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tacehv
Temporary Art Centre | TAC
📍 Cultural incubator and meeting place
💚 Home to 100 young artists and designers
🚪 Open when expo: Saturday/Sunday 14.00-19.00
English below
Sweatshop
Ventoselaan 1, Eindhoven
8 mei – 24 mei
Opening vrijdag 8 mei om 19.00
Met performance om 20.00 door Danielle Huyghe
Elke zaterdag en zondag 14.00 – 19.00
Massaproductie, fabriekshallen, mechanische omgevingen en repetitieve arbeid zijn associaties die opkomen wanneer je het werk van de kunstenaars, Marieke Heerema & Floris Barnhoorn en Benjamin Schoones ervaart. Ieder op hun eigen manier bevragen en onthullen zij de impact van de hedendaagse, gejaagde wereld die is gericht op consumentisme.
Meer info op onze website, link in bio
—Eng—
Sweatshop
Ventoselaan 1, Eindhoven
8 May – 24 May
Opening Friday 8 May 19.00
With performance at 20.00 by Danielle Huyghe
Every Saturday and Sunday 14.00 – 19.00
Mass production, factory halls, mechanical environments, and repetitive labour are associations we encounter while experiencing the work of the artists, @marieke_heerema & @florisbarnhoorn and @bnjmnsch. Each in their own way, they question and reveal the impact of today’s fast-paced, consumerism-oriented world.
More info on our website, link in bio
𝐃𝐚𝐠 𝐯𝐚𝐧 𝐝𝐞 𝐁𝐨𝐮𝐰 𝟐𝟎𝟐𝟔 | 𝐍𝐢𝐞𝐭 éé𝐧, 𝐦𝐚𝐚𝐫 𝐭𝐰𝐞𝐞 𝐛𝐨𝐮𝐰𝐩𝐥𝐚𝐚𝐭𝐬𝐞𝐧!
In het Emmasingelkwadrant in Eindhoven verrijzen momenteel twee indrukwekkende projecten: 𝐕𝐢𝐜𝐭𝐨𝐫𝐢𝐚𝐭𝐨𝐫𝐞𝐧 en 𝐓𝐀𝐂 𝐋𝐢𝐯𝐢𝐧𝐠. Tijdens de Dag van de Bouw op 𝐳𝐚𝐭𝐞𝐫𝐝𝐚𝐠 𝟐𝟎 𝐣𝐮𝐧𝐢 slaan @stamendekoning en @vb_groep de handen ineen en stellen we gezamenlijk beide bouwplaatsen open voor publiek. 👷🏼♂️🏗️
Victoriatoren
Bij Victoriatoren bouwt @stamendekoning voor Foolen & Reijs een woontoren van circa 90 meter hoog met 370 huurappartementen. Dankzij tunnelbekisting groeit de toren razendsnel: iedere 6 dagen komt er een verdieping bij 🏗️
TAC Living
Daarnaast realiseert @vb_groep voor @Woonbedrijf TAC Living: een woontoren met 249 betaalbare appartementen, direct naast het vernieuwde Temporary Art Centre (@tacehv). TAC opent tijdens deze dag ook haar deuren met de groepstentoonstelling Anonymous, waarin kunst centraal staat los van de identiteit van de maker. 🎨
Een dag waar bouw, cultuur en stad samenkomen in hartje Eindhoven. Zien we je daar?
📍 𝐕𝐢𝐜𝐭𝐨𝐫𝐢𝐚𝐭𝐨𝐫𝐞𝐧 & 𝐓𝐀𝐂 𝐋𝐢𝐯𝐢𝐧𝐠 – 𝐕𝐢𝐜𝐭𝐨𝐫𝐢𝐚𝐩𝐚𝐫𝐤, 𝐄𝐢𝐧𝐝𝐡𝐨𝐯𝐞𝐧
📅 𝐙𝐚𝐭𝐞𝐫𝐝𝐚𝐠 𝟐𝟎 𝐣𝐮𝐧𝐢 𝟐𝟎𝟐𝟔
🕙 𝟏𝟎.𝟎𝟎 – 𝟏𝟒.𝟎𝟎 𝐮𝐮𝐫
❗ 𝐃𝐢𝐜𝐡𝐭𝐞 𝐬𝐜𝐡𝐨𝐞𝐧𝐞𝐧 𝐯𝐞𝐫𝐩𝐥𝐢𝐜𝐡𝐭!
Meer info via de link in bio.
Uitnodiging open studios, tweede werkperiode Inversie #5
Opening: donderdag 21 mei, vanaf 17.00 uur
22 t/m 24 mei, 11.00 – 17.00 uur
@witterook, Breda
Van 27 april t/m 24 mei vindt de tweede werkperiode van Inversie #5 plaats bij Witte Rook, in rijksmonument de StadsGalerij in Breda. Vier weken lang transformeren Roeland Rooijakkers, Joey Monopoly, Lola Safari, Lesja van Hoof, Sjors Smit, Benjamin Schoones en Esther van Zoelen de ruimte tot een werkplaats waar wordt geëxperimenteerd, gemaakt, geleerd en samengewerkt.
Benieuwd naar het werk van de zeven Inversie-makers? Op donderdag 21 mei ben je vanaf 17.00 uur van harte welkom bij de opening van de open studios. Kun je er niet bij zijn? Dan ben je natuurlijk ook van harte welkom op een van de dagen daarna. Tot dan!
Inversie is opgericht door @grafischatelierdenbosch, @kunstpodiumt, @tacehv & @witterook in samenwerking met @emoves.nl, @hetnoordbrabantsmuseum, @rubysohogallery, @stedelijk_museum_breda, @vanabbemuseum en @willem_twee_kunstruimte.
Talenthub Inversie valt onder Talenthub Brabant en is geïnitieerd vanuit @kunstloc
@snhook, @joey_monopoly, @roelandrooijakkers, @lola.safari, @bnjmnsch, @sjorssmitsjors en @esther.vz nemen deel aan Inversie.
#inversie5 #talenthubbrabant #talenthub art
Sweatshop
Ventoselaan 1, Eindhoven
8 mei – 24 mei
Opening vrijdag 8 mei om 19.00
Elke zaterdag en zondag 14.00 – 19.00
Benjamin benadert thema’s die aansluiten bij de hedendaagse wereld, zoals consumentisme en massaproductie, op een objectgerichte en materiële manier. Zijn sculpturen tonen een intrigerende dualiteit. Enerzijds treffen we kant-en-klare objecten aan, alsof ze net uit een fabriek komen, en anderzijds zien we zelfgemaakte en bewerkte objecten binnen dezelfde installatie, getiteld: Bulging out the sssleeve. De ruimte nodigt uit tot een langzame beschouwing, waarbij desoriëntatie beweging oproept, zowel fysiek als mentaal. De spanningen die uit deze koude materialen voortkomen, fungeren als een tegenkracht tegen de logica van tijdsefficiëntie en een op winst gerichte economie. Hoe lang kunnen we blijven doorgaan ten koste van de wereld, van mensen en van niet-menselijk leven?
--ENG--
Sweatshop
Ventoselaan 1, Eindhoven
8 May – 24 May
Opening Friday 8 May 19.00
Every Saturday and Sunday 14.00 – 19.00
Benjamin approaches themes that resonate with the contemporary world, such as consumerism and mass production, in an object-oriented and material way. His sculptures reveal an interesting duality. On one hand we encounter ready-made objects, freshly coming out of a factory, and on the other hand we see self-produced and modified objects in the same installation titled: Bulging out the sssleeve. The space invites a slow inspection, where disorientation is inducing movement, both physical and cerebral. The tensions that emerge from these cold materials act as a counterforce to the logic of time efficiency and profit-oriented economy. How long can we run at the expense of the world, of humans, and of non-human life?
Photo by Scott Gorman
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
We cannot stop smiling since last Thursday (really!!) Thank you Lucija Gregov and Bernat Boronat for an amazing concert, which opened our minds and hearts. And thank you @tacehv for the location and Floris of TAC for being so kind and helpful. We hope to see you all in Amsterdam for our next 24chambers on May 21st! You can still request a FREE invite!
24chambers Amsterdam
Thursday May 21st
@dokwerksaxophonequartet
21.00 location secret
To get on the guest list, request a free invite via link in bio
@boronatsky
@lu_ci_____
Drinks from @dekrommeharing @salmari.beyondthedark
English below
Sweatshop
Ventoselaan 1, Eindhoven
8 mei – 24 mei
Opening vrijdag 8 mei om 19.00
Elke zaterdag en zondag 14.00 – 19.00
Born for Nothing, een installatie van Marieke Heerema en Floris Barnhoorn.
Je komt binnen in een ruimte afgesloten door fabrieksstroken. Het plastic fluistert zachtjes terwijl je erdoorheen glijdt. Daarachter ontvouwt zich een ruimte die zowel klinisch als onheilspellend aanvoelt, alsof de arbeiders die hier werken net zijn weggelopen en midden in een proces alles hebben achtergelaten.
De opening is op 8 mei om 19.00 uur met een performance van Danielle Huyghe.
Meer info op onze website, link in bio.
---
Sweatshop
Ventoselaan 1, Eindhoven
8 May – 24 May
Opening Friday 8 May 19.00
Every Saturday and Sunday 14.00 – 19.00
You enter a space enclosed by industrial strip curtains. The plastic whispers softly as you slip through. Beyond it unfolds a room that feels both clinical and ominous, as if the workers who laboured here have only just left, abandoning everything mid-process.
The opening is on 8 May at 19.00 with a performance by Danielle Huyghe.
More info on our website, link in bio.
English below
Sweatshop
Ventoselaan 1, Eindhoven
8 mei – 24 mei
Opening vrijdag 8 mei om 19.00
Elke zaterdag en zondag 14.00 – 19.00
Born for Nothing, een installatie van Marieke Heerema en Floris Barnhoorn.
Je komt binnen in een ruimte afgesloten door fabrieksstroken. Het plastic fluistert zachtjes terwijl je erdoorheen glijdt. Daarachter ontvouwt zich een ruimte die zowel klinisch als onheilspellend aanvoelt, alsof de arbeiders die hier werken net zijn weggelopen en midden in een proces alles hebben achtergelaten.
De opening is op 8 mei om 19.00 uur met een performance van Danielle Huyghe.
Meer info op onze website, link in bio.
---
Sweatshop
Ventoselaan 1, Eindhoven
8 May – 24 May
Opening Friday 8 May 19.00
Every Saturday and Sunday 14.00 – 19.00
You enter a space enclosed by industrial strip curtains. The plastic whispers softly as you slip through. Beyond it unfolds a room that feels both clinical and ominous, as if the workers who laboured here have only just left, abandoning everything mid-process.
The opening is on 8 May at 19.00 with a performance by Danielle Huyghe.
More info on our website, link in bio.
🗣 𝗢𝗽𝗲𝗻 𝗖𝗮𝗹𝗹: 𝗞𝗢𝗣 𝗦𝗽𝗲𝗲𝗱𝗱𝗮𝘁𝗲 — 𝟭𝟭 𝗷𝘂𝗻𝗶
Tijdens de speeddate op 11 juni in de Tuin der Lusten brengt KOP je in contact met professionals uit de kunstsector.
We stellen graag de eerste organisaties aan je voor (deel I):
1: 𝗦𝘁𝘂𝗱𝗶𝗼 𝗔𝘀𝘀𝗶𝘀𝗶ë – Directeur Astrid Cats schuift aan. Studio Assisië ontwikkelt kunst en cultuur op een landpark waar mensen met en zonder beperking samenkomen, met ruimte voor nieuwe samenwerkingen en projecten op locatie.
2:𝗜𝗝𝘀𝘀𝗲𝗹𝗯𝗶ë𝗻𝗻𝗮𝗹𝗲 – Curator Koen Bril is aanwezig. Deze internationale buitententoonstelling realiseert kunstwerken in het landschap langs de IJssel en begeleidt kunstenaars in het werken op locatie.
3: 𝗧𝗲𝘅𝘁 𝗠𝘆 𝗦𝗶𝘀𝘁𝗲𝗿 – Oprichters en curatoren Julia Fidder en Xenia Tsompanidu komen speeddaten. Dit platform maakt vrouwelijke perspectieven zichtbaar via tekst en interventies in de openbare ruimte.
4: 𝗕𝗼𝘀𝗰𝗵 𝗣𝗮𝗿𝗮𝗱𝗲 – Directeur Erik de Jong schuift aan. Dit unieke varende kunstfestival biedt kunstenaars de kans om grootschalige, experimentele werken te realiseren op het water in Den Bosch.
5: 𝗧𝗔𝗖 – Directeur Tom Swart en programmamaker Ursa Prek zijn aanwezig. TAC in Eindhoven is een broedplaats waar makers ruimte krijgen voor experiment, ontwikkeling en presentatie binnen een multidisciplinaire omgeving.
Volgende week onthullen we de aanvullende kunstorganisaties en kunstprofessionals.
👉🏾 De aanmelddeadline is verlengd tot 18 mei — Zien we je daar?
Foto’s © Ben Nienhuis
🗣 𝗢𝗽𝗲𝗻 𝗖𝗮𝗹𝗹: 𝗞𝗢𝗣 𝗦𝗽𝗲𝗲𝗱𝗱𝗮𝘁𝗲 — 𝟭𝟭 𝗷𝘂𝗻𝗶
Tijdens de speeddate op 11 juni in de Tuin der Lusten brengt KOP je in contact met professionals uit de kunstsector.
We stellen graag de eerste organisaties aan je voor (deel I):
1: 𝗦𝘁𝘂𝗱𝗶𝗼 𝗔𝘀𝘀𝗶𝘀𝗶ë – Directeur Astrid Cats schuift aan. Studio Assisië ontwikkelt kunst en cultuur op een landpark waar mensen met en zonder beperking samenkomen, met ruimte voor nieuwe samenwerkingen en projecten op locatie.
2:𝗜𝗝𝘀𝘀𝗲𝗹𝗯𝗶ë𝗻𝗻𝗮𝗹𝗲 – Curator Koen Bril is aanwezig. Deze internationale buitententoonstelling realiseert kunstwerken in het landschap langs de IJssel en begeleidt kunstenaars in het werken op locatie.
3: 𝗧𝗲𝘅𝘁 𝗠𝘆 𝗦𝗶𝘀𝘁𝗲𝗿 – Oprichters en curatoren Julia Fidder en Xenia Tsompanidu komen speeddaten. Dit platform maakt vrouwelijke perspectieven zichtbaar via tekst en interventies in de openbare ruimte.
4: 𝗕𝗼𝘀𝗰𝗵 𝗣𝗮𝗿𝗮𝗱𝗲 – Directeur Erik de Jong schuift aan. Dit unieke varende kunstfestival biedt kunstenaars de kans om grootschalige, experimentele werken te realiseren op het water in Den Bosch.
5: 𝗧𝗔𝗖 – Directeur Tom Swart en programmamaker Ursa Prek zijn aanwezig. TAC in Eindhoven is een broedplaats waar makers ruimte krijgen voor experiment, ontwikkeling en presentatie binnen een multidisciplinaire omgeving.
Volgende week onthullen we de aanvullende kunstorganisaties en kunstprofessionals.
👉🏾 De aanmelddeadline is verlengd tot 18 mei — Zien we je daar?
Foto’s © Ben Nienhuis
🗣 𝗢𝗽𝗲𝗻 𝗖𝗮𝗹𝗹: 𝗞𝗢𝗣 𝗦𝗽𝗲𝗲𝗱𝗱𝗮𝘁𝗲 — 𝟭𝟭 𝗷𝘂𝗻𝗶
Tijdens de speeddate op 11 juni in de Tuin der Lusten brengt KOP je in contact met professionals uit de kunstsector.
We stellen graag de eerste organisaties aan je voor (deel I):
1: 𝗦𝘁𝘂𝗱𝗶𝗼 𝗔𝘀𝘀𝗶𝘀𝗶ë – Directeur Astrid Cats schuift aan. Studio Assisië ontwikkelt kunst en cultuur op een landpark waar mensen met en zonder beperking samenkomen, met ruimte voor nieuwe samenwerkingen en projecten op locatie.
2:𝗜𝗝𝘀𝘀𝗲𝗹𝗯𝗶ë𝗻𝗻𝗮𝗹𝗲 – Curator Koen Bril is aanwezig. Deze internationale buitententoonstelling realiseert kunstwerken in het landschap langs de IJssel en begeleidt kunstenaars in het werken op locatie.
3: 𝗧𝗲𝘅𝘁 𝗠𝘆 𝗦𝗶𝘀𝘁𝗲𝗿 – Oprichters en curatoren Julia Fidder en Xenia Tsompanidu komen speeddaten. Dit platform maakt vrouwelijke perspectieven zichtbaar via tekst en interventies in de openbare ruimte.
4: 𝗕𝗼𝘀𝗰𝗵 𝗣𝗮𝗿𝗮𝗱𝗲 – Directeur Erik de Jong schuift aan. Dit unieke varende kunstfestival biedt kunstenaars de kans om grootschalige, experimentele werken te realiseren op het water in Den Bosch.
5: 𝗧𝗔𝗖 – Directeur Tom Swart en programmamaker Ursa Prek zijn aanwezig. TAC in Eindhoven is een broedplaats waar makers ruimte krijgen voor experiment, ontwikkeling en presentatie binnen een multidisciplinaire omgeving.
Volgende week onthullen we de aanvullende kunstorganisaties en kunstprofessionals.
👉🏾 De aanmelddeadline is verlengd tot 18 mei — Zien we je daar?
Foto’s © Ben Nienhuis
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. In the intersection of water engineering and body techniques, he work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
CLOSED OPEN CALL
-English below-
TAC’s Anonymous is terug! We nodigen je uit om een voorstel in te dienen voor een groepstentoonstelling in juni 2026. met als thema identiteit in de breedste zin van het woord. Daarnaast vragen we geen cv of achtergrondinformatie: we accepteren uitsluitend anonieme inzendingen. Ja, het is een open call – met een twist!
Moeten we kunst scheiden van de kunstenaar – en is dat eigenlijk wel mogelijk? Wat hebben een naam, je achtergrond en je ervaringen met je werk te maken? Niets en alles.
Meld je aan voor 31 maart 2026
Meer informatie op onze website, link in bio.
--
TAC’s Anonymous is back again! We are calling for proposals for a group exhibition in June 2026 that focus on the topic of identity in the broadest sense. Next to that, instead of asking for your CV and background information, we will accept only anonymous proposals. Yes, it is an open call with a twist!
Should we separate the art from the artist, is that even possible? What does a name, your background, and your experiences have to do with your work? Nothing and everything.
Apply before 31st March 2026
More information on our website, link in bio.
#taceindhoven #contemporaryart #eindhoven #cultuur #opencall
📍 TAC Living bereikt het hoogste punt!
Sommige plekken in de stad brengen iets unieks! Het nieuwe @tacehv en TAC Living is precies zo’n plek: midden in de stad, tegenover het Philips stadion, komen hier wonen én cultuur samen. In de creatieve broedplaats TAC zijn 80 ateliers en studio’s weer volop in gebruik. Iedere dag geven hier makers, designers, kunstenaars nieuwe energie aan Eindhoven.
Pal daarnaast groeit nu TAC Living omhoog. Gisteren vierden we het hoogste punt van de nieuwe toren. Hier komen 249 volledig betaalbare woningen voor verschillende doelgroepen, plus een expositieruimte en ontmoetingsplekken.
Dankzij lef, samenwerking en een unieke Brainport‑aanpak bouwen we met opgestroopte mouwen aan een nieuwe aanwinst voor de Eindhovense skyline:
🏠 249 woningen (85% sociaal, 15% middenhuur)
🎨 4.800 m² culturele broedplaats
🖼️ @tacehv met 80 ateliers en studio’s
☕ Horeca en expositieruimte
Met alle partners laten we zien dat 100% betaalbaar wonen in het hart van de stad écht kan. En met het vertrouwde TAC in een nieuw modern jasje. Geef makers ruimte, en zij geven de stad ideeën, drive én nieuwe verhalen terug.
📍 TAC Living bereikt het hoogste punt!
Sommige plekken in de stad brengen iets unieks! Het nieuwe @tacehv en TAC Living is precies zo’n plek: midden in de stad, tegenover het Philips stadion, komen hier wonen én cultuur samen. In de creatieve broedplaats TAC zijn 80 ateliers en studio’s weer volop in gebruik. Iedere dag geven hier makers, designers, kunstenaars nieuwe energie aan Eindhoven.
Pal daarnaast groeit nu TAC Living omhoog. Gisteren vierden we het hoogste punt van de nieuwe toren. Hier komen 249 volledig betaalbare woningen voor verschillende doelgroepen, plus een expositieruimte en ontmoetingsplekken.
Dankzij lef, samenwerking en een unieke Brainport‑aanpak bouwen we met opgestroopte mouwen aan een nieuwe aanwinst voor de Eindhovense skyline:
🏠 249 woningen (85% sociaal, 15% middenhuur)
🎨 4.800 m² culturele broedplaats
🖼️ @tacehv met 80 ateliers en studio’s
☕ Horeca en expositieruimte
Met alle partners laten we zien dat 100% betaalbaar wonen in het hart van de stad écht kan. En met het vertrouwde TAC in een nieuw modern jasje. Geef makers ruimte, en zij geven de stad ideeën, drive én nieuwe verhalen terug.
📍 TAC Living bereikt het hoogste punt!
Sommige plekken in de stad brengen iets unieks! Het nieuwe @tacehv en TAC Living is precies zo’n plek: midden in de stad, tegenover het Philips stadion, komen hier wonen én cultuur samen. In de creatieve broedplaats TAC zijn 80 ateliers en studio’s weer volop in gebruik. Iedere dag geven hier makers, designers, kunstenaars nieuwe energie aan Eindhoven.
Pal daarnaast groeit nu TAC Living omhoog. Gisteren vierden we het hoogste punt van de nieuwe toren. Hier komen 249 volledig betaalbare woningen voor verschillende doelgroepen, plus een expositieruimte en ontmoetingsplekken.
Dankzij lef, samenwerking en een unieke Brainport‑aanpak bouwen we met opgestroopte mouwen aan een nieuwe aanwinst voor de Eindhovense skyline:
🏠 249 woningen (85% sociaal, 15% middenhuur)
🎨 4.800 m² culturele broedplaats
🖼️ @tacehv met 80 ateliers en studio’s
☕ Horeca en expositieruimte
Met alle partners laten we zien dat 100% betaalbaar wonen in het hart van de stad écht kan. En met het vertrouwde TAC in een nieuw modern jasje. Geef makers ruimte, en zij geven de stad ideeën, drive én nieuwe verhalen terug.
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
The 3rd room of my solo show *Half Strings Half Tongue* at @tacehv
photo/video by @yufeiig
Stone Throat Mud Steps,
2025,
calabash, glass, instrumental strings, clay, fabric coated with egg white and cow bone glue. The work carries the concept of resilience from evoking the transformative bodily movements and sound. My grandmother's generation was forced to migrate during national reservoir construction that flooded her land. Relocated to a wetland, they were exposed to groundwater of high iron element and bacteria, leading to oesophageal cancer. From this landscape of water and damage, stilt walking emerges as both memory and method. It recalls my experience of moving through swamps, and functions as an imaginative extension of the body, which is the desire to overcome hostile terrain.
Many of my family members play stringed instruments. The calabashes are the tool to carry water in grandmother's generation. Activated as vocal gestures, they attempt to make the constricted gullet sing.
Sound equipments and edits: Laura Papke @laurapapke
Black ceramic grave guard making: Yanqing Xu @yanqing__xu
--eng below--
At arm’s length
Solotentoonstelling Hala Tawil
Ventoselaan 1, Eindhoven
Tot 15 maart
Elke zaterdag en zondag 14.00 – 19.00
Nog twee weekenden te zien! De solotentoonstelling van Hala Tawil. @_halatawil , geboren in 1991 in Libanon, is een hedendaagse beeldend kunstenaar die in Nederland woont en werkt.
Haar werk bestaat uit vignetten van interieurruimtes waarin gefragmenteerde vrouwelijke figuren verschijnen. Aan de hand van digitaal gemodelleerde composities en visuele metaforen onderzoekt zij de relatie tussen het zelf, het lichaam en materiële omgevingen, en stelt zij vragen bij het menselijke gevoel van verbondenheid en thuishoren in de fysieke wereld.
--ENG--
At arm’s length
Solo exhibition Hala Tawil
Ventoselaan 1, Eindhoven
Till 15 March
Every Saturday and Sunday 14.00 – 19.00
Only two weekends left to see the solo exhibition by Hala Tawil. Hala, born in Lebanon in 1991, is a contemporary visual artist based in The Netherlands.
Her work features vignettes of interior spaces imbued with fragmented female figures. Through her digitally modeled compositions and visual metaphors, she explores the relationship between the self, the body, and material environments, questioning the human sense of belonging in the physical world.
--eng below--
At arm’s length
Solotentoonstelling Hala Tawil
Ventoselaan 1, Eindhoven
Tot 15 maart
Elke zaterdag en zondag 14.00 – 19.00
Nog twee weekenden te zien! De solotentoonstelling van Hala Tawil. @_halatawil , geboren in 1991 in Libanon, is een hedendaagse beeldend kunstenaar die in Nederland woont en werkt.
Haar werk bestaat uit vignetten van interieurruimtes waarin gefragmenteerde vrouwelijke figuren verschijnen. Aan de hand van digitaal gemodelleerde composities en visuele metaforen onderzoekt zij de relatie tussen het zelf, het lichaam en materiële omgevingen, en stelt zij vragen bij het menselijke gevoel van verbondenheid en thuishoren in de fysieke wereld.
--ENG--
At arm’s length
Solo exhibition Hala Tawil
Ventoselaan 1, Eindhoven
Till 15 March
Every Saturday and Sunday 14.00 – 19.00
Only two weekends left to see the solo exhibition by Hala Tawil. Hala, born in Lebanon in 1991, is a contemporary visual artist based in The Netherlands.
Her work features vignettes of interior spaces imbued with fragmented female figures. Through her digitally modeled compositions and visual metaphors, she explores the relationship between the self, the body, and material environments, questioning the human sense of belonging in the physical world.
--eng below--
At arm’s length
Solotentoonstelling Hala Tawil
Ventoselaan 1, Eindhoven
Tot 15 maart
Elke zaterdag en zondag 14.00 – 19.00
Nog twee weekenden te zien! De solotentoonstelling van Hala Tawil. @_halatawil , geboren in 1991 in Libanon, is een hedendaagse beeldend kunstenaar die in Nederland woont en werkt.
Haar werk bestaat uit vignetten van interieurruimtes waarin gefragmenteerde vrouwelijke figuren verschijnen. Aan de hand van digitaal gemodelleerde composities en visuele metaforen onderzoekt zij de relatie tussen het zelf, het lichaam en materiële omgevingen, en stelt zij vragen bij het menselijke gevoel van verbondenheid en thuishoren in de fysieke wereld.
--ENG--
At arm’s length
Solo exhibition Hala Tawil
Ventoselaan 1, Eindhoven
Till 15 March
Every Saturday and Sunday 14.00 – 19.00
Only two weekends left to see the solo exhibition by Hala Tawil. Hala, born in Lebanon in 1991, is a contemporary visual artist based in The Netherlands.
Her work features vignettes of interior spaces imbued with fragmented female figures. Through her digitally modeled compositions and visual metaphors, she explores the relationship between the self, the body, and material environments, questioning the human sense of belonging in the physical world.
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