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Field Work 22’

Some might call it scrappy, we call it a worldview rooted in a Midwest work ethic. We tell stories that matter because we care more about impact than “content”. We abhor bedazzled jeans and “influencers” and don’t give a damn about what car you drive. We call it like it is and know that a firm handshake goes further than putting money on black. We play kickball on Tuesdays, run marathons on Wednesdays, and lobby our legislators on Thursdays - because these are important things. We do the right thing...not because it's trendy, but because it's how our moms taught us. Welcome to Field Work.

Field Work 22’

A couple of my favorite vignettes stitched together for @realtruck with @fieldworkcreative 🫡

Director: @zeppelinzeerip
AC: @snackyz
Drone: @lukabees

Shot outside of Vegas on my old Gemini and Komodo with rehoused Leica R lenses 🎥

A couple of my favorite vignettes stitched together for @realtruck with @fieldworkcreative 🫡

Director: @zeppelinzeerip
AC: @snackyz
Drone: @lukabees

Shot outside of Vegas on my old Gemini and Komodo with rehoused Leica R lenses 🎥

A couple of my favorite vignettes stitched together for @realtruck with @fieldworkcreative 🫡

Director: @zeppelinzeerip
AC: @snackyz
Drone: @lukabees

Shot outside of Vegas on my old Gemini and Komodo with rehoused Leica R lenses 🎥

A couple of my favorite vignettes stitched together for @realtruck with @fieldworkcreative 🫡

Director: @zeppelinzeerip
AC: @snackyz
Drone: @lukabees

Shot outside of Vegas on my old Gemini and Komodo with rehoused Leica R lenses 🎥

A couple of my favorite vignettes stitched together for @realtruck with @fieldworkcreative 🫡

Director: @zeppelinzeerip
AC: @snackyz
Drone: @lukabees

Shot outside of Vegas on my old Gemini and Komodo with rehoused Leica R lenses 🎥

A couple of my favorite vignettes stitched together for @realtruck with @fieldworkcreative 🫡

Director: @zeppelinzeerip
AC: @snackyz
Drone: @lukabees

Shot outside of Vegas on my old Gemini and Komodo with rehoused Leica R lenses 🎥

Had a blast shooting our first project with @realtruck down in Nashville last fall to launch their newest truck cap. The traffic was heavy and the rain didn’t stop, but we had a fantastic crew from pre to post that put in the work. Major thanks to the @realtruck creative team for bringing us into the fold on this.

Production: @fieldworkcreative
Local Production: @gearseven
Director: @zeppelinzeerip
Producer: @lorenhgreene 🙏🏼
DP: @diegocacho_
Stills: @kyle__lieberman
PM: @lindsayycompton
Production Coordinator: @leah_france
1st AC: @seancollins2524
2nd AC: @leftyphotos
Driver: Patrick Wilson
Tech: @peytonpenuel
Gaffer: Andy Miller
Key Grip: Brayden Payne
Swing: Randy Patterson
Gear, Arm Car, + Hockey Tickets: @gearseven
HMU: @briebeckman
Edit: @typackard
Post Producer: @jaycamp
Post Supervisor: @seanblack.seanblack
Color: @briandurkee

@arcticalchemyfilm is now eligible for the Academy Awards in the Short Documentary Film category. It is now in consideration and available for voters to watch in the Academy Screening Room.

Renowned adventurer and climate scientist, Roman Dial embarks on a research expedition in the Alaskan Arctic where he reckons with the power of wilderness to both break us and bring us alive.

Co-Directors - @Colin_Arisman & @ZeppelinZeerip
A film by - @FieldWorkCreative & @WildConfluence
Presented by - @LATimesShortDocs
Executive Producer - @krakauernotwriting
Supported by - @Kahtoola @AlpackaRaft & SierraClub
Editor - @ChrisCresci
Principal Cinematography - @ColinArisman & @ZeppelinZeerip
Aerial Cinematography - @zatzworks
Archival photography- Roman Dial & Bill Hatcher
Additional camera - Ryan Peterson
Expedition photographer & field support - @JaymeDittmar
Story advising - @elsa_sea_bass
Colorist -@pintocolor
Sound design - @keithwhiteaudio
Animation - barrythompsonartist
Graphic Design - @lawrencebroadband
LA Times Producer @karenfoshay

@arcticalchemyfilm is now eligible for the Academy Awards in the Short Documentary Film category. It is now in consideration and available for voters to watch in the Academy Screening Room.

Renowned adventurer and climate scientist, Roman Dial embarks on a research expedition in the Alaskan Arctic where he reckons with the power of wilderness to both break us and bring us alive.

Co-Directors - @Colin_Arisman & @ZeppelinZeerip
A film by - @FieldWorkCreative & @WildConfluence
Presented by - @LATimesShortDocs
Executive Producer - @krakauernotwriting
Supported by - @Kahtoola @AlpackaRaft & SierraClub
Editor - @ChrisCresci
Principal Cinematography - @ColinArisman & @ZeppelinZeerip
Aerial Cinematography - @zatzworks
Archival photography- Roman Dial & Bill Hatcher
Additional camera - Ryan Peterson
Expedition photographer & field support - @JaymeDittmar
Story advising - @elsa_sea_bass
Colorist -@pintocolor
Sound design - @keithwhiteaudio
Animation - barrythompsonartist
Graphic Design - @lawrencebroadband
LA Times Producer @karenfoshay

Watch the full film — link in bio.

Rivers in Alaska’s Brooks Range are changing in ways no one fully understands.

Arctic Alchemy follows Roman Dial — adventurer, father, and climate scientist — as he journeys deep into the backcountry to uncover a mysterious phenomenon poisoning vital watersheds.

What begins as a research mission becomes a personal reckoning with loss, resilience, and the power of wilderness to break us open and bring us alive.

A reminder to look closer at the landscapes we move through — and to consider the responsibility we share in their future.

#brooksrange #protectthearctic #landconservation #shortfilm #publiclandsinpublichands

“Arctic Alchemy” by @colin_arisman and @zeppelinzeerip tells the intimate story of Roman Dial, a father and climate scientist who has spent a lifetime finding meaning in the wild ⛰️. The film follows two intertwined stories: Roman’s search for his son who disappeared in the Costa Rican wilderness, and his long-running investigation into a mysterious poisoning of Arctic watersheds.

We saw “Arctic Alchemy” at @mountainfilm ‘25, where it was unsurprisingly a big hit with audiences. Watch this #vimeostaffpick now at the link in bio.

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

I’ve always had a love–hate relationship with running. Some days it feels like freedom and clarity. Other days it feels like punishment with shoes on. But somewhere between the burn in your lungs and the moment you finally forget you’re running at all—that’s where it clicks. That’s where the high lives.

This piece isn’t a “running commercial” in the traditional sense. No perfect stride breakdowns, no athletes pretending to levitate, no black-on-black urban grit. I wanted to reimagine what running feels like, not just how it looks.

We built a bright, surreal world where a run turns into a full-body mind trip: macro flowers, shifting colors, dream-logic landscapes. A portal from everyday life into that floaty, euphoric, slightly-delusional space you only hit when you push past the part where you swear you’re never doing this again.

Director: @zeppelinzeerip
DP: @briandurkee
Production: @fieldworkcreative + @sentry.work
AC: @tay_steele
Stills: @austin.lamoreaux
Drone: @ianaveryleaf @smileywiley4
PA: @orion.herman.media
Edit: @tay_steele
Color: @palinoiapost
SFX: @cuttersstudios
Animation Team: @soygiovannyp @danielhigu @wittnesman ingridbov
Talent: @annabelcunanan
PA: @edgecatch

Forest skiders for the launch of @girocycling Montaro MIPS

Prod: @fieldworkcreative
Direct: @zeppelinzeerip
DP: @kyle__lieberman
Edit: @rhoddyjensen
PA: @liamkaisercreative

Turbo for our friends at @iamspecialized

Post: @fieldworkcreative
Post Supervisor: @zeppelinzeerip
Edit: @tay_steele
Color: @theo__muse

Field Work, for when an LED wall just won’t cut it….

Field Work, for when an LED wall just won’t cut it….

Field Work, for when an LED wall just won’t cut it….

Field Work, for when an LED wall just won’t cut it….

Field Work, for when an LED wall just won’t cut it….

Field Work, for when an LED wall just won’t cut it….

Field Work, for when an LED wall just won’t cut it….