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ivanmarching
Ivan March
words/curation @wakinglife.pt
politics @guerrillafoundation
radio @refugeworldwide
residencies @villa_mmm 🏳️🌈
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Chronically Online Anonymous support circle anyone?
Shall we make a telegram group 🫣
A tech-world figure who mistakes altitude for insight, performs space-age ambition as a distraction from earthly problems, and turns planetary escape fantasies into a spectacle that benefits no one but themselves.
Butt seriously, ass-tronauts abound, and they be giving small rocket energy.
*apologies to astronauts, you're badass :)
A tech-world figure who mistakes altitude for insight, performs space-age ambition as a distraction from earthly problems, and turns planetary escape fantasies into a spectacle that benefits no one but themselves.
Butt seriously, ass-tronauts abound, and they be giving small rocket energy.
*apologies to astronauts, you're badass :)
A tech-world figure who mistakes altitude for insight, performs space-age ambition as a distraction from earthly problems, and turns planetary escape fantasies into a spectacle that benefits no one but themselves.
Butt seriously, ass-tronauts abound, and they be giving small rocket energy.
*apologies to astronauts, you're badass :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Xem Câu Chuyện Instagram Bí Mật
Trình Xem Câu Chuyện Instagram là một công cụ dễ sử dụng giúp bạn xem và lưu câu chuyện Instagram, video, ảnh hoặc IGTV một cách bí mật. Với dịch vụ này, bạn có thể tải xuống nội dung và thưởng thức ngoại tuyến bất cứ lúc nào. Nếu bạn tìm thấy điều gì đó thú vị trên Instagram mà bạn muốn xem sau này hoặc muốn xem câu chuyện mà vẫn giữ ẩn danh, Trình Xem của chúng tôi là lựa chọn hoàn hảo. Anonstories cung cấp giải pháp tuyệt vời để giữ kín danh tính của bạn. Instagram ra mắt tính năng Câu Chuyện vào tháng 8 năm 2023, và nhanh chóng được các nền tảng khác áp dụng do định dạng hấp dẫn và nhạy cảm với thời gian. Câu Chuyện cho phép người dùng chia sẻ cập nhật nhanh, bất kể là ảnh, video, hay selfie, được bổ sung với văn bản, emoji, hoặc bộ lọc, và chỉ hiển thị trong 24 giờ. Khoảng thời gian giới hạn này tạo ra mức độ tương tác cao so với các bài đăng thường xuyên. Trong thế giới ngày nay, Câu Chuyện là một trong những cách phổ biến nhất để kết nối và giao tiếp trên mạng xã hội. Tuy nhiên, khi bạn xem một Câu Chuyện, người tạo có thể thấy tên của bạn trong danh sách người xem, điều này có thể gây lo ngại về quyền riêng tư. Nếu bạn muốn duyệt Câu Chuyện mà không bị phát hiện, Anonstories sẽ hữu ích. Nó cho phép bạn xem nội dung công khai trên Instagram mà không tiết lộ danh tính của mình. Chỉ cần nhập tên người dùng của hồ sơ mà bạn tò mò và công cụ này sẽ hiển thị Câu Chuyện mới nhất của họ. Các tính năng của Trình Xem Anonstories: - Duyệt Ẩn Danh: Xem Câu Chuyện mà không xuất hiện trong danh sách người xem. - Không Cần Tài Khoản: Xem nội dung công khai mà không cần đăng ký tài khoản Instagram. - Tải Nội Dung: Lưu bất kỳ nội dung Câu Chuyện nào trực tiếp vào thiết bị của bạn để sử dụng ngoại tuyến. - Xem Highlight: Truy cập các Highlight trên Instagram, ngay cả khi đã qua 24 giờ. - Theo Dõi Đăng Lại: Theo dõi các bài đăng lại hoặc mức độ tương tác trên Câu Chuyện của hồ sơ cá nhân. Hạn chế: - Công cụ này chỉ hoạt động với các tài khoản công khai; các tài khoản riêng tư không thể truy cập. Lợi ích: - Thân thiện với quyền riêng tư: Xem bất kỳ nội dung Instagram nào mà không bị phát hiện. - Đơn giản và dễ dàng: Không cần cài đặt ứng dụng hoặc đăng ký. - Công cụ độc quyền: Tải và quản lý nội dung theo cách mà Instagram không cung cấp.
Lợi ích của Anonstories
Khám Phá Câu Chuyện IG Một Cách Riêng Tư
Theo dõi các cập nhật Instagram một cách kín đáo trong khi bảo vệ quyền riêng tư của bạn và vẫn giữ ẩn danh.
Trình Xem Instagram Riêng Tư
Xem hồ sơ và ảnh một cách ẩn danh dễ dàng với Trình Xem Hồ Sơ Riêng Tư.
Trình Xem Câu Chuyện Miễn Phí
Công cụ miễn phí này cho phép bạn xem Câu Chuyện Instagram ẩn danh, đảm bảo hoạt động của bạn không bị phát hiện bởi người tải lên câu chuyện.
Câu hỏi thường gặp
Ẩn Danh
Anonstories cho phép người dùng xem Câu Chuyện Instagram mà không cảnh báo người tạo.
Tương Thích Thiết Bị
Hoạt động mượt mà trên iOS, Android, Windows, macOS và các trình duyệt hiện đại như Chrome và Safari.
An Toàn và Quyền Riêng Tư
Ưu tiên duyệt web an toàn, ẩn danh mà không yêu cầu thông tin đăng nhập.
Không Cần Đăng Ký
Người dùng có thể xem Câu Chuyện công khai chỉ bằng cách nhập tên người dùng—không cần tài khoản.
Định Dạng Hỗ Trợ
Tải ảnh (JPEG) và video (MP4) một cách dễ dàng.
Chi Phí
Dịch vụ này miễn phí.
Tài Khoản Riêng Tư
Nội dung từ các tài khoản riêng tư chỉ có thể truy cập bởi những người theo dõi.
Sử Dụng Tệp
Các tệp chỉ được sử dụng cho mục đích cá nhân hoặc giáo dục và phải tuân thủ quy định bản quyền.
Cách Hoạt Động
Nhập tên người dùng công khai để xem hoặc tải xuống câu chuyện. Dịch vụ tạo liên kết trực tiếp để lưu nội dung vào thiết bị của bạn.