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We are incredibly excited to have Chl0ecurry and Tomi Rose perform as a duo this coming Saturday! @chl0ecurry @tomrosetcr
They are multidisciplinary artists and musicians, whose work brings together elements of pagan ritual, architecture and minerals.
Using two harps, electronics, found objects and instruments, they will create incandescent tones and immersive sound. Don’t ⚔️ miss this one and grab your tickets.
March 21 on at 9:30 pm
@vespersclub
📷 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
THANK YOU FOR COMING TO SECRET CEREMONY BY @lost.art.media X @dashthehengestore 🖤🤍🖤🤍
This Thursday we hosted the last screening of our TAROT SEASON at our beloved @liveatstgiles .
We thought it fitting to finish up with a homage to the big guy downstairs (Satan, of course😉👹), so we showed BLACK NARCISSUS (1947). Its themes of bondage, unhealthy desire, and temptation channelled the energy of the tarot’s devil card.
Special thanks go to @chl0ecurry and @tomrosetcr for the haunting harp and experimental electronica that drenched the evening in eerie atmosphere.
Our next season starts in Feb, so keep your eyes peeled… we’ll be announcing new events soon👀
To get first dibs on tickets, make sure you’re signed up to newsletter. Link in bio.
📸 @nazliiadiguzel
Today marks my last day as a full time rascal at the Design Museum before freelance. I wanted to take a moment to reflect on the project that brought me back…
Taking on a gigantic exhibition like The World of Tim Burton was beyond words intimidating. I spent many sleepless nights deliberating over whether I could feasibly take it on, and many, many, many more when I was responsible for the thing (sorry Cam 💙). As a film lover, I was tipped over the edge purely by virtue of the fact my primary task involved rewatching those magical films that made me feel less lonesome as an odd child and adolescent in rural Ireland.
We’ve been shortlisted in the exhibition of the year category at the Museums + Heritage Awards; by no means a singular effort. Many wonderful and ridiculously thoughtful people came together to make this such a special project. Thank you in abundance…
Assistant Curator // Hadeel Eltayeb
Project Managers // Gabria Lupone, Giulia Cozzi and Alice Bell
Tim Burton Productions // Brandi Pomfret, Sadie Doherty and Cale Wilbanks
Interpretation Editor // Susan Dymond
Exhibition Design // Hara Clark
Lighting Design // BEAM Lighting Design
Graphic Design // Regular Practice
Exhibition Build // MER Services Ltd
Graphic Production // OMNI Colour
Audio-visual // Blue Elephant
Sound Design // Tomi Rose (wait to the end of this carousel for a wonderful deep dive into this actual genius’ mind 🫂)
Film Commissions // Carlos Jimenez (the first slide is a snippet of Carlos’s film)
Fine Art Installation // Patina Art Collection Care
In-house Technical Team // Raf Wojas, Francis Brittin and Marc Cowan
Conservation // Atelier Nine and Bathe Conservation Services
The World of Tim Burton was initially conceived by a remarkably talented curator, Jenny He (@jenny.he.film <3).
Of course, more than anything, thanks go to Mr Burton himself – thank you for trusting us with your story, and for letting me think about anthropomorphic limbs and a person with scissors for hands on a regular old work day.
Today marks my last day as a full time rascal at the Design Museum before freelance. I wanted to take a moment to reflect on the project that brought me back…
Taking on a gigantic exhibition like The World of Tim Burton was beyond words intimidating. I spent many sleepless nights deliberating over whether I could feasibly take it on, and many, many, many more when I was responsible for the thing (sorry Cam 💙). As a film lover, I was tipped over the edge purely by virtue of the fact my primary task involved rewatching those magical films that made me feel less lonesome as an odd child and adolescent in rural Ireland.
We’ve been shortlisted in the exhibition of the year category at the Museums + Heritage Awards; by no means a singular effort. Many wonderful and ridiculously thoughtful people came together to make this such a special project. Thank you in abundance…
Assistant Curator // Hadeel Eltayeb
Project Managers // Gabria Lupone, Giulia Cozzi and Alice Bell
Tim Burton Productions // Brandi Pomfret, Sadie Doherty and Cale Wilbanks
Interpretation Editor // Susan Dymond
Exhibition Design // Hara Clark
Lighting Design // BEAM Lighting Design
Graphic Design // Regular Practice
Exhibition Build // MER Services Ltd
Graphic Production // OMNI Colour
Audio-visual // Blue Elephant
Sound Design // Tomi Rose (wait to the end of this carousel for a wonderful deep dive into this actual genius’ mind 🫂)
Film Commissions // Carlos Jimenez (the first slide is a snippet of Carlos’s film)
Fine Art Installation // Patina Art Collection Care
In-house Technical Team // Raf Wojas, Francis Brittin and Marc Cowan
Conservation // Atelier Nine and Bathe Conservation Services
The World of Tim Burton was initially conceived by a remarkably talented curator, Jenny He (@jenny.he.film <3).
Of course, more than anything, thanks go to Mr Burton himself – thank you for trusting us with your story, and for letting me think about anthropomorphic limbs and a person with scissors for hands on a regular old work day.
Today marks my last day as a full time rascal at the Design Museum before freelance. I wanted to take a moment to reflect on the project that brought me back…
Taking on a gigantic exhibition like The World of Tim Burton was beyond words intimidating. I spent many sleepless nights deliberating over whether I could feasibly take it on, and many, many, many more when I was responsible for the thing (sorry Cam 💙). As a film lover, I was tipped over the edge purely by virtue of the fact my primary task involved rewatching those magical films that made me feel less lonesome as an odd child and adolescent in rural Ireland.
We’ve been shortlisted in the exhibition of the year category at the Museums + Heritage Awards; by no means a singular effort. Many wonderful and ridiculously thoughtful people came together to make this such a special project. Thank you in abundance…
Assistant Curator // Hadeel Eltayeb
Project Managers // Gabria Lupone, Giulia Cozzi and Alice Bell
Tim Burton Productions // Brandi Pomfret, Sadie Doherty and Cale Wilbanks
Interpretation Editor // Susan Dymond
Exhibition Design // Hara Clark
Lighting Design // BEAM Lighting Design
Graphic Design // Regular Practice
Exhibition Build // MER Services Ltd
Graphic Production // OMNI Colour
Audio-visual // Blue Elephant
Sound Design // Tomi Rose (wait to the end of this carousel for a wonderful deep dive into this actual genius’ mind 🫂)
Film Commissions // Carlos Jimenez (the first slide is a snippet of Carlos’s film)
Fine Art Installation // Patina Art Collection Care
In-house Technical Team // Raf Wojas, Francis Brittin and Marc Cowan
Conservation // Atelier Nine and Bathe Conservation Services
The World of Tim Burton was initially conceived by a remarkably talented curator, Jenny He (@jenny.he.film <3).
Of course, more than anything, thanks go to Mr Burton himself – thank you for trusting us with your story, and for letting me think about anthropomorphic limbs and a person with scissors for hands on a regular old work day.
Today marks my last day as a full time rascal at the Design Museum before freelance. I wanted to take a moment to reflect on the project that brought me back…
Taking on a gigantic exhibition like The World of Tim Burton was beyond words intimidating. I spent many sleepless nights deliberating over whether I could feasibly take it on, and many, many, many more when I was responsible for the thing (sorry Cam 💙). As a film lover, I was tipped over the edge purely by virtue of the fact my primary task involved rewatching those magical films that made me feel less lonesome as an odd child and adolescent in rural Ireland.
We’ve been shortlisted in the exhibition of the year category at the Museums + Heritage Awards; by no means a singular effort. Many wonderful and ridiculously thoughtful people came together to make this such a special project. Thank you in abundance…
Assistant Curator // Hadeel Eltayeb
Project Managers // Gabria Lupone, Giulia Cozzi and Alice Bell
Tim Burton Productions // Brandi Pomfret, Sadie Doherty and Cale Wilbanks
Interpretation Editor // Susan Dymond
Exhibition Design // Hara Clark
Lighting Design // BEAM Lighting Design
Graphic Design // Regular Practice
Exhibition Build // MER Services Ltd
Graphic Production // OMNI Colour
Audio-visual // Blue Elephant
Sound Design // Tomi Rose (wait to the end of this carousel for a wonderful deep dive into this actual genius’ mind 🫂)
Film Commissions // Carlos Jimenez (the first slide is a snippet of Carlos’s film)
Fine Art Installation // Patina Art Collection Care
In-house Technical Team // Raf Wojas, Francis Brittin and Marc Cowan
Conservation // Atelier Nine and Bathe Conservation Services
The World of Tim Burton was initially conceived by a remarkably talented curator, Jenny He (@jenny.he.film <3).
Of course, more than anything, thanks go to Mr Burton himself – thank you for trusting us with your story, and for letting me think about anthropomorphic limbs and a person with scissors for hands on a regular old work day.
Today marks my last day as a full time rascal at the Design Museum before freelance. I wanted to take a moment to reflect on the project that brought me back…
Taking on a gigantic exhibition like The World of Tim Burton was beyond words intimidating. I spent many sleepless nights deliberating over whether I could feasibly take it on, and many, many, many more when I was responsible for the thing (sorry Cam 💙). As a film lover, I was tipped over the edge purely by virtue of the fact my primary task involved rewatching those magical films that made me feel less lonesome as an odd child and adolescent in rural Ireland.
We’ve been shortlisted in the exhibition of the year category at the Museums + Heritage Awards; by no means a singular effort. Many wonderful and ridiculously thoughtful people came together to make this such a special project. Thank you in abundance…
Assistant Curator // Hadeel Eltayeb
Project Managers // Gabria Lupone, Giulia Cozzi and Alice Bell
Tim Burton Productions // Brandi Pomfret, Sadie Doherty and Cale Wilbanks
Interpretation Editor // Susan Dymond
Exhibition Design // Hara Clark
Lighting Design // BEAM Lighting Design
Graphic Design // Regular Practice
Exhibition Build // MER Services Ltd
Graphic Production // OMNI Colour
Audio-visual // Blue Elephant
Sound Design // Tomi Rose (wait to the end of this carousel for a wonderful deep dive into this actual genius’ mind 🫂)
Film Commissions // Carlos Jimenez (the first slide is a snippet of Carlos’s film)
Fine Art Installation // Patina Art Collection Care
In-house Technical Team // Raf Wojas, Francis Brittin and Marc Cowan
Conservation // Atelier Nine and Bathe Conservation Services
The World of Tim Burton was initially conceived by a remarkably talented curator, Jenny He (@jenny.he.film <3).
Of course, more than anything, thanks go to Mr Burton himself – thank you for trusting us with your story, and for letting me think about anthropomorphic limbs and a person with scissors for hands on a regular old work day.
Today marks my last day as a full time rascal at the Design Museum before freelance. I wanted to take a moment to reflect on the project that brought me back…
Taking on a gigantic exhibition like The World of Tim Burton was beyond words intimidating. I spent many sleepless nights deliberating over whether I could feasibly take it on, and many, many, many more when I was responsible for the thing (sorry Cam 💙). As a film lover, I was tipped over the edge purely by virtue of the fact my primary task involved rewatching those magical films that made me feel less lonesome as an odd child and adolescent in rural Ireland.
We’ve been shortlisted in the exhibition of the year category at the Museums + Heritage Awards; by no means a singular effort. Many wonderful and ridiculously thoughtful people came together to make this such a special project. Thank you in abundance…
Assistant Curator // Hadeel Eltayeb
Project Managers // Gabria Lupone, Giulia Cozzi and Alice Bell
Tim Burton Productions // Brandi Pomfret, Sadie Doherty and Cale Wilbanks
Interpretation Editor // Susan Dymond
Exhibition Design // Hara Clark
Lighting Design // BEAM Lighting Design
Graphic Design // Regular Practice
Exhibition Build // MER Services Ltd
Graphic Production // OMNI Colour
Audio-visual // Blue Elephant
Sound Design // Tomi Rose (wait to the end of this carousel for a wonderful deep dive into this actual genius’ mind 🫂)
Film Commissions // Carlos Jimenez (the first slide is a snippet of Carlos’s film)
Fine Art Installation // Patina Art Collection Care
In-house Technical Team // Raf Wojas, Francis Brittin and Marc Cowan
Conservation // Atelier Nine and Bathe Conservation Services
The World of Tim Burton was initially conceived by a remarkably talented curator, Jenny He (@jenny.he.film <3).
Of course, more than anything, thanks go to Mr Burton himself – thank you for trusting us with your story, and for letting me think about anthropomorphic limbs and a person with scissors for hands on a regular old work day.
Today marks my last day as a full time rascal at the Design Museum before freelance. I wanted to take a moment to reflect on the project that brought me back…
Taking on a gigantic exhibition like The World of Tim Burton was beyond words intimidating. I spent many sleepless nights deliberating over whether I could feasibly take it on, and many, many, many more when I was responsible for the thing (sorry Cam 💙). As a film lover, I was tipped over the edge purely by virtue of the fact my primary task involved rewatching those magical films that made me feel less lonesome as an odd child and adolescent in rural Ireland.
We’ve been shortlisted in the exhibition of the year category at the Museums + Heritage Awards; by no means a singular effort. Many wonderful and ridiculously thoughtful people came together to make this such a special project. Thank you in abundance…
Assistant Curator // Hadeel Eltayeb
Project Managers // Gabria Lupone, Giulia Cozzi and Alice Bell
Tim Burton Productions // Brandi Pomfret, Sadie Doherty and Cale Wilbanks
Interpretation Editor // Susan Dymond
Exhibition Design // Hara Clark
Lighting Design // BEAM Lighting Design
Graphic Design // Regular Practice
Exhibition Build // MER Services Ltd
Graphic Production // OMNI Colour
Audio-visual // Blue Elephant
Sound Design // Tomi Rose (wait to the end of this carousel for a wonderful deep dive into this actual genius’ mind 🫂)
Film Commissions // Carlos Jimenez (the first slide is a snippet of Carlos’s film)
Fine Art Installation // Patina Art Collection Care
In-house Technical Team // Raf Wojas, Francis Brittin and Marc Cowan
Conservation // Atelier Nine and Bathe Conservation Services
The World of Tim Burton was initially conceived by a remarkably talented curator, Jenny He (@jenny.he.film <3).
Of course, more than anything, thanks go to Mr Burton himself – thank you for trusting us with your story, and for letting me think about anthropomorphic limbs and a person with scissors for hands on a regular old work day.
Just walk out to sea.
@risingsuncollective @montezpressradio
This one-off show hums through shared root, ongoing reflection and new playfulness, all in a binbag afloat smog: live from the SE15 basement, played out Dial.
The Rising Sun Collective all-day takeover on Montez Press Radio in October 2022.
Hug(e) thanks to @mann_derr & @emily_pope90!
@2toph @brother_may @cobysey @gwillyedmondez @ye_yu_fam @odiejighast @widtproject @milanowacka @antoninawidt @objectcollection @ashleypaul @jules_reidy @e.j.mcc @yesindeedthebrand @chaines.official @bassclefbass @untitledparkinson @ccccompetition @odbpowell @marcpelldrums @abelselaocoe @timothy_haccius @bethkettel
Just walk out to sea.
@risingsuncollective @montezpressradio
This one-off show hums through shared root, ongoing reflection and new playfulness, all in a binbag afloat smog: live from the SE15 basement, played out Dial.
The Rising Sun Collective all-day takeover on Montez Press Radio in October 2022.
Hug(e) thanks to @mann_derr & @emily_pope90!
@2toph @brother_may @cobysey @gwillyedmondez @ye_yu_fam @odiejighast @widtproject @milanowacka @antoninawidt @objectcollection @ashleypaul @jules_reidy @e.j.mcc @yesindeedthebrand @chaines.official @bassclefbass @untitledparkinson @ccccompetition @odbpowell @marcpelldrums @abelselaocoe @timothy_haccius @bethkettel
Just walk out to sea.
@risingsuncollective @montezpressradio
This one-off show hums through shared root, ongoing reflection and new playfulness, all in a binbag afloat smog: live from the SE15 basement, played out Dial.
The Rising Sun Collective all-day takeover on Montez Press Radio in October 2022.
Hug(e) thanks to @mann_derr & @emily_pope90!
@2toph @brother_may @cobysey @gwillyedmondez @ye_yu_fam @odiejighast @widtproject @milanowacka @antoninawidt @objectcollection @ashleypaul @jules_reidy @e.j.mcc @yesindeedthebrand @chaines.official @bassclefbass @untitledparkinson @ccccompetition @odbpowell @marcpelldrums @abelselaocoe @timothy_haccius @bethkettel
Oldie for The Rising Sun Show over at F.FM.
A lap of mud homey bi-lands.
@risingsuncollective @foundation.fm
@rspb pied avocets + Bill Evans + @teresawinterr @boomkatonline + @deathisnot + @royksopp + Lolina @relaxinrecords + @mark.leckey + @antoninawidt + @stillhouseplants + Sd Laika (RIP) + @bjork + @dddddddddeon @morphine_records_raum + @odiejighast + @ye_yu_fam + @sholtodobie + @medicinestunts & @lucreciadalt + Mica Levi @qujunktions + György Kurtág + @madonna + harp glitch jingle @chl0ecurry @tinaitinaitinai
Clink ↑
Oldie for The Rising Sun Show over at F.FM.
A lap of mud homey bi-lands.
@risingsuncollective @foundation.fm
@rspb pied avocets + Bill Evans + @teresawinterr @boomkatonline + @deathisnot + @royksopp + Lolina @relaxinrecords + @mark.leckey + @antoninawidt + @stillhouseplants + Sd Laika (RIP) + @bjork + @dddddddddeon @morphine_records_raum + @odiejighast + @ye_yu_fam + @sholtodobie + @medicinestunts & @lucreciadalt + Mica Levi @qujunktions + György Kurtág + @madonna + harp glitch jingle @chl0ecurry @tinaitinaitinai
Clink ↑
Oldie for The Rising Sun Show over at F.FM.
A lap of mud homey bi-lands.
@risingsuncollective @foundation.fm
@rspb pied avocets + Bill Evans + @teresawinterr @boomkatonline + @deathisnot + @royksopp + Lolina @relaxinrecords + @mark.leckey + @antoninawidt + @stillhouseplants + Sd Laika (RIP) + @bjork + @dddddddddeon @morphine_records_raum + @odiejighast + @ye_yu_fam + @sholtodobie + @medicinestunts & @lucreciadalt + Mica Levi @qujunktions + György Kurtág + @madonna + harp glitch jingle @chl0ecurry @tinaitinaitinai
Clink ↑
Oldie for The Rising Sun Show over at F.FM.
A lap of mud homey bi-lands.
@risingsuncollective @foundation.fm
@rspb pied avocets + Bill Evans + @teresawinterr @boomkatonline + @deathisnot + @royksopp + Lolina @relaxinrecords + @mark.leckey + @antoninawidt + @stillhouseplants + Sd Laika (RIP) + @bjork + @dddddddddeon @morphine_records_raum + @odiejighast + @ye_yu_fam + @sholtodobie + @medicinestunts & @lucreciadalt + Mica Levi @qujunktions + György Kurtág + @madonna + harp glitch jingle @chl0ecurry @tinaitinaitinai
Clink ↑
BCR Special: Slip on Berlin Community Radio.
T x live mix (minus chat) playing music from Slip and friends and more, plus extra selections in conspiracy with Suze Whaites + Laurie Tompkins. Thanks @ben_galt and @sarahmilesoo.
@bcr_radio @slipimprint
Joan La Barbara + @ollycoates + @samandreae + @marcpelldrums + @laurietompk + Boom Edan + @jlin_p + @hannahdiamond_ HD/TCR + @elvinbrandhi + @jacobfsamuel x Klein + @tommygenesis + @ronnie + @swan.meat + @chaines.official + @aaroncparker + Beatrice Dillon & Rupert Clervaux + Ingebjørg Loe Bjørnstad & @kitdownesmusic + @jules_reidy + Dean Blunt + Bvlghvm + Bernardo Bonezzi + Moor Mother + @father + Mica Levi + Bad@Maths + @sweetie_darling_bebe HSBC @bassclefbass + Benjamin Britten + @tomchallenger1 & Kit Downes + @2pac
2017 wormhole in l-tree/bio LINK!
BCR Special: Slip on Berlin Community Radio.
T x live mix (minus chat) playing music from Slip and friends and more, plus extra selections in conspiracy with Suze Whaites + Laurie Tompkins. Thanks @ben_galt and @sarahmilesoo.
@bcr_radio @slipimprint
Joan La Barbara + @ollycoates + @samandreae + @marcpelldrums + @laurietompk + Boom Edan + @jlin_p + @hannahdiamond_ HD/TCR + @elvinbrandhi + @jacobfsamuel x Klein + @tommygenesis + @ronnie + @swan.meat + @chaines.official + @aaroncparker + Beatrice Dillon & Rupert Clervaux + Ingebjørg Loe Bjørnstad & @kitdownesmusic + @jules_reidy + Dean Blunt + Bvlghvm + Bernardo Bonezzi + Moor Mother + @father + Mica Levi + Bad@Maths + @sweetie_darling_bebe HSBC @bassclefbass + Benjamin Britten + @tomchallenger1 & Kit Downes + @2pac
2017 wormhole in l-tree/bio LINK!
BCR Special: Slip on Berlin Community Radio.
T x live mix (minus chat) playing music from Slip and friends and more, plus extra selections in conspiracy with Suze Whaites + Laurie Tompkins. Thanks @ben_galt and @sarahmilesoo.
@bcr_radio @slipimprint
Joan La Barbara + @ollycoates + @samandreae + @marcpelldrums + @laurietompk + Boom Edan + @jlin_p + @hannahdiamond_ HD/TCR + @elvinbrandhi + @jacobfsamuel x Klein + @tommygenesis + @ronnie + @swan.meat + @chaines.official + @aaroncparker + Beatrice Dillon & Rupert Clervaux + Ingebjørg Loe Bjørnstad & @kitdownesmusic + @jules_reidy + Dean Blunt + Bvlghvm + Bernardo Bonezzi + Moor Mother + @father + Mica Levi + Bad@Maths + @sweetie_darling_bebe HSBC @bassclefbass + Benjamin Britten + @tomchallenger1 & Kit Downes + @2pac
2017 wormhole in l-tree/bio LINK!
BCR Special: Slip on Berlin Community Radio.
T x live mix (minus chat) playing music from Slip and friends and more, plus extra selections in conspiracy with Suze Whaites + Laurie Tompkins. Thanks @ben_galt and @sarahmilesoo.
@bcr_radio @slipimprint
Joan La Barbara + @ollycoates + @samandreae + @marcpelldrums + @laurietompk + Boom Edan + @jlin_p + @hannahdiamond_ HD/TCR + @elvinbrandhi + @jacobfsamuel x Klein + @tommygenesis + @ronnie + @swan.meat + @chaines.official + @aaroncparker + Beatrice Dillon & Rupert Clervaux + Ingebjørg Loe Bjørnstad & @kitdownesmusic + @jules_reidy + Dean Blunt + Bvlghvm + Bernardo Bonezzi + Moor Mother + @father + Mica Levi + Bad@Maths + @sweetie_darling_bebe HSBC @bassclefbass + Benjamin Britten + @tomchallenger1 & Kit Downes + @2pac
2017 wormhole in l-tree/bio LINK!
I've made an hour of nomad air for @mark.leckey on @nts_radio — crazy gassed and vast thankful. 1pm today featuring 1yo niece on keys, beautiful music, implosion, 100-land, swamp, etc. Image by @chl0ecurry! www.nts.live/2
Tonight live at OTO — new from me - 'rush v tyco glime' + Mica Levi - 'NORTH, SOUTH, GHOST' — wild joy to do this: so very grateful!
Tonight live at OTO — new from me - 'rush v tyco glime' + Mica Levi - 'NORTH, SOUTH, GHOST' — wild joy to do this: so very grateful!
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.