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…memories of Suriname - photographer @lucassteinbuschrevisits his childhood home - to “ live with the rhythm of nature” and invites the reader to engage with the stillness and beauty of his homeland in issue 17 #rakesprogressmagazine

Photographer @ceridavies styling/ art direction @katiestylist : Handmade glass @pheobestubbs @gather , handmade Mexican jug @milagros_london in issue 17 #rakesprogressmagazine

Words @missdiyakatyal - a feature in issue 18 that looks at the wonderful historical gardens @marqueyssac and how the gardeners under the watchful eye of head gardener @jeanlemoussu are winning the existential battle against box blight images @victoriagaigerphotography and @tomloxley

HAPPY EASTER - image Tim Walker, Vogue Italia May 2015 #timwalker #rakesinspiration #easter

Watering Lilies, New York [Image - Ernie Sisto, 1955] #rakesinspiration

On Good Friday in April 1955, @nytimes photographer #erniesisto photographed a secretary watering lilies on the 64th floor of the RCA Building, now @rockcenternyc. The picture ran 2 days later in the #Easter Sunday edition of the newspaper

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

At the Victoria and Albert Museum @vamuseum Schiaparelli: Fashion Becomes Artopens this Saturday 28th - a fashion retrospective that is a dazzling, astonishing, witty, plunges into the subconscious of 20th-century couture. This long awaited exhibition - the first major UK show devoted to Elsa Schiaparelli shows persuasively that her work belongs as much in the realm of art as in fashion and is proof that Schiaparelli’s world, nearly a century on, still feels radically alive.The curatorial strength lies in its breadth. With over 200 objects spanning couture, jewellery, perfume, artworks and archival material, the exhibition situates Schiaparelli within a broader creative network rather than isolating her as a lone genius. This approach is particularly effective in demonstrating how deeply embedded she was in avant-garde culture, and how deliberately she blurred the boundary between clothes and art. There are too many highlights to mention. The “Skeleton Dress” and famous “Lobster Dress,” created with Dalí, remain as startling as ever, the “Circus” jacket,acrobat buttons, stunning embroidery and beading is everywhere as are the clever folds of jackets , compacts like telephone dials , hats and always hidden puns behind her work, it all still feels aggressively modern. The show resists becoming a static archive by including contemporary designs from creative director @danielroseberry , including well known celebrity-worn pieces, the exhibition draws a compelling line from Schiaparelli’s interwar pieces to today’sfashion culture. The exhibition succeeds because it doesn’t attempt to tame Schiaparelli’s eccentricity. Instead, it leans into it. The experience is intentionally disorienting, playful, and excessive.

A great show - You definitely need to visit more than once as the density of objects can overwhelm but even that feels appropriate, Schiaparelli thrived on contradiction and excess… thank you for the preview
#v&a #schiaparelli #schiaparellifashionbecomesart

Opening night (19 March) at @hauserwirth London: ‘a moment for eternity’, presented by Make and curated by @jacquelinereddymoore.

Featuring a groupof artist-makers.
@rosamandenguyen,@sasa_works, @akiko.hirai, @ricahrdmcvetis and
@jontysale

My favourites : @rosamundenguyen - her calligraphic glass was stunning, @richardmcvetis takes intricate stitching and turns it into something that’s graphic and incredibly emotional. And @jontysale black and white photographs of blackthorn are like pointillist paintings

Thank you for the invite and lovely to see you @jacquelinereddymoore

Opening night (19 March) at @hauserwirth London: ‘a moment for eternity’, presented by Make and curated by @jacquelinereddymoore.

Featuring a groupof artist-makers.
@rosamandenguyen,@sasa_works, @akiko.hirai, @ricahrdmcvetis and
@jontysale

My favourites : @rosamundenguyen - her calligraphic glass was stunning, @richardmcvetis takes intricate stitching and turns it into something that’s graphic and incredibly emotional. And @jontysale black and white photographs of blackthorn are like pointillist paintings

Thank you for the invite and lovely to see you @jacquelinereddymoore

Opening night (19 March) at @hauserwirth London: ‘a moment for eternity’, presented by Make and curated by @jacquelinereddymoore.

Featuring a groupof artist-makers.
@rosamandenguyen,@sasa_works, @akiko.hirai, @ricahrdmcvetis and
@jontysale

My favourites : @rosamundenguyen - her calligraphic glass was stunning, @richardmcvetis takes intricate stitching and turns it into something that’s graphic and incredibly emotional. And @jontysale black and white photographs of blackthorn are like pointillist paintings

Thank you for the invite and lovely to see you @jacquelinereddymoore

Opening night (19 March) at @hauserwirth London: ‘a moment for eternity’, presented by Make and curated by @jacquelinereddymoore.

Featuring a groupof artist-makers.
@rosamandenguyen,@sasa_works, @akiko.hirai, @ricahrdmcvetis and
@jontysale

My favourites : @rosamundenguyen - her calligraphic glass was stunning, @richardmcvetis takes intricate stitching and turns it into something that’s graphic and incredibly emotional. And @jontysale black and white photographs of blackthorn are like pointillist paintings

Thank you for the invite and lovely to see you @jacquelinereddymoore

Fabulous story @rakessense with my artwork alongside #SilvanBover collages. “A New Crop” of equestrian inspired fragrances with these niche perfumers embracing the new American West with smells from the saddle rooms, the crisp bite of the landscape at dawn, elegance of dressage, sunbeams and the excitement of the rodeo arena. Words and concept by @victoriagaiger @rakesprogress
Fragrances @houseofsarahbaker @maisoncrivelli @dsanddurga @naomigoodsir @rangerstation.co

From our latest series ‘Brutal Grace’ published in @rakesprogress.

Floral Stylist @leilawatts
Photographer @aurelielagoutte

From our latest series ‘Brutal Grace’ published in @rakesprogress.

Floral Stylist @leilawatts
Photographer @aurelielagoutte

From our latest series ‘Brutal Grace’ published in @rakesprogress.

Floral Stylist @leilawatts
Photographer @aurelielagoutte

From our latest series ‘Brutal Grace’ published in @rakesprogress.

Floral Stylist @leilawatts
Photographer @aurelielagoutte

‘The darkness and light’ @michaelhodges4127 interviewed @cigharvey in the latest issue of Rakesprogress - ‘From a tarmac road dusted with pollen to a woodland scattered with smashed cream cakes,photographer Cig Harvey brings the botanical world to life in a magical way. So why does she say her work is inspired by loss?’

#rakesprogress #rakesprogressmagazine #cigharvey

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

Vera for @rakesprogress
@monttim
@borghelen

GHOST GEAR is the name given to abandoned tackle & equipment from the fishing industry that pollutes our oceans, kills seabirds and destroys marine life. Showing here plastics found washed up on the beach. If you haven't done already, please sign the Ocean Plastics Treaty #linkinbio
Thanks again to @rakesprogress for publishing and to this talented and generous team: @jobellartdirector @claudia.ishimwe @selectmodellondon the Helen Walsh @management_s @chloekyates @sunsetstudioslondon
#ghostgear #oceanplastics @greenpeaceuk @surfersagainstsewage @soswhitstable

GHOST GEAR is the name given to abandoned tackle & equipment from the fishing industry that pollutes our oceans, kills seabirds and destroys marine life. Showing here plastics found washed up on the beach. If you haven't done already, please sign the Ocean Plastics Treaty #linkinbio
Thanks again to @rakesprogress for publishing and to this talented and generous team: @jobellartdirector @claudia.ishimwe @selectmodellondon the Helen Walsh @management_s @chloekyates @sunsetstudioslondon
#ghostgear #oceanplastics @greenpeaceuk @surfersagainstsewage @soswhitstable