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wildblur_
WILDBLUR
: nyc :•: singapore
: lighthouse •:• agency
: studies in lambent motion x visual percussion x instrumentation x dance
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
HONCHO CAMPOUT 2025 :: THE GROVE
thank you to the @honchopgh team for four years of trust and support on your tenth anniversary @michaelmoraine @honchoaaron @georgedadhemar @clarkdprice @chriscruse // gratitude to every worker that scaffolded this four-day feral distortion
designer / technical director : @kailiblu
installation lead : @benniedajet
staging build : @klassic_sound_and_stage
installation crew :
@magnificent_ignorant
@a10cap
@sarinahahn
show control :
@uniquedeviceswesley
@kailiblu
production support :
@sirenaudiovisual
@zariens
@sarahtonin412
@andrewodom
@cuba_cubicle
@ianmcglumphy
@sone.wav
djs / performers :
@juliemarghilano
@kiernanlaveaux
@zvrra_ig
@b_e_a_r_c_a_t
@julianahuxtable
@999_adj
@thebaptist.mp3
@hunyrocks
@ayescold
@_bezier
@honchopgh
@heyrichking
@doroshow
#honchocampout2025
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
the grove at @honchopgh campout 2024
“individual transports are insufficient. we need to engage in collective temporal distortion.” — josé esteban muñoz, cruising utopia
installation : @benniedajet, @magnificent_ignorant
programming : @sone.wav [pxl curve 12 — day 1 - 3], @violet_flux [pxl curve 12 — day 4], @wildblur_
operation : @magnificent_ignorant, @violet_flux, @xexexe372817516394716172848361, @benniedajet, @sone.wav, @wildblur_
power : @sirenaudiovisual
djs : @lexcdtd, @furtive.sasha, @violetakaviolet, @e_sobolik, @thefatherfigure, @wngdu666, @ziryy_, @leonce, @radiodebonair, @erisdrew, @octoocta
special thanks to : @sarahtonin412, @michaelmoraine, the dancers, and all the workers
#honchocampout2024
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
@____outlaw_ // @isabellas_deluded_fantasy // @d____strange // @djmanny_music // @djhyperactiveofficial // @4trk_chi // @mina__mills // @cottonroach // @13kanyon13 // @krow_______
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
MATRICIAL CRUCIFICATION AT THE WEWORK LESBO AFTERHOURS ! THANK U @dee.diggs @kilopatrahjones @ohyunglia @beets.bi.blaire @dyke.alike :: BUSKING @yu_who @kailiblu INSTALL AIDES @doubleaquarius__@henryr.tx :: PINK SONICS BY @karlalamusic
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
in the round, longitudinal build for @black.market.nyc: a low drop, inclined suspension build breaks away from the venue’s latitudinal grid plot.
—:—
up high, 24 individually tilt-able beams infinitely pan the space, sandwiched between 2 rows of shimmering color-temperature variable LEDs.
: - :
down low, 3 riot_strike_m.xml fixtures strobe through the fenced booth.
•][•
install assist : @murderpact @doubleaquarius__
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
HEAVEN: CANTO I @herrensauna.official // 11.14.25
design / programming :: @kailiblu
operation :: @doubleaquarius__ , @kailiblu
install :: @doubleaquarius__ , @kailiblu
music by ::
@herrenscheide
@sterlingjuandiaz b2b @sekucci
@cemdukkha
@3sam3clarke3
@tomasurquieta
@estrogirls
@gogograham SS26 “he covets” look 11
blessed to work among the girls devoted to (incessantly social) studies of beauty—in fabric, in song, in flesh, in film, in dance, in object, in lyric, in light—in spite of it all
hair : @chiquitettas
make-up : @a.skye.r
music : @serenajara_
production : ekwws
light design : @wildblur_
PR : @giakuanconsulting, @lindsmalia
photography
1 - @itsrafi
4 - @faloblu
2, 5, 7 - @9yuec
3, 6 - @mary.kang
@gogograham SS26 “he covets” look 11
blessed to work among the girls devoted to (incessantly social) studies of beauty—in fabric, in song, in flesh, in film, in dance, in object, in lyric, in light—in spite of it all
hair : @chiquitettas
make-up : @a.skye.r
music : @serenajara_
production : ekwws
light design : @wildblur_
PR : @giakuanconsulting, @lindsmalia
photography
1 - @itsrafi
4 - @faloblu
2, 5, 7 - @9yuec
3, 6 - @mary.kang
@gogograham SS26 “he covets” look 11
blessed to work among the girls devoted to (incessantly social) studies of beauty—in fabric, in song, in flesh, in film, in dance, in object, in lyric, in light—in spite of it all
hair : @chiquitettas
make-up : @a.skye.r
music : @serenajara_
production : ekwws
light design : @wildblur_
PR : @giakuanconsulting, @lindsmalia
photography
1 - @itsrafi
4 - @faloblu
2, 5, 7 - @9yuec
3, 6 - @mary.kang
@gogograham SS26 “he covets” look 11
blessed to work among the girls devoted to (incessantly social) studies of beauty—in fabric, in song, in flesh, in film, in dance, in object, in lyric, in light—in spite of it all
hair : @chiquitettas
make-up : @a.skye.r
music : @serenajara_
production : ekwws
light design : @wildblur_
PR : @giakuanconsulting, @lindsmalia
photography
1 - @itsrafi
4 - @faloblu
2, 5, 7 - @9yuec
3, 6 - @mary.kang
@gogograham SS26 “he covets” look 11
blessed to work among the girls devoted to (incessantly social) studies of beauty—in fabric, in song, in flesh, in film, in dance, in object, in lyric, in light—in spite of it all
hair : @chiquitettas
make-up : @a.skye.r
music : @serenajara_
production : ekwws
light design : @wildblur_
PR : @giakuanconsulting, @lindsmalia
photography
1 - @itsrafi
4 - @faloblu
2, 5, 7 - @9yuec
3, 6 - @mary.kang
@gogograham SS26 “he covets” look 11
blessed to work among the girls devoted to (incessantly social) studies of beauty—in fabric, in song, in flesh, in film, in dance, in object, in lyric, in light—in spite of it all
hair : @chiquitettas
make-up : @a.skye.r
music : @serenajara_
production : ekwws
light design : @wildblur_
PR : @giakuanconsulting, @lindsmalia
photography
1 - @itsrafi
4 - @faloblu
2, 5, 7 - @9yuec
3, 6 - @mary.kang
@gogograham SS26 “he covets” look 11
blessed to work among the girls devoted to (incessantly social) studies of beauty—in fabric, in song, in flesh, in film, in dance, in object, in lyric, in light—in spite of it all
hair : @chiquitettas
make-up : @a.skye.r
music : @serenajara_
production : ekwws
light design : @wildblur_
PR : @giakuanconsulting, @lindsmalia
photography
1 - @itsrafi
4 - @faloblu
2, 5, 7 - @9yuec
3, 6 - @mary.kang
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
A SUBALTERN ALPHABET, harmonies at work in the fourth dimension (NYC, APRIL 2025)
score and video : yesenia rojas (@loka.000)
light and video (map): kai sundermann (@kailiblu / @wildblur_)
In an effort to establish a standard lexicon for audio and moving image synchronization, the US Society of Motion Picture and Television Engineers introduced the SMPTE timecode protocol in 1967. ‘A SUBALTERN ALPHABET, harmonies in the fourth dimension’ assembles a ground where sonic and illuminative poetics negotiate a new partnership, eroding at the standardized grammars of how light and sound are pressured to speak and perform when married under the same roof.
Coming from shared practices of making dance work in tight spaces, this collaboration between Yesenia Rojas and Kai Sundermann proposes a sensuous intervention, calling on light instruments to dance with and through insurgent sonic contributions from Durban, Rio De Janeiro, Detroit, Kinshasa, and Port-au-Prince among others. Live touch and improvised modulation trouble the unidirectional flow of SMPTE choreographies from audio workstation to lighting desk.
Engaging textural sonics as an anticolonial framework to amplify the phonic materiality of our present moment, this ensemble of sound and light sings in refractive harmonies throughout the peripheries of our visible world, into the ‘fourth dimension’, Time, as Brazilian author Clarice Lispector defines it. Inside this noisy poetry, an orchestra of irregularities contends with the brutal and overdetermined ordering of the world by colonial rhythm.
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
@sksksks_bk x @pcmus 05.04.25 :: @dossxoxoxo @dorianelectra @countbaldor @starpowerdrummer @thelimitdoesnotexist // pics : @kidbrwn
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.