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This glacier no longer exists.

At 16,000 ft in Peru’s Cordillera Blanca, I lit Pastoruri with a drone, revealing textures and forms never seen before.

Today it’s no longer technically a glacier. A glacier must accumulate new ice and move under its own weight. Pastoruri does neither, shrinking further each year.

What remains is a portrait of a place on the brink of disappearance, memorialised through the medium of photography and visual art.

This glacier no longer exists.

At 16,000 ft in Peru’s Cordillera Blanca, I lit Pastoruri with a drone, revealing textures and forms never seen before.

Today it’s no longer technically a glacier. A glacier must accumulate new ice and move under its own weight. Pastoruri does neither, shrinking further each year.

What remains is a portrait of a place on the brink of disappearance, memorialised through the medium of photography and visual art.

This glacier no longer exists.

At 16,000 ft in Peru’s Cordillera Blanca, I lit Pastoruri with a drone, revealing textures and forms never seen before.

Today it’s no longer technically a glacier. A glacier must accumulate new ice and move under its own weight. Pastoruri does neither, shrinking further each year.

What remains is a portrait of a place on the brink of disappearance, memorialised through the medium of photography and visual art.

From my @natgeo cover story. This timelapse video shows the process of illuminating Stonehenge using a light attached to a drone, a technique I began using in 2016 where I capture the final image using multiple exposures over the course of several hours.

Due to the monument being in military airspace, my drone pilot @zendrson had to call the Royal Airforce each time we were about to fly.

While we were making these images, something that was always very present was the sound of the traffic on the nearby A303 highway, and I was certain that passing motorists would have been alarmed to see what looked like an alien spacecraft flitting around above the 5,000 year old megalith.

Photographed on assignment for @natgeo / @_mallorybenedict / @alice.zoo

From my @natgeo cover story. This timelapse video shows the process of illuminating Stonehenge using a light attached to a drone, a technique I began using in 2016 where I capture the final image using multiple exposures over the course of several hours.

Due to the monument being in military airspace, my drone pilot @zendrson had to call the Royal Airforce each time we were about to fly.

While we were making these images, something that was always very present was the sound of the traffic on the nearby A303 highway, and I was certain that passing motorists would have been alarmed to see what looked like an alien spacecraft flitting around above the 5,000 year old megalith.

Photographed on assignment for @natgeo / @_mallorybenedict / @alice.zoo

In 2016 I started Lux Noctis, a body of work based on the simple idea of attaching a powerful light to a drone to illuminate remote places at night.
It changed everything, and transformed my artistic practice. The project made waves. I continued to experiment with this 'drone light’ technique, using the drone’s programmed moves which flew it in an orbit, and using it to paint a halo of light in the air during a long exposure.

The idea came to me in 2016 after an ingenious new drone named 3DR Solo pioneered these camera moves called SmartShots. However, I didn't try it out for real until late one night in 2017, deep in the Arizona wilderness.

Just for fun, I tried it around the pinnacles I was photographing, and the resulting image became my most career-defining piece, again subverting the idea of what a drone could be, not just a flying camera, but also a flying paintbrush.

I was intrigued by how these images only appeared in long exposures. I like to think that they exist on a plane of existence which is invisible to us, and only captured over the course of a few seconds with a camera.

It also inspired many to go out and create and try the technique for themselves. I was grateful to receive many messages thanking me, saying that what I’d done had rekindled their passion for photography, excited that there were still new ideas out there waiting to be discovered.

This idea, this trope, became something of a meme, propagating through art blogs, Reddit forums and social media. A new sub-genre of 'drone light painting' was born.

We’re bombarded everyday with beautiful photos of our world. I needed to go beyond that, and pose the question:

How can I change my own perception of our planet, and make it seem new and unexplored?

Many describe my work as ‘otherworldly’ but my aim ISN’T to produce alien-looking images, it’s actually to remind people that this is our own planet, and it’s all we have. #luxnoctisproject

In 2016 I started Lux Noctis, a body of work based on the simple idea of attaching a powerful light to a drone to illuminate remote places at night.
It changed everything, and transformed my artistic practice. The project made waves. I continued to experiment with this 'drone light’ technique, using the drone’s programmed moves which flew it in an orbit, and using it to paint a halo of light in the air during a long exposure.

The idea came to me in 2016 after an ingenious new drone named 3DR Solo pioneered these camera moves called SmartShots. However, I didn't try it out for real until late one night in 2017, deep in the Arizona wilderness.

Just for fun, I tried it around the pinnacles I was photographing, and the resulting image became my most career-defining piece, again subverting the idea of what a drone could be, not just a flying camera, but also a flying paintbrush.

I was intrigued by how these images only appeared in long exposures. I like to think that they exist on a plane of existence which is invisible to us, and only captured over the course of a few seconds with a camera.

It also inspired many to go out and create and try the technique for themselves. I was grateful to receive many messages thanking me, saying that what I’d done had rekindled their passion for photography, excited that there were still new ideas out there waiting to be discovered.

This idea, this trope, became something of a meme, propagating through art blogs, Reddit forums and social media. A new sub-genre of 'drone light painting' was born.

We’re bombarded everyday with beautiful photos of our world. I needed to go beyond that, and pose the question:

How can I change my own perception of our planet, and make it seem new and unexplored?

Many describe my work as ‘otherworldly’ but my aim ISN’T to produce alien-looking images, it’s actually to remind people that this is our own planet, and it’s all we have. #luxnoctisproject

In 2016 I started Lux Noctis, a body of work based on the simple idea of attaching a powerful light to a drone to illuminate remote places at night.
It changed everything, and transformed my artistic practice. The project made waves. I continued to experiment with this 'drone light’ technique, using the drone’s programmed moves which flew it in an orbit, and using it to paint a halo of light in the air during a long exposure.

The idea came to me in 2016 after an ingenious new drone named 3DR Solo pioneered these camera moves called SmartShots. However, I didn't try it out for real until late one night in 2017, deep in the Arizona wilderness.

Just for fun, I tried it around the pinnacles I was photographing, and the resulting image became my most career-defining piece, again subverting the idea of what a drone could be, not just a flying camera, but also a flying paintbrush.

I was intrigued by how these images only appeared in long exposures. I like to think that they exist on a plane of existence which is invisible to us, and only captured over the course of a few seconds with a camera.

It also inspired many to go out and create and try the technique for themselves. I was grateful to receive many messages thanking me, saying that what I’d done had rekindled their passion for photography, excited that there were still new ideas out there waiting to be discovered.

This idea, this trope, became something of a meme, propagating through art blogs, Reddit forums and social media. A new sub-genre of 'drone light painting' was born.

We’re bombarded everyday with beautiful photos of our world. I needed to go beyond that, and pose the question:

How can I change my own perception of our planet, and make it seem new and unexplored?

Many describe my work as ‘otherworldly’ but my aim ISN’T to produce alien-looking images, it’s actually to remind people that this is our own planet, and it’s all we have. #luxnoctisproject

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Aura Superior, 2024

#aeroglyph

Aura Superior, 2024

#aeroglyph

Aura Superior, 2024

#aeroglyph

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

THE LIGHTS OF MONT BLANC.

At 3.466 meters, where the air is thin and time slows down, is born "The Lights of Mont Blanc": a new photographic project created with British artist Reuben Wu.

Between long nights of waiting, intense cold and absolute silence, the mountain becomes a creative space.
Light is carried by hand, in a backpack, up to the summits. Every choice is deliberate, every moment earned with patience.
Not to illuminate the mountain, but to listen to it.

In this work, Skyway Monte Bianco is not just architecture: it's an experience, a vertical observatory, a point of connection between humans and altitude.
The lights trace circles and suspended lines, cross ice and cabins, talk with granite and with the darkness that breathes among the stars.

✨ This is the beginning of a visual story.

In the coming months, one photograph at a time, we will follow Reuben Wu’s gaze through cable cars, stations and the mountains of Mont Blanc.

A vertical journey, where light becomes vision.

📷 Behind the scenes photos by @zendrson @marco_tamponi @nuvoleacolazione

Black Friday Surprise Drop 📣
UNITY is now part of my holiday print release.

One of the most requested images I’ve ever made, from my SIREN series, photographed at Lake Superior under moonlight and restless clouds. Until now, never released in a print drop.

Live now 🩵
Hahnemühle PhotoRag 308gsm, framed or unframed, small, medium or large.

Give the gift of art this season
Support independent artists
Ends Dec 5

Would you hang this one on your wall?

Black Friday Surprise Drop 📣
UNITY is now part of my holiday print release.

One of the most requested images I’ve ever made, from my SIREN series, photographed at Lake Superior under moonlight and restless clouds. Until now, never released in a print drop.

Live now 🩵
Hahnemühle PhotoRag 308gsm, framed or unframed, small, medium or large.

Give the gift of art this season
Support independent artists
Ends Dec 5

Would you hang this one on your wall?

Black Friday Surprise Drop 📣
UNITY is now part of my holiday print release.

One of the most requested images I’ve ever made, from my SIREN series, photographed at Lake Superior under moonlight and restless clouds. Until now, never released in a print drop.

Live now 🩵
Hahnemühle PhotoRag 308gsm, framed or unframed, small, medium or large.

Give the gift of art this season
Support independent artists
Ends Dec 5

Would you hang this one on your wall?

Black Friday Surprise Drop 📣
UNITY is now part of my holiday print release.

One of the most requested images I’ve ever made, from my SIREN series, photographed at Lake Superior under moonlight and restless clouds. Until now, never released in a print drop.

Live now 🩵
Hahnemühle PhotoRag 308gsm, framed or unframed, small, medium or large.

Give the gift of art this season
Support independent artists
Ends Dec 5

Would you hang this one on your wall?

Black Friday Surprise Drop 📣
UNITY is now part of my holiday print release.

One of the most requested images I’ve ever made, from my SIREN series, photographed at Lake Superior under moonlight and restless clouds. Until now, never released in a print drop.

Live now 🩵
Hahnemühle PhotoRag 308gsm, framed or unframed, small, medium or large.

Give the gift of art this season
Support independent artists
Ends Dec 5

Would you hang this one on your wall?

Black Friday Surprise Drop 📣
UNITY is now part of my holiday print release.

One of the most requested images I’ve ever made, from my SIREN series, photographed at Lake Superior under moonlight and restless clouds. Until now, never released in a print drop.

Live now 🩵
Hahnemühle PhotoRag 308gsm, framed or unframed, small, medium or large.

Give the gift of art this season
Support independent artists
Ends Dec 5

Would you hang this one on your wall?

OFFF speaker announcement 🩵

@reuben is a multidisciplinary artist blending technology, design, and storytelling to reimagine landscapes through experimental light and aerial techniques.

His work has been commissioned by National Geographic, Apple, and Mercedes-Benz, and is part of the permanent collections at MoMA, The Met, and the Guggenheim.

📍April 16-18 at @dissenyhub
🎟️ Don’t miss the Black Friday Offfer

OFFF speaker announcement 🩵

@reuben is a multidisciplinary artist blending technology, design, and storytelling to reimagine landscapes through experimental light and aerial techniques.

His work has been commissioned by National Geographic, Apple, and Mercedes-Benz, and is part of the permanent collections at MoMA, The Met, and the Guggenheim.

📍April 16-18 at @dissenyhub
🎟️ Don’t miss the Black Friday Offfer

OFFF speaker announcement 🩵

@reuben is a multidisciplinary artist blending technology, design, and storytelling to reimagine landscapes through experimental light and aerial techniques.

His work has been commissioned by National Geographic, Apple, and Mercedes-Benz, and is part of the permanent collections at MoMA, The Met, and the Guggenheim.

📍April 16-18 at @dissenyhub
🎟️ Don’t miss the Black Friday Offfer

OFFF speaker announcement 🩵

@reuben is a multidisciplinary artist blending technology, design, and storytelling to reimagine landscapes through experimental light and aerial techniques.

His work has been commissioned by National Geographic, Apple, and Mercedes-Benz, and is part of the permanent collections at MoMA, The Met, and the Guggenheim.

📍April 16-18 at @dissenyhub
🎟️ Don’t miss the Black Friday Offfer

OFFF speaker announcement 🩵

@reuben is a multidisciplinary artist blending technology, design, and storytelling to reimagine landscapes through experimental light and aerial techniques.

His work has been commissioned by National Geographic, Apple, and Mercedes-Benz, and is part of the permanent collections at MoMA, The Met, and the Guggenheim.

📍April 16-18 at @dissenyhub
🎟️ Don’t miss the Black Friday Offfer

OFFF speaker announcement 🩵

@reuben is a multidisciplinary artist blending technology, design, and storytelling to reimagine landscapes through experimental light and aerial techniques.

His work has been commissioned by National Geographic, Apple, and Mercedes-Benz, and is part of the permanent collections at MoMA, The Met, and the Guggenheim.

📍April 16-18 at @dissenyhub
🎟️ Don’t miss the Black Friday Offfer

OFFF speaker announcement 🩵

@reuben is a multidisciplinary artist blending technology, design, and storytelling to reimagine landscapes through experimental light and aerial techniques.

His work has been commissioned by National Geographic, Apple, and Mercedes-Benz, and is part of the permanent collections at MoMA, The Met, and the Guggenheim.

📍April 16-18 at @dissenyhub
🎟️ Don’t miss the Black Friday Offfer

🔥 Get ready for PALE FIRE, my first diptych, first light/dark print drop on Nov 25. Captured in a remote, permit-only zone of Vermillion Cliffs, Arizona.
No drones involved. Just time, light, and patience.

Which one speaks to you more? 🌒 Nocturne or ☀️ Prelude, or both?

Comment below and sign up to get them as free phone wallpapers.

My email subscribers get early access on Nov 25th and the remaining will be available to the public on the 26th - my last drop sold out within 36hrs so make sure you are on my email list for a chance to collect these special pieces.

Sign up in bio to get the wallpapers + early access 🔗

🔥 Get ready for PALE FIRE, my first diptych, first light/dark print drop on Nov 25. Captured in a remote, permit-only zone of Vermillion Cliffs, Arizona.
No drones involved. Just time, light, and patience.

Which one speaks to you more? 🌒 Nocturne or ☀️ Prelude, or both?

Comment below and sign up to get them as free phone wallpapers.

My email subscribers get early access on Nov 25th and the remaining will be available to the public on the 26th - my last drop sold out within 36hrs so make sure you are on my email list for a chance to collect these special pieces.

Sign up in bio to get the wallpapers + early access 🔗

🔥 Get ready for PALE FIRE, my first diptych, first light/dark print drop on Nov 25. Captured in a remote, permit-only zone of Vermillion Cliffs, Arizona.
No drones involved. Just time, light, and patience.

Which one speaks to you more? 🌒 Nocturne or ☀️ Prelude, or both?

Comment below and sign up to get them as free phone wallpapers.

My email subscribers get early access on Nov 25th and the remaining will be available to the public on the 26th - my last drop sold out within 36hrs so make sure you are on my email list for a chance to collect these special pieces.

Sign up in bio to get the wallpapers + early access 🔗

🔥 Get ready for PALE FIRE, my first diptych, first light/dark print drop on Nov 25. Captured in a remote, permit-only zone of Vermillion Cliffs, Arizona.
No drones involved. Just time, light, and patience.

Which one speaks to you more? 🌒 Nocturne or ☀️ Prelude, or both?

Comment below and sign up to get them as free phone wallpapers.

My email subscribers get early access on Nov 25th and the remaining will be available to the public on the 26th - my last drop sold out within 36hrs so make sure you are on my email list for a chance to collect these special pieces.

Sign up in bio to get the wallpapers + early access 🔗

🔥 Get ready for PALE FIRE, my first diptych, first light/dark print drop on Nov 25. Captured in a remote, permit-only zone of Vermillion Cliffs, Arizona.
No drones involved. Just time, light, and patience.

Which one speaks to you more? 🌒 Nocturne or ☀️ Prelude, or both?

Comment below and sign up to get them as free phone wallpapers.

My email subscribers get early access on Nov 25th and the remaining will be available to the public on the 26th - my last drop sold out within 36hrs so make sure you are on my email list for a chance to collect these special pieces.

Sign up in bio to get the wallpapers + early access 🔗