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Poster design for @liliana_zeic’s new exhibition at @projectartscentre 💛

We really enjoyed working with artist Liliana and Marysia from Project. Plus it was a great chance to try out some beautiful typefaces by Wrocław-based type foundry @threedotstype, considering the Polish connection.

The design of the chosen poster heroes Liliana’s artwork, complemented by the typeface Radius which almost looks like it’s been wood-carved.

Swipe for an alternate poster design echoing Liliana’s highly textured work, using a roughened version of the typeface Sudety.

Typefaces
Radius and Sudety by @threedotstype

Poster design for @liliana_zeic’s new exhibition at @projectartscentre 💛

We really enjoyed working with artist Liliana and Marysia from Project. Plus it was a great chance to try out some beautiful typefaces by Wrocław-based type foundry @threedotstype, considering the Polish connection.

The design of the chosen poster heroes Liliana’s artwork, complemented by the typeface Radius which almost looks like it’s been wood-carved.

Swipe for an alternate poster design echoing Liliana’s highly textured work, using a roughened version of the typeface Sudety.

Typefaces
Radius and Sudety by @threedotstype

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Earlier this year we designed ‘The Unconformity Objects’, an essay by @beaogorman.

‘The Unconformity Objects’ imagines artworks that were not made during a time when the author was isolating with her young child – as she was learning to walk and as her mobility was in decline. The dreamt sculptural objects interrupt the narrative flow – as interventions breathing within the context of the domestic space. The essay explores crip time, interdependency, access and how these things inform artistic production outside of traditional support structures and modes of working.

The essay is housed in a wonderfully shiny metallic gold print matched with medium blue ink. The visual language borrows from the Deep Time website which we designed last year, invoking the earth and a sense of natural time through iconography.

Many thanks to Bridget & Iarlaith for this wonderful collaboration, and to Izzy and Conor from Way Bad Press for their print expertise. You can buy a copy by getting in touch with Iarlaith.

Author
@beaogorman

Producer
@iarlaith_nifheorais

Publication Editor
Jess Chandler

Bookkeeper
Fiona Keller (field:arts)

‍Typefaces
Paragraf by @typeji
Franklin Gothic URW
by Morris Fuller Benton

‍Print Production
@waybadpress
Risograph printed with Metallic Gold & Medium Blue on Munken Polar Rough
120gsm & 100gsm

Funding & support
@evainternational
@artscouncilireland
@fieldarts_ie
@projectartscentre

Spent the afternoon on Sunday looking for our poster we designed with @jrd_lord's for their new exhibition at @luxmovingimage in Waterlow Park 🧡

We were inspired by the urgent and matter-of-fact tone of Jordan’s work ‘Concealed and Denied’. The design refers to news tickers and headlines, which form the bedrock of Jordan’s work. We also used Lucida which Jordan uses for all their captions.

Thank you Jordan, Abby and Sun for this wonderful collaboration.

Typefaces:
Oswald by Vernon Adams
Rom by @abcdinamo
DIN by Albert-Jan Pool
Lucida by Charles Bigelow and Kris Holmes

Spent the afternoon on Sunday looking for our poster we designed with @jrd_lord's for their new exhibition at @luxmovingimage in Waterlow Park 🧡

We were inspired by the urgent and matter-of-fact tone of Jordan’s work ‘Concealed and Denied’. The design refers to news tickers and headlines, which form the bedrock of Jordan’s work. We also used Lucida which Jordan uses for all their captions.

Thank you Jordan, Abby and Sun for this wonderful collaboration.

Typefaces:
Oswald by Vernon Adams
Rom by @abcdinamo
DIN by Albert-Jan Pool
Lucida by Charles Bigelow and Kris Holmes

Spent the afternoon on Sunday looking for our poster we designed with @jrd_lord's for their new exhibition at @luxmovingimage in Waterlow Park 🧡

We were inspired by the urgent and matter-of-fact tone of Jordan’s work ‘Concealed and Denied’. The design refers to news tickers and headlines, which form the bedrock of Jordan’s work. We also used Lucida which Jordan uses for all their captions.

Thank you Jordan, Abby and Sun for this wonderful collaboration.

Typefaces:
Oswald by Vernon Adams
Rom by @abcdinamo
DIN by Albert-Jan Pool
Lucida by Charles Bigelow and Kris Holmes

Spent the afternoon on Sunday looking for our poster we designed with @jrd_lord's for their new exhibition at @luxmovingimage in Waterlow Park 🧡

We were inspired by the urgent and matter-of-fact tone of Jordan’s work ‘Concealed and Denied’. The design refers to news tickers and headlines, which form the bedrock of Jordan’s work. We also used Lucida which Jordan uses for all their captions.

Thank you Jordan, Abby and Sun for this wonderful collaboration.

Typefaces:
Oswald by Vernon Adams
Rom by @abcdinamo
DIN by Albert-Jan Pool
Lucida by Charles Bigelow and Kris Holmes

New work! Poster design for @jrd_lord’s upcoming exhibition at @luxmovingimage 🧡

We were inspired by the urgent and matter-of-fact tone of Jordan’s work ‘Concealed and Denied’. The design refers to news tickers and headlines, which form the bedrock of Jordan’s work. We also used Lucida which Jordan uses for all their captions.

The audio description by Jordan is a key part of the poster, just like their work.

Thank you Jordan, Abby and Sun for this wonderful collaboration.

Typefaces:
Oswald by Vernon Adams
Rom by @abcdinamo
DIN by Albert-Jan Pool
Lucida by Charles Bigelow and Kris Holmes

More from our collaboration with Deep Time 🌀

We loved working with @beaogorman and @iarlaith_nifheorais to create these fun, looping symbols that represent natural forms of time. Hand-drawn by Conor and beautifully animated by @mayaremenyi.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

More from our collaboration with Deep Time 🌀

We loved working with @beaogorman and @iarlaith_nifheorais to create these fun, looping symbols that represent natural forms of time. Hand-drawn by Conor and beautifully animated by @mayaremenyi.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

More from our collaboration with Deep Time 🌀

We loved working with @beaogorman and @iarlaith_nifheorais to create these fun, looping symbols that represent natural forms of time. Hand-drawn by Conor and beautifully animated by @mayaremenyi.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

More from our collaboration with Deep Time 🌀

We loved working with @beaogorman and @iarlaith_nifheorais to create these fun, looping symbols that represent natural forms of time. Hand-drawn by Conor and beautifully animated by @mayaremenyi.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

More from our collaboration with Deep Time 🌀

We loved working with @beaogorman and @iarlaith_nifheorais to create these fun, looping symbols that represent natural forms of time. Hand-drawn by Conor and beautifully animated by @mayaremenyi.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

More from our collaboration with Deep Time 🌀

We loved working with @beaogorman and @iarlaith_nifheorais to create these fun, looping symbols that represent natural forms of time. Hand-drawn by Conor and beautifully animated by @mayaremenyi.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

New work! Deep Time is a nonconforming, collective research project led by artist @beaogorman and producers @iarlaith_nifheorais and @_hannah_wallis. It is supported by @evainternational, @artscouncilireland and @fieldarts_ie.

We designed the visual identity to reference natural forms of time through hand-drawn symbols. In addition to a podcast section, the website features six micro-commissions by various artists that were built with custom audio players, typographic considerations and integrated transcripts.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

PHOTOGRAPHY
Portrait of @taey.iohe by @christaholkastudio
Third image by @memoriesofabiglife
Group shot by Saskia Vermeulen

New work! Deep Time is a nonconforming, collective research project led by artist @beaogorman and producers @iarlaith_nifheorais and @_hannah_wallis. It is supported by @evainternational, @artscouncilireland and @fieldarts_ie.

We designed the visual identity to reference natural forms of time through hand-drawn symbols. In addition to a podcast section, the website features six micro-commissions by various artists that were built with custom audio players, typographic considerations and integrated transcripts.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

PHOTOGRAPHY
Portrait of @taey.iohe by @christaholkastudio
Third image by @memoriesofabiglife
Group shot by Saskia Vermeulen

New work! Deep Time is a nonconforming, collective research project led by artist @beaogorman and producers @iarlaith_nifheorais and @_hannah_wallis. It is supported by @evainternational, @artscouncilireland and @fieldarts_ie.

We designed the visual identity to reference natural forms of time through hand-drawn symbols. In addition to a podcast section, the website features six micro-commissions by various artists that were built with custom audio players, typographic considerations and integrated transcripts.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

PHOTOGRAPHY
Portrait of @taey.iohe by @christaholkastudio
Third image by @memoriesofabiglife
Group shot by Saskia Vermeulen

New work! Deep Time is a nonconforming, collective research project led by artist @beaogorman and producers @iarlaith_nifheorais and @_hannah_wallis. It is supported by @evainternational, @artscouncilireland and @fieldarts_ie.

We designed the visual identity to reference natural forms of time through hand-drawn symbols. In addition to a podcast section, the website features six micro-commissions by various artists that were built with custom audio players, typographic considerations and integrated transcripts.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

PHOTOGRAPHY
Portrait of @taey.iohe by @christaholkastudio
Third image by @memoriesofabiglife
Group shot by Saskia Vermeulen

New work! Deep Time is a nonconforming, collective research project led by artist @beaogorman and producers @iarlaith_nifheorais and @_hannah_wallis. It is supported by @evainternational, @artscouncilireland and @fieldarts_ie.

We designed the visual identity to reference natural forms of time through hand-drawn symbols. In addition to a podcast section, the website features six micro-commissions by various artists that were built with custom audio players, typographic considerations and integrated transcripts.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

PHOTOGRAPHY
Portrait of @taey.iohe by @christaholkastudio
Third image by @memoriesofabiglife
Group shot by Saskia Vermeulen

New work! Deep Time is a nonconforming, collective research project led by artist @beaogorman and producers @iarlaith_nifheorais and @_hannah_wallis. It is supported by @evainternational, @artscouncilireland and @fieldarts_ie.

We designed the visual identity to reference natural forms of time through hand-drawn symbols. In addition to a podcast section, the website features six micro-commissions by various artists that were built with custom audio players, typographic considerations and integrated transcripts.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

PHOTOGRAPHY
Portrait of @taey.iohe by @christaholkastudio
Third image by @memoriesofabiglife
Group shot by Saskia Vermeulen

New work! Deep Time is a nonconforming, collective research project led by artist @beaogorman and producers @iarlaith_nifheorais and @_hannah_wallis. It is supported by @evainternational, @artscouncilireland and @fieldarts_ie.

We designed the visual identity to reference natural forms of time through hand-drawn symbols. In addition to a podcast section, the website features six micro-commissions by various artists that were built with custom audio players, typographic considerations and integrated transcripts.

WEBSITE
deeptime.ie

DETAILS
2025
Ireland

ARTISTS
@beaogorman
@fragile_masculinity
@deirdre.omahony
@libitasibungu
@memoriesofabiglife
@taey.iohe

COLLABORATION
Symbols animation by @mayaremenyi

TYPEFACES
Paragraf by Typeji
Franklin Gothic by URW Type Foundry

PHOTOGRAPHY
Portrait of @taey.iohe by @christaholkastudio
Third image by @memoriesofabiglife
Group shot by Saskia Vermeulen

Voix et Médias/Voice and Media is a three-day festival of dysfluent representation with events across Montréal.

We designed the visual identity, social and printed matter using a bilingual approach. The headline typeface references sound waves to reflect the auditory experience of speech.

AS Module by @astrae.studio
Oswald by Google Fonts
Animated in @cavalry.app

@voixetmedias @spacetostutter @genlamoureux

Voix et Médias/Voice and Media is a three-day festival of dysfluent representation with events across Montréal.

We designed the visual identity, social and printed matter using a bilingual approach. The headline typeface references sound waves to reflect the auditory experience of speech.

AS Module by @astrae.studio
Oswald by Google Fonts
Animated in @cavalry.app

@voixetmedias @spacetostutter @genlamoureux

Just updated our website 🛠️ There’s new images, video and descriptions that give more context to each project. Finding time to document our work and publicise it is always a bit of a struggle.

Big thanks to our collaborators over the past few years. We feel so privileged to work on such important, impactful projects. We’re excited to show more as they come in.

🙏

Just updated our website 🛠️ There’s new images, video and descriptions that give more context to each project. Finding time to document our work and publicise it is always a bit of a struggle.

Big thanks to our collaborators over the past few years. We feel so privileged to work on such important, impactful projects. We’re excited to show more as they come in.

🙏

Just updated our website 🛠️ There’s new images, video and descriptions that give more context to each project. Finding time to document our work and publicise it is always a bit of a struggle.

Big thanks to our collaborators over the past few years. We feel so privileged to work on such important, impactful projects. We’re excited to show more as they come in.

🙏

Just updated our website 🛠️ There’s new images, video and descriptions that give more context to each project. Finding time to document our work and publicise it is always a bit of a struggle.

Big thanks to our collaborators over the past few years. We feel so privileged to work on such important, impactful projects. We’re excited to show more as they come in.

🙏

Just updated our website 🛠️ There’s new images, video and descriptions that give more context to each project. Finding time to document our work and publicise it is always a bit of a struggle.

Big thanks to our collaborators over the past few years. We feel so privileged to work on such important, impactful projects. We’re excited to show more as they come in.

🙏

Just updated our website 🛠️ There’s new images, video and descriptions that give more context to each project. Finding time to document our work and publicise it is always a bit of a struggle.

Big thanks to our collaborators over the past few years. We feel so privileged to work on such important, impactful projects. We’re excited to show more as they come in.

🙏

Recent promotional work @stutteringcommons 🙏

Really great upcoming event in London for anyone interested in stammering, disability and the like.

Recent promotional work @stutteringcommons 🙏

Really great upcoming event in London for anyone interested in stammering, disability and the like.

Recent promotional work @stutteringcommons 🙏

Really great upcoming event in London for anyone interested in stammering, disability and the like.

For 30 years WSCO has been dedicated to advancing science, education, practice and advocacy in stuttering and cluttering. We worked with the team to design a new visual identity and website that reintroduces themselves and their focus at the forefront of the field.

The new design expresses a sense of variability within typography, layout and speech itself. By utilising distinct areas of the website, WSCO is able to more effectively communicate with its members through an account system and more clearly show its offerings.

thewsco.org

Design and build: Take Courage
Content architecture: Dan Eames (@eamesjdan)
Typefaces: ROM by Dinamo (@abcdinamo) and Aktiv Grotesk by Dalton Maag (@dalton.maag)

—

#webdesign #stuttering #cluttering

For 30 years WSCO has been dedicated to advancing science, education, practice and advocacy in stuttering and cluttering. We worked with the team to design a new visual identity and website that reintroduces themselves and their focus at the forefront of the field.

The new design expresses a sense of variability within typography, layout and speech itself. By utilising distinct areas of the website, WSCO is able to more effectively communicate with its members through an account system and more clearly show its offerings.

thewsco.org

Design and build: Take Courage
Content architecture: Dan Eames (@eamesjdan)
Typefaces: ROM by Dinamo (@abcdinamo) and Aktiv Grotesk by Dalton Maag (@dalton.maag)

—

#webdesign #stuttering #cluttering

For 30 years WSCO has been dedicated to advancing science, education, practice and advocacy in stuttering and cluttering. We worked with the team to design a new visual identity and website that reintroduces themselves and their focus at the forefront of the field.

The new design expresses a sense of variability within typography, layout and speech itself. By utilising distinct areas of the website, WSCO is able to more effectively communicate with its members through an account system and more clearly show its offerings.

thewsco.org

Design and build: Take Courage
Content architecture: Dan Eames (@eamesjdan)
Typefaces: ROM by Dinamo (@abcdinamo) and Aktiv Grotesk by Dalton Maag (@dalton.maag)

—

#webdesign #stuttering #cluttering

For 30 years WSCO has been dedicated to advancing science, education, practice and advocacy in stuttering and cluttering. We worked with the team to design a new visual identity and website that reintroduces themselves and their focus at the forefront of the field.

The new design expresses a sense of variability within typography, layout and speech itself. By utilising distinct areas of the website, WSCO is able to more effectively communicate with its members through an account system and more clearly show its offerings.

thewsco.org

Design and build: Take Courage
Content architecture: Dan Eames (@eamesjdan)
Typefaces: ROM by Dinamo (@abcdinamo) and Aktiv Grotesk by Dalton Maag (@dalton.maag)

—

#webdesign #stuttering #cluttering