Instagram Story Viewer

Out now on YouTube!

The Stargate @bloodincantationofficial

Stargate Research Society/Century Media

Directed by @ragendp

Produced by @mindytheninja

Starring
@bentwarp
@breathabsence
@rigor_m0rris
@teitenbud
@seantherhee as The Challenger
@skyearlshim as The Guardian
@tornfrombeyond as The Witch
@vinnybalbo as The Navigator
and
@mindytheninja as The Traveler

Story by @ragendp, @bentwarp & @eupocalyptus

Cinematography by @ragendp
Special Fluid Effects @chrisparksart

First Assistant Director @tristanseniuk
Stunt Coordinator @kylepotter
Art Director @tristanseniuk
Set Decorator @tornfrombeyond

Lead Prosthetics Makeup @carleydoesmakeup
Prosthetics Assistant @sonofpumpkinhead
Prosthetic Appliances @rbfx
Blood Wrangler @tristanseniuk
Los Angeles PA @voleaksip

Armorer @renegadeeffectsgroup
Artifact and Wand by @sorceressandthestone
Wardrobe Assistant @tornfrombeyond
Wreath arrangement by @__hellbaby

Props provided by
@historyforhireprophouse
@renegadeeffectsgroup
@sorceressandthestone

Colorado Unit:

Camera Assistant @tallninja
Grip and Electric @chainsawjustice @frankguerraproductions
Location Scout @chainsawjustice
Location reps @frankguerraproductions Luke Thinnes
Key PA @__hellbaby

Edit and VFX by @ragendp
Colorist @belalhibri
DCP by Simple DCP
End Credits @mobius__e

Music by @bloodincantationofficial

Recorded at @hansastudios
Engineered by 
@dehuman1zer, assisted by Kian Moghaddamzadeh & Aidan Elias

Mixed & Mastered by @dehuman1zer at @redwoodsstudio
Produced by @dehuman1zer & @bloodincantationofficial

Featuring Special Guests
@thorstenquaeschning, @treasuresoundstudio & Malte Gericke

DOUBT - MIZMOR VERSION

Full video on Youtube/Vimeo. Link in bio.

Filmed on the unceded ancestral lands of the Knik Tribe, Yuhaaviatam, Maarenga’yam, Chumash, and Tongva (Gabrieleno)

DOUBT - MIZMOR VERSION
@portugaltheman
@whollydoomedblackmetal
Arrangement, Engineering, Producing, Guitars, Bass, Percussion, Vocals - @whollydoomedblackmetal
Creative Producers - @whollydoomedblackmetal & @ragendp
Drums- @ashreibcalledquest
Vocals- @manville
Mixing- @sonnyyyyyy
Master- @adamgonsalves

Director - @ragendp
Producer - Richard Hutchins
Poormans Productions

Starring -
@whollydoomedblackmetal
@portugaltheman
@manville
Mekegsaq Hilary Apangalook @mekegsaq
Lisa Teparghuq Apangalook teparghuq
K̲aachgóon Rochelle Smallwood @tlingit.witch
Padraic Munson as The Filmmaker @padraicmoonson

Cinematographer - @ragendp
First AC - Cary Gallagher @tallninja

Regional Expert Advisor - @donrearden

John’s Robe design & construction - @lynn_ellen_bathke

Key Makeup - Mekegsaq Hilary Apangalook @mekegsaq
Make-up for @whollydoomedblackmetal - Lisa Teparghuq Apangalook teparghuq
Art Department and Wardrobe -
K̲aachgóon Rochelle Smallwood @tlingit.witch
Lisa Teparghuq Apangalook teparghuq
Mekegsaq Hilary Apangalook @mekegsaq
Wardrobe Assistant - Melrose Piitkaq Apangalook

Set builders -
Levi Gourley
John Gourley Sr.

Key PA - @mitchellclarkson34

Bat’leth Weaponsmith - Dragon Dronet @renegadeeffectsgroup

Copper Nails Jewelry design - @dfirmin
Landback Tattoo Art - @huk_yuunsk_lang

Weapon and Armorsmith’s -
Laura Sampson
Jack Horner
Del Horner
Declan Horner
Props and Artifacts provided by -
@donrearden
Gannon Clarkson
Jessica Clarkson
Rick Jones
Norma Jones

Spear FX rig welding - Paul Flint

California Unit-

Stunts/Special FX/Miniature Puppeteer - @mindytheninja
Makeup - @emsteel
3D Printing and design for ship- Mik Luxon
Miniature work- @ragendp

Post Production

Tankdog IP - @woodencyclops
Tankdog Animation - @awralph
Editor - @ragendp
Colorist - @belalhibri
Visual FX - @ragendp
Additional VFX / 3d Modeling - Mik Luxon
Film processing and Scan - @pro8mm

ANXIETY:CLARITY (FEAT. PAUL WILLIAMS)

Full video on Youtube/Vimeo. Link in bio.

The second of three new videos filmed in Alaska this past December.

Filmed on the unceded ancestral lands of the Knik Tribe, Native Village of Shishmaref,
Inupiaq, Yup’ik, and Siberian Yup’ik Tribal Council

Director - @ragendp
Producer - Richard Hutchins
Poormans Productions
Starring (in order of appearance)-
@portugaltheman
Steven Vile
Morgie MacConnell
Padraic Munson @padraicmoonson

Dennis Davis @eskimofixer
Sadie Nayokpuk McGill
Elizabeth Nayokpuk
Theodore “The Bossik” Eningowuk
Seth Nayokpuk @sethnayokpuk.33

Cinematographer - @ragendp
First AC - Cary Gallagher @tallninja

Regional Expert Advisor - Don Rearden @donrearden

Shishmaref Local Producer - Dennis @eskimofixer

Nome Alaska Support and Locations - Adem Paul Boeckmann @ademboeckmann

Snowmachine stunt rider - Andy Korzeniewski

John’s Robe design & construction- Lynn Bathke @lynn_ellen_bathke

Key Makeup-
Lisa Teparghuq Apangalook teparghuq

Wardrobe and Art Department -
K̲aachgóon Rochelle Smallwood @tlingit.witch
Lisa Teparghuq Apangalook teparghuq
Mekegsaq Hilary Apangalook @mekegsaq

Key PA - Mitchell Clarkson @mitchellclarkson34

Game Illustrations - James Carpenter
Bat’leth Weaponsmith - Dragon Dronet @renegadeeffectsgroup

Weapon and Armorsmith’s-
Laura Sampson
Jack Horner
Del Horner
Declan Horner

Props and Artifacts provided by-
Don Rearden @donrearden
Gannon Clarkson
Jessica Clarkson
Rick Jones
Norma Jones

Post Production
Editor - @ragendp
Colorist - Belal Hibri @belalhibri
Film processing and Scan - @pro8mm

Special Thanks-
The Village of Shishmaref
Dennis Davis/ EskimoFixer
Seth Nayokpuk
Nicole Nayokpuk
Makayla Nayokpuk
Shane Walter Nayokpuk
Preston Davis
Gwen Davis
Kirstyn Davis
Dallas Davis
Herbie “The Shishmaref Cannonball” Nayokpuk
Sadie Nayokpuk McGill
Elizabeth Nayokpuk
Tracy J McGill
Lindsay Newman
Sam Newman
Ty Newman
Charlie Wilde
Winston Wilde
John Newman
John Gourley Sr.
Levi Gourley
Valley Fuel
Willow Trading Post Bar & Grill
James Carpenter
Devin Coldewey

A recap from last month’s premiere of “The Stargate” in Los Angeles, CA at @braindeadstudiosfairfax. A night we will never forget, thank you all for attending.

Recap video by: @vcordero6

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

The spaceship cockpit was the last major scene we shot for @bloodincantationofficial ‘s The Stargate. We had the seat (a cheap gaming chair for racing rigs) and a small part of the frame in place earlier, but only had about one week to construct the main structure and walls, and all the details before shooting.

I’ve never built anything like this and initially tried to construct it with 5/8th steel piping which turned out to be a huge mistake.@mindytheninja and I did about half a dozen Home Depot runs in a couple days and started sawing wood by hand, until I remembered I had a chop saw in a friends garage. Oops.

With the invaluable help of @mindytheninja, @tristanseniuk, and @voleaksip we slammed this thing together using a combination of plywood and foam panels, then just started kitbashing plumbing equipment and pipes on top of it, as well as installing a fish tank in the side window.

The main control panel is all constructed from eurorack synthesizer parts arranged with a variety of grip tools from @gforcegripsdotcom (everyone thinks that the cables the band uses to plug into the artifact are aux cables, however they are actually unbalanced eurorack cables).

The whole thing could not have come together without the immense performance from @vinnybalbo , as well as the killer makeup from @carleydoesmakeup and @sonofpumpkinhead, and prosthetic appliances from @rbfx. We shot out the entire scene in about 2.5 hrs in an incredibly cramped and hot space, but it couldn’t have been a better team to be cooped up with.

The whole scene was lit using @quasarscience double rainbows, a @rosco_labs fx projector, @creamsource vortex 4, @dedolight_california mirrors, and a green laser.

Out now on YouTube!

The Stargate @bloodincantationofficial

@stargaterrsearchsociety
@centurymediarecords

Directed by @ragendp

Produced by @mindytheninja

Starring
@bentwarp
@breathabsence
@rigor_m0rris
@teitenbud
@seantherhee as The Challenger
@skyearlshim as The Guardian
@tornfrombeyond as The Witch
@vinnybalbo as The Navigator
and
@mindytheninja as The Traveler

Story by @ragendp, @bentwarp & @eupocalyptus

Cinematography by @ragendp
Special Fluid Effects @chrisparksart

First Assistant Director @tristanseniuk
Stunt Coordinator @kylepotter
Art Director @tristanseniuk
Set Decorator @tornfrombeyond

Lead Prosthetics Makeup @carleydoesmakeup
Prosthetics Assistant @sonofpumpkinhead
Prosthetic Appliances @rbfx
Blood Wrangler @tristanseniuk
Los Angeles PA @voleaksip

Armorer @renegadeeffectsgroup
Artifact and Wand by @sorceressandthestone
Wardrobe Assistant @tornfrombeyond
Wreath arrangement by @__hellbaby

Props provided by
@historyforhireprophouse
@renegadeeffectsgroup
@sorceressandthestone

Colorado Unit:

Camera Assistant @tallninja
Grip and Electric @chainsawjustice @frankguerraproductions
Location Scout @chainsawjustice
Location reps @frankguerraproductions Luke Thinnes
Key PA @__hellbaby

Edit and VFX by @ragendp
Colorist @belalhibri
DCP by Simple DCP
End Credits @mobius__e

Music by @bloodincantationofficial

Recorded at @hansastudios
Engineered by 
@dehuman1zer, assisted by Kian Moghaddamzadeh & Aidan Elias

Mixed & Mastered by @dehuman1zer at @redwoodsstudio
Produced by @dehuman1zer & @bloodincantationofficial

Featuring Special Guests
@thorstenquaeschning, @treasuresoundstudio & Malte Gericke

While @mindytheninja and I were crystal hunting at @spellboundsky for our artifact, and learning about the different extraterrestrial properties of various minerals, a witch’s wand in a glass case caught my eye. We asked who made it and were told we should actually reach out to her about our project.

We immediately contacted @sorceressandthestone about creating our artifact and I was incredibly stoked to find out she wanted to help. It’s always great coming across like-minded people during creative endeavors and she made something that was much more than I could have ever hoped for.

She also made the beautiful bladed serpent-wand that we used during the blood ritual.

Check out her awesome work!

While @mindytheninja and I were crystal hunting at @spellboundsky for our artifact, and learning about the different extraterrestrial properties of various minerals, a witch’s wand in a glass case caught my eye. We asked who made it and were told we should actually reach out to her about our project.

We immediately contacted @sorceressandthestone about creating our artifact and I was incredibly stoked to find out she wanted to help. It’s always great coming across like-minded people during creative endeavors and she made something that was much more than I could have ever hoped for.

She also made the beautiful bladed serpent-wand that we used during the blood ritual.

Check out her awesome work!

Thanks to everyone that came out last night. It was awesome to have a full house. So much work went into this from a bunch of really talented people over the past four months. Thank you @braindeadstudiosfairfax for hosting the event and thanks to @centurymediarecords and @5bartistsmedia for putting this all together. And especially, thank you @bloodincantationofficial for making a completely insane record and being so down for the cause. Thank you @mindytheninja and @tristanseniuk to being truly ride or die. Looking forward to sharing this along with the full credits soon!

One more week until The Stargate’s theatrical premiere at Brain Dead…

Thanks @kbfard for the setup! Thanks @abteen for the backdrop + 🤖🎛️.

DOUBT - MIZMOR VERSION
People that know me might think I would take any excuse to shoot icy chainmail and weaponry in the arctic, but beyond the frozen forests, there is a historical and cultural relationship between Alaska and Norway, where the Black Metal genre hails from.

Over the past few decades Black Metal has expanded its roots to many unexpected parts of the globe, evolving its representation of repressed cultures and identities, from Iran to Indigenous groups in the Americas. I’ll leave the details of all this for the reader to discover if they so choose.

The key ingredient for this element of the project was the music itself, so we enlisted @whollydoomedblackmetal to completely re-record his own version of DOUBT before heading off to the North to film. I couldn’t be more stoked about how the track came out.

Thank you to @whollydoomedblackmetal for putting so much into this as well as enduring steel chainmail in -20 degree weather and still being able to shred.

Thank you to @manville for being such a badass and providing vocals and braving the harshest elements in a less than ideal wardrobe.

Thank you @ashreibcalledquest for laying down some pounding drums for the track.

Thank you @tlingit.witch teparghuq @mekegsaq for lending your own creativity to this project, and doing such awesome corpse paint, wardrobe, and set design work.

Thank you to @portugaltheman for always being open to exploring the less obvious path.

The song and video are now live on all platforms.

DOUBT - MIZMOR VERSION
@portugaltheman
@whollydoomedblackmetal

Arrangement, Engineering, Producing, Guitars, Bass, Percussion, Vocals - @whollydoomedblackmetal
Creative Producers - @whollydoomedblackmetal & @ragendp
Drums - @ashreibcalledquest
Vocals - @manville
Mixing - @sonnyyyyyy
Master - @adamgonsalves

Single Art - @ragendp

Full video credits on Youtube.