. Displaying the contribution of different chapters intermingled next to each other allows the emergence of unexpected connections and shared meanings. While the landing page and the page transitions reflect fluidity and intangibility, the contributions provide a more structured, concentrated space.
Cross-references in each contribution invite the user to find their own path through the publication.

Concept, design and development: Karen Czock @kaczock, Sophia Krasomil @sophia_krasomil, Maja Redlin @maja_redlin, Liudmila Savelyeva @pointofd

Editors: Hanne Loreck, Vanessa Gravenor
Supervisors: Konrad Renner @klassedigitalegrafik

https://archives-of-the-body.hfbk.net
🔵
The website „Archives of the Body“ is part of the multi-part project „Archives of the Body–The Body in Archiving“. The digital publication, edited by Hanne Loreck and Vanessa Gravenor, contains 16 academic and artistic research contributions approximating the topic from multiple angles. As such, the publication becomes an archive itself, moving between archival organization and fluent, organic and bodily motion.

Navigating between different contributions, the elements dis- and reassemble fragmentarilly and leave their grid-like positioning to form an ever-changing, multi-dimensional body of knowledge.

The publication is divided into five different chapters accessible by filtering. Displaying the contribution of different chapters intermingled next to each other allows the emergence of unexpected connections and shared meanings. While the landing page and the page transitions reflect fluidity and intangibility, the contributions provide a more structured, concentrated space.
Cross-references in each contribution invite the user to find their own path through the publication.

Concept, design and development: Karen Czock @kaczock, Sophia Krasomil @sophia_krasomil, Maja Redlin @maja_redlin, Liudmila Savelyeva @pointofd

Editors: Hanne Loreck, Vanessa Gravenor
Supervisors: Konrad Renner @klassedigitalegrafik

https://archives-of-the-body.hfbk.net
🔵
The website „Archives of the Body“ is part of the multi-part project „Archives of the Body–The Body in Archiving“. The digital publication, edited by Hanne Loreck and Vanessa Gravenor, contains 16 academic and artistic research contributions approximating the topic from multiple angles. As such, the publication becomes an archive itself, moving between archival organization and fluent, organic and bodily motion.

Navigating between different contributions, the elements dis- and reassemble fragmentarilly and leave their grid-like positioning to form an ever-changing, multi-dimensional body of knowledge.

The publication is divided into five different chapters accessible by filtering. Displaying the contribution of different chapters intermingled next to each other allows the emergence of unexpected connections and shared meanings. While the landing page and the page transitions reflect fluidity and intangibility, the contributions provide a more structured, concentrated space.
Cross-references in each contribution invite the user to find their own path through the publication.

Concept, design and development: Karen Czock @kaczock, Sophia Krasomil @sophia_krasomil, Maja Redlin @maja_redlin, Liudmila Savelyeva @pointofd

Editors: Hanne Loreck, Vanessa Gravenor
Supervisors: Konrad Renner @klassedigitalegrafik

https://die-neue-frau.hfbk.net

The digital publication for the exhibition “Die Neue Frau - Wie Künstlerinnen und Gestalterinnen das Bild der Moderne prägten“ functions as both an art historical publication and an exhibition catalog.

Similar to a book, the content appears in a linear order, allowing the user to experience the project in a consistent sequence. Two different scroll directions within the website—vertical and horizontal—take one on a journey through a staircase, following the path of fourteen female artists who were HFBK Hamburg students in the early 20th century.
Using the navigation at the bottom of the screen, one can choose their own reading order, aside from the one suggested by the publication.

Our design is not intended to replicate modernist ideas but instead references the future “New Woman.” In the playful chapter headings, we break Swiss typography rules and push the boundaries of legibility.

Concept, design and development: Karla Krey @karla_krey, Amira Mostafa @amiramaher_nov, Liudmila Savelyeva @pointofd 
Development support: Lukas Siemoneit

❃ Fonts in use ❃
Lelo & Rosart by Katharina Köhler @camelot_type for main text
and Anaktoria, Butterflykids, Chiller, CirrusCumulus, Delius Swash Caps, Dewy, Ductus, FA_BLTODQSHOK, FA_WCAQLHHWSX, FA_HKMDCFLEQI, FA_TLFKFEYXEJ, FA_BXAUOGDCPH, FA_FLPVZZYJYZ, FA_CWZSRYNBSV,FA_PTGWDOBSHK, FA_UKXTCSEQJO, Garamon (d/t), Hershey-Noailles, JRUG PUNK, KK Schirft, kaeru kaeru, LK MUKOR, Marista, Nighty, PicNic-Regula, rip, Safari Traveller, Seymour One, Soyuz Grotesk, Tiny, Quarantype, Viner Hand ITC, Vtks Beautiful Dream, Vtks Family for titles

Supervisors: Christoph Knoth & Konrad Renner @klassedigitalegrafik

📖💻

https://die-neue-frau.hfbk.net

The digital publication for the exhibition “Die Neue Frau - Wie Künstlerinnen und Gestalterinnen das Bild der Moderne prägten“ functions as both an art historical publication and an exhibition catalog.

Similar to a book, the content appears in a linear order, allowing the user to experience the project in a consistent sequence. Two different scroll directions within the website—vertical and horizontal—take one on a journey through a staircase, following the path of fourteen female artists who were HFBK Hamburg students in the early 20th century.
Using the navigation at the bottom of the screen, one can choose their own reading order, aside from the one suggested by the publication.

Our design is not intended to replicate modernist ideas but instead references the future “New Woman.” In the playful chapter headings, we break Swiss typography rules and push the boundaries of legibility.

Concept, design and development: Karla Krey @karla_krey, Amira Mostafa @amiramaher_nov, Liudmila Savelyeva @pointofd 
Development support: Lukas Siemoneit

❃ Fonts in use ❃
Lelo & Rosart by Katharina Köhler @camelot_type for main text
and Anaktoria, Butterflykids, Chiller, CirrusCumulus, Delius Swash Caps, Dewy, Ductus, FA_BLTODQSHOK, FA_WCAQLHHWSX, FA_HKMDCFLEQI, FA_TLFKFEYXEJ, FA_BXAUOGDCPH, FA_FLPVZZYJYZ, FA_CWZSRYNBSV,FA_PTGWDOBSHK, FA_UKXTCSEQJO, Garamon (d/t), Hershey-Noailles, JRUG PUNK, KK Schirft, kaeru kaeru, LK MUKOR, Marista, Nighty, PicNic-Regula, rip, Safari Traveller, Seymour One, Soyuz Grotesk, Tiny, Quarantype, Viner Hand ITC, Vtks Beautiful Dream, Vtks Family for titles

Supervisors: Christoph Knoth & Konrad Renner @klassedigitalegrafik

📖💻

https://die-neue-frau.hfbk.net

The digital publication for the exhibition “Die Neue Frau - Wie Künstlerinnen und Gestalterinnen das Bild der Moderne prägten“ functions as both an art historical publication and an exhibition catalog.

Similar to a book, the content appears in a linear order, allowing the user to experience the project in a consistent sequence. Two different scroll directions within the website—vertical and horizontal—take one on a journey through a staircase, following the path of fourteen female artists who were HFBK Hamburg students in the early 20th century.
Using the navigation at the bottom of the screen, one can choose their own reading order, aside from the one suggested by the publication.

Our design is not intended to replicate modernist ideas but instead references the future “New Woman.” In the playful chapter headings, we break Swiss typography rules and push the boundaries of legibility.

Concept, design and development: Karla Krey @karla_krey, Amira Mostafa @amiramaher_nov, Liudmila Savelyeva @pointofd 
Development support: Lukas Siemoneit

❃ Fonts in use ❃
Lelo & Rosart by Katharina Köhler @camelot_type for main text
and Anaktoria, Butterflykids, Chiller, CirrusCumulus, Delius Swash Caps, Dewy, Ductus, FA_BLTODQSHOK, FA_WCAQLHHWSX, FA_HKMDCFLEQI, FA_TLFKFEYXEJ, FA_BXAUOGDCPH, FA_FLPVZZYJYZ, FA_CWZSRYNBSV,FA_PTGWDOBSHK, FA_UKXTCSEQJO, Garamon (d/t), Hershey-Noailles, JRUG PUNK, KK Schirft, kaeru kaeru, LK MUKOR, Marista, Nighty, PicNic-Regula, rip, Safari Traveller, Seymour One, Soyuz Grotesk, Tiny, Quarantype, Viner Hand ITC, Vtks Beautiful Dream, Vtks Family for titles

Supervisors: Christoph Knoth & Konrad Renner @klassedigitalegrafik

📖💻

https://die-neue-frau.hfbk.net

The digital publication for the exhibition “Die Neue Frau - Wie Künstlerinnen und Gestalterinnen das Bild der Moderne prägten“ functions as both an art historical publication and an exhibition catalog.

Similar to a book, the content appears in a linear order, allowing the user to experience the project in a consistent sequence. Two different scroll directions within the website—vertical and horizontal—take one on a journey through a staircase, following the path of fourteen female artists who were HFBK Hamburg students in the early 20th century.
Using the navigation at the bottom of the screen, one can choose their own reading order, aside from the one suggested by the publication.

Our design is not intended to replicate modernist ideas but instead references the future “New Woman.” In the playful chapter headings, we break Swiss typography rules and push the boundaries of legibility.

Concept, design and development: Karla Krey @karla_krey, Amira Mostafa @amiramaher_nov, Liudmila Savelyeva @pointofd 
Development support: Lukas Siemoneit

❃ Fonts in use ❃
Lelo & Rosart by Katharina Köhler @camelot_type for main text
and Anaktoria, Butterflykids, Chiller, CirrusCumulus, Delius Swash Caps, Dewy, Ductus, FA_BLTODQSHOK, FA_WCAQLHHWSX, FA_HKMDCFLEQI, FA_TLFKFEYXEJ, FA_BXAUOGDCPH, FA_FLPVZZYJYZ, FA_CWZSRYNBSV,FA_PTGWDOBSHK, FA_UKXTCSEQJO, Garamon (d/t), Hershey-Noailles, JRUG PUNK, KK Schirft, kaeru kaeru, LK MUKOR, Marista, Nighty, PicNic-Regula, rip, Safari Traveller, Seymour One, Soyuz Grotesk, Tiny, Quarantype, Viner Hand ITC, Vtks Beautiful Dream, Vtks Family for titles

Supervisors: Christoph Knoth & Konrad Renner @klassedigitalegrafik

📖💻

https://die-neue-frau.hfbk.net

The digital publication for the exhibition “Die Neue Frau - Wie Künstlerinnen und Gestalterinnen das Bild der Moderne prägten“ functions as both an art historical publication and an exhibition catalog.

Similar to a book, the content appears in a linear order, allowing the user to experience the project in a consistent sequence. Two different scroll directions within the website—vertical and horizontal—take one on a journey through a staircase, following the path of fourteen female artists who were HFBK Hamburg students in the early 20th century.
Using the navigation at the bottom of the screen, one can choose their own reading order, aside from the one suggested by the publication.

Our design is not intended to replicate modernist ideas but instead references the future “New Woman.” In the playful chapter headings, we break Swiss typography rules and push the boundaries of legibility.

Concept, design and development: Karla Krey @karla_krey, Amira Mostafa @amiramaher_nov, Liudmila Savelyeva @pointofd 
Development support: Lukas Siemoneit

❃ Fonts in use ❃
Lelo & Rosart by Katharina Köhler @camelot_type for main text
and Anaktoria, Butterflykids, Chiller, CirrusCumulus, Delius Swash Caps, Dewy, Ductus, FA_BLTODQSHOK, FA_WCAQLHHWSX, FA_HKMDCFLEQI, FA_TLFKFEYXEJ, FA_BXAUOGDCPH, FA_FLPVZZYJYZ, FA_CWZSRYNBSV,FA_PTGWDOBSHK, FA_UKXTCSEQJO, Garamon (d/t), Hershey-Noailles, JRUG PUNK, KK Schirft, kaeru kaeru, LK MUKOR, Marista, Nighty, PicNic-Regula, rip, Safari Traveller, Seymour One, Soyuz Grotesk, Tiny, Quarantype, Viner Hand ITC, Vtks Beautiful Dream, Vtks Family for titles

Supervisors: Christoph Knoth & Konrad Renner @klassedigitalegrafik

📖💻

https://die-neue-frau.hfbk.net

The digital publication for the exhibition “Die Neue Frau - Wie Künstlerinnen und Gestalterinnen das Bild der Moderne prägten“ functions as both an art historical publication and an exhibition catalog.

Similar to a book, the content appears in a linear order, allowing the user to experience the project in a consistent sequence. Two different scroll directions within the website—vertical and horizontal—take one on a journey through a staircase, following the path of fourteen female artists who were HFBK Hamburg students in the early 20th century.
Using the navigation at the bottom of the screen, one can choose their own reading order, aside from the one suggested by the publication.

Our design is not intended to replicate modernist ideas but instead references the future “New Woman.” In the playful chapter headings, we break Swiss typography rules and push the boundaries of legibility.

Concept, design and development: Karla Krey @karla_krey, Amira Mostafa @amiramaher_nov, Liudmila Savelyeva @pointofd 
Development support: Lukas Siemoneit

❃ Fonts in use ❃
Lelo & Rosart by Katharina Köhler @camelot_type for main text
and Anaktoria, Butterflykids, Chiller, CirrusCumulus, Delius Swash Caps, Dewy, Ductus, FA_BLTODQSHOK, FA_WCAQLHHWSX, FA_HKMDCFLEQI, FA_TLFKFEYXEJ, FA_BXAUOGDCPH, FA_FLPVZZYJYZ, FA_CWZSRYNBSV,FA_PTGWDOBSHK, FA_UKXTCSEQJO, Garamon (d/t), Hershey-Noailles, JRUG PUNK, KK Schirft, kaeru kaeru, LK MUKOR, Marista, Nighty, PicNic-Regula, rip, Safari Traveller, Seymour One, Soyuz Grotesk, Tiny, Quarantype, Viner Hand ITC, Vtks Beautiful Dream, Vtks Family for titles

Supervisors: Christoph Knoth & Konrad Renner @klassedigitalegrafik

📖💻

https://die-neue-frau.hfbk.net

The digital publication for the exhibition “Die Neue Frau - Wie Künstlerinnen und Gestalterinnen das Bild der Moderne prägten“ functions as both an art historical publication and an exhibition catalog.

Similar to a book, the content appears in a linear order, allowing the user to experience the project in a consistent sequence. Two different scroll directions within the website—vertical and horizontal—take one on a journey through a staircase, following the path of fourteen female artists who were HFBK Hamburg students in the early 20th century.
Using the navigation at the bottom of the screen, one can choose their own reading order, aside from the one suggested by the publication.

Our design is not intended to replicate modernist ideas but instead references the future “New Woman.” In the playful chapter headings, we break Swiss typography rules and push the boundaries of legibility.

Concept, design and development: Karla Krey @karla_krey, Amira Mostafa @amiramaher_nov, Liudmila Savelyeva @pointofd 
Development support: Lukas Siemoneit

❃ Fonts in use ❃
Lelo & Rosart by Katharina Köhler @camelot_type for main text
and Anaktoria, Butterflykids, Chiller, CirrusCumulus, Delius Swash Caps, Dewy, Ductus, FA_BLTODQSHOK, FA_WCAQLHHWSX, FA_HKMDCFLEQI, FA_TLFKFEYXEJ, FA_BXAUOGDCPH, FA_FLPVZZYJYZ, FA_CWZSRYNBSV,FA_PTGWDOBSHK, FA_UKXTCSEQJO, Garamon (d/t), Hershey-Noailles, JRUG PUNK, KK Schirft, kaeru kaeru, LK MUKOR, Marista, Nighty, PicNic-Regula, rip, Safari Traveller, Seymour One, Soyuz Grotesk, Tiny, Quarantype, Viner Hand ITC, Vtks Beautiful Dream, Vtks Family for titles

Supervisors: Christoph Knoth & Konrad Renner @klassedigitalegrafik

📖💻

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

Some photos taken with a Fuji disposable camera in Japan:

1–9 Konohana neighborhood
10 Somewhere in Osaka
11 Kyoto

As promised, we are finally very happy to share a glimpse from our workshop Digital Aerobics at Kindai University in Osaka, which took place on January 10 and 11, 2026.

Together, we explored writing as play — with words, with movements of thought, and with the body moving through space, with text as its play field. Through formal writing experiments, spatial provocations, and constraint based creation, examined how these frameworks can be reimagined within the context of publishing on the web exploring the new modes of craft, structure, and creative possibility that emerge in digital forms. Through games, and writing exercises, and in dialogue with Radio Taiso gymnastics, we mapped stories by moving across web pages, shaping gestures into a simple website structure. We asked ourselves: if sentences performed aerobic exercises, what would text look like?

Thanks to everyone who joined us, moved with us, wrote with us, and shared their ideas! It was a pure joy to think, play, and build together.

We warmly thank Prof. Tetsuya Goto (@tetsuya_goto) for the invitation and support, and Elias Hanzer and Lucas Liccini (HAL Typefaces @haltypefaces) for their generous support by providing Twins and Edition fonts for the workshop <3

Video 1. Sound and a screenshot from the Radio Taiso Exercise Routine video.

Unfortunately, we were so carried away by the process that we forgot to take enough photos, but we hope you enjoy this small selection of the workshop documentation.

Arigatou gozaimasu!

Maru @marumashmaru and Lucy

As promised, we are finally very happy to share a glimpse from our workshop Digital Aerobics at Kindai University in Osaka, which took place on January 10 and 11, 2026.

Together, we explored writing as play — with words, with movements of thought, and with the body moving through space, with text as its play field. Through formal writing experiments, spatial provocations, and constraint based creation, examined how these frameworks can be reimagined within the context of publishing on the web exploring the new modes of craft, structure, and creative possibility that emerge in digital forms. Through games, and writing exercises, and in dialogue with Radio Taiso gymnastics, we mapped stories by moving across web pages, shaping gestures into a simple website structure. We asked ourselves: if sentences performed aerobic exercises, what would text look like?

Thanks to everyone who joined us, moved with us, wrote with us, and shared their ideas! It was a pure joy to think, play, and build together.

We warmly thank Prof. Tetsuya Goto (@tetsuya_goto) for the invitation and support, and Elias Hanzer and Lucas Liccini (HAL Typefaces @haltypefaces) for their generous support by providing Twins and Edition fonts for the workshop <3

Video 1. Sound and a screenshot from the Radio Taiso Exercise Routine video.

Unfortunately, we were so carried away by the process that we forgot to take enough photos, but we hope you enjoy this small selection of the workshop documentation.

Arigatou gozaimasu!

Maru @marumashmaru and Lucy

As promised, we are finally very happy to share a glimpse from our workshop Digital Aerobics at Kindai University in Osaka, which took place on January 10 and 11, 2026.

Together, we explored writing as play — with words, with movements of thought, and with the body moving through space, with text as its play field. Through formal writing experiments, spatial provocations, and constraint based creation, examined how these frameworks can be reimagined within the context of publishing on the web exploring the new modes of craft, structure, and creative possibility that emerge in digital forms. Through games, and writing exercises, and in dialogue with Radio Taiso gymnastics, we mapped stories by moving across web pages, shaping gestures into a simple website structure. We asked ourselves: if sentences performed aerobic exercises, what would text look like?

Thanks to everyone who joined us, moved with us, wrote with us, and shared their ideas! It was a pure joy to think, play, and build together.

We warmly thank Prof. Tetsuya Goto (@tetsuya_goto) for the invitation and support, and Elias Hanzer and Lucas Liccini (HAL Typefaces @haltypefaces) for their generous support by providing Twins and Edition fonts for the workshop <3

Video 1. Sound and a screenshot from the Radio Taiso Exercise Routine video.

Unfortunately, we were so carried away by the process that we forgot to take enough photos, but we hope you enjoy this small selection of the workshop documentation.

Arigatou gozaimasu!

Maru @marumashmaru and Lucy

As promised, we are finally very happy to share a glimpse from our workshop Digital Aerobics at Kindai University in Osaka, which took place on January 10 and 11, 2026.

Together, we explored writing as play — with words, with movements of thought, and with the body moving through space, with text as its play field. Through formal writing experiments, spatial provocations, and constraint based creation, examined how these frameworks can be reimagined within the context of publishing on the web exploring the new modes of craft, structure, and creative possibility that emerge in digital forms. Through games, and writing exercises, and in dialogue with Radio Taiso gymnastics, we mapped stories by moving across web pages, shaping gestures into a simple website structure. We asked ourselves: if sentences performed aerobic exercises, what would text look like?

Thanks to everyone who joined us, moved with us, wrote with us, and shared their ideas! It was a pure joy to think, play, and build together.

We warmly thank Prof. Tetsuya Goto (@tetsuya_goto) for the invitation and support, and Elias Hanzer and Lucas Liccini (HAL Typefaces @haltypefaces) for their generous support by providing Twins and Edition fonts for the workshop <3

Video 1. Sound and a screenshot from the Radio Taiso Exercise Routine video.

Unfortunately, we were so carried away by the process that we forgot to take enough photos, but we hope you enjoy this small selection of the workshop documentation.

Arigatou gozaimasu!

Maru @marumashmaru and Lucy

As promised, we are finally very happy to share a glimpse from our workshop Digital Aerobics at Kindai University in Osaka, which took place on January 10 and 11, 2026.

Together, we explored writing as play — with words, with movements of thought, and with the body moving through space, with text as its play field. Through formal writing experiments, spatial provocations, and constraint based creation, examined how these frameworks can be reimagined within the context of publishing on the web exploring the new modes of craft, structure, and creative possibility that emerge in digital forms. Through games, and writing exercises, and in dialogue with Radio Taiso gymnastics, we mapped stories by moving across web pages, shaping gestures into a simple website structure. We asked ourselves: if sentences performed aerobic exercises, what would text look like?

Thanks to everyone who joined us, moved with us, wrote with us, and shared their ideas! It was a pure joy to think, play, and build together.

We warmly thank Prof. Tetsuya Goto (@tetsuya_goto) for the invitation and support, and Elias Hanzer and Lucas Liccini (HAL Typefaces @haltypefaces) for their generous support by providing Twins and Edition fonts for the workshop <3

Video 1. Sound and a screenshot from the Radio Taiso Exercise Routine video.

Unfortunately, we were so carried away by the process that we forgot to take enough photos, but we hope you enjoy this small selection of the workshop documentation.

Arigatou gozaimasu!

Maru @marumashmaru and Lucy

As promised, we are finally very happy to share a glimpse from our workshop Digital Aerobics at Kindai University in Osaka, which took place on January 10 and 11, 2026.

Together, we explored writing as play — with words, with movements of thought, and with the body moving through space, with text as its play field. Through formal writing experiments, spatial provocations, and constraint based creation, examined how these frameworks can be reimagined within the context of publishing on the web exploring the new modes of craft, structure, and creative possibility that emerge in digital forms. Through games, and writing exercises, and in dialogue with Radio Taiso gymnastics, we mapped stories by moving across web pages, shaping gestures into a simple website structure. We asked ourselves: if sentences performed aerobic exercises, what would text look like?

Thanks to everyone who joined us, moved with us, wrote with us, and shared their ideas! It was a pure joy to think, play, and build together.

We warmly thank Prof. Tetsuya Goto (@tetsuya_goto) for the invitation and support, and Elias Hanzer and Lucas Liccini (HAL Typefaces @haltypefaces) for their generous support by providing Twins and Edition fonts for the workshop <3

Video 1. Sound and a screenshot from the Radio Taiso Exercise Routine video.

Unfortunately, we were so carried away by the process that we forgot to take enough photos, but we hope you enjoy this small selection of the workshop documentation.

Arigatou gozaimasu!

Maru @marumashmaru and Lucy

I am home after almost a 24-hour flight and can finally take a breath and say a few words about the last five months I spent in Japan as part of an exchange program, made possible through the ASA program between my university, @hfbkhamburg , and Kindai University in Osaka. This journey would not have been possible without the support of @konradrenner and @christophknoth (@klassedigitalegrafik), @tetsuya_goto (Kindai University), and AG Internationales.

I am still in a state of transition: my head is in Osaka, while my body is already freezing in -10°C temperatures in Berlin.

Japan became the third country where I have spent more than one month, and I can say with certainty that the memories of this place will stay with me for the rest of my life. Yes, they will slowly fade over time, but I hope that the people I met there will, whenever possible, remain part of my life.

The neighborhood I lived in turned out to be truly special — a wonderful community of incredibly kind, talented, and inspiring people who made my life in Osaka unforgettable. Special thanks to @mochizuki_rie and her café @studio_baikafe, where I met so many of these people. She would sometimes bring and leave sweets in my mailbox when I needed them the most. Rie, I will miss you very much!

Thank you to @tsubakian_event for the beautiful kimono and matcha session for @marumashmaru, Kat, and me. Thank you as well to @studio_baikafe, @tsubakian_event, and sasori_co for the incredible amount of delicious food at my farewell party. Without you, this event would not have happened.

I would especially like to thank @tetsuya_goto for supporting my ideas and for helping organize the workshop we held together with @marumashmaru for current and former students of Kindai University.

Japan helped me tune into a very calm rhythm, where I found my routine — working a lot, traveling a lot, and reading a lot. I do not think I have ever spent so much time alone in my life, and it was a deeply valuable experience that will most likely change my everyday life for the better.

I am home after almost a 24-hour flight and can finally take a breath and say a few words about the last five months I spent in Japan as part of an exchange program, made possible through the ASA program between my university, @hfbkhamburg , and Kindai University in Osaka. This journey would not have been possible without the support of @konradrenner and @christophknoth (@klassedigitalegrafik), @tetsuya_goto (Kindai University), and AG Internationales.

I am still in a state of transition: my head is in Osaka, while my body is already freezing in -10°C temperatures in Berlin.

Japan became the third country where I have spent more than one month, and I can say with certainty that the memories of this place will stay with me for the rest of my life. Yes, they will slowly fade over time, but I hope that the people I met there will, whenever possible, remain part of my life.

The neighborhood I lived in turned out to be truly special — a wonderful community of incredibly kind, talented, and inspiring people who made my life in Osaka unforgettable. Special thanks to @mochizuki_rie and her café @studio_baikafe, where I met so many of these people. She would sometimes bring and leave sweets in my mailbox when I needed them the most. Rie, I will miss you very much!

Thank you to @tsubakian_event for the beautiful kimono and matcha session for @marumashmaru, Kat, and me. Thank you as well to @studio_baikafe, @tsubakian_event, and sasori_co for the incredible amount of delicious food at my farewell party. Without you, this event would not have happened.

I would especially like to thank @tetsuya_goto for supporting my ideas and for helping organize the workshop we held together with @marumashmaru for current and former students of Kindai University.

Japan helped me tune into a very calm rhythm, where I found my routine — working a lot, traveling a lot, and reading a lot. I do not think I have ever spent so much time alone in my life, and it was a deeply valuable experience that will most likely change my everyday life for the better.

I am home after almost a 24-hour flight and can finally take a breath and say a few words about the last five months I spent in Japan as part of an exchange program, made possible through the ASA program between my university, @hfbkhamburg , and Kindai University in Osaka. This journey would not have been possible without the support of @konradrenner and @christophknoth (@klassedigitalegrafik), @tetsuya_goto (Kindai University), and AG Internationales.

I am still in a state of transition: my head is in Osaka, while my body is already freezing in -10°C temperatures in Berlin.

Japan became the third country where I have spent more than one month, and I can say with certainty that the memories of this place will stay with me for the rest of my life. Yes, they will slowly fade over time, but I hope that the people I met there will, whenever possible, remain part of my life.

The neighborhood I lived in turned out to be truly special — a wonderful community of incredibly kind, talented, and inspiring people who made my life in Osaka unforgettable. Special thanks to @mochizuki_rie and her café @studio_baikafe, where I met so many of these people. She would sometimes bring and leave sweets in my mailbox when I needed them the most. Rie, I will miss you very much!

Thank you to @tsubakian_event for the beautiful kimono and matcha session for @marumashmaru, Kat, and me. Thank you as well to @studio_baikafe, @tsubakian_event, and sasori_co for the incredible amount of delicious food at my farewell party. Without you, this event would not have happened.

I would especially like to thank @tetsuya_goto for supporting my ideas and for helping organize the workshop we held together with @marumashmaru for current and former students of Kindai University.

Japan helped me tune into a very calm rhythm, where I found my routine — working a lot, traveling a lot, and reading a lot. I do not think I have ever spent so much time alone in my life, and it was a deeply valuable experience that will most likely change my everyday life for the better.

Ton, me, and Tokyo. September 2025.

Ton, me, and Tokyo. September 2025.

Ton, me, and Tokyo. September 2025.

“digital computers have an Oreo cookie–like structure with an analogue bottom, a frothy digital middle, and an analogue top.” by N. Katherine Hayles (2004). Taken from the article ‘FAQs’ by Silvio Lorusso

Like to eat it during the seminars 🍥