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Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Our @pioneerworks residency—a collaboration with D. Graham Burnett and @schoolofattention—has begun! More glimpses soon into our forthcoming installation on the history of attention. This first process post is a love letter to @jason_ressler, whose artistic vision, baffling talent, and 160+ hours of labor turned a photograph of an 1890s psychoacoustic laboratory apparatus into an audacious reality. Jason, I was very fortunate to become your apprentice. A very special thank you to Ben Neiditz for the 3D models that were ESSENTIAL to our ability to build this. Our gratitude to @schoolofattention — and to Peter Schmidt and Haena Chu especially — for the material support that made the construction possible. And thank you to @juliahamerlight for permitting us to steal your husband for three months of grueling, weekendless work. Finally, THANK YOU to @pioneerworks for having us—to @magg.bee, @davideveritthowe, @gabriel_florenz, and the rest of the PW team for a very warm welcome!!!

Beyond excited to share that the @cbc have done a 50 minute-long episode for our work 🫶 Back in the autumn of 2023, we showed one of the rooms of The Neighbours at the @uoft @ceesmunk ✨ Hear @liliatopouzova share insight of her research, leading to the creation of our collaborative practices in a beautiful soundscape, blending fragments of interviews, ambient sounds from our rooms and conversations between the team (link in bio).

Thanks to the team of CBC ideas for this beautifulpiece - Nahlah Ayed, Philip Coulter, Pauline Holdsworth and Danielle Duval.

Videos & images used in this post part of the install, build, tests & tours in Toronto in 2023.

Beyond excited to share that the @cbc have done a 50 minute-long episode for our work 🫶 Back in the autumn of 2023, we showed one of the rooms of The Neighbours at the @uoft @ceesmunk ✨ Hear @liliatopouzova share insight of her research, leading to the creation of our collaborative practices in a beautiful soundscape, blending fragments of interviews, ambient sounds from our rooms and conversations between the team (link in bio).

Thanks to the team of CBC ideas for this beautifulpiece - Nahlah Ayed, Philip Coulter, Pauline Holdsworth and Danielle Duval.

Videos & images used in this post part of the install, build, tests & tours in Toronto in 2023.

Beyond excited to share that the @cbc have done a 50 minute-long episode for our work 🫶 Back in the autumn of 2023, we showed one of the rooms of The Neighbours at the @uoft @ceesmunk ✨ Hear @liliatopouzova share insight of her research, leading to the creation of our collaborative practices in a beautiful soundscape, blending fragments of interviews, ambient sounds from our rooms and conversations between the team (link in bio).

Thanks to the team of CBC ideas for this beautifulpiece - Nahlah Ayed, Philip Coulter, Pauline Holdsworth and Danielle Duval.

Videos & images used in this post part of the install, build, tests & tours in Toronto in 2023.

Beyond excited to share that the @cbc have done a 50 minute-long episode for our work 🫶 Back in the autumn of 2023, we showed one of the rooms of The Neighbours at the @uoft @ceesmunk ✨ Hear @liliatopouzova share insight of her research, leading to the creation of our collaborative practices in a beautiful soundscape, blending fragments of interviews, ambient sounds from our rooms and conversations between the team (link in bio).

Thanks to the team of CBC ideas for this beautifulpiece - Nahlah Ayed, Philip Coulter, Pauline Holdsworth and Danielle Duval.

Videos & images used in this post part of the install, build, tests & tours in Toronto in 2023.

Beyond excited to share that the @cbc have done a 50 minute-long episode for our work 🫶 Back in the autumn of 2023, we showed one of the rooms of The Neighbours at the @uoft @ceesmunk ✨ Hear @liliatopouzova share insight of her research, leading to the creation of our collaborative practices in a beautiful soundscape, blending fragments of interviews, ambient sounds from our rooms and conversations between the team (link in bio).

Thanks to the team of CBC ideas for this beautifulpiece - Nahlah Ayed, Philip Coulter, Pauline Holdsworth and Danielle Duval.

Videos & images used in this post part of the install, build, tests & tours in Toronto in 2023.

Beyond excited to share that the @cbc have done a 50 minute-long episode for our work 🫶 Back in the autumn of 2023, we showed one of the rooms of The Neighbours at the @uoft @ceesmunk ✨ Hear @liliatopouzova share insight of her research, leading to the creation of our collaborative practices in a beautiful soundscape, blending fragments of interviews, ambient sounds from our rooms and conversations between the team (link in bio).

Thanks to the team of CBC ideas for this beautifulpiece - Nahlah Ayed, Philip Coulter, Pauline Holdsworth and Danielle Duval.

Videos & images used in this post part of the install, build, tests & tours in Toronto in 2023.

Beyond excited to share that the @cbc have done a 50 minute-long episode for our work 🫶 Back in the autumn of 2023, we showed one of the rooms of The Neighbours at the @uoft @ceesmunk ✨ Hear @liliatopouzova share insight of her research, leading to the creation of our collaborative practices in a beautiful soundscape, blending fragments of interviews, ambient sounds from our rooms and conversations between the team (link in bio).

Thanks to the team of CBC ideas for this beautifulpiece - Nahlah Ayed, Philip Coulter, Pauline Holdsworth and Danielle Duval.

Videos & images used in this post part of the install, build, tests & tours in Toronto in 2023.

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

If you missed our talk in London last summer, we are back! Join us next Tuesday in @pushkinhouselondon from 18:00-19:30 (tickets in the link in bio) for the talk - The Neighbours: Memorialisation in the Absence of the State. ✨

@crucialobjects & @krasimirabutseva will speak about their collective's methodology, alongside the creation and reception of the Bulgarian Pavilion at the 60th Venice Art Biennale, Foreigners Everywhere.

Thanks to @denis.a.maksimov for inviting us to @pushkinhouselondon❤️

Images in the post:

1. @crucialobjects playing on the compote jar, 2022
2. Fixing the AV of the installation at @uoft, 2023
3. Live audio performance with @krasimirabutseva & @crucialobjects at @cell_project_space, 2024
4. @crucialobjects audio testing in the studio, 2024
5. Private view speech at @sofiacityartgallery, 2022
6. Installation in progress at Venice Biennale, 2024
7. Portrait in the back garden of our first studio, 2022
8. Projecting videos in hotel rooms, 2019
9. Installing the kitchen at @structuragallery, 2023
10. @crucialobjects & one of his favourite objects / sound testing, 2022

Memory is inherently fragile. It fades, dissipates, numbs — but what are the implications of this process in the face of trauma and collective political psyche?

On May 27, at 18.00 in @pushkinhouselondon, join @krasimirabutseva, a visual artist and co-presenter of Bulgaria at the 60th Venice Art Biennale with the multimedia installation “The Neighbours”, which addressed the question of political memory through working with communities, collecting oral histories and forming a counter-narrative to the official state-led one. As a total installation, a resulting space upended the questions of authorship, responsibility and ethics of remembering and forgetting.

@crucialobjects, one of the project’s collaborators, will join the conversation with the audience digitally. @denis.a.maksimov will moderate the event, which will be organised in the context of the Discourse programme.

📷 Bulgarian pavilion (@studiotheneighbours) at the 60th @labiennale and the curatorial and artistic team.

Memory is inherently fragile. It fades, dissipates, numbs — but what are the implications of this process in the face of trauma and collective political psyche?

On May 27, at 18.00 in @pushkinhouselondon, join @krasimirabutseva, a visual artist and co-presenter of Bulgaria at the 60th Venice Art Biennale with the multimedia installation “The Neighbours”, which addressed the question of political memory through working with communities, collecting oral histories and forming a counter-narrative to the official state-led one. As a total installation, a resulting space upended the questions of authorship, responsibility and ethics of remembering and forgetting.

@crucialobjects, one of the project’s collaborators, will join the conversation with the audience digitally. @denis.a.maksimov will moderate the event, which will be organised in the context of the Discourse programme.

📷 Bulgarian pavilion (@studiotheneighbours) at the 60th @labiennale and the curatorial and artistic team.

Memory is inherently fragile. It fades, dissipates, numbs — but what are the implications of this process in the face of trauma and collective political psyche?

On May 27, at 18.00 in @pushkinhouselondon, join @krasimirabutseva, a visual artist and co-presenter of Bulgaria at the 60th Venice Art Biennale with the multimedia installation “The Neighbours”, which addressed the question of political memory through working with communities, collecting oral histories and forming a counter-narrative to the official state-led one. As a total installation, a resulting space upended the questions of authorship, responsibility and ethics of remembering and forgetting.

@crucialobjects, one of the project’s collaborators, will join the conversation with the audience digitally. @denis.a.maksimov will moderate the event, which will be organised in the context of the Discourse programme.

📷 Bulgarian pavilion (@studiotheneighbours) at the 60th @labiennale and the curatorial and artistic team.

CRITIQUE & CREATION: A Symposium on Art & Inquiry | Saturday, April 5th | 9am-7pm | 633 W 155th St, Manhattan, NYC.

Eleven pre-circulated papers on the interface of research practices and contemporary art practices by eleven distinguished artists and theorists, followed by a keynote talk by @mel.chin

REGISTER BY APRIL 1 to join. Link and symposium schedule in bio.

Co-organized by Julian Chehirian and D. Graham Burnett. Hosted by @artsandlettersnyc

Visual identity by @llannddau

Sponsored by @princetonhumanities, the Lewis Center for the Arts, IHUM, and the Center for Collaborative History.

Excited to be in conversation with Suzanne Hudson, Tanya Sheehan and Cris Scorza about entanglements between arts and therapeutics @whitneymuseum on Thursday, February 13th at 6:30pm EST.

RSVP on their site to join in-person for free (Hess Theater) or on zoom! And if you're in NYC for CAA, let me know!

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To mark the publication of Modernism, Art, Therapy (Yale University Press, 2024)—an innovative collection of essays by established and emerging scholars—this conversation explores the relationships between clinically derived art therapies, institutions, and artistic practices in the visual arts from the twentieth century to the present.

Co-editors Suzanne Hudson and Tanya Sheehan are joined by contributor Julian Chehirian to share their ongoing research in a discussion moderated by Cris Scorza, Helena Rubinstein Chair of Education at the Whitney.

A born-digital volume, Modernism, Art, Therapy offers a transnational history of modernist art, connecting discourses on art as therapy to broader questions of gender, disability, race, and the politics of care. It is available as an open access title on the Yale University Press website.

This program is presented in partnership with the Arts in Medicine department of NYC Health and Hospitals.

Excited to be in conversation with Suzanne Hudson, Tanya Sheehan and Cris Scorza about entanglements between arts and therapeutics @whitneymuseum on Thursday, February 13th at 6:30pm EST.

RSVP on their site to join in-person for free (Hess Theater) or on zoom! And if you're in NYC for CAA, let me know!

///

To mark the publication of Modernism, Art, Therapy (Yale University Press, 2024)—an innovative collection of essays by established and emerging scholars—this conversation explores the relationships between clinically derived art therapies, institutions, and artistic practices in the visual arts from the twentieth century to the present.

Co-editors Suzanne Hudson and Tanya Sheehan are joined by contributor Julian Chehirian to share their ongoing research in a discussion moderated by Cris Scorza, Helena Rubinstein Chair of Education at the Whitney.

A born-digital volume, Modernism, Art, Therapy offers a transnational history of modernist art, connecting discourses on art as therapy to broader questions of gender, disability, race, and the politics of care. It is available as an open access title on the Yale University Press website.

This program is presented in partnership with the Arts in Medicine department of NYC Health and Hospitals.

Excited to be in conversation with Suzanne Hudson, Tanya Sheehan and Cris Scorza about entanglements between arts and therapeutics @whitneymuseum on Thursday, February 13th at 6:30pm EST.

RSVP on their site to join in-person for free (Hess Theater) or on zoom! And if you're in NYC for CAA, let me know!

///

To mark the publication of Modernism, Art, Therapy (Yale University Press, 2024)—an innovative collection of essays by established and emerging scholars—this conversation explores the relationships between clinically derived art therapies, institutions, and artistic practices in the visual arts from the twentieth century to the present.

Co-editors Suzanne Hudson and Tanya Sheehan are joined by contributor Julian Chehirian to share their ongoing research in a discussion moderated by Cris Scorza, Helena Rubinstein Chair of Education at the Whitney.

A born-digital volume, Modernism, Art, Therapy offers a transnational history of modernist art, connecting discourses on art as therapy to broader questions of gender, disability, race, and the politics of care. It is available as an open access title on the Yale University Press website.

This program is presented in partnership with the Arts in Medicine department of NYC Health and Hospitals.

Excited to be in conversation with Suzanne Hudson, Tanya Sheehan and Cris Scorza about entanglements between arts and therapeutics @whitneymuseum on Thursday, February 13th at 6:30pm EST.

RSVP on their site to join in-person for free (Hess Theater) or on zoom! And if you're in NYC for CAA, let me know!

///

To mark the publication of Modernism, Art, Therapy (Yale University Press, 2024)—an innovative collection of essays by established and emerging scholars—this conversation explores the relationships between clinically derived art therapies, institutions, and artistic practices in the visual arts from the twentieth century to the present.

Co-editors Suzanne Hudson and Tanya Sheehan are joined by contributor Julian Chehirian to share their ongoing research in a discussion moderated by Cris Scorza, Helena Rubinstein Chair of Education at the Whitney.

A born-digital volume, Modernism, Art, Therapy offers a transnational history of modernist art, connecting discourses on art as therapy to broader questions of gender, disability, race, and the politics of care. It is available as an open access title on the Yale University Press website.

This program is presented in partnership with the Arts in Medicine department of NYC Health and Hospitals.

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

We never got to posting glimpses of the press around our participation in the biennale! So here's a throwback to some of the reviews of @studiotheneighbours ✨ special and enormous gratification to the magical @studionicolajeffs for joining the team 💜

1: @krasimirabutseva for @sofiahumanrightsforum organised by @lgbtaction 😍 thanks to @borimir.totev @lyubenovadenitsa for the invitation
2 & 3: @guardian Armed guards, reparations and the lives of others: Venice Biennale 2024 review by Laura Cumming
4: @financialtimesBeyond the Giardini and the Arsenale: five Venice Biennale shows across the city to catch now review by Jo-Ann Titmarsh
5: @artforum: Venice Diaries: Friends and Enemies review by Pablo Lario
6: @theartnewspaper.officialThe Art Newspaper: Venice Biennale 2024: Must-See Pavilions Around Town review
7: @galeriemagazine 6 Standout Pavilions from the 2024 Venice Biennale review by Caroline Roux
8: @artreview_magazine Venice Biennale 2024: A Guide to the Giardini by Oliver Basciano
9: @liliatopouzova & @krasimirabutseva for @bnt.bg_
10: @guardian: DIY spaces of remembrance: Artist’s tribute to Bulgaria’s gulag prisoners article by Kate Connolly
11: Juliet Jacques for @art_monthly_uk “Letter from Sofia” interview with the team behind The Neighbours
12: Review & interview for the Swedish National Radio @sverigesradio / Sverige Radio: Kommunismens terror i Bulgariens paviljong på Venedigbiennalen
13 & 14: “Interjections” a piece by @valentin.k.kalinov comissioned by the @european_review
15 & 16: @bayryam.bayryamali for@noniinmagazineBulgarian Pavillion’s The Neighbours: Bridging the Memory Archipelago of the Bulgarian Communist Past
17: The whole team at @kitchenconversations podcast / @vvvladimirovv and @krasimirabutseva talking in the excerpt
18: @recessed.space Venice 2024: Bulgaria & Serbia both create scenography to explore political histories review
19: @worldoffad review of National pavilions outside the main sites
20. @ucl ‘A Safe Space of Remembering – the Artists, Story and Space of the Bulgarian Pavilion at the 2024 Venice Art Biennale’by Anastasia Velikova

Last days of @labiennale 🥲🤍 For the closing of our pavilion, we invite you to the final curatorial tour on the 24th of November (Sunday) from 4pm - 5pm led by the whole team of @studiotheneighbours ✨🪄 @krasimirabutseva @crucialobjects @liliatopouzova @vvvladimirovv 🌞🔥

See you there! 🌪️

Process shots of our work from 2022 - field trips, installation building, recording & collecting sound ✨

Here you see another except from the trailer of the documentary film The Neighbours, created by @jorgerubiera 🪄

@bulgariavenicebiennale 🕊️

Happy anniversary to @studiotheneighbours 🖤 Exactly two years ago, the first iteration of The Neighbours was shown between studio Benkovski 40 & @sofiacityartgallery ✨

Here is an excerpt of the trailer of the documentary film, produced by @jorgerubiera in the past two years. 🪄

Thanks to every neighbour that has helped the project to exist, to continue being and to be possible ♥️

Sad in Venice is a joint discussion happening today at our pavilion, from 6pm with @lia_dostlieva & @el_gerund from @ukrainianpavilioninvenice ✨ alongside @vltkhrvt from @croatianpavilion2024 ✨ @solvitakrese from @lv_pavilion ✨ @natalija.vujosevic from @montenegro.pavilion.2024 ✨ Nika Span @slovenian.pavilion ✨ @abby.c.chen from the Pavilion of Taiwan ✨

Join us in person if you are around 🔥

Sad in Venice is a joint discussion happening today at our pavilion, from 6pm with @lia_dostlieva & @el_gerund from @ukrainianpavilioninvenice ✨ alongside @vltkhrvt from @croatianpavilion2024 ✨ @solvitakrese from @lv_pavilion ✨ @natalija.vujosevic from @montenegro.pavilion.2024 ✨ Nika Span @slovenian.pavilion ✨ @abby.c.chen from the Pavilion of Taiwan ✨

Join us in person if you are around 🔥

Julian is a multimedia artist based between Philadelphia and Sofia, and a doctoral candidate in the History of Science at Princeton University, USA. In his practice-based research, Chehirian creates site-specific multimedia installations that employ architectural space, modified objects, video, sound, and experimental technologies ⚙️
His projects include the Bulgarian Pavilion at the 60th Venice Biennale with Krasimira Butseva and Lilia Topouzova - curated by Vasil Vladimirov (Venice, 2024), The Neighbours: Forms of Trauma (Toronto, 2023 / Princeton, 2023 / Sofia City Art Gallery & Benkovski 40, Sofia, 2022), American Haze (Fleisher Ollman Gallery, Philadelphia, 2023) and Excavating the Psyche (The Red House, Sofia, 2015).
In his scholarship, Julian writes on the history of attention and psychotherapy, post-war art and transnational history. His dissertation project investigates early experiments in art psychotherapy, examining art studios as spaces of knowledge-making. His writing appears in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
During his stay at the 2nd Floor Residency Julian was writing an essay about art as research and social intervention, considering art as historical methodology. More details will come out soon 🖇️

Photo credits: Martin Atanasov, Krasimira Butseva, Jorge Rubiera, Claire Iltis 🎥📸

Julian is a multimedia artist based between Philadelphia and Sofia, and a doctoral candidate in the History of Science at Princeton University, USA. In his practice-based research, Chehirian creates site-specific multimedia installations that employ architectural space, modified objects, video, sound, and experimental technologies ⚙️
His projects include the Bulgarian Pavilion at the 60th Venice Biennale with Krasimira Butseva and Lilia Topouzova - curated by Vasil Vladimirov (Venice, 2024), The Neighbours: Forms of Trauma (Toronto, 2023 / Princeton, 2023 / Sofia City Art Gallery & Benkovski 40, Sofia, 2022), American Haze (Fleisher Ollman Gallery, Philadelphia, 2023) and Excavating the Psyche (The Red House, Sofia, 2015).
In his scholarship, Julian writes on the history of attention and psychotherapy, post-war art and transnational history. His dissertation project investigates early experiments in art psychotherapy, examining art studios as spaces of knowledge-making. His writing appears in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
During his stay at the 2nd Floor Residency Julian was writing an essay about art as research and social intervention, considering art as historical methodology. More details will come out soon 🖇️

Photo credits: Martin Atanasov, Krasimira Butseva, Jorge Rubiera, Claire Iltis 🎥📸

Julian is a multimedia artist based between Philadelphia and Sofia, and a doctoral candidate in the History of Science at Princeton University, USA. In his practice-based research, Chehirian creates site-specific multimedia installations that employ architectural space, modified objects, video, sound, and experimental technologies ⚙️
His projects include the Bulgarian Pavilion at the 60th Venice Biennale with Krasimira Butseva and Lilia Topouzova - curated by Vasil Vladimirov (Venice, 2024), The Neighbours: Forms of Trauma (Toronto, 2023 / Princeton, 2023 / Sofia City Art Gallery & Benkovski 40, Sofia, 2022), American Haze (Fleisher Ollman Gallery, Philadelphia, 2023) and Excavating the Psyche (The Red House, Sofia, 2015).
In his scholarship, Julian writes on the history of attention and psychotherapy, post-war art and transnational history. His dissertation project investigates early experiments in art psychotherapy, examining art studios as spaces of knowledge-making. His writing appears in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
During his stay at the 2nd Floor Residency Julian was writing an essay about art as research and social intervention, considering art as historical methodology. More details will come out soon 🖇️

Photo credits: Martin Atanasov, Krasimira Butseva, Jorge Rubiera, Claire Iltis 🎥📸

Julian is a multimedia artist based between Philadelphia and Sofia, and a doctoral candidate in the History of Science at Princeton University, USA. In his practice-based research, Chehirian creates site-specific multimedia installations that employ architectural space, modified objects, video, sound, and experimental technologies ⚙️
His projects include the Bulgarian Pavilion at the 60th Venice Biennale with Krasimira Butseva and Lilia Topouzova - curated by Vasil Vladimirov (Venice, 2024), The Neighbours: Forms of Trauma (Toronto, 2023 / Princeton, 2023 / Sofia City Art Gallery & Benkovski 40, Sofia, 2022), American Haze (Fleisher Ollman Gallery, Philadelphia, 2023) and Excavating the Psyche (The Red House, Sofia, 2015).
In his scholarship, Julian writes on the history of attention and psychotherapy, post-war art and transnational history. His dissertation project investigates early experiments in art psychotherapy, examining art studios as spaces of knowledge-making. His writing appears in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
During his stay at the 2nd Floor Residency Julian was writing an essay about art as research and social intervention, considering art as historical methodology. More details will come out soon 🖇️

Photo credits: Martin Atanasov, Krasimira Butseva, Jorge Rubiera, Claire Iltis 🎥📸

Julian is a multimedia artist based between Philadelphia and Sofia, and a doctoral candidate in the History of Science at Princeton University, USA. In his practice-based research, Chehirian creates site-specific multimedia installations that employ architectural space, modified objects, video, sound, and experimental technologies ⚙️
His projects include the Bulgarian Pavilion at the 60th Venice Biennale with Krasimira Butseva and Lilia Topouzova - curated by Vasil Vladimirov (Venice, 2024), The Neighbours: Forms of Trauma (Toronto, 2023 / Princeton, 2023 / Sofia City Art Gallery & Benkovski 40, Sofia, 2022), American Haze (Fleisher Ollman Gallery, Philadelphia, 2023) and Excavating the Psyche (The Red House, Sofia, 2015).
In his scholarship, Julian writes on the history of attention and psychotherapy, post-war art and transnational history. His dissertation project investigates early experiments in art psychotherapy, examining art studios as spaces of knowledge-making. His writing appears in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
During his stay at the 2nd Floor Residency Julian was writing an essay about art as research and social intervention, considering art as historical methodology. More details will come out soon 🖇️

Photo credits: Martin Atanasov, Krasimira Butseva, Jorge Rubiera, Claire Iltis 🎥📸

Julian is a multimedia artist based between Philadelphia and Sofia, and a doctoral candidate in the History of Science at Princeton University, USA. In his practice-based research, Chehirian creates site-specific multimedia installations that employ architectural space, modified objects, video, sound, and experimental technologies ⚙️
His projects include the Bulgarian Pavilion at the 60th Venice Biennale with Krasimira Butseva and Lilia Topouzova - curated by Vasil Vladimirov (Venice, 2024), The Neighbours: Forms of Trauma (Toronto, 2023 / Princeton, 2023 / Sofia City Art Gallery & Benkovski 40, Sofia, 2022), American Haze (Fleisher Ollman Gallery, Philadelphia, 2023) and Excavating the Psyche (The Red House, Sofia, 2015).
In his scholarship, Julian writes on the history of attention and psychotherapy, post-war art and transnational history. His dissertation project investigates early experiments in art psychotherapy, examining art studios as spaces of knowledge-making. His writing appears in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
During his stay at the 2nd Floor Residency Julian was writing an essay about art as research and social intervention, considering art as historical methodology. More details will come out soon 🖇️

Photo credits: Martin Atanasov, Krasimira Butseva, Jorge Rubiera, Claire Iltis 🎥📸

Julian is a multimedia artist based between Philadelphia and Sofia, and a doctoral candidate in the History of Science at Princeton University, USA. In his practice-based research, Chehirian creates site-specific multimedia installations that employ architectural space, modified objects, video, sound, and experimental technologies ⚙️
His projects include the Bulgarian Pavilion at the 60th Venice Biennale with Krasimira Butseva and Lilia Topouzova - curated by Vasil Vladimirov (Venice, 2024), The Neighbours: Forms of Trauma (Toronto, 2023 / Princeton, 2023 / Sofia City Art Gallery & Benkovski 40, Sofia, 2022), American Haze (Fleisher Ollman Gallery, Philadelphia, 2023) and Excavating the Psyche (The Red House, Sofia, 2015).
In his scholarship, Julian writes on the history of attention and psychotherapy, post-war art and transnational history. His dissertation project investigates early experiments in art psychotherapy, examining art studios as spaces of knowledge-making. His writing appears in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
During his stay at the 2nd Floor Residency Julian was writing an essay about art as research and social intervention, considering art as historical methodology. More details will come out soon 🖇️

Photo credits: Martin Atanasov, Krasimira Butseva, Jorge Rubiera, Claire Iltis 🎥📸