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Empty 005

Empty 005

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Really proud to present VOL005, for my dear @mac.declos
.
.
It’s a piece that combines many ideas I’ve been wanting to try for a long time. From the use of concrete to the design of the cdj stands.
Design, concept, and fabrication: @volume.tones
.
.
This is by far the tallest booth I’ve designed, with a deck standing at 115 cm. The back and upper parts are made of concrete panels, contrasting with the warmth of the oak in the record storage section.
.
.
I love that it works both as a stylish living room piece and as a club-like DJ booth at night with the right lighting.
.
At the time of delivery and the tuning of the last details, Antonin had just returned from New York with a bag full of 90’s NYC house records. That inspired the choice of making Sting – Demolition Man (Soulpower House Dub) the record that would come with this booth.
Thank you Anto for the trust!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Things and scenes from 2025, Volume’s first full year!

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Trying new things and spaces with @spectrumwavesparis 🤍
.
Ambient room installation for Spectrum x Bassiani on November 1st 2025.
.
.
The installation aims to offer a quiet, soothing, immersive space that contrasts with other areas of the club.
It includes and echoes a poem written by Lea Occhi, exploring the notion of fragility through materials set in opposition, inspired by the poem’s dualities.
.
Our nights are as fragiles as they are strong, as quiet as they are loud, partly hidden yet fully alive. These tensions shape the contrasts at play here.
The lower section exposes a raw dialogue between industrial materials and cold light, while Léa’s words crown the space, balancing the room with a banner that is both calming and forceful.
.
Concept, design, and installation: Volume Tones - Tibo Froissant
Artistic Direction: @spectrumwavesparis
Poem: @leaocchi
Cover Illustration: @raeza_xx - Cédric Razanakoto
Documentation: @ihebfehri_
.
Thank you to La Station Gare des Mines, Bruno Mendes de Andrade, Carla Stefani, Théa Stefani, Felix Chapelle, Tiphaine Mazoin.

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

Scénographie pour le lancement de la nouvelle collection de @foooouuuur à @vie_projects_ .
Une structure en U construite à partir d’éléments de cuisine professionnelle.
Elle invite à entrer, à circuler librement, et reste ouverte sur tous les côtés tout en gardant un côté aérien qui met les céramiques en avant.

Set Design for the launch of @foooouuuur new collection last week at @vie_projects_ .
A U-shaped display built from professional kitchen units.
It invites you in, encourages movements, clears the walls, and stays open to every side. It keeps a light and open feeling that highlights the ceramic pieces.

📸 Great documentation pictures by @federmess

What a journey! ✨ Our tropical jungle came alive - a sanctuary of dance, love, freedom.

Thank you to our incredible artists @abs8lute, @erreur_de_jeunesse__, @fantastic.m_n_dj, @golcekummer, @__isabelsoto, @kloareg.plus, @leaocchi, @mariejulie_dj, @shinedoe_artist, @hadriensotto, @theladymachine, @toscan.haas for their percussive & explosive sets, to @volume.tones for transforming our space into a living forest, to @ihebfehri_ for his vibrant vision throughout our first exhibition, to @blacklightlumiere and all @stationgaredesmines team for their loyal hospitality.

And above all, thanks to you, our dear community, for your solar energy and inconditionnel love. You are the lifeblood that makes our nights vibrate, and the inspiration that pushes us ever further.

See you soon for new adventures - the jungle never stops dancing. 🌿🧡

What a journey! ✨ Our tropical jungle came alive - a sanctuary of dance, love, freedom.

Thank you to our incredible artists @abs8lute, @erreur_de_jeunesse__, @fantastic.m_n_dj, @golcekummer, @__isabelsoto, @kloareg.plus, @leaocchi, @mariejulie_dj, @shinedoe_artist, @hadriensotto, @theladymachine, @toscan.haas for their percussive & explosive sets, to @volume.tones for transforming our space into a living forest, to @ihebfehri_ for his vibrant vision throughout our first exhibition, to @blacklightlumiere and all @stationgaredesmines team for their loyal hospitality.

And above all, thanks to you, our dear community, for your solar energy and inconditionnel love. You are the lifeblood that makes our nights vibrate, and the inspiration that pushes us ever further.

See you soon for new adventures - the jungle never stops dancing. 🌿🧡

What a journey! ✨ Our tropical jungle came alive - a sanctuary of dance, love, freedom.

Thank you to our incredible artists @abs8lute, @erreur_de_jeunesse__, @fantastic.m_n_dj, @golcekummer, @__isabelsoto, @kloareg.plus, @leaocchi, @mariejulie_dj, @shinedoe_artist, @hadriensotto, @theladymachine, @toscan.haas for their percussive & explosive sets, to @volume.tones for transforming our space into a living forest, to @ihebfehri_ for his vibrant vision throughout our first exhibition, to @blacklightlumiere and all @stationgaredesmines team for their loyal hospitality.

And above all, thanks to you, our dear community, for your solar energy and inconditionnel love. You are the lifeblood that makes our nights vibrate, and the inspiration that pushes us ever further.

See you soon for new adventures - the jungle never stops dancing. 🌿🧡

What a journey! ✨ Our tropical jungle came alive - a sanctuary of dance, love, freedom.

Thank you to our incredible artists @abs8lute, @erreur_de_jeunesse__, @fantastic.m_n_dj, @golcekummer, @__isabelsoto, @kloareg.plus, @leaocchi, @mariejulie_dj, @shinedoe_artist, @hadriensotto, @theladymachine, @toscan.haas for their percussive & explosive sets, to @volume.tones for transforming our space into a living forest, to @ihebfehri_ for his vibrant vision throughout our first exhibition, to @blacklightlumiere and all @stationgaredesmines team for their loyal hospitality.

And above all, thanks to you, our dear community, for your solar energy and inconditionnel love. You are the lifeblood that makes our nights vibrate, and the inspiration that pushes us ever further.

See you soon for new adventures - the jungle never stops dancing. 🌿🧡

What a journey! ✨ Our tropical jungle came alive - a sanctuary of dance, love, freedom.

Thank you to our incredible artists @abs8lute, @erreur_de_jeunesse__, @fantastic.m_n_dj, @golcekummer, @__isabelsoto, @kloareg.plus, @leaocchi, @mariejulie_dj, @shinedoe_artist, @hadriensotto, @theladymachine, @toscan.haas for their percussive & explosive sets, to @volume.tones for transforming our space into a living forest, to @ihebfehri_ for his vibrant vision throughout our first exhibition, to @blacklightlumiere and all @stationgaredesmines team for their loyal hospitality.

And above all, thanks to you, our dear community, for your solar energy and inconditionnel love. You are the lifeblood that makes our nights vibrate, and the inspiration that pushes us ever further.

See you soon for new adventures - the jungle never stops dancing. 🌿🧡

What a journey! ✨ Our tropical jungle came alive - a sanctuary of dance, love, freedom.

Thank you to our incredible artists @abs8lute, @erreur_de_jeunesse__, @fantastic.m_n_dj, @golcekummer, @__isabelsoto, @kloareg.plus, @leaocchi, @mariejulie_dj, @shinedoe_artist, @hadriensotto, @theladymachine, @toscan.haas for their percussive & explosive sets, to @volume.tones for transforming our space into a living forest, to @ihebfehri_ for his vibrant vision throughout our first exhibition, to @blacklightlumiere and all @stationgaredesmines team for their loyal hospitality.

And above all, thanks to you, our dear community, for your solar energy and inconditionnel love. You are the lifeblood that makes our nights vibrate, and the inspiration that pushes us ever further.

See you soon for new adventures - the jungle never stops dancing. 🌿🧡

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

Scenography for @spectrumwavesparis annual 2 days event at @stationgaredesmines .
.
.
Concept, design, and fabrication by yours truly. The idea was to lower the club’s ceiling by creating a botanical sky. Suspended on aluminium frames and chains, the plants served less as decoration and more as a filter, fragmenting the lights. At times it felt like a jungle, at others like being under the sea.
.
.
Proud to share that 80% of the scenography was built with upcycled materials – and will live on in future projects.
.
.
The first slide is a beautiful interpretation of this week-end by @raeza_xx
.
Endless thanks to @davidlenr @leaocchi @d.i.andra for their trust, @stationgaredesmines for backing our ideas, @ihebfehri_ for documenting it in such an intimate, anonymous, yet beautiful way. This wouldn’t be the same without the beautiful lighting by @pelliniaw and @atuvi1_ . And of course to the best helping team who made it possible and kept everything running smoothly –even in the rain, always with a smile. @stanherb @shlag_velours @a.litique____ @matteo.casha @francois_yren

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

EN — Scenography & light design for @spectrumwavesparis event at @le_sample_bagnolet on July 13.
.
For Spectrum’s first event at Le Sample, we wanted to play with the contrast between the verticality of the surrounding trees and a raw, horizontal light structure.
The result is a more intimate dancefloor atmosphere with the metal and light ceiling hanging between the crowd and the canopy.
The dimmable bulbs broke away from typical club lighting, creating a softer, more unusual mood for this kind of setting.
.
Light Concept: Volume Tones & @francois_yren 
Technics: @pafpierrant @matteo.casha @stanherb
Infinite thanks to the dream volunteer crew: @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb and to Pandora.
Slide 2.3,6, and 7 by @fany.brdn
.
And so grateful to @davidlenr @leaocchi @d.i.andra for your trust. Working with you is as fun as it is professional — love love love 🤍
.
.
.
FR — Scénographie & light design pour@spectrumwavesparis au @le_sample_bagnolet le 13 juillet.
L’installation de cette première Spectrum au Sample joue avec le contraste entre la verticalité des arbres et une structure lumineuse horizontale, brute et industrielle.
Le dancefloor se transforme en un espace plus intime. Les ampoules dimmables changent de l’éclairage club classique, pour une atmosphère plus douce et organique.

Concept lumière : Volume Tones & @francois_yren 
Technique : @pafpierrant @stanherb @matteo.casha
Immense merci à l’équipe de bénévoles de rêve : @andy__pi_ @frstclemence @francois_yren @matteo.casha @stanherb et à Pandora.
.
Et so grateful @davidlenr @leaocchi @d.i.andra — too fun yet too pro de bosser avec vous. Love love love ❤

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

🇬🇧EN- (Français en dessous)
NoBooth is a DJ booth proposal for an electronic music festival on the theme of metamorphosis, created in collaboration with @francoisdenery and @matteocasha.

Since the festival takes place in the heart of nature, the idea was to build the booth using materials with no environmental impact — so that the entire structure could naturally degrade after the event.
Earth returning to earth — or rather, letting nature take over again.

We chose to use rammed earth, an ancient and sustainable building technique. The booth would fulfill its role during the festival, then slowly and naturally decay, becoming a fading trace of the celebration — a memory in metamorphosis.

🇫🇷FR- NoBooth est une proposition de DJ booth pour un festival de musique électronique sur le thème de la métamorphose, conçue en collaboration avec @francoisdenery et @matteocasha.

Le festival ayant lieu en pleine nature, l’idée était de construire une structure sans impact environnemental — pour qu’elle puisse se dégrader naturellement après l’événement.
La terre qui retourne à la terre — ou plutôt, qui laisse la nature reprendre ses droits.

Nous avons choisi le pisé, une technique de construction ancienne et durable. Le booth remplirait sa fonction pendant le festival, puis se dégraderait lentement, devenant un artefact éphémère de la fête — un souvenir en métamorphose.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

Coffee Table!
.
.
.
.
.
Made with leftover wood from previous projects, it was designed based on the offcuts available at the workshop.
.
Conçue à partir de chutes de bois de projets antérieurs, elle a été imaginée en fonction des matériaux disponibles à l’atelier.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

VOL004! A solid oak vinyl storage unit, made from PEFC-certified wood.
Designed to be exhibited in the cutest gallery/antique shop in Odéon, so we went for a vintage look with angled legs and an orange back panel. It can store between 600 and 800 records.
Now on display for a few weeks at Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.
.
.
.
VOL004 ! Un meuble de rangement pour vinyles en chêne massif, fabriqué à partir de bois certifié PEFC.
Conçu pour être exposé dans une galerie-brocante d’Odéon, on a opté pour un look vintage avec des pieds gainés et un fond orange. Il peut accueillir entre 600 et 800 disques.
Visible en exposition pendant quelques semaines à l’Atelier V (@atelier_v_paris), 5 rue Casimir Delavigne, Paris 6.

EN– Settling into the new atelier in Pré-Saint-Gervais, on the outskirts of Paris. Repurposing old festival lights to brighten the space and already working on different fresh projects, right now a new vinyl unit.
Slide 6: already having the cutest visitors
Slide 7: hacking your favorite Phô’s vitrine
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.
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FR– Premières semaines dans le nouvel atelier au Pré-Saint-Gervais, en bordure de Paris. Des anciennes lumières de festival pour éclairer l’espace, des nouveaux projets qui commencent et déjà un premier meuble à vinyles en cours.
Slide 6: premières visites de qualité
Slide 7: gros budget promo

EN– Settling into the new atelier in Pré-Saint-Gervais, on the outskirts of Paris. Repurposing old festival lights to brighten the space and already working on different fresh projects, right now a new vinyl unit.
Slide 6: already having the cutest visitors
Slide 7: hacking your favorite Phô’s vitrine
.
.
.
FR– Premières semaines dans le nouvel atelier au Pré-Saint-Gervais, en bordure de Paris. Des anciennes lumières de festival pour éclairer l’espace, des nouveaux projets qui commencent et déjà un premier meuble à vinyles en cours.
Slide 6: premières visites de qualité
Slide 7: gros budget promo

EN– Settling into the new atelier in Pré-Saint-Gervais, on the outskirts of Paris. Repurposing old festival lights to brighten the space and already working on different fresh projects, right now a new vinyl unit.
Slide 6: already having the cutest visitors
Slide 7: hacking your favorite Phô’s vitrine
.
.
.
FR– Premières semaines dans le nouvel atelier au Pré-Saint-Gervais, en bordure de Paris. Des anciennes lumières de festival pour éclairer l’espace, des nouveaux projets qui commencent et déjà un premier meuble à vinyles en cours.
Slide 6: premières visites de qualité
Slide 7: gros budget promo

EN– Settling into the new atelier in Pré-Saint-Gervais, on the outskirts of Paris. Repurposing old festival lights to brighten the space and already working on different fresh projects, right now a new vinyl unit.
Slide 6: already having the cutest visitors
Slide 7: hacking your favorite Phô’s vitrine
.
.
.
FR– Premières semaines dans le nouvel atelier au Pré-Saint-Gervais, en bordure de Paris. Des anciennes lumières de festival pour éclairer l’espace, des nouveaux projets qui commencent et déjà un premier meuble à vinyles en cours.
Slide 6: premières visites de qualité
Slide 7: gros budget promo

EN– Settling into the new atelier in Pré-Saint-Gervais, on the outskirts of Paris. Repurposing old festival lights to brighten the space and already working on different fresh projects, right now a new vinyl unit.
Slide 6: already having the cutest visitors
Slide 7: hacking your favorite Phô’s vitrine
.
.
.
FR– Premières semaines dans le nouvel atelier au Pré-Saint-Gervais, en bordure de Paris. Des anciennes lumières de festival pour éclairer l’espace, des nouveaux projets qui commencent et déjà un premier meuble à vinyles en cours.
Slide 6: premières visites de qualité
Slide 7: gros budget promo

EN– Settling into the new atelier in Pré-Saint-Gervais, on the outskirts of Paris. Repurposing old festival lights to brighten the space and already working on different fresh projects, right now a new vinyl unit.
Slide 6: already having the cutest visitors
Slide 7: hacking your favorite Phô’s vitrine
.
.
.
FR– Premières semaines dans le nouvel atelier au Pré-Saint-Gervais, en bordure de Paris. Des anciennes lumières de festival pour éclairer l’espace, des nouveaux projets qui commencent et déjà un premier meuble à vinyles en cours.
Slide 6: premières visites de qualité
Slide 7: gros budget promo

EN– Settling into the new atelier in Pré-Saint-Gervais, on the outskirts of Paris. Repurposing old festival lights to brighten the space and already working on different fresh projects, right now a new vinyl unit.
Slide 6: already having the cutest visitors
Slide 7: hacking your favorite Phô’s vitrine
.
.
.
FR– Premières semaines dans le nouvel atelier au Pré-Saint-Gervais, en bordure de Paris. Des anciennes lumières de festival pour éclairer l’espace, des nouveaux projets qui commencent et déjà un premier meuble à vinyles en cours.
Slide 6: premières visites de qualité
Slide 7: gros budget promo