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clovisong
Clovis Ong
Writer • Director • USC School of Cinematic Arts.
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
“Stigmatized” has been selected for the Ethos Film Awards in Los Angeles:) Appreciate being included in a stellar lineup of purpose-driven films. And I appreciate even more the hard work of the crew that made this happen:)))
“Stigmatized”
Written and directed by @clovisong, @iktong_
Produced by @desmondwooo
Executive Producer: @bensiow
Starring: @melballthemeatball, @jodecro
Featuring: @stefanie.arianne
Singapore Unit
DP: @tshyan
1St AC: @daryl_nah
2nd AC: @zolynnphua
Gaffer: @ghufranjasni, @huathuathuatt
Art: @charshimi_
Art Assist: @filmkiah
Production Sound: @dontwhisper
HMU: @jongmakeup
Storyboard Artist: Seraphina Lum
Japan Unit
Line Producer: @iktong_
AD: Maho Hamada
DP: @tomwcarey.dp
1st AC: @ichikawakun__
2nd AC: Keina
Production Sound: Hibiki Omachi
HMU: @naoki_imajo
Post Production
Head of Post: @owenpostfx
Post Supervisors: @afrinariffin, Deborah Chia
Offline Editor: @caraworktea
Online Artist: @ashleypostfx
Character Design and Animation: @layting.gfx
Character Artist: Syed Hassan bin zainelabdin Alhadad
Colorist: @khien.grade
Sound Design & Mix: @xandertoh
Japanese Audio Recording: Eion-Kukan
Japanese Narration: @tkballa
Japanese Dialogue Support: @ryokachii
Music by @f_v_s_e
Music Line Producer: Luqman Faidzan
Music Lead Creative: Joseph Chua
Composer: @lianne0312
Post Support: @abundantsg_
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Being really influenced by these nostalgic places in my childhood (namely these “obsolete” old malls in Singapore, around the Bukit Timah area where I reside), I tried to conjure up that warm feeling by shooting 16mm film for “Aku Cemas” – which in itself has a lot of themes about anxiety and capitalism. Mixing the Bolex with digital formats like Alexa LF and FX3 was an interesting but necessary hybrid; synced sound doesn’t work with Bolex, plus we needed agility for our 5-location, single day shoot.
I’m beyond stoked to work on this, a real breath of fresh air after directing endless commercial projects focused on slick consumer driven capitalism. In a way I, too, was struggling with the thematics of the song and this was just so meaningful to be able to get into a passion project. Huge huge thanks to @bensiow for coming in clutch with tremendous support and generosity; you sir are truly a credit to indie filmmaking.
“Aku Cemas” by @subsoniceye was shot on a Bolex H16 (non-reflex) on Kodak 7207 16mm, Alexa LF, and Sony FX3 by DP @lashfan, with some additional 16mm photography by myself.
Project: "Aku Cemas" by Subsonic Eye
Directors: @clovisong, @iktong_
EP: @bensiow
Producer: @clovisong
DP: @lashfan
1st AC: @monstertruckdriver
2nd AC: @thisiswinston
Gaffer: @kilightz
Grip: @_guo_wei_
Jr Grips: @zxheerul.z, @jiawangt
Location Manager: @bernardong61
PAs: @elliotlzy, @zongsiphone
Post Supervisor: @owenpostfx
Offline Editors: @clovisong, @chesxpost
Colorist: @olha.colourist
Sound Design: @jaaaared
📸: @iktong_, @lashfan
Special Thanks: @gcforce.sg , @shrub.0128 , @handsonfilm
#shotonfilm #16mm
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: CHAN BROTHERS | 60th Anniversary (dir. cut)
Daylight exterior beauty shots are amongst the hardest to execute technically, especially with the added complication of moving lights. Massive thanks to the crack team that made this happen:)
Director: @clovisong
Creatives: @cecilhamilton, @roylai
Agency Producer: @rachelchuaaa
Client: @chanbrotherstravel
Talent: @thedesmondtan, @kym_ng, @heyhihazelle, @jningchan, @chantalleng, @romeotan, @guoliang99
EP: @requiem84
Producer: @jomellow_
AD: @limzo99
DP: @art.see.fart.see
1st AC: Zul, @ernestlwh
2nd AC: Fiona, @rahul_rkrish
Ronin Tech: @thegreatcouchpotato
Gaffer: @kilightz
Grips: @guo_wei, @shawn_hyc, @le_onnn, @dzulkay, Abang Din
Jr Grips: @stephan_bigshark, @henryyyu_, @assilemsiok, @vnctzy, @itsjustsm
AP: @saav.avz
Sound: @riken.loh
PA: @justamos
Post Supervisor: @zdhk
Offline Editors: @zdhk, @eeunicetyk
Online Artist: @zdhk
Online Support: Adam VFX Studio
Colorist: @olha.colourist
📸: @requiem84, @nerf_herder
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
Project: NCSS | Art of Connection
Writer/Director: @clovisong
EP: @requiem84
Producer: @jomellow_
1st AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
1st AC: @_syakr
2nd AC: @bryan_tanjunhan
Ronin Tech: @lasenn
Gaffer: @dpchengs
Grips: @clarencecjd, @111rfan, @drmaats, Ah Hoi
Tech support: @jasontannh
Art: @fionehneh
HMU: @ngconnie08
PA: @samphua_
Post Supervisor: @zdhk
Offline Editor: @eeunicetyk
Online Artist: @zdhk
Colorist: @olha.colourist
📸: @requiem84
💡 Gaffer
NCSS: Art of Connection (2025)
Client: @ncss.sg
Production house: @dbx_sg @nerf_herder
EP: @requiem84
Producer: Joellen Koh
Director: @clovisong
AD: @limzo99
2nd AD: @waza.bee
DP: @aaronandrewang
CA: @bryan_tanjunhan @_syakr
Ronin Tech: @lasenn
Grips: Ah Hoi, @clarencecjd @111rfan @drmaats
Tech support: @jasontannh
Art Director: Fiona
PA: @samphua_
Project: SINGAPORE TOURISM BOARD | Singaporeans Dreaming
Writer/Director: @clovisong
Creatives: @cecilhamilton, Kenneth Tan, Alvin Leow
Client: @stb_sg
Producer: @minsterrr_
DP: @shahnasir_
1st AC: @lasenn
Ronin Tech: @ryphaee
Cam Intern: Henry
Gaffer: @ghufranjasni
Grip: @weslobreastlo
Junior Grip: Hafeez
Sound: @dontwhisper
HMU: @jongmakeup
AP: Trisha
PA: Desmond
Head of Post: @owenpostfx
Offline Editor: @erleesh
Online Artist: @ashleypostfx
Colorist: @khien.grade
Sound Design: @kerrylim27
Project: SINGAPORE TOURISM BOARD | Singaporeans Dreaming
Writer/Director: @clovisong
Creatives: @cecilhamilton, Kenneth Tan, Alvin Leow
Client: @stb_sg
Producer: @minsterrr_
DP: @shahnasir_
1st AC: @lasenn
Ronin Tech: @ryphaee
Cam Intern: Henry
Gaffer: @ghufranjasni
Grip: @weslobreastlo
Junior Grip: Hafeez
Sound: @dontwhisper
HMU: @jongmakeup
AP: Trisha
PA: Desmond
Head of Post: @owenpostfx
Offline Editor: @erleesh
Online Artist: @ashleypostfx
Colorist: @khien.grade
Sound Design: @kerrylim27
Project: SINGAPORE TOURISM BOARD | Singaporeans Dreaming
Writer/Director: @clovisong
Creatives: @cecilhamilton, Kenneth Tan, Alvin Leow
Client: @stb_sg
Producer: @minsterrr_
DP: @shahnasir_
1st AC: @lasenn
Ronin Tech: @ryphaee
Cam Intern: Henry
Gaffer: @ghufranjasni
Grip: @weslobreastlo
Junior Grip: Hafeez
Sound: @dontwhisper
HMU: @jongmakeup
AP: Trisha
PA: Desmond
Head of Post: @owenpostfx
Offline Editor: @erleesh
Online Artist: @ashleypostfx
Colorist: @khien.grade
Sound Design: @kerrylim27
Project: SINGAPORE TOURISM BOARD | Singaporeans Dreaming
Writer/Director: @clovisong
Creatives: @cecilhamilton, Kenneth Tan, Alvin Leow
Client: @stb_sg
Producer: @minsterrr_
DP: @shahnasir_
1st AC: @lasenn
Ronin Tech: @ryphaee
Cam Intern: Henry
Gaffer: @ghufranjasni
Grip: @weslobreastlo
Junior Grip: Hafeez
Sound: @dontwhisper
HMU: @jongmakeup
AP: Trisha
PA: Desmond
Head of Post: @owenpostfx
Offline Editor: @erleesh
Online Artist: @ashleypostfx
Colorist: @khien.grade
Sound Design: @kerrylim27
Project: SINGAPORE TOURISM BOARD | Singaporeans Dreaming
Writer/Director: @clovisong
Creatives: @cecilhamilton, Kenneth Tan, Alvin Leow
Client: @stb_sg
Producer: @minsterrr_
DP: @shahnasir_
1st AC: @lasenn
Ronin Tech: @ryphaee
Cam Intern: Henry
Gaffer: @ghufranjasni
Grip: @weslobreastlo
Junior Grip: Hafeez
Sound: @dontwhisper
HMU: @jongmakeup
AP: Trisha
PA: Desmond
Head of Post: @owenpostfx
Offline Editor: @erleesh
Online Artist: @ashleypostfx
Colorist: @khien.grade
Sound Design: @kerrylim27
Project: SENTOSA | Sensoryscape
Director: @clovisong
Creative: @ehandywhy, @thegovtsg
EP: @jasperchoo_
Producer: @khalid.sukaimi
DP: @jaye_neo
1st AC: @_syakr
2nd AC: @thisiswinston
Gaffer: @jasontannh
Best Boy: @mark.a.goh
Senior Grip: @tai_notthai
Key Grip: Jeremy De Souza
Grips: @t.weiping, @le.vinxe, @danielkoh81
PM: @thunderlicious_
Stylist: @sabrinasimone
HMU: @thisisdoneby
PA: @kennikenji
Offline Editor: @zeenolhossain
Online: @crave.fx
Colorist: @olha.colourist
Mix and Sound Design: @hellomjito, @homegroundstudios
Fast times at kitchenmont high. Five years on and this is still my fave branded doc:)
Project: Alcon | Never Settle
Writer/Director: @clovisong
Creative: @mr.keith.byrne
Producer: @yarshineee
DP: @shahnasir_
Featuring: @ashleyso1
Editor: @caraworktea
Colorist: @khien.grade
Project: Mount Elizabeth Hospitals | Possible Starts Today
Writer/Director: @clovisong
Creative: @clovisong
Producer: @hayitshopey
1st AD: @teafurn3e
DP: @art.see.fart.see
1st CA: Zul
2nd CA: @harisbwoy
Ronin Op: @steadiang
Ronin Assist: @dannyngwk
Gaffer: @kilightz
Key Grip: Jeremy De Souza
Grips: @nightslikethese, @fattgaff, Khaifadd
Jr Grip: Zhi Xian
Art Director: @lieherenbreathe
Art Assists: Iskandar, Alex, Ian, Lynette
MUA: @jongmakeup
Stylist: @shaffyxx
AP: @santasnowy
PAs: @lee.hwg, @jojokohh, Karen
Offline Editor: @dandandanny
Online: Ryan Tan
Colorist: @suchaminnie
This was a small, really meaningful, pro-bono project with something dear to my heart – local music – and boy was I glad to direct it. Through stark black and white visuals and minimal sound design, the goal was to reinterpret Dick Lee's classic 1998 Singapore National Day anthem, "Home," into something more haunting. Exploring the dwindling light and color of life without shared musical experiences.
Project: This is Home | Save Music Singapore
Director: @clovisong
Agency: @thesecretlittleagency
Producer: @minsterrr_
DP: @shahnasir_
1St CA: @chyelim
2nd CA: @harisbwoy
Grips: @lailaiong , John Desouza
Sound: @dontwhisper
Offline Editor: @huey_koh
Online Artists: @ashleypostfx
Colorist: @owenpostfx
Sound Design: @massivemusic
Project: Shimadzu | Living Laboratory
Writer/Director: @clovisong
Producer: @miss.mil.c
DP: @hypebong
1St CA: @aizathisham
2nd CA: @harisbwoy
Gaffer: @fattgaff
Best Boy: @zxiiiaaaan
Grip: @gab_filters
Jr. Grips: @weslobreastlo, @zulhilmiadam
AP: @santasnowy
PAs: @jojokohh, Hui Xian
HMU: @thisisdoneby
Art Director: @lieherenbreathe
Art Assists: Alex, Ian
PM: Trina
Offline Editor: @maxxychew
Online Artists: @dionisiusk, @martinaltanie
Colorist: @suchaminnie
Post Support: @ellie.motion, @popandstrange
Project: Shimadzu | Living Laboratory
Writer/Director: @clovisong
Producer: @miss.mil.c
DP: @hypebong
1St CA: @aizathisham
2nd CA: @harisbwoy
Gaffer: @fattgaff
Best Boy: @zxiiiaaaan
Grip: @gab_filters
Jr. Grips: @weslobreastlo, @zulhilmiadam
AP: @santasnowy
PAs: @jojokohh, Hui Xian
HMU: @thisisdoneby
Art Director: @lieherenbreathe
Art Assists: Alex, Ian
PM: Trina
Offline Editor: @maxxychew
Online Artists: @dionisiusk, @martinaltanie
Colorist: @suchaminnie
Post Support: @ellie.motion, @popandstrange
Project: Shimadzu | Living Laboratory
Writer/Director: @clovisong
Producer: @miss.mil.c
DP: @hypebong
1St CA: @aizathisham
2nd CA: @harisbwoy
Gaffer: @fattgaff
Best Boy: @zxiiiaaaan
Grip: @gab_filters
Jr. Grips: @weslobreastlo, @zulhilmiadam
AP: @santasnowy
PAs: @jojokohh, Hui Xian
HMU: @thisisdoneby
Art Director: @lieherenbreathe
Art Assists: Alex, Ian
PM: Trina
Offline Editor: @maxxychew
Online Artists: @dionisiusk, @martinaltanie
Colorist: @suchaminnie
Post Support: @ellie.motion, @popandstrange
This one’s been sitting on the shelf for a while, but some projects just stay close to the heart:) Lots of fun directing this seamless, one-take spot for Otterbox with the dream team from Vayner Media and Abundant. Also love the animatics for this. Hella scrappy but hey if it works it works :)
Project: Otterbox | Live Connected
Director: @clovisong
Creative: @matthewcrez
Producer: @5hafire
DP: @shahnasir_
1St CA: @aizathisham
2nd CA: @harisbwoy
Cam Intern: @veh_ron
Gaffer: @bentzq
Best Boy: @shunrong_
Grips: @lailaiong
Junior Grips: John, Aylwin
Grip Intern: Durrani
Wardrobe Stylist: @sabrinasimone
Wardrobe Stylist Assist: Steph
Art Director: @bblifeiz
Art Assists: Brendon, @ceraious, Nadya, Wen Xin
Sound: @dontwhisper
AP: @veralynliyi
PAs: @kennikenji, Rendy
Head of Post: @owenpostfx
Offline Editor: Sihui Chua
Online Editor: @ashleypostfx
Colorist: @khien.grade
Audio Post: @f_v_s_e
This one’s been sitting on the shelf for a while, but some projects just stay close to the heart:) Lots of fun directing this seamless, one-take spot for Otterbox with the dream team from Vayner Media and Abundant. Also love the animatics for this. Hella scrappy but hey if it works it works :)
Project: Otterbox | Live Connected
Director: @clovisong
Creative: @matthewcrez
Producer: @5hafire
DP: @shahnasir_
1St CA: @aizathisham
2nd CA: @harisbwoy
Cam Intern: @veh_ron
Gaffer: @bentzq
Best Boy: @shunrong_
Grips: @lailaiong
Junior Grips: John, Aylwin
Grip Intern: Durrani
Wardrobe Stylist: @sabrinasimone
Wardrobe Stylist Assist: Steph
Art Director: @bblifeiz
Art Assists: Brendon, @ceraious, Nadya, Wen Xin
Sound: @dontwhisper
AP: @veralynliyi
PAs: @kennikenji, Rendy
Head of Post: @owenpostfx
Offline Editor: Sihui Chua
Online Editor: @ashleypostfx
Colorist: @khien.grade
Audio Post: @f_v_s_e
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
Vantaggi di Anonstories
Esplora le Storie IG in Privato
Segui gli aggiornamenti di Instagram discretamente proteggendo la tua privacy e restando anonimo.
Visualizzatore Privato di Instagram
Guarda profili e foto in modo anonimo facilmente usando il Visualizzatore di profili privati.
Visualizzatore di Storie Gratuito
Questo strumento gratuito ti permette di visualizzare le storie di Instagram in modo anonimo, garantendo che la tua attività rimanga nascosta dall'utente che carica la storia.
Domande frequenti
Anonimato
Anonstories consente agli utenti di guardare le storie di Instagram senza avvisare il creatore.
Compatibilità Dispositivi
Funziona senza problemi su iOS, Android, Windows, macOS e browser moderni come Chrome e Safari.
Sicurezza e Privacy
Garantisce una navigazione sicura e anonima senza richiedere credenziali di accesso.
Nessuna Registrazione
Gli utenti possono visualizzare storie pubbliche semplicemente inserendo un nome utente—nessun account richiesto.
Formati Supportati
Scarica foto (JPEG) e video (MP4) facilmente.
Costo
Il servizio è gratuito.
Account Privati
Il contenuto degli account privati è accessibile solo ai follower.
Utilizzo dei File
I file sono destinati solo a uso personale o educativo e devono rispettare le normative sul copyright.
Come Funziona
Inserisci un nome utente pubblico per visualizzare o scaricare storie. Il servizio genera link diretti per salvare i contenuti localmente.