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🚨Beyond Provenance: Restitution Seen Through Artistic Collaboration
The Research Center for Material Culture at the
Wereldmuseum invites Beyond Provenance to screen and discuss its three films (European premiere) that artistically explore repatriation of looted objects.
This event is split up into two sessions:
a screening of the three films (Session I) and a panel discussion with all six artists (Session II).
More information and registration for one and/or both sessions can be found in link in bio.
📅18 April 2026
Session I: Screening 12:45–14:40
Session II: Panel discussion 14:45–18:00
🏠Wereldmuseum Amsterdam, Mauritskade 64
🚨Beyond Provenance: Restitution Seen Through Artistic Collaboration
The Research Center for Material Culture at the
Wereldmuseum invites Beyond Provenance to screen and discuss its three films (European premiere) that artistically explore repatriation of looted objects.
This event is split up into two sessions:
a screening of the three films (Session I) and a panel discussion with all six artists (Session II).
More information and registration for one and/or both sessions can be found in link in bio.
📅18 April 2026
Session I: Screening 12:45–14:40
Session II: Panel discussion 14:45–18:00
🏠Wereldmuseum Amsterdam, Mauritskade 64
🚨Beyond Provenance: Restitution Seen Through Artistic Collaboration
The Research Center for Material Culture at the
Wereldmuseum invites Beyond Provenance to screen and discuss its three films (European premiere) that artistically explore repatriation of looted objects.
This event is split up into two sessions:
a screening of the three films (Session I) and a panel discussion with all six artists (Session II).
More information and registration for one and/or both sessions can be found in link in bio.
📅18 April 2026
Session I: Screening 12:45–14:40
Session II: Panel discussion 14:45–18:00
🏠Wereldmuseum Amsterdam, Mauritskade 64
🚨Beyond Provenance: Restitution Seen Through Artistic Collaboration
The Research Center for Material Culture at the
Wereldmuseum invites Beyond Provenance to screen and discuss its three films (European premiere) that artistically explore repatriation of looted objects.
This event is split up into two sessions:
a screening of the three films (Session I) and a panel discussion with all six artists (Session II).
More information and registration for one and/or both sessions can be found in link in bio.
📅18 April 2026
Session I: Screening 12:45–14:40
Session II: Panel discussion 14:45–18:00
🏠Wereldmuseum Amsterdam, Mauritskade 64
🚨Beyond Provenance: Restitution Seen Through Artistic Collaboration
The Research Center for Material Culture at the
Wereldmuseum invites Beyond Provenance to screen and discuss its three films (European premiere) that artistically explore repatriation of looted objects.
This event is split up into two sessions:
a screening of the three films (Session I) and a panel discussion with all six artists (Session II).
More information and registration for one and/or both sessions can be found in link in bio.
📅18 April 2026
Session I: Screening 12:45–14:40
Session II: Panel discussion 14:45–18:00
🏠Wereldmuseum Amsterdam, Mauritskade 64
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Suiker Droom [Sugar Dream] - A Commissioned two-channel video installation for the Douane Laboratorium, Amsterdam. The lab was created in the late 19th century for the research, analysis and taxation of sugar: This project explores the complex and difficult history of that sugar and how the Douane Lab came to be. Combining 3 hours of animation and tilt-shift videography: A tug boat dreams a dream so deep that it reaches through space and time, witnessing a collective memory of mis-adventure, exploration, exploitation, suikerriet [sugarcane] and suikerverdriet [sugar sorrow].
Commissioned animation for Ronald Snijder's 'Srefidensi song' exhibited at 'De Klanken van Suriname' @bibliotheekdenhaag marking Suriname's 50th year of independence. The exhibition guided visitors through the sounds of Suriname's various ethnic communities, reflecting the country's history of colonisation, emergence, and migration.
Commissioned animation for Ronald Snijder's 'Srefidensi song' exhibited at 'De Klanken van Suriname' @bibliotheekdenhaag marking Suriname's 50th year of independence. The exhibition guided visitors through the sounds of Suriname's various ethnic communities, reflecting the country's history of colonisation, emergence, and migration.
Commissioned animation for Ronald Snijder's 'Srefidensi song' exhibited at 'De Klanken van Suriname' @bibliotheekdenhaag marking Suriname's 50th year of independence. The exhibition guided visitors through the sounds of Suriname's various ethnic communities, reflecting the country's history of colonisation, emergence, and migration.
Commissioned animation for Ronald Snijder's 'Srefidensi song' exhibited at 'De Klanken van Suriname' @bibliotheekdenhaag marking Suriname's 50th year of independence. The exhibition guided visitors through the sounds of Suriname's various ethnic communities, reflecting the country's history of colonisation, emergence, and migration.
Commissioned animation for Ronald Snijder's 'Srefidensi song' exhibited at 'De Klanken van Suriname' @bibliotheekdenhaag marking Suriname's 50th year of independence. The exhibition guided visitors through the sounds of Suriname's various ethnic communities, reflecting the country's history of colonisation, emergence, and migration.
🚨 <to be continued> #4 working with archives
<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. We invited artists to submit unfinished projects in which the archive plays an important role along with questions they wish to explore with you, the audience.
We selected two artists to share their work-in-progress: Nina Blume and Sana Serkebaeva. As a guest, we invited Paula Albuquerque to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.
The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.
Date: Sunday 5 April
Time: 13:45 – 16:00 (drinks after at the bar)
Location: Flora Filmtheater
RSVP: via Flora Filmtheater
🚨 <to be continued> #4 working with archives
<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. We invited artists to submit unfinished projects in which the archive plays an important role along with questions they wish to explore with you, the audience.
We selected two artists to share their work-in-progress: Nina Blume and Sana Serkebaeva. As a guest, we invited Paula Albuquerque to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.
The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.
Date: Sunday 5 April
Time: 13:45 – 16:00 (drinks after at the bar)
Location: Flora Filmtheater
RSVP: via Flora Filmtheater
🚨 <to be continued> #4 working with archives
<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. We invited artists to submit unfinished projects in which the archive plays an important role along with questions they wish to explore with you, the audience.
We selected two artists to share their work-in-progress: Nina Blume and Sana Serkebaeva. As a guest, we invited Paula Albuquerque to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.
The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.
Date: Sunday 5 April
Time: 13:45 – 16:00 (drinks after at the bar)
Location: Flora Filmtheater
RSVP: via Flora Filmtheater
🚨 <to be continued> #4 working with archives
<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. We invited artists to submit unfinished projects in which the archive plays an important role along with questions they wish to explore with you, the audience.
We selected two artists to share their work-in-progress: Nina Blume and Sana Serkebaeva. As a guest, we invited Paula Albuquerque to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.
The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.
Date: Sunday 5 April
Time: 13:45 – 16:00 (drinks after at the bar)
Location: Flora Filmtheater
RSVP: via Flora Filmtheater
🚨 <to be continued> #4 working with archives
<to be continued> invites all film-making artists and enthusiasts to participate by giving and receiving feedback on unfinished film projects. In an intimate setting, the exchange of perspectives can feed back into your own and other’s ideas, projects and practices. We invited artists to submit unfinished projects in which the archive plays an important role along with questions they wish to explore with you, the audience.
We selected two artists to share their work-in-progress: Nina Blume and Sana Serkebaeva. As a guest, we invited Paula Albuquerque to share her knowledge, experience and views on the presented works. To moderate the interaction between artists, guest and visitors, we look forward to having artist, filmmaker and tutor christopher tym back again.
The event is free to attend! Don’t forget to RSVP in advance to reserve your seat.
Date: Sunday 5 April
Time: 13:45 – 16:00 (drinks after at the bar)
Location: Flora Filmtheater
RSVP: via Flora Filmtheater
Screening at the eelpit: Lucky by Emilia Bergmark
We’re happy to invite you underground for an afternoon of screenings of ‘Lucky’, a short film by @emiliabergmark , filmed together with @cctym , on Saturday November 22.
Synopsis: Lucky is not like the rest of us. She lives alone in a small house in the forest. She has her routines, her hobbies and her interests. She works remotely as a programmer. She manages by herself. But, sometimes she wonders why she’s been left out. Why she is the odd one out in a world of couples.
Against a backdrop of the dark forest, the story of Lucky is narrated by Lennart Jähkel, an actor that often gets to portray the northern sentiments in Swedish cinema. The short film Lucky is an emotionally charged tale with roots in the north-Swedish storytelling tradition in which the truth may never stand in the way of a good story and an unreliable narrator is rule rather than exception. With tragicomic undertones Lucky portrays the stigma of solitude in a film that lends elements both from the didactic visual language of children’s books and the symbolism of fairytales.
The screening will be in Swedish with English subtitles. Before each screening, Emilia will give a short introduction to the film. The eelpit will keep things cozy with blankets and tea to stay warm underground.
🗓 Saturday, November 22
🔦Screenings at 15:00, 16:00 & 17:00
Seats are limited:sign-up details coming next week!
☎️ Made a video for Torus - Summer of Love ft. Malibu | @torvs @malib9
.... sunset was magic 🌅
video by @cctym
AD @onedaylola_
thanks @sandordayala Kirpas Kaukenas & Evert Roeleveld @schaakhuis ♟️
☎️ Made a video for Torus - Summer of Love ft. Malibu | @torvs @malib9
.... sunset was magic 🌅
video by @cctym
AD @onedaylola_
thanks @sandordayala Kirpas Kaukenas & Evert Roeleveld @schaakhuis ♟️
☎️ Made a video for Torus - Summer of Love ft. Malibu | @torvs @malib9
.... sunset was magic 🌅
video by @cctym
AD @onedaylola_
thanks @sandordayala Kirpas Kaukenas & Evert Roeleveld @schaakhuis ♟️
FOCUS : WIDE AWAKE
SOUTHERN BYPASS: 5.49-6AM, christopher tym, 11’, Video art, The Netherlands/Kenya, 2023
2K | 2:76 | Stereo
EN
The Soundtrack is by Jospeh Kamaru aka KMRU, a Nairobi ambient musician and field recording artist who is based in Berlin. It begins with the sound of the motorbike which gradually transposes into ambient tones before returning to to the road.
[Production Note - The boda boda rider never moves on the screen, they stay in exactly the same place and exactly the same size which is what creates the uncanniness in the image]
To be discovered during the second screening of GRAIN URBAIN film festival on March 1st, 2025 at cinema Club de l’Étoile @clubdeletoile
FR
La bande sonore est signée Jospeh Kamaru (KMRU), un musicien d’ambiance nairobien et artiste sonore basé à Berlin. Elle commence par le son de la moto qui se transpose progressivement dans des tonalités ambiantes, avant de revenir à la route.
[Note de production - Le conducteur de boda boda ne bouge jamais à l’écran, il reste exactement au même endroit et à la même taille, ce qui crée l’étrangeté de l’image].
À découvrir durant la deuxième séance du festival GRAIN URBAIN le 1er mars 2025 au cinéma Club de l’Étoile @clubdeletoile
CREDITS
Direction and writer: christopher tym @cctym
Sountrack: KMRU @_kamaru_
Boda Boda: Patrick Waswa Sakwa
Sound Mixing: Joseph Kamaru
Camera: Timothy Njogu
Stablisation: Mark Prendergast
Grading: Mayis Rukel
Production: James Kimani
Pre-Production + Assistance: Gikaria Muthami
MORE INFO
www.equipe-creative.com/grain-urbain/southern-bypass-5-49-6-am
https://christophertym.com
FOCUS : WIDE AWAKE
SOUTHERN BYPASS: 5.49-6AM, christopher tym, 11’, Video art, The Netherlands/Kenya, 2023
2K | 2:76 | Stereo
EN
The Soundtrack is by Jospeh Kamaru aka KMRU, a Nairobi ambient musician and field recording artist who is based in Berlin. It begins with the sound of the motorbike which gradually transposes into ambient tones before returning to to the road.
[Production Note - The boda boda rider never moves on the screen, they stay in exactly the same place and exactly the same size which is what creates the uncanniness in the image]
To be discovered during the second screening of GRAIN URBAIN film festival on March 1st, 2025 at cinema Club de l’Étoile @clubdeletoile
FR
La bande sonore est signée Jospeh Kamaru (KMRU), un musicien d’ambiance nairobien et artiste sonore basé à Berlin. Elle commence par le son de la moto qui se transpose progressivement dans des tonalités ambiantes, avant de revenir à la route.
[Note de production - Le conducteur de boda boda ne bouge jamais à l’écran, il reste exactement au même endroit et à la même taille, ce qui crée l’étrangeté de l’image].
À découvrir durant la deuxième séance du festival GRAIN URBAIN le 1er mars 2025 au cinéma Club de l’Étoile @clubdeletoile
CREDITS
Direction and writer: christopher tym @cctym
Sountrack: KMRU @_kamaru_
Boda Boda: Patrick Waswa Sakwa
Sound Mixing: Joseph Kamaru
Camera: Timothy Njogu
Stablisation: Mark Prendergast
Grading: Mayis Rukel
Production: James Kimani
Pre-Production + Assistance: Gikaria Muthami
MORE INFO
www.equipe-creative.com/grain-urbain/southern-bypass-5-49-6-am
https://christophertym.com
FOCUS : WIDE AWAKE
SOUTHERN BYPASS: 5.49-6AM, christopher tym, 11’, Video art, The Netherlands/Kenya, 2023
2K | 2:76 | Stereo
EN
The Soundtrack is by Jospeh Kamaru aka KMRU, a Nairobi ambient musician and field recording artist who is based in Berlin. It begins with the sound of the motorbike which gradually transposes into ambient tones before returning to to the road.
[Production Note - The boda boda rider never moves on the screen, they stay in exactly the same place and exactly the same size which is what creates the uncanniness in the image]
To be discovered during the second screening of GRAIN URBAIN film festival on March 1st, 2025 at cinema Club de l’Étoile @clubdeletoile
FR
La bande sonore est signée Jospeh Kamaru (KMRU), un musicien d’ambiance nairobien et artiste sonore basé à Berlin. Elle commence par le son de la moto qui se transpose progressivement dans des tonalités ambiantes, avant de revenir à la route.
[Note de production - Le conducteur de boda boda ne bouge jamais à l’écran, il reste exactement au même endroit et à la même taille, ce qui crée l’étrangeté de l’image].
À découvrir durant la deuxième séance du festival GRAIN URBAIN le 1er mars 2025 au cinéma Club de l’Étoile @clubdeletoile
CREDITS
Direction and writer: christopher tym @cctym
Sountrack: KMRU @_kamaru_
Boda Boda: Patrick Waswa Sakwa
Sound Mixing: Joseph Kamaru
Camera: Timothy Njogu
Stablisation: Mark Prendergast
Grading: Mayis Rukel
Production: James Kimani
Pre-Production + Assistance: Gikaria Muthami
MORE INFO
www.equipe-creative.com/grain-urbain/southern-bypass-5-49-6-am
https://christophertym.com
FOCUS : WIDE AWAKE
SOUTHERN BYPASS: 5.49-6AM, christopher tym, 11’, Video art, The Netherlands/Kenya, 2023
2K | 2:76 | Stereo
EN
The Soundtrack is by Jospeh Kamaru aka KMRU, a Nairobi ambient musician and field recording artist who is based in Berlin. It begins with the sound of the motorbike which gradually transposes into ambient tones before returning to to the road.
[Production Note - The boda boda rider never moves on the screen, they stay in exactly the same place and exactly the same size which is what creates the uncanniness in the image]
To be discovered during the second screening of GRAIN URBAIN film festival on March 1st, 2025 at cinema Club de l’Étoile @clubdeletoile
FR
La bande sonore est signée Jospeh Kamaru (KMRU), un musicien d’ambiance nairobien et artiste sonore basé à Berlin. Elle commence par le son de la moto qui se transpose progressivement dans des tonalités ambiantes, avant de revenir à la route.
[Note de production - Le conducteur de boda boda ne bouge jamais à l’écran, il reste exactement au même endroit et à la même taille, ce qui crée l’étrangeté de l’image].
À découvrir durant la deuxième séance du festival GRAIN URBAIN le 1er mars 2025 au cinéma Club de l’Étoile @clubdeletoile
CREDITS
Direction and writer: christopher tym @cctym
Sountrack: KMRU @_kamaru_
Boda Boda: Patrick Waswa Sakwa
Sound Mixing: Joseph Kamaru
Camera: Timothy Njogu
Stablisation: Mark Prendergast
Grading: Mayis Rukel
Production: James Kimani
Pre-Production + Assistance: Gikaria Muthami
MORE INFO
www.equipe-creative.com/grain-urbain/southern-bypass-5-49-6-am
https://christophertym.com
FOCUS : WIDE AWAKE
SOUTHERN BYPASS: 5.49-6AM, christopher tym, 11’, Video art, The Netherlands/Kenya, 2023
2K | 2:76 | Stereo
EN
The Soundtrack is by Jospeh Kamaru aka KMRU, a Nairobi ambient musician and field recording artist who is based in Berlin. It begins with the sound of the motorbike which gradually transposes into ambient tones before returning to to the road.
[Production Note - The boda boda rider never moves on the screen, they stay in exactly the same place and exactly the same size which is what creates the uncanniness in the image]
To be discovered during the second screening of GRAIN URBAIN film festival on March 1st, 2025 at cinema Club de l’Étoile @clubdeletoile
FR
La bande sonore est signée Jospeh Kamaru (KMRU), un musicien d’ambiance nairobien et artiste sonore basé à Berlin. Elle commence par le son de la moto qui se transpose progressivement dans des tonalités ambiantes, avant de revenir à la route.
[Note de production - Le conducteur de boda boda ne bouge jamais à l’écran, il reste exactement au même endroit et à la même taille, ce qui crée l’étrangeté de l’image].
À découvrir durant la deuxième séance du festival GRAIN URBAIN le 1er mars 2025 au cinéma Club de l’Étoile @clubdeletoile
CREDITS
Direction and writer: christopher tym @cctym
Sountrack: KMRU @_kamaru_
Boda Boda: Patrick Waswa Sakwa
Sound Mixing: Joseph Kamaru
Camera: Timothy Njogu
Stablisation: Mark Prendergast
Grading: Mayis Rukel
Production: James Kimani
Pre-Production + Assistance: Gikaria Muthami
MORE INFO
www.equipe-creative.com/grain-urbain/southern-bypass-5-49-6-am
https://christophertym.com
FOCUS : WIDE AWAKE
SOUTHERN BYPASS: 5.49-6AM, christopher tym, 11’, Video art, The Netherlands/Kenya, 2023
2K | 2:76 | Stereo
EN
The Soundtrack is by Jospeh Kamaru aka KMRU, a Nairobi ambient musician and field recording artist who is based in Berlin. It begins with the sound of the motorbike which gradually transposes into ambient tones before returning to to the road.
[Production Note - The boda boda rider never moves on the screen, they stay in exactly the same place and exactly the same size which is what creates the uncanniness in the image]
To be discovered during the second screening of GRAIN URBAIN film festival on March 1st, 2025 at cinema Club de l’Étoile @clubdeletoile
FR
La bande sonore est signée Jospeh Kamaru (KMRU), un musicien d’ambiance nairobien et artiste sonore basé à Berlin. Elle commence par le son de la moto qui se transpose progressivement dans des tonalités ambiantes, avant de revenir à la route.
[Note de production - Le conducteur de boda boda ne bouge jamais à l’écran, il reste exactement au même endroit et à la même taille, ce qui crée l’étrangeté de l’image].
À découvrir durant la deuxième séance du festival GRAIN URBAIN le 1er mars 2025 au cinéma Club de l’Étoile @clubdeletoile
CREDITS
Direction and writer: christopher tym @cctym
Sountrack: KMRU @_kamaru_
Boda Boda: Patrick Waswa Sakwa
Sound Mixing: Joseph Kamaru
Camera: Timothy Njogu
Stablisation: Mark Prendergast
Grading: Mayis Rukel
Production: James Kimani
Pre-Production + Assistance: Gikaria Muthami
MORE INFO
www.equipe-creative.com/grain-urbain/southern-bypass-5-49-6-am
https://christophertym.com
FOCUS : WIDE AWAKE
SOUTHERN BYPASS: 5.49-6AM, christopher tym, 11’, Video art, The Netherlands/Kenya, 2023
2K | 2:76 | Stereo
EN
The Soundtrack is by Jospeh Kamaru aka KMRU, a Nairobi ambient musician and field recording artist who is based in Berlin. It begins with the sound of the motorbike which gradually transposes into ambient tones before returning to to the road.
[Production Note - The boda boda rider never moves on the screen, they stay in exactly the same place and exactly the same size which is what creates the uncanniness in the image]
To be discovered during the second screening of GRAIN URBAIN film festival on March 1st, 2025 at cinema Club de l’Étoile @clubdeletoile
FR
La bande sonore est signée Jospeh Kamaru (KMRU), un musicien d’ambiance nairobien et artiste sonore basé à Berlin. Elle commence par le son de la moto qui se transpose progressivement dans des tonalités ambiantes, avant de revenir à la route.
[Note de production - Le conducteur de boda boda ne bouge jamais à l’écran, il reste exactement au même endroit et à la même taille, ce qui crée l’étrangeté de l’image].
À découvrir durant la deuxième séance du festival GRAIN URBAIN le 1er mars 2025 au cinéma Club de l’Étoile @clubdeletoile
CREDITS
Direction and writer: christopher tym @cctym
Sountrack: KMRU @_kamaru_
Boda Boda: Patrick Waswa Sakwa
Sound Mixing: Joseph Kamaru
Camera: Timothy Njogu
Stablisation: Mark Prendergast
Grading: Mayis Rukel
Production: James Kimani
Pre-Production + Assistance: Gikaria Muthami
MORE INFO
www.equipe-creative.com/grain-urbain/southern-bypass-5-49-6-am
https://christophertym.com
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
Documentation of the exhibition 'my friend Ddrew'.
1, 2 - Daddy Hands
3, 4 - maria (morra) kozlitina
5, 6 - Siwon Noh
7, 8, 9 - Francisca Khamis Giacoman
10, 11, 12, 13 - Samuel White Evans
14, 15 - Jaakko Myrri
16, 17 - christopher tym
______________
On view at Crèche @wwp_tetterode
Curated by christopher tym
There is no peace without a Free Palestine.
❤️ 🖤 🤍 💚
Text in video from Gaza Monologues - Ashtar Theatre No. 23. Mahmud Bala’wi
read by @fru_tto
There is no peace without a Free Palestine.
❤️ 🖤 🤍 💚
Text in video from Gaza Monologues - Ashtar Theatre No. 23. Mahmud Bala’wi
read by @fru_tto
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
The 'my friend Ddrew' publication is now available to read online (link in bio) created by Guus Kaandorp with contributions by the participating artists on their relationship to drawing from Daddy Hands, Francisca Khamis Giacoman, maria (morra) kozlitina, Jaakko Myyri, Siwon Noh, christopher tym, Samuel White Evans, Cis De Gendt, Roc Montoriol & cecilie fang, Angelina Nonaj & Esmée Bruins, Toni Steffens.
The physical copy is sold out but the online version is scanned from the original.
Hey! We’re excited ! to finally share the full program for my friend Ddrew, a two-weekend celebration of drawing in all its forms, happening at Créche 🎉🖍️ These events bring together a group of visual artists, performers and workshops, each sharing they different way of relating to what drawing is and could be 🎨✨. Mark your calendars — more details on exhibitors, performances and workshop sign-ups in the coming days! 👀🖌️
________________________________
my friend Ddrew programme weekend 1 from Nov 29th to Dec 1st and weekend 2 from Dec 6th to Dec 8th
@ Créche, Da Costakade 148, 1053XC Amsterdam
initiated by christopher tym and Guus Kaandorp
posts design by @fru_tto
supported by Amsterdams fonds voor de kunst @afk020
Hey! We’re excited ! to finally share the full program for my friend Ddrew, a two-weekend celebration of drawing in all its forms, happening at Créche 🎉🖍️ These events bring together a group of visual artists, performers and workshops, each sharing they different way of relating to what drawing is and could be 🎨✨. Mark your calendars — more details on exhibitors, performances and workshop sign-ups in the coming days! 👀🖌️
________________________________
my friend Ddrew programme weekend 1 from Nov 29th to Dec 1st and weekend 2 from Dec 6th to Dec 8th
@ Créche, Da Costakade 148, 1053XC Amsterdam
initiated by christopher tym and Guus Kaandorp
posts design by @fru_tto
supported by Amsterdams fonds voor de kunst @afk020
Hey! We’re excited ! to finally share the full program for my friend Ddrew, a two-weekend celebration of drawing in all its forms, happening at Créche 🎉🖍️ These events bring together a group of visual artists, performers and workshops, each sharing they different way of relating to what drawing is and could be 🎨✨. Mark your calendars — more details on exhibitors, performances and workshop sign-ups in the coming days! 👀🖌️
________________________________
my friend Ddrew programme weekend 1 from Nov 29th to Dec 1st and weekend 2 from Dec 6th to Dec 8th
@ Créche, Da Costakade 148, 1053XC Amsterdam
initiated by christopher tym and Guus Kaandorp
posts design by @fru_tto
supported by Amsterdams fonds voor de kunst @afk020
Today (Oct 12) from 16.00-18.00 @transitionsmaastricht , Kae Oktorina @kae.oktorina and i will be discussing the status of our experimental documentary 'Warne Mata' that narrates the journey of Indonesia's partially repatriated Lombok Treasure through the eyes of its gemstones. We'll be discussing our working process together ranging from our challenging research period of Dutch colonial oppression to the interventional (and transformative) power of the moving image when working with traumatic history and diasporic presents.
Produced by @wysiwygcinema and @indeks_id as part of a a wider transnational project named 'Beyond Provenance' the talk will be presented by Ruben Verkuylen and moderated by Abril Cisneros. The floor is open to audience discussion so i look forward to publicly engaging with these challenging topics alongside Kae and we're excited to share our experiences from shooting together in Indonesia this summer!
Today (Oct 12) from 16.00-18.00 @transitionsmaastricht , Kae Oktorina @kae.oktorina and i will be discussing the status of our experimental documentary 'Warne Mata' that narrates the journey of Indonesia's partially repatriated Lombok Treasure through the eyes of its gemstones. We'll be discussing our working process together ranging from our challenging research period of Dutch colonial oppression to the interventional (and transformative) power of the moving image when working with traumatic history and diasporic presents.
Produced by @wysiwygcinema and @indeks_id as part of a a wider transnational project named 'Beyond Provenance' the talk will be presented by Ruben Verkuylen and moderated by Abril Cisneros. The floor is open to audience discussion so i look forward to publicly engaging with these challenging topics alongside Kae and we're excited to share our experiences from shooting together in Indonesia this summer!
Today (Oct 12) from 16.00-18.00 @transitionsmaastricht , Kae Oktorina @kae.oktorina and i will be discussing the status of our experimental documentary 'Warne Mata' that narrates the journey of Indonesia's partially repatriated Lombok Treasure through the eyes of its gemstones. We'll be discussing our working process together ranging from our challenging research period of Dutch colonial oppression to the interventional (and transformative) power of the moving image when working with traumatic history and diasporic presents.
Produced by @wysiwygcinema and @indeks_id as part of a a wider transnational project named 'Beyond Provenance' the talk will be presented by Ruben Verkuylen and moderated by Abril Cisneros. The floor is open to audience discussion so i look forward to publicly engaging with these challenging topics alongside Kae and we're excited to share our experiences from shooting together in Indonesia this summer!
Today (Oct 12) from 16.00-18.00 @transitionsmaastricht , Kae Oktorina @kae.oktorina and i will be discussing the status of our experimental documentary 'Warne Mata' that narrates the journey of Indonesia's partially repatriated Lombok Treasure through the eyes of its gemstones. We'll be discussing our working process together ranging from our challenging research period of Dutch colonial oppression to the interventional (and transformative) power of the moving image when working with traumatic history and diasporic presents.
Produced by @wysiwygcinema and @indeks_id as part of a a wider transnational project named 'Beyond Provenance' the talk will be presented by Ruben Verkuylen and moderated by Abril Cisneros. The floor is open to audience discussion so i look forward to publicly engaging with these challenging topics alongside Kae and we're excited to share our experiences from shooting together in Indonesia this summer!
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Enter a public username to view or download stories. The service generates direct links for saving content locally.