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Now on view through June 23 — Present Tense, a new window installation by sgp @__s.gp

This circumstance-specific installation responds to the scaffolding that has ensconced Printed Matter’s Chelsea storefront since last spring, and takes the organization’s history of window installations as a point of departure. Interpolating an original slide image of a window installation from the archives, sgp leverages her insider/outsider status as an artist who is also part of the Printed Matter Fairs and Editions team and a Union member.

The original installation, created by Cynthia Chris, includes text recounting the 1985 MOVE bombing in which the Philadelphia Police Department, in an act of state sanctioned violence, dropped an improvised explosive device on the headquarters of the Black liberation organization MOVE. Chris' text concludes “a precedent has been set.”

Forty-one years later, sgp has printed the image on industrial mesh PVC fabric traditionally used as trompe-l'oeil coverings to camouflage scaffolding on buildings. Present Tense triangulates the visitors to Printed Matter between Past and Future Tenses. The scaffolding, scheduled to come down at the midpoint of the installation, acts as a foil to the interior window installation, which uses a scaffolding ladder as a bookshelf for a selection of publications on PSY-OPs, infrastructural critique, surveillance and resistance, I.C.E., the politics of privately owned public spaces, culture jamming, and more. 

Visit the link in bio to read more and explore the titles on view.

Now on view through June 23 — Present Tense, a new window installation by sgp @__s.gp

This circumstance-specific installation responds to the scaffolding that has ensconced Printed Matter’s Chelsea storefront since last spring, and takes the organization’s history of window installations as a point of departure. Interpolating an original slide image of a window installation from the archives, sgp leverages her insider/outsider status as an artist who is also part of the Printed Matter Fairs and Editions team and a Union member.

The original installation, created by Cynthia Chris, includes text recounting the 1985 MOVE bombing in which the Philadelphia Police Department, in an act of state sanctioned violence, dropped an improvised explosive device on the headquarters of the Black liberation organization MOVE. Chris' text concludes “a precedent has been set.”

Forty-one years later, sgp has printed the image on industrial mesh PVC fabric traditionally used as trompe-l'oeil coverings to camouflage scaffolding on buildings. Present Tense triangulates the visitors to Printed Matter between Past and Future Tenses. The scaffolding, scheduled to come down at the midpoint of the installation, acts as a foil to the interior window installation, which uses a scaffolding ladder as a bookshelf for a selection of publications on PSY-OPs, infrastructural critique, surveillance and resistance, I.C.E., the politics of privately owned public spaces, culture jamming, and more. 

Visit the link in bio to read more and explore the titles on view.

Now on view through June 23 — Present Tense, a new window installation by sgp @__s.gp

This circumstance-specific installation responds to the scaffolding that has ensconced Printed Matter’s Chelsea storefront since last spring, and takes the organization’s history of window installations as a point of departure. Interpolating an original slide image of a window installation from the archives, sgp leverages her insider/outsider status as an artist who is also part of the Printed Matter Fairs and Editions team and a Union member.

The original installation, created by Cynthia Chris, includes text recounting the 1985 MOVE bombing in which the Philadelphia Police Department, in an act of state sanctioned violence, dropped an improvised explosive device on the headquarters of the Black liberation organization MOVE. Chris' text concludes “a precedent has been set.”

Forty-one years later, sgp has printed the image on industrial mesh PVC fabric traditionally used as trompe-l'oeil coverings to camouflage scaffolding on buildings. Present Tense triangulates the visitors to Printed Matter between Past and Future Tenses. The scaffolding, scheduled to come down at the midpoint of the installation, acts as a foil to the interior window installation, which uses a scaffolding ladder as a bookshelf for a selection of publications on PSY-OPs, infrastructural critique, surveillance and resistance, I.C.E., the politics of privately owned public spaces, culture jamming, and more. 

Visit the link in bio to read more and explore the titles on view.

Now on view through June 23 — Present Tense, a new window installation by sgp @__s.gp

This circumstance-specific installation responds to the scaffolding that has ensconced Printed Matter’s Chelsea storefront since last spring, and takes the organization’s history of window installations as a point of departure. Interpolating an original slide image of a window installation from the archives, sgp leverages her insider/outsider status as an artist who is also part of the Printed Matter Fairs and Editions team and a Union member.

The original installation, created by Cynthia Chris, includes text recounting the 1985 MOVE bombing in which the Philadelphia Police Department, in an act of state sanctioned violence, dropped an improvised explosive device on the headquarters of the Black liberation organization MOVE. Chris' text concludes “a precedent has been set.”

Forty-one years later, sgp has printed the image on industrial mesh PVC fabric traditionally used as trompe-l'oeil coverings to camouflage scaffolding on buildings. Present Tense triangulates the visitors to Printed Matter between Past and Future Tenses. The scaffolding, scheduled to come down at the midpoint of the installation, acts as a foil to the interior window installation, which uses a scaffolding ladder as a bookshelf for a selection of publications on PSY-OPs, infrastructural critique, surveillance and resistance, I.C.E., the politics of privately owned public spaces, culture jamming, and more. 

Visit the link in bio to read more and explore the titles on view.

Now on view through June 23 — Present Tense, a new window installation by sgp @__s.gp

This circumstance-specific installation responds to the scaffolding that has ensconced Printed Matter’s Chelsea storefront since last spring, and takes the organization’s history of window installations as a point of departure. Interpolating an original slide image of a window installation from the archives, sgp leverages her insider/outsider status as an artist who is also part of the Printed Matter Fairs and Editions team and a Union member.

The original installation, created by Cynthia Chris, includes text recounting the 1985 MOVE bombing in which the Philadelphia Police Department, in an act of state sanctioned violence, dropped an improvised explosive device on the headquarters of the Black liberation organization MOVE. Chris' text concludes “a precedent has been set.”

Forty-one years later, sgp has printed the image on industrial mesh PVC fabric traditionally used as trompe-l'oeil coverings to camouflage scaffolding on buildings. Present Tense triangulates the visitors to Printed Matter between Past and Future Tenses. The scaffolding, scheduled to come down at the midpoint of the installation, acts as a foil to the interior window installation, which uses a scaffolding ladder as a bookshelf for a selection of publications on PSY-OPs, infrastructural critique, surveillance and resistance, I.C.E., the politics of privately owned public spaces, culture jamming, and more. 

Visit the link in bio to read more and explore the titles on view.

Now on view through June 23 — Present Tense, a new window installation by sgp @__s.gp

This circumstance-specific installation responds to the scaffolding that has ensconced Printed Matter’s Chelsea storefront since last spring, and takes the organization’s history of window installations as a point of departure. Interpolating an original slide image of a window installation from the archives, sgp leverages her insider/outsider status as an artist who is also part of the Printed Matter Fairs and Editions team and a Union member.

The original installation, created by Cynthia Chris, includes text recounting the 1985 MOVE bombing in which the Philadelphia Police Department, in an act of state sanctioned violence, dropped an improvised explosive device on the headquarters of the Black liberation organization MOVE. Chris' text concludes “a precedent has been set.”

Forty-one years later, sgp has printed the image on industrial mesh PVC fabric traditionally used as trompe-l'oeil coverings to camouflage scaffolding on buildings. Present Tense triangulates the visitors to Printed Matter between Past and Future Tenses. The scaffolding, scheduled to come down at the midpoint of the installation, acts as a foil to the interior window installation, which uses a scaffolding ladder as a bookshelf for a selection of publications on PSY-OPs, infrastructural critique, surveillance and resistance, I.C.E., the politics of privately owned public spaces, culture jamming, and more. 

Visit the link in bio to read more and explore the titles on view.

Noor Shoresh: Someone Cares for You

“I met Georgia in a class we were both always late to. Now we’re out of school and life is moving faster. It’s more important than ever to hold on tight and remember that someone cares for you.” -Noor Shoresh

$18- Link in bio. Stock ID: 227968 D

@dashwood_books @_noor_shoresh

Noor Shoresh: Someone Cares for You

“I met Georgia in a class we were both always late to. Now we’re out of school and life is moving faster. It’s more important than ever to hold on tight and remember that someone cares for you.” -Noor Shoresh

$18- Link in bio. Stock ID: 227968 D

@dashwood_books @_noor_shoresh

Noor Shoresh: Someone Cares for You

“I met Georgia in a class we were both always late to. Now we’re out of school and life is moving faster. It’s more important than ever to hold on tight and remember that someone cares for you.” -Noor Shoresh

$18- Link in bio. Stock ID: 227968 D

@dashwood_books @_noor_shoresh

Noor Shoresh: Someone Cares for You

“I met Georgia in a class we were both always late to. Now we’re out of school and life is moving faster. It’s more important than ever to hold on tight and remember that someone cares for you.” -Noor Shoresh

$18- Link in bio. Stock ID: 227968 D

@dashwood_books @_noor_shoresh

Noor Shoresh: Someone Cares for You

“I met Georgia in a class we were both always late to. Now we’re out of school and life is moving faster. It’s more important than ever to hold on tight and remember that someone cares for you.” -Noor Shoresh

$18- Link in bio. Stock ID: 227968 D

@dashwood_books @_noor_shoresh

Journal Safar: Issue #8: Tongues

Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more. -Publisher

$29- Link in bio. Stock ID: 227953 C

@journalsafar

Journal Safar: Issue #8: Tongues

Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more. -Publisher

$29- Link in bio. Stock ID: 227953 C

@journalsafar

Journal Safar: Issue #8: Tongues

Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more. -Publisher

$29- Link in bio. Stock ID: 227953 C

@journalsafar

Journal Safar: Issue #8: Tongues

Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more. -Publisher

$29- Link in bio. Stock ID: 227953 C

@journalsafar

Journal Safar: Issue #8: Tongues

Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more. -Publisher

$29- Link in bio. Stock ID: 227953 C

@journalsafar

Journal Safar: Issue #8: Tongues

Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more. -Publisher

$29- Link in bio. Stock ID: 227953 C

@journalsafar

Journal Safar: Issue #8: Tongues

Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more. -Publisher

$29- Link in bio. Stock ID: 227953 C

@journalsafar

Join us tonight at Printed Matter for "After School《課後"
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

Join us tonight at Printed Matter for "After School《課後"
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

My baby is finally out!

The Silver Moon is an independent art magazine exploring occult visual culture, ritual practices, botanical knowledge, embodied memory, and alternative forms of knowledge.

Developed through artistic and archival research between Europe and US, the first issue brings together essays, interviews, and artistic contributions moving through mysticism, botanical knowledge, film, metal, art and visual culture. More info about contributors and magazine is coming soon!

Launch event at Printed Matter @printedmatterinc , New York — June 18.

🌓

#TheSilverMoon
#printedmatter
#artistpublishing
#independentmagazine
#occultvisualculture

My baby is finally out!

The Silver Moon is an independent art magazine exploring occult visual culture, ritual practices, botanical knowledge, embodied memory, and alternative forms of knowledge.

Developed through artistic and archival research between Europe and US, the first issue brings together essays, interviews, and artistic contributions moving through mysticism, botanical knowledge, film, metal, art and visual culture. More info about contributors and magazine is coming soon!

Launch event at Printed Matter @printedmatterinc , New York — June 18.

🌓

#TheSilverMoon
#printedmatter
#artistpublishing
#independentmagazine
#occultvisualculture

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

S T A F F P I X feature : Hannah

“I’m Hannah and I’m the Programming Coordinator & Designer at Printed Matter. I’ve been working here almost 7 years, making exhibitions and books with artists and archives. When I’m not at PM, I’m doing things that might include: beachcombing/thinking about beachcombing, eating pastries, collecting antique objects and furniture, and lying on my acupressure mat..”

IMPRINTS II by Ben K. Voss & Midge Wattles
Slides # 1 - # 3: “A familiar image in my mind is of the holes and meandering lines made by fiddler crabs in the sandy salt marsh trails at low tide in Wellfleet, Mass. This book reminds me of that. I like that this it’s a collaborative project, both between Voss’s drawings and Wattles’ photography, but also between the artists and the sand, sun, wind, and water. The range of gray tones in the photos is really beautiful and a bit mesmerizing. I could look at them for a long time.”

An Anecdoted Topography of Chance by Daniel Spoerri
Slides # 4 - # 6: “I’m always interested in books that take a particular format of written information (indexes, cook books, field guides, etc) and break it open to the point that narratively it becomes something else entirely while still retaining the visual formalities / typographic styles of the medium. Spoerri starts with describing all of the objects on a particular table in his room, creating detailed, scientific observations for each to see what doing so might “spontaneously awaken” in him... It covers so much ground and is a really fun, strange read. Also I just love how the table of contents looks as a list of objects.”

Bulletin Notes by Leslie Rosario-Olivo
Slides # 7 - 9: "“eslie’s sensibility as an artist and bookmaker inspires me. I appreciate the way their zines really seem to transmute this kind of deeply engaged energetic and sensorial experience they have with the world around them, often invoking nature. The images in this zine are full of satisfying texture and thoughtfully paired with writing in a way that reminds me that some of the best artists’ books are brief glimpses into a few moments, a warm beam of consideration.”

A Sequence of Spaces: Yale Graphic Design MFA 2026 Thesis Book Pop-Up

May 28th, 6-8 PM
Printed Matter
231 11th Ave, NYC

The Yale Graphic Design MFA program (@yalegraphicdesign) focuses on the development of a cohesive, investigative body of work—a thesis that unfolds through diverse studio projects and culminates in a thoughtfully argued written documen and Thesis Book. While each project is unique, they share a commitment to process, methodology, and form as inquiry.

The 2026 cohort invites you to engage with our thesis books and collaborative class publication, titled _A Sequence of Spaces_, at Printed Matter on May 28th from 6-8 PM. A short program of readings will start at 7 PM. Refreshments will be served!

Catch us next at:
Center for Art, Research and Alliances in New York
June 5-7

Enter Enter in Amsterdam
June 26-July 5

Program/me in Paris
July 10-12

Featuring work by Izza Alyssa @izzaalyssa, Gabriella N. Baez @gabriellanbaez, Denzel Boyd @____denz, Rebecca Cheng @rebeccachengart, Chris Cole @ccchrist, Ellen Fabini @ellenfabini, Amy Fang @az.fang, Camille J-M Gwise @camillegwise, Hana Jelovšek @hanajelovsek, David Wonsik Jung @jung__wonsik, Hasti Kasraei @hastikasraei, Heejae Kim @hheeej, Cierra Peters @earthaclit, Michael Stevens @michael____stevens, Priscilla Young @cillayoung, Xiwen Zhang @___xiwen, Hongting Zhu @wcingz

Organize by Izza Alyssa @izzaalyssa, Cierra Peters @earthaclit, Priscilla Young @cillayoung, and Hongting Zhu @wcingz

Photo by Michael Stevens @michael____stevens

Design by Izza Alyssa @izzaalyssa and Camille Gwise @camillegwise

Thank you GHP @ghpmediainc for sponsoring our traveling show

Café con Cielo by L.A.F.E., Cielo Maldonado

Coffee zine. About coffee, pausing, and daily repetition. Includes mini coffee mug, real colombia coffee, postcard and stickers. -Publisher

$30- Link in bio. Stock ID: 227895 B

@l.a.f.e_

Café con Cielo by L.A.F.E., Cielo Maldonado

Coffee zine. About coffee, pausing, and daily repetition. Includes mini coffee mug, real colombia coffee, postcard and stickers. -Publisher

$30- Link in bio. Stock ID: 227895 B

@l.a.f.e_

Café con Cielo by L.A.F.E., Cielo Maldonado

Coffee zine. About coffee, pausing, and daily repetition. Includes mini coffee mug, real colombia coffee, postcard and stickers. -Publisher

$30- Link in bio. Stock ID: 227895 B

@l.a.f.e_

Café con Cielo by L.A.F.E., Cielo Maldonado

Coffee zine. About coffee, pausing, and daily repetition. Includes mini coffee mug, real colombia coffee, postcard and stickers. -Publisher

$30- Link in bio. Stock ID: 227895 B

@l.a.f.e_

Café con Cielo by L.A.F.E., Cielo Maldonado

Coffee zine. About coffee, pausing, and daily repetition. Includes mini coffee mug, real colombia coffee, postcard and stickers. -Publisher

$30- Link in bio. Stock ID: 227895 B

@l.a.f.e_

Café con Cielo by L.A.F.E., Cielo Maldonado

Coffee zine. About coffee, pausing, and daily repetition. Includes mini coffee mug, real colombia coffee, postcard and stickers. -Publisher

$30- Link in bio. Stock ID: 227895 B

@l.a.f.e_

Café con Cielo by L.A.F.E., Cielo Maldonado

Coffee zine. About coffee, pausing, and daily repetition. Includes mini coffee mug, real colombia coffee, postcard and stickers. -Publisher

$30- Link in bio. Stock ID: 227895 B

@l.a.f.e_

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

New selection of comic zines from Toy Box Coffin, a publishing and distro project started in 2021. Link in bio to browse!

@toyboxcoffin

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

Juan Brenner: Fervor

FERVOR is an artists’ photobook by Guatemalan photographer Juan Brenner exploring the hybrid spiritual landscape of the Guatemalan highlands through the cult of San Simón, also known as Maximón or El Abuelo, the enigmatic folk saint and trickster who mediates between the sacred and the profane. The work spans four years of sustained engagement with communities across the region, documented between 2020 and 2024.

Through devotional practices, everyday life, and contemporary digital culture, the book reveals how desire is collectively enacted as faith, resistance, and social transformation. Amid livestreamed rituals on TikTok, hybrid altars, and everyday gestures, FERVOR shows how communities reinvent their imaginaries and bonds, keeping desire alive as a force that sustains, connects, and reconfigures shared life. -Publisher

$60- Link in bio. Stock ID: 227947 B

@juan_brenner @erospublications

EVENT: After School《課後》
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

Join artist and writer Angela Chen for a participatory lecture-performance and reading of her debut text-image book After School《課後》.

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Attendees will receive a free copy of Chen’s offshoot publication, the After School Workbook, to fill out and take home.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

EVENT: After School《課後》
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

Join artist and writer Angela Chen for a participatory lecture-performance and reading of her debut text-image book After School《課後》.

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Attendees will receive a free copy of Chen’s offshoot publication, the After School Workbook, to fill out and take home.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

EVENT: After School《課後》
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

Join artist and writer Angela Chen for a participatory lecture-performance and reading of her debut text-image book After School《課後》.

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Attendees will receive a free copy of Chen’s offshoot publication, the After School Workbook, to fill out and take home.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

EVENT: After School《課後》
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

Join artist and writer Angela Chen for a participatory lecture-performance and reading of her debut text-image book After School《課後》.

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Attendees will receive a free copy of Chen’s offshoot publication, the After School Workbook, to fill out and take home.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

EVENT: After School《課後》
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

Join artist and writer Angela Chen for a participatory lecture-performance and reading of her debut text-image book After School《課後》.

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Attendees will receive a free copy of Chen’s offshoot publication, the After School Workbook, to fill out and take home.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

EVENT: After School《課後》
Talk and lecture-performance with Angela Chen
May 26, 2026
6–8PM

Join artist and writer Angela Chen for a participatory lecture-performance and reading of her debut text-image book After School《課後》.

After School《課後》brings together autobiography, photographs, collage, and archival documents to unpack the culture of buxiban (after school tutoring centers) in predominantly East Asian communities in the San Gabriel Valley, CA. It tells the story of her family’s struggle to run Futurelink, a buxiban business, against the historical backdrop of anti-Asian discrimination and considers the after school as a paradoxical space of discipline and care, assimilation and cultural preservation, competition and community.

Attendees will receive a free copy of Chen’s offshoot publication, the After School Workbook, to fill out and take home.

Angela Chen is a Taiwanese American artist, writer, and educator from the ethnoburbs of the San Gabriel Valley, CA. Her work explores the immigrant experience and uses assemblage as a metaphor for diasporic identity. Chen received her MFA in photography from the Yale School of Art. She is currently an Assistant Professor at the Stamps School of Art & Design at the University of Michigan and previously taught at Rice University and New York University.

@dan.yeongki

Richard Serra: Drawings: June 20-July 31 1979

This accordion-folded book accompanies Richard Serra’s 1979 exhibition at Seattle’s Richard Hines Gallery, where Serra exhibited a series of black paintstick-on-linen pieces that emphasized the architecture of the gallery by hanging in or near the room’s corners and edges. Eight black-and-white installation photographs unfold into a panoramic display of shapes defining space.

$100- Link in bio. Stock ID: 85749 C

Richard Serra: Drawings: June 20-July 31 1979

This accordion-folded book accompanies Richard Serra’s 1979 exhibition at Seattle’s Richard Hines Gallery, where Serra exhibited a series of black paintstick-on-linen pieces that emphasized the architecture of the gallery by hanging in or near the room’s corners and edges. Eight black-and-white installation photographs unfold into a panoramic display of shapes defining space.

$100- Link in bio. Stock ID: 85749 C

Richard Serra: Drawings: June 20-July 31 1979

This accordion-folded book accompanies Richard Serra’s 1979 exhibition at Seattle’s Richard Hines Gallery, where Serra exhibited a series of black paintstick-on-linen pieces that emphasized the architecture of the gallery by hanging in or near the room’s corners and edges. Eight black-and-white installation photographs unfold into a panoramic display of shapes defining space.

$100- Link in bio. Stock ID: 85749 C

Richard Serra: Drawings: June 20-July 31 1979

This accordion-folded book accompanies Richard Serra’s 1979 exhibition at Seattle’s Richard Hines Gallery, where Serra exhibited a series of black paintstick-on-linen pieces that emphasized the architecture of the gallery by hanging in or near the room’s corners and edges. Eight black-and-white installation photographs unfold into a panoramic display of shapes defining space.

$100- Link in bio. Stock ID: 85749 C

Richard Serra: Drawings: June 20-July 31 1979

This accordion-folded book accompanies Richard Serra’s 1979 exhibition at Seattle’s Richard Hines Gallery, where Serra exhibited a series of black paintstick-on-linen pieces that emphasized the architecture of the gallery by hanging in or near the room’s corners and edges. Eight black-and-white installation photographs unfold into a panoramic display of shapes defining space.

$100- Link in bio. Stock ID: 85749 C

Richard Serra: Drawings: June 20-July 31 1979

This accordion-folded book accompanies Richard Serra’s 1979 exhibition at Seattle’s Richard Hines Gallery, where Serra exhibited a series of black paintstick-on-linen pieces that emphasized the architecture of the gallery by hanging in or near the room’s corners and edges. Eight black-and-white installation photographs unfold into a panoramic display of shapes defining space.

$100- Link in bio. Stock ID: 85749 C

Richard Serra: Drawings: June 20-July 31 1979

This accordion-folded book accompanies Richard Serra’s 1979 exhibition at Seattle’s Richard Hines Gallery, where Serra exhibited a series of black paintstick-on-linen pieces that emphasized the architecture of the gallery by hanging in or near the room’s corners and edges. Eight black-and-white installation photographs unfold into a panoramic display of shapes defining space.

$100- Link in bio. Stock ID: 85749 C