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Four poems and a fragment (The Hoopoe) by the late Mahmoud Darwish. May the strength of his voice and the enduring relevance of his plight challenge the prevailing recency bias that obscures over half a century of Palestinian resistance. Tomorrow is the International Day of Solidarity with the Palestinian People, established in 1977 (!!!) There will be a National Walkout (12:00) and a sit-in organized at Amsterdam Central (20:00). Leave work. Leave university. I hope to see you there 🍉
Four poems and a fragment (The Hoopoe) by the late Mahmoud Darwish. May the strength of his voice and the enduring relevance of his plight challenge the prevailing recency bias that obscures over half a century of Palestinian resistance. Tomorrow is the International Day of Solidarity with the Palestinian People, established in 1977 (!!!) There will be a National Walkout (12:00) and a sit-in organized at Amsterdam Central (20:00). Leave work. Leave university. I hope to see you there 🍉
Four poems and a fragment (The Hoopoe) by the late Mahmoud Darwish. May the strength of his voice and the enduring relevance of his plight challenge the prevailing recency bias that obscures over half a century of Palestinian resistance. Tomorrow is the International Day of Solidarity with the Palestinian People, established in 1977 (!!!) There will be a National Walkout (12:00) and a sit-in organized at Amsterdam Central (20:00). Leave work. Leave university. I hope to see you there 🍉
Four poems and a fragment (The Hoopoe) by the late Mahmoud Darwish. May the strength of his voice and the enduring relevance of his plight challenge the prevailing recency bias that obscures over half a century of Palestinian resistance. Tomorrow is the International Day of Solidarity with the Palestinian People, established in 1977 (!!!) There will be a National Walkout (12:00) and a sit-in organized at Amsterdam Central (20:00). Leave work. Leave university. I hope to see you there 🍉
Four poems and a fragment (The Hoopoe) by the late Mahmoud Darwish. May the strength of his voice and the enduring relevance of his plight challenge the prevailing recency bias that obscures over half a century of Palestinian resistance. Tomorrow is the International Day of Solidarity with the Palestinian People, established in 1977 (!!!) There will be a National Walkout (12:00) and a sit-in organized at Amsterdam Central (20:00). Leave work. Leave university. I hope to see you there 🍉
📣 TE ZIEN VANAF 6 JUNI
De collectiepresentatie ‘Collectie als kosmos’ gaat over tijd en de verhalen die kunst kan vertellen. De tentoonstelling doorbreekt het idee van kunstgeschiedenis als een lange tijdlijn: in plaats van tijd te meten in één rechte lijn, kijken we naar de verbanden die kunstwerken met elkaar kunnen vormen, over verschillende tijden heen. Ter gelegenheid van het 90-jarig bestaan in 2026 presenteert het Van Abbemuseum een nieuwe collectiepresentatie die een frisse kijk biedt op tijd en de collectie in een ander licht zet. Meer info 👉 link in bio
📣 ON VIEW FROM JUNE 6TH
The new collection presentation ‘Collection as Cosmos’ explores time and the stories art can tell. The exhibition challenges the idea of art history as one, continuous timeline. Instead of measuring time, it focuses on the constellations and connections we can create with artworks across time. Celebrating its 90th birthday in 2026, the Van Abbemuseum presents a new collection display that offers a fresh perspective on time and rethinks the way we look at our collection. More info 👉 link in bio
Met werk van o.a. / with works by, among others
@kikiandjoost @rachelwhitereadofficial @vischhenk @studio_jennifer_tee @victorsonna @gabrrriel.orozco @i_a_okon @otobongnkanga @grietmenschaert @sunghwankim.archive @natasjakensmil @broadcove @christinaiglesiasestudio @lubainapics @isa.genzken @valieexportfoundation @moelart @data_body @onkruidenier @simnikiwebuhlungu @rosbiscotti @m_van_den_b @mercedes.azpilicueta @brook_garru_andrew @oralityovermorality @a.walking.artist @Guerrillagirls @nilbarguresworks @Femherregraven @jennyholzerstudios @jimisermann @karamustafag @kawakubosan @kempsniek @insicknessandstudy @tausmakhacheva @Mark.Manders @Giuseppe_penone @perjovschidan @michelangelo_pistoletto @larrypoons @moniraism @michaelraedecker @wilhelm_sasnal @erzenshkololli @lornasimpson @jonas_staal @toonverhoef @hermandevries108 @angelabulloch @santiago_yahuarcani @yanghaegue @leylagediz
Spatial design by @matildecassani_ Graphic design by @studio.pupilla
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
I still remember @yolandezolazolivanderheide ‘s excitement after receiving a blurry TMS image of Banner and Flag almost two years ago. Today there was an article in the local newspaper, so I wrote the b-side nerd entry!
-Karel Appel, Between Banner and Flag, 1987
installed by a.o. mighty @michaelagroeneveld
-Willem van de Velde A Small Dutch Vessel close-hauled in a Strong Breeze, 1672
-Min Tanaka by Itaru Hirama
All in the context our ever growing Collection as Cosmos (opening June 06! at @vanabbemuseum), and particularly Public Time, the exhibition’s research thread inspired by the practice of @i_a_okon
Fade out a text by Abril Cisneros Ramírez further contextualizes the exhibition by providing a non-linear viewpoint from which to enter the works.
FADE OUT brings together three artists, Arthur Cordier, María José Crespo and Amir Torres Darwich, whose works explore traces left behind in a world saturated by media and consumer culture: fragments of thought, memory, and materiality, including a text by Abril Cisneros Ramírez.
FADE OUT is on view until February 13. Mon-Fri 12–18:00. Curated by Jesse Siegel in collaboration with BURO_ASAP.
#casstl #antwerpart @antwerpart @sqwazizal @stephaneschraenen @studioluctuymans @emejcrespo @arthurcordierarthur @amir.torres.d @jesse_siegel @buro_asap @fieryapril
2025’s biggest gift was the embodied recognition that I am both of the people in this image
📖
The Day it Rains Jellyfish Reading with Alonso Cedillo and Abril Cisneros
▫️November 30, 16.00 - 17.00 at @vanabbehuis
Abril Cisneros Ramírez is a curator and writer from Mexico City, currently working as Assistant Curator at the @vanabbemuseum , Eindhoven. Her practice often focuses on how cultural production shapes what can be seen, said, asked, or known within dominant frameworks of interpretation and institutional capture. Abril holds a BA in Art History from Leiden University and a MA in Curating from Vrije Universiteit Amsterdam. She is also a member of the project space The Balcony in The Hague, where she co-curated eight exhibitions over the past two years.
▪️The event is part of The Day it Rains Jellyfish annual program.
@fieryapril | @alonso.cedillo
Register to join us via the linkinbio.
it’s been one year and I’ve yet to pick up my copy…. but I hear they’re sold out so here’s a belated thank you to @mela_miekus and @yasmineiam for inviting me to write a short story for Notes on Flags, a beautiful 68-page zine designed by @dwadstrm and with contributions by Sara V, Myriam Amri, Julia Nowicka, Omar Khlif, Yasmine Ben Abdessalem, Mela Miekus, Marine Thavot, Mita Medri, Tom Polleau, and yours truly
it’s been one year and I’ve yet to pick up my copy…. but I hear they’re sold out so here’s a belated thank you to @mela_miekus and @yasmineiam for inviting me to write a short story for Notes on Flags, a beautiful 68-page zine designed by @dwadstrm and with contributions by Sara V, Myriam Amri, Julia Nowicka, Omar Khlif, Yasmine Ben Abdessalem, Mela Miekus, Marine Thavot, Mita Medri, Tom Polleau, and yours truly
it’s been one year and I’ve yet to pick up my copy…. but I hear they’re sold out so here’s a belated thank you to @mela_miekus and @yasmineiam for inviting me to write a short story for Notes on Flags, a beautiful 68-page zine designed by @dwadstrm and with contributions by Sara V, Myriam Amri, Julia Nowicka, Omar Khlif, Yasmine Ben Abdessalem, Mela Miekus, Marine Thavot, Mita Medri, Tom Polleau, and yours truly
it’s been one year and I’ve yet to pick up my copy…. but I hear they’re sold out so here’s a belated thank you to @mela_miekus and @yasmineiam for inviting me to write a short story for Notes on Flags, a beautiful 68-page zine designed by @dwadstrm and with contributions by Sara V, Myriam Amri, Julia Nowicka, Omar Khlif, Yasmine Ben Abdessalem, Mela Miekus, Marine Thavot, Mita Medri, Tom Polleau, and yours truly
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
it’s been two weeks since I got my master’s degree and the occasion was bursting with flowers — two of them being my father making it to the Netherlands for the first time despite our Anguish August, and my mom writing me a letter that made me cry
thank you, thank you, thank you to my many teachers in and outside (especially outside) university; always patient and generous
and of course, muchísimas gracias to @fundacionbotin for providing the material conditions without which (quite regrettably) graduate education remains a privilege
🖇️ from a short essay-turned-zine for @tonalopez Apparitions
with graphic design by @nashcruz
and sound design by @martycarsi
on show at @drawingroommanila until April 26
🖇️ from a short essay-turned-zine for @tonalopez Apparitions
with graphic design by @nashcruz
and sound design by @martycarsi
on show at @drawingroommanila until April 26
🖇️ from a short essay-turned-zine for @tonalopez Apparitions
with graphic design by @nashcruz
and sound design by @martycarsi
on show at @drawingroommanila until April 26
🖇️ from a short essay-turned-zine for @tonalopez Apparitions
with graphic design by @nashcruz
and sound design by @martycarsi
on show at @drawingroommanila until April 26
🖇️ from a short essay-turned-zine for @tonalopez Apparitions
with graphic design by @nashcruz
and sound design by @martycarsi
on show at @drawingroommanila until April 26
🖇️ from a short essay-turned-zine for @tonalopez Apparitions
with graphic design by @nashcruz
and sound design by @martycarsi
on show at @drawingroommanila until April 26
🖇️ from a short essay-turned-zine for @tonalopez Apparitions
with graphic design by @nashcruz
and sound design by @martycarsi
on show at @drawingroommanila until April 26
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.