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GensparkAI “Day Off” for Super Bowl LX

What a fun whirlwind…graded on a Sunday with pals Micheal and Charles…aired the following Sunday. Always a great time working with the Countryboy team

Ad Agency: Magnetic
Executive Creative Director: Scott Mallone
Art Director: Andy Hekimian
Copywriter: Matt Roberts, Taylor Kephart
Producer: Kim Howe
Production Company: @broderville
Director: @mkoerbel
DP: @andylilien
Post Production Company: @countryboyedit
Editor: @chuddleberry
Producer: Courtney Hoskins
Colorist: Alexander Schwab @Zanderschwab
VFX @Donbitters, David
Dorsey
GFX: @Jeffrey_Mcb
Sound Designer: @Randytorres
Re-Recording Mixer: Tim West @Rebelalliancessound
Music: Asche & Spencer
#Superbowilx

The incredible @manhood.film premiered at @sxsw this past weekend.

Director @dlumbo and DP @v_cmpr spent years documenting the secret, booming world of male penile enhancement and the stories that they found are truly fascinating.

You gotta see it!!! 💉💉💉

The incredible @manhood.film premiered at @sxsw this past weekend.

Director @dlumbo and DP @v_cmpr spent years documenting the secret, booming world of male penile enhancement and the stories that they found are truly fascinating.

You gotta see it!!! 💉💉💉

The incredible @manhood.film premiered at @sxsw this past weekend.

Director @dlumbo and DP @v_cmpr spent years documenting the secret, booming world of male penile enhancement and the stories that they found are truly fascinating.

You gotta see it!!! 💉💉💉

Austin, TX has a warmth that finds its way into everything you shoot there and this was no exception. Bad weather, unforeseen challenges, pivots on the fly — this crew never flinched. Grateful for the tenacious @thisishike team, an incredible mostly local crew, and a @stanley1913_brand team that was all in from day one.

𝗚𝗢 𝗠𝗢𝗗𝗘 - 𝗦𝗧𝗔𝗡𝗟𝗘𝗬​​​​​​​​​​​​​​

Client @stanley1913_brand
Production Company @thisishike
Producer @meganstjohn_hike
Director @wadedro.mkv
Cinematographer @tomkinstledop
1st AC @aksmith342
Key Grip @conn.e.r_white / @beolerman99
Grip @noahfeinman
Production Designer: Samantha George
Stylist @drq.m
Hair & Makeup Artist @hubcapdiamondstarhalo / @jessipagel

Post Producer @sea.of.static
Editor @jandrewramsey of @visitor.post
Sound Designer @christina.yue.26
Colorist @zanderschwab

𝗧𝗔𝗟𝗘𝗡𝗧
@sara_anna21
@jonpapafuentes
@linsey_vh
@iam_didierr

𝗦𝗧𝗔𝗡𝗟𝗘𝗬 𝗧𝗘𝗔𝗠
@kelly_connelly_00
@boredzinejp
Lillian Quan

𝗦𝗣𝗘𝗖𝗜𝗔𝗟 𝗧𝗛𝗔𝗡𝗞𝗦
@historicboggycreekfarm_atx
@twohandsrestaurant

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Selected frames from @homestead.series @angel

Homestead S1 • EP 5: Catch a Falling Knife

A lot of memorable moments on this episode. Particularly the day when we had the talented @charlesesten hike up the hillside in silhouette during blue hour. It was our last day of principle and our very last scene to shoot for the season. A setup that truly stands out from the rest of the episodes. This show has been a true labor of love and that feeds so much into why I do this job. ❤️🎥

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

With Homestead Season 2 underway, it felt like a good time to share more selected frames from Season 1.

Ep.4 : That Which Death Carves Away
@homestead.series @angel

Shoutout to Stunt Coordinators Doug Coleman,@chrisreidnthings, and SFX Team, RoundyFX @ryan_roundy for making Ep 4 so much fun to shoot.

One of my bigger challenges was to figure out how to make shooting at high noon in the summertime feel right for the story while also feeling cinematic. I played those specific scenes warmer in camera, implemented as much depth as possible, and shot with a 230p Arri Impression filter. Ultimately I leaned into what nature was already giving, which was heat and that seemed to line up well with the overall look for the series. The Summer days in Utah were scorching, but I feel like we still managed to capture some pretty cool scenes. Ep 4 is currently streaming on Angel’s platform.

Director @bensmallbone
Producers: @andrea__royer @markusbishophill

Camera

SONY Venice 1
Arri Signature Primes w/ Arri Impression Filters

A Cam/Steadi @jwsteadicam
Additional Cam op @bennett_duchin
A Cam 1st AC: @chri5daniel @e__swizzle__
A Cam 2nd AC: @e_pappas
B Cam 1st AC: @tia_rosenlof
B Cam 2nd AC: @cheerstogoodvibes
Camera Utilty: @diatribe.crew
DIT: @nick_nebeker @kohlavalosbybee
Senior Colorist: @zanderschwab

Gaffer/Key Grip @david.childers.9028
Best boys: @willyeklof @itis_likethis
Swing: @naplin23

Camera and Lenses: @camerajack.tv
Grip and Lighting: @redmanmovies

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

Started off the first two week of 2026 in a cave (in LA of all places 🙄) coloring back-to-back films with @zanderschwab . We’ve been working together for eight years, but it wasn’t until 2026 that we finally met in person. I love our collaborations, your willingness to experiment and dive deep into the subject matter. You elevate everything, and more often than not save my ass 😉 Thank you 🙏 To many more….

Client: UnionPay
China Agency: Way Hua
China Production Co: Jingle
EP: Min Du
Producer: Jiang Cen (Alex Cen)
Director: Zhang Shihao @s_hiha_o
DP: Jonah Zorn Koplin @son.of_zorn
Writer / 1st AD: BeiYao Liu @beiyao_2025
Color: @zanderschwab
Production Designer: 隐力川 (ChuanChuan)
Sound: 安蓝暖暖 (Jing Qiao ~ Vera)
Post-Production Sup.: 莫给我说那些 (MoMo)
China Gaffer: wings281123
China Focus: @tiffenfirst
China AC: @guodwyane

Barcelona Production Co: Grayskull @grayskulltv
EPs: Álvaro Priante @a.priante
Producer: Borbála Csukás
Production Manager: Ana Castellano
Production Coordinator: Macarena Mateos
1st AD: Paula Baviera @paulabaviera
Locations Manager: Marti Marcos @martimarcos_
Location Manager Set: Lautaro Eloy Nocquet @lautanocquet
Location Assistant: Joaquin Diani
Unit Manager 16: Juan Manuel Romera
Stylist: Barbara Tango
Food Stylist: Yolanda Llamas
Atrezzista: Victor Carreras Gresely
Production Assistant: Jose Corpas @josecorpas_ 🫶
Production Assistant: Anabela Azzara @anaazzara

Camera Dept.
Focus Puller A: Henri Cosson @henri_camm
Camera Assistant A: Sergio Santana @sergiodaeirasantana
Camera Operator B: Javi Seva @javisevazarco
Focus Puller B: Adria Alcala @1flare
Camera Assistant B: Francesc Olivé, Esteban Rodríguez Mella @esteban_rod
Videoassist: Berta Molina @bertasilenceplease
DIT: Pablo de Val @pablodval
Camera Truck: Paco Poti
@zigzagrental

Lighting Dept.
Gaffer: Martí Molas @martimolas 🏍️
Spark: Pau Galarza @paugalarzaa_
Spark: Quique Cantero @quiquecantero

Grip Dept.
Key Grip: Ricardo Arrés @76rag
Ronin Tech: Jose Barrios
E-Trike Driver: Francesc Cisa
@rig_and_grip

Truck Dept.
Driver: Albert Frau @albertfrau 💪
Driver: Alvaro Gomez
Driver: Xavi Prados
Driver: Joan Galan
Driver: Elena Lopez
Driver: Mariano Pellicer
Motorhome: Jose Bogado

The continuation of Homestead Season 1 began airing last week. I’ve been hard at work grading shows with my pal @matthewrivera. He captured tremendous visuals and it’s been incredibly fun diving deeper into the story and color. Many thanks to the whole team @matthewrivera @bensmallbone @andrea__royer and Ben Kasica.

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

The Last Romantic

Director: @c.mosiermills
DP: @thaiscastralli
Editor: @stephensboyer

Such a treat to grade this 1920s LA period piece shot on 35mm. The whole team did an amazing job capturing the time period and setting the tone to tell the story of a ballroom hustler.

#colorist #coloristsociety #davinciresolve #davinci #kodak #35mm #cinematography #colorgrading #colourist #filmmaking #shotonfilm

@bloodvultureband “Burn For It”

Director: @wienerherzog
DP: @robmenzer
Producers: @jasondiamond @joshdiamond

Inspired by the spooky season classic “Possession.”

@bloodvultureband “Burn For It”

Director: @wienerherzog
DP: @robmenzer
Producers: @jasondiamond @joshdiamond

Inspired by the spooky season classic “Possession.”

@bloodvultureband “Burn For It”

Director: @wienerherzog
DP: @robmenzer
Producers: @jasondiamond @joshdiamond

Inspired by the spooky season classic “Possession.”

@bloodvultureband “Burn For It”

Director: @wienerherzog
DP: @robmenzer
Producers: @jasondiamond @joshdiamond

Inspired by the spooky season classic “Possession.”

@bloodvultureband “Burn For It”

Director: @wienerherzog
DP: @robmenzer
Producers: @jasondiamond @joshdiamond

Inspired by the spooky season classic “Possession.”

@bloodvultureband “Burn For It”

Director: @wienerherzog
DP: @robmenzer
Producers: @jasondiamond @joshdiamond

Inspired by the spooky season classic “Possession.”

Play This At My Funeral - @ninopaid feat. Polo G

Thank you Nino for trusting me with this song.
Thank you to Nia for pushing for me.
To everyone involved in making this happen. Thank you @keithpikusdp @mr_shaun_stephen @bezestudios @afproduces @sashka_patergin @jackthomasphotography @olarmarco @zanderschwab @sonymusic and of course my rock @laurescottreps

Play This At My Funeral - @ninopaid feat. Polo G

Thank you Nino for trusting me with this song.
Thank you to Nia for pushing for me.
To everyone involved in making this happen. Thank you @keithpikusdp @mr_shaun_stephen @bezestudios @afproduces @sashka_patergin @jackthomasphotography @olarmarco @zanderschwab @sonymusic and of course my rock @laurescottreps

Premiere of @howdarkmylovefilm will play @tribeca - wishing pals @scottgracheff
@jasondiamond @joshdiamond
@autopilot1978 all the success with the film.
And of course the sensational @joecolemanartist
Appreciate the team @gabhastudios giving their backing to this beautifully dark piece.
Post EP Partner at GABHA @dafupsdell
Chief Engineer at GABHA @ste.ve_
Colorist / Imaging technician @zanderschwab
Colorist Partner at GABHA @_aa_francis
Facilities Manger for GABHA@jackcollier30

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx

Congratulations to director @anjiniazhar on the world premiere of her film @nanuthefilm last weekend at @vcmediaorg Los Angeles Asian Pacific Film Festival.

Beautifully lensed and shot on 35mm film by my good friend @prince.dpx