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For all the non-smokers among us, the Flute ash tray also works perfectly as a palo santo burner, or simply as a beautiful table objet.
Hats off to @philippefragniere for these stunning new shots.

For all the non-smokers among us, the Flute ash tray also works perfectly as a palo santo burner, or simply as a beautiful table objet.
Hats off to @philippefragniere for these stunning new shots.

For all the non-smokers among us, the Flute ash tray also works perfectly as a palo santo burner, or simply as a beautiful table objet.
Hats off to @philippefragniere for these stunning new shots.

For all the non-smokers among us, the Flute ash tray also works perfectly as a palo santo burner, or simply as a beautiful table objet.
Hats off to @philippefragniere for these stunning new shots.

From Thisispaper+ Collectible Design

London-based designer Tino Seubert builds Ferric Glass around a single premise: toughened high-iron glass paired with stainless steel spider hinges from 1990s curtain-wall facades, repurposed at domestic scale.

The starting point was a commission, not a concept. A friend asked Tino Seubert to build a TV cabinet that could conceal the screen when not in use. Working with spider hinges, the kind deployed on glazed building facades, he built a piece of furniture that used them as both fixed and movable joints, placing them throughout the structure with what he describes as extravagance. That first object disclosed more than it resolved: the hinges and glass planes, Seubert realized, could function as a modular system generating three-dimensional form through CAD exploration. Ferric Glass followed from that moment.

Design: @tinoseubert
Photography: @piercarloquecchia

Read more at thisispaper.com

From Thisispaper+ Collectible Design

London-based designer Tino Seubert builds Ferric Glass around a single premise: toughened high-iron glass paired with stainless steel spider hinges from 1990s curtain-wall facades, repurposed at domestic scale.

The starting point was a commission, not a concept. A friend asked Tino Seubert to build a TV cabinet that could conceal the screen when not in use. Working with spider hinges, the kind deployed on glazed building facades, he built a piece of furniture that used them as both fixed and movable joints, placing them throughout the structure with what he describes as extravagance. That first object disclosed more than it resolved: the hinges and glass planes, Seubert realized, could function as a modular system generating three-dimensional form through CAD exploration. Ferric Glass followed from that moment.

Design: @tinoseubert
Photography: @piercarloquecchia

Read more at thisispaper.com

From Thisispaper+ Collectible Design

London-based designer Tino Seubert builds Ferric Glass around a single premise: toughened high-iron glass paired with stainless steel spider hinges from 1990s curtain-wall facades, repurposed at domestic scale.

The starting point was a commission, not a concept. A friend asked Tino Seubert to build a TV cabinet that could conceal the screen when not in use. Working with spider hinges, the kind deployed on glazed building facades, he built a piece of furniture that used them as both fixed and movable joints, placing them throughout the structure with what he describes as extravagance. That first object disclosed more than it resolved: the hinges and glass planes, Seubert realized, could function as a modular system generating three-dimensional form through CAD exploration. Ferric Glass followed from that moment.

Design: @tinoseubert
Photography: @piercarloquecchia

Read more at thisispaper.com

From Thisispaper+ Collectible Design

London-based designer Tino Seubert builds Ferric Glass around a single premise: toughened high-iron glass paired with stainless steel spider hinges from 1990s curtain-wall facades, repurposed at domestic scale.

The starting point was a commission, not a concept. A friend asked Tino Seubert to build a TV cabinet that could conceal the screen when not in use. Working with spider hinges, the kind deployed on glazed building facades, he built a piece of furniture that used them as both fixed and movable joints, placing them throughout the structure with what he describes as extravagance. That first object disclosed more than it resolved: the hinges and glass planes, Seubert realized, could function as a modular system generating three-dimensional form through CAD exploration. Ferric Glass followed from that moment.

Design: @tinoseubert
Photography: @piercarloquecchia

Read more at thisispaper.com

From Thisispaper+ Collectible Design

London-based designer Tino Seubert builds Ferric Glass around a single premise: toughened high-iron glass paired with stainless steel spider hinges from 1990s curtain-wall facades, repurposed at domestic scale.

The starting point was a commission, not a concept. A friend asked Tino Seubert to build a TV cabinet that could conceal the screen when not in use. Working with spider hinges, the kind deployed on glazed building facades, he built a piece of furniture that used them as both fixed and movable joints, placing them throughout the structure with what he describes as extravagance. That first object disclosed more than it resolved: the hinges and glass planes, Seubert realized, could function as a modular system generating three-dimensional form through CAD exploration. Ferric Glass followed from that moment.

Design: @tinoseubert
Photography: @piercarloquecchia

Read more at thisispaper.com

From Thisispaper+ Collectible Design

London-based designer Tino Seubert builds Ferric Glass around a single premise: toughened high-iron glass paired with stainless steel spider hinges from 1990s curtain-wall facades, repurposed at domestic scale.

The starting point was a commission, not a concept. A friend asked Tino Seubert to build a TV cabinet that could conceal the screen when not in use. Working with spider hinges, the kind deployed on glazed building facades, he built a piece of furniture that used them as both fixed and movable joints, placing them throughout the structure with what he describes as extravagance. That first object disclosed more than it resolved: the hinges and glass planes, Seubert realized, could function as a modular system generating three-dimensional form through CAD exploration. Ferric Glass followed from that moment.

Design: @tinoseubert
Photography: @piercarloquecchia

Read more at thisispaper.com

Flower detail of our biggest Hana so far. Oak and Oslo Formica. For an LA residential project by @meghan.eisenberg
Photo by @kane_hulse_studio

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

Flute pencil trays are back in stock…
…with some fresh photos by @philippefragniere

The biggest Hana so far. 4 levels. 2.2m long. Oak and Oslo Formica. For an LA residential project by @meghan.eisenberg 🩵
All photos by @kane_hulse_studio

The biggest Hana so far. 4 levels. 2.2m long. Oak and Oslo Formica. For an LA residential project by @meghan.eisenberg 🩵
All photos by @kane_hulse_studio

The biggest Hana so far. 4 levels. 2.2m long. Oak and Oslo Formica. For an LA residential project by @meghan.eisenberg 🩵
All photos by @kane_hulse_studio

The biggest Hana so far. 4 levels. 2.2m long. Oak and Oslo Formica. For an LA residential project by @meghan.eisenberg 🩵
All photos by @kane_hulse_studio

The biggest Hana so far. 4 levels. 2.2m long. Oak and Oslo Formica. For an LA residential project by @meghan.eisenberg 🩵
All photos by @kane_hulse_studio

The biggest Hana so far. 4 levels. 2.2m long. Oak and Oslo Formica. For an LA residential project by @meghan.eisenberg 🩵
All photos by @kane_hulse_studio

The Nude Chair was designed for Arpa using the group’s materials @fenixforinteriors and @formicagroupeu , and showcased at @3daysofdesign 2025 in Copenhagen. It contrasts the luminous yellow of Formica laminate with the soft, tactile quality of Fenix Cacao Orinoco, applied to all surfaces in contact with the body, ultimately informing the name Nude Chair.

Photos with and without me by @claudiazalla

The Nude Chair was designed for Arpa using the group’s materials @fenixforinteriors and @formicagroupeu , and showcased at @3daysofdesign 2025 in Copenhagen. It contrasts the luminous yellow of Formica laminate with the soft, tactile quality of Fenix Cacao Orinoco, applied to all surfaces in contact with the body, ultimately informing the name Nude Chair.

Photos with and without me by @claudiazalla

Woven bar stool seats from sunnier / summier times 🌞

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Fuji in Fujicolor 🇯🇵

Stunner photo by @eduardsanchezribot of my Ferric Travertine Bowl as part of @wallpapermag ’s mid-century shoot for their December 2025 issue by @ollymason0 🤎🪨🧡

Allègre chairs light in this New York Upper East Side model residence by @aguir.re for @thestrathmorenyc
Beautifully shot by Billal Taright

Allègre chairs light in this New York Upper East Side model residence by @aguir.re for @thestrathmorenyc
Beautifully shot by Billal Taright

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Too good to be forgotten after a 24-hour story. An absolute stunner and one of my Kyoto highlights: the ICC Kyoto International Conference Center, designed by Sachio Otani and completed in 1966.

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵

Another run around the sun is done 🎈🚬
Can’t be asked to look for cute pictures of myself, so the 39 is dedicated to

𝗦𝗽𝗶𝗱𝗲𝗿 𝗵𝗶𝗻𝗴𝗲𝘀 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗴𝗹𝗮𝘀𝘀 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗼𝗿𝘀 𝗜’𝘃𝗲 𝗺𝗲𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿.

I hope you enjoy them as much as I do 🩵