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yemchuk
Yelena Yemchuk
🇺🇦 MALANKA order at @editionpatrickfrey @artbook ODESA order at @gost_books YYY order at @depart_image yelenayemchuk.com
Super Heroes ❤️ @honornyc@leithclark @romyglow @estherlangham @kadulennox @noah__shelley @worksondigitalpaper @twothreetwo_studio
Super Heroes ❤️ @honornyc@leithclark @romyglow @estherlangham @kadulennox @noah__shelley @worksondigitalpaper @twothreetwo_studio
Super Heroes ❤️ @honornyc@leithclark @romyglow @estherlangham @noah__shelley @twothreetwo_studio @worksondigitalpaper @kadulennox
Super Heroes ❤️ @honornyc@leithclark @romyglow @estherlangham @noah__shelley @twothreetwo_studio @worksondigitalpaper @kadulennox
Super Heroes ❤️ @honornyc@leithclark @romyglow @estherlangham @noah__shelley @twothreetwo_studio @worksondigitalpaper @kadulennox
Collages by Yelena Yemchuk at her show “Mnemosyne” at The Naked Room.
“Yemchuk describes herself as a multimedia artist who has long worked with film and photography, and came to painting later. Although she has lived in the United States since the age of eleven, Yelena identifies as a Ukrainian artist, and Mnemosyne marks a significant return: despite exhibiting widely, she has never before had a show in Ukraine.
The project grew out of Yemchuk’s return to Kyiv last August—her first visit in four years, the longest she had been away since leaving as a child. Yelena stopped by The Naked Room, and some time later received an invitation proposing a show that initially focused on documenting that trip and her new series Minerva. As conversations progressed and Yelena began scanning negatives from the 1990s to the early 2000s, the concept expanded to include this unseen material alongside recently created collages from her own archival photographs.”
Images and text courtesy of the artist and gallery.
Collages by Yelena Yemchuk at her show “Mnemosyne” at The Naked Room.
“Yemchuk describes herself as a multimedia artist who has long worked with film and photography, and came to painting later. Although she has lived in the United States since the age of eleven, Yelena identifies as a Ukrainian artist, and Mnemosyne marks a significant return: despite exhibiting widely, she has never before had a show in Ukraine.
The project grew out of Yemchuk’s return to Kyiv last August—her first visit in four years, the longest she had been away since leaving as a child. Yelena stopped by The Naked Room, and some time later received an invitation proposing a show that initially focused on documenting that trip and her new series Minerva. As conversations progressed and Yelena began scanning negatives from the 1990s to the early 2000s, the concept expanded to include this unseen material alongside recently created collages from her own archival photographs.”
Images and text courtesy of the artist and gallery.
Collages by Yelena Yemchuk at her show “Mnemosyne” at The Naked Room.
“Yemchuk describes herself as a multimedia artist who has long worked with film and photography, and came to painting later. Although she has lived in the United States since the age of eleven, Yelena identifies as a Ukrainian artist, and Mnemosyne marks a significant return: despite exhibiting widely, she has never before had a show in Ukraine.
The project grew out of Yemchuk’s return to Kyiv last August—her first visit in four years, the longest she had been away since leaving as a child. Yelena stopped by The Naked Room, and some time later received an invitation proposing a show that initially focused on documenting that trip and her new series Minerva. As conversations progressed and Yelena began scanning negatives from the 1990s to the early 2000s, the concept expanded to include this unseen material alongside recently created collages from her own archival photographs.”
Images and text courtesy of the artist and gallery.
Collages by Yelena Yemchuk at her show “Mnemosyne” at The Naked Room.
“Yemchuk describes herself as a multimedia artist who has long worked with film and photography, and came to painting later. Although she has lived in the United States since the age of eleven, Yelena identifies as a Ukrainian artist, and Mnemosyne marks a significant return: despite exhibiting widely, she has never before had a show in Ukraine.
The project grew out of Yemchuk’s return to Kyiv last August—her first visit in four years, the longest she had been away since leaving as a child. Yelena stopped by The Naked Room, and some time later received an invitation proposing a show that initially focused on documenting that trip and her new series Minerva. As conversations progressed and Yelena began scanning negatives from the 1990s to the early 2000s, the concept expanded to include this unseen material alongside recently created collages from her own archival photographs.”
Images and text courtesy of the artist and gallery.
Collages by Yelena Yemchuk at her show “Mnemosyne” at The Naked Room.
“Yemchuk describes herself as a multimedia artist who has long worked with film and photography, and came to painting later. Although she has lived in the United States since the age of eleven, Yelena identifies as a Ukrainian artist, and Mnemosyne marks a significant return: despite exhibiting widely, she has never before had a show in Ukraine.
The project grew out of Yemchuk’s return to Kyiv last August—her first visit in four years, the longest she had been away since leaving as a child. Yelena stopped by The Naked Room, and some time later received an invitation proposing a show that initially focused on documenting that trip and her new series Minerva. As conversations progressed and Yelena began scanning negatives from the 1990s to the early 2000s, the concept expanded to include this unseen material alongside recently created collages from her own archival photographs.”
Images and text courtesy of the artist and gallery.
Booksigning:
YELENA YEMCHUK
MISE EN ABYME
published by @depart_image
For the first time we’ll be in LA, Saturday 28 February at 3:30pm we’ll be at @the_reef_la for @show.l.a together with @yemchuk in the publishers area at the @graficheantiga booth!! See you tomorrow!!
Booksigning:
YELENA YEMCHUK
MISE EN ABYME
published by @depart_image
For the first time we’ll be in LA, Saturday 28 February at 3:30pm we’ll be at @the_reef_la for @show.l.a together with @yemchuk in the publishers area at the @graficheantiga booth!! See you tomorrow!!
Booksigning:
YELENA YEMCHUK
MISE EN ABYME
published by @depart_image
For the first time we’ll be in LA, Saturday 28 February at 3:30pm we’ll be at @the_reef_la for @show.l.a together with @yemchuk in the publishers area at the @graficheantiga booth!! See you tomorrow!!
Booksigning:
YELENA YEMCHUK
MISE EN ABYME
published by @depart_image
For the first time we’ll be in LA, Saturday 28 February at 3:30pm we’ll be at @the_reef_la for @show.l.a together with @yemchuk in the publishers area at the @graficheantiga booth!! See you tomorrow!!
Booksigning:
YELENA YEMCHUK
MISE EN ABYME
published by @depart_image
For the first time we’ll be in LA, Saturday 28 February at 3:30pm we’ll be at @the_reef_la for @show.l.a together with @yemchuk in the publishers area at the @graficheantiga booth!! See you tomorrow!!
Booksigning:
YELENA YEMCHUK
MISE EN ABYME
published by @depart_image
For the first time we’ll be in LA, Saturday 28 February at 3:30pm we’ll be at @the_reef_la for @show.l.a together with @yemchuk in the publishers area at the @graficheantiga booth!! See you tomorrow!!
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
Yelena Yemchuk @yemchuk (b. 1970, Kyiv, Ukraine) is a New York–based visual artist working across photography, film, and painting. Her distinctive practice weaves together past and present, reality and dream, creating timeless, atmospheric narratives that resist fixed categories. Blending reportage and staged imagery with drawing and mixed media, Yemchuk’s work is recognized for its expressive plurality and fluid, cinematic language.
After immigrating to the United States at age eleven, she studied at Parsons School of Design in New York and ArtCenter College of Design in Pasadena. Her work has been exhibited internationally and featured in publications including The New Yorker, The New York Times, Vogue, AnOther Magazine, and i-D.
Bookmaking is central to her artistic practice. Her acclaimed photobooks include Gidropark (2011), Anna (2017), Mabel, Betty, & Bette (2021), Odesa (2022), УYY (2022), and Malanka (2024), published by Edition Patrick Frey.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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