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Portraits for Financial Times courtesy of @aleksey.kondratyev

Portraits for Financial Times courtesy of @aleksey.kondratyev

Jack’s Office (2026), a continuation of
Jack’s Room (2025), imagines the 18-year-old Jack as
a 30-year-old man working in finance at the fictional
bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug,
pencil, Bic 4-color retractable pen, Le Bristol Paris
ruler, Mexican Ritalin, Kaweco fountain pen ink
cartridges, New York Life Insurance Company pin,
Hong Kong 20-dollar note, Arlberg lift ticket,
GripMaster trainer, 2026 The Simpsons daily tear-off
calendar, Dude Wipes towelette, armpit hair,
“Engagement Chicken” recipe, Orlo & Co. letterhead
(Kidnap & Ransom insurance notes), Revere bowls,
sailing protest flag, Color-Me-Mine object, piggy bank
signed “JACK,” stormproof matches, Braun alarm
clock, photograph of a Labrador, iPhone privacy
screens, Orlo & Co. business card, Choate Rosemary
Hall T-shirt (“The World Is Our Campus”), Betty Ford
memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with
Jenna Bliss and @jasminegregory, 2026. Photo © Rob
Harris

Jack’s Office (2026), a continuation of
Jack’s Room (2025), imagines the 18-year-old Jack as
a 30-year-old man working in finance at the fictional
bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug,
pencil, Bic 4-color retractable pen, Le Bristol Paris
ruler, Mexican Ritalin, Kaweco fountain pen ink
cartridges, New York Life Insurance Company pin,
Hong Kong 20-dollar note, Arlberg lift ticket,
GripMaster trainer, 2026 The Simpsons daily tear-off
calendar, Dude Wipes towelette, armpit hair,
“Engagement Chicken” recipe, Orlo & Co. letterhead
(Kidnap & Ransom insurance notes), Revere bowls,
sailing protest flag, Color-Me-Mine object, piggy bank
signed “JACK,” stormproof matches, Braun alarm
clock, photograph of a Labrador, iPhone privacy
screens, Orlo & Co. business card, Choate Rosemary
Hall T-shirt (“The World Is Our Campus”), Betty Ford
memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with
Jenna Bliss and @jasminegregory, 2026. Photo © Rob
Harris

Jack’s Office (2026), a continuation of
Jack’s Room (2025), imagines the 18-year-old Jack as
a 30-year-old man working in finance at the fictional
bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug,
pencil, Bic 4-color retractable pen, Le Bristol Paris
ruler, Mexican Ritalin, Kaweco fountain pen ink
cartridges, New York Life Insurance Company pin,
Hong Kong 20-dollar note, Arlberg lift ticket,
GripMaster trainer, 2026 The Simpsons daily tear-off
calendar, Dude Wipes towelette, armpit hair,
“Engagement Chicken” recipe, Orlo & Co. letterhead
(Kidnap & Ransom insurance notes), Revere bowls,
sailing protest flag, Color-Me-Mine object, piggy bank
signed “JACK,” stormproof matches, Braun alarm
clock, photograph of a Labrador, iPhone privacy
screens, Orlo & Co. business card, Choate Rosemary
Hall T-shirt (“The World Is Our Campus”), Betty Ford
memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with
Jenna Bliss and @jasminegregory, 2026. Photo © Rob
Harris

Jack’s Office (2026), a continuation of
Jack’s Room (2025), imagines the 18-year-old Jack as
a 30-year-old man working in finance at the fictional
bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug,
pencil, Bic 4-color retractable pen, Le Bristol Paris
ruler, Mexican Ritalin, Kaweco fountain pen ink
cartridges, New York Life Insurance Company pin,
Hong Kong 20-dollar note, Arlberg lift ticket,
GripMaster trainer, 2026 The Simpsons daily tear-off
calendar, Dude Wipes towelette, armpit hair,
“Engagement Chicken” recipe, Orlo & Co. letterhead
(Kidnap & Ransom insurance notes), Revere bowls,
sailing protest flag, Color-Me-Mine object, piggy bank
signed “JACK,” stormproof matches, Braun alarm
clock, photograph of a Labrador, iPhone privacy
screens, Orlo & Co. business card, Choate Rosemary
Hall T-shirt (“The World Is Our Campus”), Betty Ford
memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with
Jenna Bliss and @jasminegregory, 2026. Photo © Rob
Harris

Jack’s Office (2026), a continuation of
Jack’s Room (2025), imagines the 18-year-old Jack as
a 30-year-old man working in finance at the fictional
bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug,
pencil, Bic 4-color retractable pen, Le Bristol Paris
ruler, Mexican Ritalin, Kaweco fountain pen ink
cartridges, New York Life Insurance Company pin,
Hong Kong 20-dollar note, Arlberg lift ticket,
GripMaster trainer, 2026 The Simpsons daily tear-off
calendar, Dude Wipes towelette, armpit hair,
“Engagement Chicken” recipe, Orlo & Co. letterhead
(Kidnap & Ransom insurance notes), Revere bowls,
sailing protest flag, Color-Me-Mine object, piggy bank
signed “JACK,” stormproof matches, Braun alarm
clock, photograph of a Labrador, iPhone privacy
screens, Orlo & Co. business card, Choate Rosemary
Hall T-shirt (“The World Is Our Campus”), Betty Ford
memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with
Jenna Bliss and @jasminegregory, 2026. Photo © Rob
Harris

Jack’s Office (2026), a continuation of
Jack’s Room (2025), imagines the 18-year-old Jack as
a 30-year-old man working in finance at the fictional
bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug,
pencil, Bic 4-color retractable pen, Le Bristol Paris
ruler, Mexican Ritalin, Kaweco fountain pen ink
cartridges, New York Life Insurance Company pin,
Hong Kong 20-dollar note, Arlberg lift ticket,
GripMaster trainer, 2026 The Simpsons daily tear-off
calendar, Dude Wipes towelette, armpit hair,
“Engagement Chicken” recipe, Orlo & Co. letterhead
(Kidnap & Ransom insurance notes), Revere bowls,
sailing protest flag, Color-Me-Mine object, piggy bank
signed “JACK,” stormproof matches, Braun alarm
clock, photograph of a Labrador, iPhone privacy
screens, Orlo & Co. business card, Choate Rosemary
Hall T-shirt (“The World Is Our Campus”), Betty Ford
memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with
Jenna Bliss and @jasminegregory, 2026. Photo © Rob
Harris

Jack’s Office (2026), a continuation of
Jack’s Room (2025), imagines the 18-year-old Jack as
a 30-year-old man working in finance at the fictional
bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug,
pencil, Bic 4-color retractable pen, Le Bristol Paris
ruler, Mexican Ritalin, Kaweco fountain pen ink
cartridges, New York Life Insurance Company pin,
Hong Kong 20-dollar note, Arlberg lift ticket,
GripMaster trainer, 2026 The Simpsons daily tear-off
calendar, Dude Wipes towelette, armpit hair,
“Engagement Chicken” recipe, Orlo & Co. letterhead
(Kidnap & Ransom insurance notes), Revere bowls,
sailing protest flag, Color-Me-Mine object, piggy bank
signed “JACK,” stormproof matches, Braun alarm
clock, photograph of a Labrador, iPhone privacy
screens, Orlo & Co. business card, Choate Rosemary
Hall T-shirt (“The World Is Our Campus”), Betty Ford
memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with
Jenna Bliss and @jasminegregory, 2026. Photo © Rob
Harris

Jack’s Office (2026), a continuation of Jack’s Room (2025), imagines the 18-year-old Jack as a 30-year-old man working in finance at the fictional bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug, pencil, Bic 4-color retractable pen, Le Bristol Paris ruler, Mexican Ritalin, Kaweco fountain pen ink cartridges, New York Life Insurance Company pin, Hong Kong 20-dollar note, Arlberg lift ticket, GripMaster trainer, 2026 The Simpsons daily tear-off calendar, Dude Wipes towelette, armpit hair, “Engagement Chicken” recipe, Orlo & Co. letterhead (Kidnap & Ransom insurance notes), Revere bowls, sailing protest flag, Color-Me-Mine object, piggy bank signed “JACK,” stormproof matches, Braun alarm clock, photograph of a Labrador, iPhone privacy screens, Orlo & Co. business card, Choate Rosemary Hall T-shirt (“The World Is Our Campus”), Betty Ford memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with Jenna Bliss and @jasminegregory, 2026. Photo © Rob Harris

Jack’s Office (2026), a continuation of Jack’s Room (2025), imagines the 18-year-old Jack as a 30-year-old man working in finance at the fictional bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug, pencil, Bic 4-color retractable pen, Le Bristol Paris ruler, Mexican Ritalin, Kaweco fountain pen ink cartridges, New York Life Insurance Company pin, Hong Kong 20-dollar note, Arlberg lift ticket, GripMaster trainer, 2026 The Simpsons daily tear-off calendar, Dude Wipes towelette, armpit hair, “Engagement Chicken” recipe, Orlo & Co. letterhead (Kidnap & Ransom insurance notes), Revere bowls, sailing protest flag, Color-Me-Mine object, piggy bank signed “JACK,” stormproof matches, Braun alarm clock, photograph of a Labrador, iPhone privacy screens, Orlo & Co. business card, Choate Rosemary Hall T-shirt (“The World Is Our Campus”), Betty Ford memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with Jenna Bliss and @jasminegregory, 2026. Photo © Rob Harris

Jack’s Office (2026), a continuation of Jack’s Room (2025), imagines the 18-year-old Jack as a 30-year-old man working in finance at the fictional bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug, pencil, Bic 4-color retractable pen, Le Bristol Paris ruler, Mexican Ritalin, Kaweco fountain pen ink cartridges, New York Life Insurance Company pin, Hong Kong 20-dollar note, Arlberg lift ticket, GripMaster trainer, 2026 The Simpsons daily tear-off calendar, Dude Wipes towelette, armpit hair, “Engagement Chicken” recipe, Orlo & Co. letterhead (Kidnap & Ransom insurance notes), Revere bowls, sailing protest flag, Color-Me-Mine object, piggy bank signed “JACK,” stormproof matches, Braun alarm clock, photograph of a Labrador, iPhone privacy screens, Orlo & Co. business card, Choate Rosemary Hall T-shirt (“The World Is Our Campus”), Betty Ford memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with Jenna Bliss and @jasminegregory, 2026. Photo © Rob Harris

Jack’s Office (2026), a continuation of Jack’s Room (2025), imagines the 18-year-old Jack as a 30-year-old man working in finance at the fictional bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug, pencil, Bic 4-color retractable pen, Le Bristol Paris ruler, Mexican Ritalin, Kaweco fountain pen ink cartridges, New York Life Insurance Company pin, Hong Kong 20-dollar note, Arlberg lift ticket, GripMaster trainer, 2026 The Simpsons daily tear-off calendar, Dude Wipes towelette, armpit hair, “Engagement Chicken” recipe, Orlo & Co. letterhead (Kidnap & Ransom insurance notes), Revere bowls, sailing protest flag, Color-Me-Mine object, piggy bank signed “JACK,” stormproof matches, Braun alarm clock, photograph of a Labrador, iPhone privacy screens, Orlo & Co. business card, Choate Rosemary Hall T-shirt (“The World Is Our Campus”), Betty Ford memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with Jenna Bliss and @jasminegregory, 2026. Photo © Rob Harris

Jack’s Office (2026), a continuation of Jack’s Room (2025), imagines the 18-year-old Jack as a 30-year-old man working in finance at the fictional bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug, pencil, Bic 4-color retractable pen, Le Bristol Paris ruler, Mexican Ritalin, Kaweco fountain pen ink cartridges, New York Life Insurance Company pin, Hong Kong 20-dollar note, Arlberg lift ticket, GripMaster trainer, 2026 The Simpsons daily tear-off calendar, Dude Wipes towelette, armpit hair, “Engagement Chicken” recipe, Orlo & Co. letterhead (Kidnap & Ransom insurance notes), Revere bowls, sailing protest flag, Color-Me-Mine object, piggy bank signed “JACK,” stormproof matches, Braun alarm clock, photograph of a Labrador, iPhone privacy screens, Orlo & Co. business card, Choate Rosemary Hall T-shirt (“The World Is Our Campus”), Betty Ford memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with Jenna Bliss and @jasminegregory, 2026. Photo © Rob Harris

Jack’s Office (2026), a continuation of Jack’s Room (2025), imagines the 18-year-old Jack as a 30-year-old man working in finance at the fictional bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug, pencil, Bic 4-color retractable pen, Le Bristol Paris ruler, Mexican Ritalin, Kaweco fountain pen ink cartridges, New York Life Insurance Company pin, Hong Kong 20-dollar note, Arlberg lift ticket, GripMaster trainer, 2026 The Simpsons daily tear-off calendar, Dude Wipes towelette, armpit hair, “Engagement Chicken” recipe, Orlo & Co. letterhead (Kidnap & Ransom insurance notes), Revere bowls, sailing protest flag, Color-Me-Mine object, piggy bank signed “JACK,” stormproof matches, Braun alarm clock, photograph of a Labrador, iPhone privacy screens, Orlo & Co. business card, Choate Rosemary Hall T-shirt (“The World Is Our Campus”), Betty Ford memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with Jenna Bliss and @jasminegregory, 2026. Photo © Rob Harris

Jack’s Office (2026), a continuation of Jack’s Room (2025), imagines the 18-year-old Jack as a 30-year-old man working in finance at the fictional bank Orlo & Co.

Jack’s Office, 2026, rubber band ball, Orlo & Co. mug, pencil, Bic 4-color retractable pen, Le Bristol Paris ruler, Mexican Ritalin, Kaweco fountain pen ink cartridges, New York Life Insurance Company pin, Hong Kong 20-dollar note, Arlberg lift ticket, GripMaster trainer, 2026 The Simpsons daily tear-off calendar, Dude Wipes towelette, armpit hair, “Engagement Chicken” recipe, Orlo & Co. letterhead (Kidnap & Ransom insurance notes), Revere bowls, sailing protest flag, Color-Me-Mine object, piggy bank signed “JACK,” stormproof matches, Braun alarm clock, photograph of a Labrador, iPhone privacy screens, Orlo & Co. business card, Choate Rosemary Hall T-shirt (“The World Is Our Campus”), Betty Ford memorial stamps, wedding invitation, Oura Ring.

'Genuine Fake Premium Economy' @icalondon with Jenna Bliss and @jasminegregory, 2026. Photo © Rob Harris

Science, Hands, and Virtue (all 2026) installed at @icalondon as part of Genuine Premium Fake Economy with Jenna Bliss and Jasmine Gregory, curated by @nicolaleong

Hands, pigment print in lightbox with artist’s frame, 36 x 30 inches x 3 inches, navy cord, 2026, courtesy the artist

‘Three light boxes act as ads for the bank, pairing classical paintings by Bronzino and Manet with stomach-turning taglines such as “In the hands of the few, for the good of the many.”’

-Eddy Frankel in @guardian

Science, Hands, and Virtue (all 2026) installed at @icalondon as part of Genuine Premium Fake Economy with Jenna Bliss and Jasmine Gregory, curated by @nicolaleong

Hands, pigment print in lightbox with artist’s frame, 36 x 30 inches x 3 inches, navy cord, 2026, courtesy the artist

‘Three light boxes act as ads for the bank, pairing classical paintings by Bronzino and Manet with stomach-turning taglines such as “In the hands of the few, for the good of the many.”’

-Eddy Frankel in @guardian

“I always find desire a useful tool — bringing us closer to things we don’t want to be close to.” – Buck Ellison

For @ft_weekend I spoke to Californian artist @buckellison about his seductive portrayals of corporate finance and American mega-wealth, ahead of the exhibition ‘Genuine Fake Premium Economy’ @icalondon

“A combination of resonant detail and ambiguity has become one of the defining characteristics of Ellison’s art. ‘The work is more powerful if my personal politics are not on display in it,’ he says. ‘It’s able to slip both ways’. […] In place of dogmatic argument, he leaves us with a droll wit. ‘I do think humour is one of the best forms of critique. It may be all we have left.’”

@financialtimes

“I always find desire a useful tool — bringing us closer to things we don’t want to be close to.” – Buck Ellison

For @ft_weekend I spoke to Californian artist @buckellison about his seductive portrayals of corporate finance and American mega-wealth, ahead of the exhibition ‘Genuine Fake Premium Economy’ @icalondon

“A combination of resonant detail and ambiguity has become one of the defining characteristics of Ellison’s art. ‘The work is more powerful if my personal politics are not on display in it,’ he says. ‘It’s able to slip both ways’. […] In place of dogmatic argument, he leaves us with a droll wit. ‘I do think humour is one of the best forms of critique. It may be all we have left.’”

@financialtimes

“I always find desire a useful tool — bringing us closer to things we don’t want to be close to.” – Buck Ellison

For @ft_weekend I spoke to Californian artist @buckellison about his seductive portrayals of corporate finance and American mega-wealth, ahead of the exhibition ‘Genuine Fake Premium Economy’ @icalondon

“A combination of resonant detail and ambiguity has become one of the defining characteristics of Ellison’s art. ‘The work is more powerful if my personal politics are not on display in it,’ he says. ‘It’s able to slip both ways’. […] In place of dogmatic argument, he leaves us with a droll wit. ‘I do think humour is one of the best forms of critique. It may be all we have left.’”

@financialtimes

“I always find desire a useful tool — bringing us closer to things we don’t want to be close to.” – Buck Ellison

For @ft_weekend I spoke to Californian artist @buckellison about his seductive portrayals of corporate finance and American mega-wealth, ahead of the exhibition ‘Genuine Fake Premium Economy’ @icalondon

“A combination of resonant detail and ambiguity has become one of the defining characteristics of Ellison’s art. ‘The work is more powerful if my personal politics are not on display in it,’ he says. ‘It’s able to slip both ways’. […] In place of dogmatic argument, he leaves us with a droll wit. ‘I do think humour is one of the best forms of critique. It may be all we have left.’”

@financialtimes

Dior Fall 2026

"Blue-grey mansard roofs crown buildings of golden Lutetian stone quarried directly beneath Paris itself."

#jonathananderson @benjaminbruno_ #YorickLeSaux @margauxjouanneau
@artistprotectionservices @avakaufman @lottiprojects @viviangirls @karimbelghiran @anatakahashiii @poppybartlettstudio @paul_lasfargues1 @aristide_deslandes_ #annaelfila #bobeaton

Dior Fall 2026

"Blue-grey mansard roofs crown buildings of golden Lutetian stone quarried directly beneath Paris itself."

#jonathananderson @benjaminbruno_ #YorickLeSaux @margauxjouanneau
@artistprotectionservices @avakaufman @lottiprojects @viviangirls @karimbelghiran @anatakahashiii @poppybartlettstudio @paul_lasfargues1 @aristide_deslandes_ #annaelfila #bobeaton

Dior Fall 2026

"Blue-grey mansard roofs crown buildings of golden Lutetian stone quarried directly beneath Paris itself."

#jonathananderson @benjaminbruno_ #YorickLeSaux @margauxjouanneau
@artistprotectionservices @avakaufman @lottiprojects @viviangirls @karimbelghiran @anatakahashiii @poppybartlettstudio @paul_lasfargues1 @aristide_deslandes_ #annaelfila #bobeaton

Dior Fall 2026

"Blue-grey mansard roofs crown buildings of golden Lutetian stone quarried directly beneath Paris itself."

#jonathananderson @benjaminbruno_ #YorickLeSaux @margauxjouanneau
@artistprotectionservices @avakaufman @lottiprojects @viviangirls @karimbelghiran @anatakahashiii @poppybartlettstudio @paul_lasfargues1 @aristide_deslandes_ #annaelfila #bobeaton

Dick, Dan, Doug. The Everglades Club, Palm Beach, Florida, 1990, 2019. Installed in "Get in the Game: Sports, Art, Culture," Sep 13, 2025–Jan 26, 2026, Crystal Bridges Museum of American Art, Bentonville, Arkansas @crystalbridgesmuseum

Dick, Dan, Doug. The Everglades Club, Palm Beach, Florida, 1990, 2019. Installed in "Get in the Game: Sports, Art, Culture," Sep 13, 2025–Jan 26, 2026, Crystal Bridges Museum of American Art, Bentonville, Arkansas @crystalbridgesmuseum

Untitled (Girls' Room), 2023is now part of the collection of the Fondazione Palazzo Bentivoglio, Bologna @palazzobentivoglio

This image shows Ralph Lauren’s “Allison” sheet set from the mid-1980s. Advances in prenatal testing let parents buy gendered nursery decor before a baby was born. The set’s popularity also mirrored wider trends then: a reaction against 1970s feminism, a rise in evangelical family values, and Reagan-era cuts to programs that supported two‑income families.

Thank you to @barbatigallery

Untitled (Girls' Room), 2023is now part of the collection of the Fondazione Palazzo Bentivoglio, Bologna @palazzobentivoglio

This image shows Ralph Lauren’s “Allison” sheet set from the mid-1980s. Advances in prenatal testing let parents buy gendered nursery decor before a baby was born. The set’s popularity also mirrored wider trends then: a reaction against 1970s feminism, a rise in evangelical family values, and Reagan-era cuts to programs that supported two‑income families.

Thank you to @barbatigallery

Untitled (Girls' Room), 2023is now part of the collection of the Fondazione Palazzo Bentivoglio, Bologna @palazzobentivoglio

This image shows Ralph Lauren’s “Allison” sheet set from the mid-1980s. Advances in prenatal testing let parents buy gendered nursery decor before a baby was born. The set’s popularity also mirrored wider trends then: a reaction against 1970s feminism, a rise in evangelical family values, and Reagan-era cuts to programs that supported two‑income families.

Thank you to @barbatigallery

Untitled (Girls' Room), 2023is now part of the collection of the Fondazione Palazzo Bentivoglio, Bologna @palazzobentivoglio

This image shows Ralph Lauren’s “Allison” sheet set from the mid-1980s. Advances in prenatal testing let parents buy gendered nursery decor before a baby was born. The set’s popularity also mirrored wider trends then: a reaction against 1970s feminism, a rise in evangelical family values, and Reagan-era cuts to programs that supported two‑income families.

Thank you to @barbatigallery

Untitled (Girls' Room), 2023is now part of the collection of the Fondazione Palazzo Bentivoglio, Bologna @palazzobentivoglio

This image shows Ralph Lauren’s “Allison” sheet set from the mid-1980s. Advances in prenatal testing let parents buy gendered nursery decor before a baby was born. The set’s popularity also mirrored wider trends then: a reaction against 1970s feminism, a rise in evangelical family values, and Reagan-era cuts to programs that supported two‑income families.

Thank you to @barbatigallery

Untitled (Girls' Room), 2023is now part of the collection of the Fondazione Palazzo Bentivoglio, Bologna @palazzobentivoglio

This image shows Ralph Lauren’s “Allison” sheet set from the mid-1980s. Advances in prenatal testing let parents buy gendered nursery decor before a baby was born. The set’s popularity also mirrored wider trends then: a reaction against 1970s feminism, a rise in evangelical family values, and Reagan-era cuts to programs that supported two‑income families.

Thank you to @barbatigallery

Untitled (Girls' Room), 2023is now part of the collection of the Fondazione Palazzo Bentivoglio, Bologna @palazzobentivoglio

This image shows Ralph Lauren’s “Allison” sheet set from the mid-1980s. Advances in prenatal testing let parents buy gendered nursery decor before a baby was born. The set’s popularity also mirrored wider trends then: a reaction against 1970s feminism, a rise in evangelical family values, and Reagan-era cuts to programs that supported two‑income families.

Thank you to @barbatigallery

Ever Anderson, Mikey Madison, and Sophie Wilde in Spring Summer 2026 Dior at the Jardin du Luxembourg

Jonathan and Benjamin THANK YOU

And the best team:

@jonathan.anderson
@benjaminbruno_
@everanderson
#mikeymadison
@sophiewildee
@avakaufman @artistprotectionservices
@theodorehugonnier
@lottiprojects
@margauxjouanneau
#olivierlooren
#bobeaton
@poppybartlettstudio

Ever Anderson, Mikey Madison, and Sophie Wilde in Spring Summer 2026 Dior at the Jardin du Luxembourg

Jonathan and Benjamin THANK YOU

And the best team:

@jonathan.anderson
@benjaminbruno_
@everanderson
#mikeymadison
@sophiewildee
@avakaufman @artistprotectionservices
@theodorehugonnier
@lottiprojects
@margauxjouanneau
#olivierlooren
#bobeaton
@poppybartlettstudio

Ever Anderson, Mikey Madison, and Sophie Wilde in Spring Summer 2026 Dior at the Jardin du Luxembourg

Jonathan and Benjamin THANK YOU

And the best team:

@jonathan.anderson
@benjaminbruno_
@everanderson
#mikeymadison
@sophiewildee
@avakaufman @artistprotectionservices
@theodorehugonnier
@lottiprojects
@margauxjouanneau
#olivierlooren
#bobeaton
@poppybartlettstudio

Ever Anderson, Mikey Madison, and Sophie Wilde in Spring Summer 2026 Dior at the Jardin du Luxembourg

Jonathan and Benjamin THANK YOU

And the best team:

@jonathan.anderson
@benjaminbruno_
@everanderson
#mikeymadison
@sophiewildee
@avakaufman @artistprotectionservices
@theodorehugonnier
@lottiprojects
@margauxjouanneau
#olivierlooren
#bobeaton
@poppybartlettstudio

Ever Anderson, Mikey Madison, and Sophie Wilde in Spring Summer 2026 Dior at the Jardin du Luxembourg

Jonathan and Benjamin THANK YOU

And the best team:

@jonathan.anderson
@benjaminbruno_
@everanderson
#mikeymadison
@sophiewildee
@avakaufman @artistprotectionservices
@theodorehugonnier
@lottiprojects
@margauxjouanneau
#olivierlooren
#bobeaton
@poppybartlettstudio

Ever Anderson, Mikey Madison, and Sophie Wilde in Spring Summer 2026 Dior at the Jardin du Luxembourg

Jonathan and Benjamin THANK YOU

And the best team:

@jonathan.anderson
@benjaminbruno_
@everanderson
#mikeymadison
@sophiewildee
@avakaufman @artistprotectionservices
@theodorehugonnier
@lottiprojects
@margauxjouanneau
#olivierlooren
#bobeaton
@poppybartlettstudio

Thanks to Pamela & Jarl Mohn, "Dick, Dan, Doug, The Everglades Club, Palm Beach, Florida, 1990," 2019 and "Pro," 2016 are now part of the permanent collections of @lacma@hammer_museum@mocaSpecial thanks to @nancyagamboa , SkinnyLicious® mother to us all. (Second slide is a still from my riveting lecture at @yaleschoolofart on how to make prop piss out of green tea.)

Thanks to Pamela & Jarl Mohn, "Dick, Dan, Doug, The Everglades Club, Palm Beach, Florida, 1990," 2019 and "Pro," 2016 are now part of the permanent collections of @lacma@hammer_museum@mocaSpecial thanks to @nancyagamboa , SkinnyLicious® mother to us all. (Second slide is a still from my riveting lecture at @yaleschoolofart on how to make prop piss out of green tea.)

Thanks to Pamela & Jarl Mohn, "Dick, Dan, Doug, The Everglades Club, Palm Beach, Florida, 1990," 2019 and "Pro," 2016 are now part of the permanent collections of @lacma@hammer_museum@mocaSpecial thanks to @nancyagamboa , SkinnyLicious® mother to us all. (Second slide is a still from my riveting lecture at @yaleschoolofart on how to make prop piss out of green tea.)

"The Garden, Marin Academy, San Rafael, California" 2016 was the backdrop for @jonathan.anderson 2026 Men's spring-summer show at @dior Photo by @lunacontee

"The Garden, Marin Academy, San Rafael, California" 2016 was the backdrop for @jonathan.anderson 2026 Men's spring-summer show at @dior Photo by @lunacontee

"The Garden, Marin Academy, San Rafael, California" 2016 was the backdrop for @jonathan.anderson 2026 Men's spring-summer show at @dior Photo by @lunacontee

"The Garden, Marin Academy, San Rafael, California" 2016 was the backdrop for @jonathan.anderson 2026 Men's spring-summer show at @dior Photo by @lunacontee

Untitled (Christmas Card) #6 and #7 installed as part of @capturephotofest, curated by @eleewall, installed at Davie Street & Bute Street, Vancouver, BC, Canada. Photo by Dennis Ha.

Stylist @charlottecolletcollet, Production @richard_villani

Untitled (Christmas Card) #6 and #7 installed as part of @capturephotofest, curated by @eleewall, installed at Davie Street & Bute Street, Vancouver, BC, Canada. Photo by Dennis Ha.

Stylist @charlottecolletcollet, Production @richard_villani

Untitled (Christmas Card) #6 and #7 installed as part of @capturephotofest, curated by @eleewall, installed at Davie Street & Bute Street, Vancouver, BC, Canada. Photo by Dennis Ha.

Stylist @charlottecolletcollet, Production @richard_villani