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MY DEAD FRIEND ZOE
The film is a dark comedy drama starring Sonequa Martin-Green, Natalie Morales, Ed Harris, Morgan Freeman, Utkarsh Ambudkar, and Gloria Reuben. @therealsonequa  @nataliemoralesloves  @gloreuben  utktheinc  @morganfreeman #edharris

"Engaged in a mysterious relationship with her wise-cracking (and dead) best friend from the Army, a female Afghanistan veteran reluctantly reunites with her estranged Vietnam vet grandfather at the family's ancestral lake house.”
@mydeadfriendzoe

Director: Kyle Hausmann-Stokes  @kylehausmannstokes
Writer: Kyle Hausmann-Stokes & AJ Bermudez  @a.j.bermudez
Story By: Kyle Hausmann-Stokes & Cherish Chen  @cherishthechen
Producers: Paul Scanlan, Kyle Hausmann-Stokes, Terri Lubaroff, Ray Maiello, Mike Field, Richard Silverman, Robert Paschall Jr.
Exec Producers: Travis Kelce @killatrav , Ed Harris, Sonequa Martin-Green, Natalie Morales, Jeff Annison, David Baxter, Brandi Plants, Nancy Masterson, Joe Masterson, Chris Boshuizen, Igor Tsukerman, Jordan Dykstra, Simon Fawcett, Jonathan Taylor
Dir of Photography: Matt Sakatani Roe  @roematt
Gaffer @Eric.bixler
Key Grip @gripdynamic
1st AC @kyrilcvetkov
2nd AC @pslavalley
DIT @shrawlz
Prod Designer: Whit Vogel  @whits_pix
Editor: Ali Greer @ajgreer
Costume Designer: Dionne Barens @dbarens
Music Supervisor: Laura Katz  @supetroop
Composer: Dan Romer  @danromer
Original Song: Kaia Kater @kaiakater & Dan Romer
Casting Director: Jamie Castro  @jamiecastro_casting
Line Producer: Greg Bartlett  @shinyfilms
Color: @bryansmaller
ProdCo: Legion M @legionmofficial / Radiant Media Studios
@company_3
La unit @van106lightingandgrip @blakemfarmer @misfitgrip gaffer / KG
Impact Partners:
If you want to do something RIGHT NOW to support veterans…donate or signup for the mailing list of:
- The Mission Continues: @themissioncontinues
- Bob Woodruff Foundation: @bwforg
- Everytown for Gun Safety: Support Fund: @everytown

@mydeadfriendzoe @therealsonequa  @nataliemoralesloves @morganfreeman #edharris

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

Director @kylehausmannstokes , a Bronze Star paratrooper in the army, not only transformed a short film into a feature but also had to negotiate with Fred Specktor, CAA mega agent, to have Morgan Freeman appear in his @sxsw winning autobiographical film, “My Dead Friend Zoe.”

Kyle’s direction was straightforward: respect the subject matter, prioritize the story, ensure humor, and shoot on anamorphic.

We studied 90s anamorphic comedies noticed that the clean singles appeared more connected when shot on the 2.40 frames for comedy. Most of the film was shot using 50 and 65mm lenses.

DPs and Producers please bookmark and consider the amazing crew on Lone wolf In ABQ New Mexico. They’re wonderful collaborators and worked to bring @markpellington vision to life. I could only be so lucky to work with them again.

Jazmin Parra Key Grip @jazzmiin_3
Sean McClellan Gaffer @seenmcclellan
lane Luper 1stAC @frostypb88
Matt Harshbarger AOp/ steadi @matt_harshbarger
Austin Alhward B Cam
Trever Murphy DIT @treefortmorphine

DPs and Producers please bookmark and consider the amazing crew on Lone wolf In ABQ New Mexico. They’re wonderful collaborators and worked to bring @markpellington vision to life. I could only be so lucky to work with them again.

Jazmin Parra Key Grip @jazzmiin_3
Sean McClellan Gaffer @seenmcclellan
lane Luper 1stAC @frostypb88
Matt Harshbarger AOp/ steadi @matt_harshbarger
Austin Alhward B Cam
Trever Murphy DIT @treefortmorphine

DPs and Producers please bookmark and consider the amazing crew on Lone wolf In ABQ New Mexico. They’re wonderful collaborators and worked to bring @markpellington vision to life. I could only be so lucky to work with them again.

Jazmin Parra Key Grip @jazzmiin_3
Sean McClellan Gaffer @seenmcclellan
lane Luper 1stAC @frostypb88
Matt Harshbarger AOp/ steadi @matt_harshbarger
Austin Alhward B Cam
Trever Murphy DIT @treefortmorphine

DPs and Producers please bookmark and consider the amazing crew on Lone wolf In ABQ New Mexico. They’re wonderful collaborators and worked to bring @markpellington vision to life. I could only be so lucky to work with them again.

Jazmin Parra Key Grip @jazzmiin_3
Sean McClellan Gaffer @seenmcclellan
lane Luper 1stAC @frostypb88
Matt Harshbarger AOp/ steadi @matt_harshbarger
Austin Alhward B Cam
Trever Murphy DIT @treefortmorphine

DPs and Producers please bookmark and consider the amazing crew on Lone wolf In ABQ New Mexico. They’re wonderful collaborators and worked to bring @markpellington vision to life. I could only be so lucky to work with them again.

Jazmin Parra Key Grip @jazzmiin_3
Sean McClellan Gaffer @seenmcclellan
lane Luper 1stAC @frostypb88
Matt Harshbarger AOp/ steadi @matt_harshbarger
Austin Alhward B Cam
Trever Murphy DIT @treefortmorphine

DPs and Producers please bookmark and consider the amazing crew on Lone wolf In ABQ New Mexico. They’re wonderful collaborators and worked to bring @markpellington vision to life. I could only be so lucky to work with them again.

Jazmin Parra Key Grip @jazzmiin_3
Sean McClellan Gaffer @seenmcclellan
lane Luper 1stAC @frostypb88
Matt Harshbarger AOp/ steadi @matt_harshbarger
Austin Alhward B Cam
Trever Murphy DIT @treefortmorphine

A lone drone light haunts the sky, unveiling color from the dark, casting shadows through the leaves, and guiding the unseen path.#lightdrone #drone #musicvideo #dIpaerials

Talent: @jordantariff
Director: @steventaylor
DP: @roematt
Producer: @jorycordy
Aerial dp: @austin_ahlborg
G&E: @tyler_rousseau
Gaffer: @buddy.thomas.dop
Drones: @dlpaerials

A lone drone light haunts the sky, unveiling color from the dark, casting shadows through the leaves, and guiding the unseen path.#lightdrone #drone #musicvideo #dIpaerials

Talent: @jordantariff
Director: @steventaylor
DP: @roematt
Producer: @jorycordy
Aerial dp: @austin_ahlborg
G&E: @tyler_rousseau
Gaffer: @buddy.thomas.dop
Drones: @dlpaerials

Our music video for “Wasted on the Young” drops on 2/27, and we can’t wait to share it with you all. Xoxo NV

‘Basic Being Basic’ | January 24 DJO

Creative Direction @djotime @neilkrug @b.i.g.s.h.r.i.m.p @williamtv
Photographer & Director @neilkrug
Producer @williamtv
Prod Co @cineaste.tv
Production @chrisrfish @lover_bug
AD @bxtourville

DP @roematt
AC Stephen Branagan
2AC @jacalabrese
Gaffer @blakemfarmer

1st Photo @mr.joebeckley
Digi Tech @colingerse

PD @ww_ii
Art Director @annergy23

DJO Stylist @chloehartstein
Character Stylist @santavb

Stunts @giannisrbiasetti

Casting Director blokmcasting
@rarebreedswest cooke 25-250 Alexa LF
Colorist @zhetlage

This Body is a Shell

For decades I used to hate my disabled body. I would avoid mirrors. As as child, if there was a mirror in my room, I would turn it away so I did not have to see my body. This poem is a visual exploration of the war within and what is waiting on the other side.

Watch Now on FS [link in bio]

@asheakin - Writer/Director/Producer
@roematt - Director of Photography / Producer
@goodform - Production Company
@shawnlovering - Editor
@ jonnymendez__ - Composer
@jill.bogdanowicz - Colorist
@kelseeeyj - Cast
@lovingmydots - Cast
@celiaxflores - Cast
@cherie.louise - Cast
@dailynuzzo - Cast’s Mother
@hanneke.talbot - Narrator
@instajkelly - Executive Producer
@mariel.noir - Executive Producer
@hannahlikesthat - Co-Producer
@jbcthree - Song Feature
@rarebreeds - Camera Rental
@bradavision - 1st AC
@scott_l_larson - 2nd AC
@danschepleng - Key PA

#DailyShortPicks #ShortFilm #thisbodyisashell #shell #body #shortfilm #disabled

This Body is a Shell

For decades I used to hate my disabled body. I would avoid mirrors. As as child, if there was a mirror in my room, I would turn it away so I did not have to see my body. This poem is a visual exploration of the war within and what is waiting on the other side.

Watch Now on FS [link in bio]

@asheakin - Writer/Director/Producer
@roematt - Director of Photography / Producer
@goodform - Production Company
@shawnlovering - Editor
@ jonnymendez__ - Composer
@jill.bogdanowicz - Colorist
@kelseeeyj - Cast
@lovingmydots - Cast
@celiaxflores - Cast
@cherie.louise - Cast
@dailynuzzo - Cast’s Mother
@hanneke.talbot - Narrator
@instajkelly - Executive Producer
@mariel.noir - Executive Producer
@hannahlikesthat - Co-Producer
@jbcthree - Song Feature
@rarebreeds - Camera Rental
@bradavision - 1st AC
@scott_l_larson - 2nd AC
@danschepleng - Key PA

#DailyShortPicks #ShortFilm #thisbodyisashell #shell #body #shortfilm #disabled

This Body is a Shell

For decades I used to hate my disabled body. I would avoid mirrors. As as child, if there was a mirror in my room, I would turn it away so I did not have to see my body. This poem is a visual exploration of the war within and what is waiting on the other side.

Watch Now on FS [link in bio]

@asheakin - Writer/Director/Producer
@roematt - Director of Photography / Producer
@goodform - Production Company
@shawnlovering - Editor
@ jonnymendez__ - Composer
@jill.bogdanowicz - Colorist
@kelseeeyj - Cast
@lovingmydots - Cast
@celiaxflores - Cast
@cherie.louise - Cast
@dailynuzzo - Cast’s Mother
@hanneke.talbot - Narrator
@instajkelly - Executive Producer
@mariel.noir - Executive Producer
@hannahlikesthat - Co-Producer
@jbcthree - Song Feature
@rarebreeds - Camera Rental
@bradavision - 1st AC
@scott_l_larson - 2nd AC
@danschepleng - Key PA

#DailyShortPicks #ShortFilm #thisbodyisashell #shell #body #shortfilm #disabled

This Body is a Shell

For decades I used to hate my disabled body. I would avoid mirrors. As as child, if there was a mirror in my room, I would turn it away so I did not have to see my body. This poem is a visual exploration of the war within and what is waiting on the other side.

Watch Now on FS [link in bio]

@asheakin - Writer/Director/Producer
@roematt - Director of Photography / Producer
@goodform - Production Company
@shawnlovering - Editor
@ jonnymendez__ - Composer
@jill.bogdanowicz - Colorist
@kelseeeyj - Cast
@lovingmydots - Cast
@celiaxflores - Cast
@cherie.louise - Cast
@dailynuzzo - Cast’s Mother
@hanneke.talbot - Narrator
@instajkelly - Executive Producer
@mariel.noir - Executive Producer
@hannahlikesthat - Co-Producer
@jbcthree - Song Feature
@rarebreeds - Camera Rental
@bradavision - 1st AC
@scott_l_larson - 2nd AC
@danschepleng - Key PA

#DailyShortPicks #ShortFilm #thisbodyisashell #shell #body #shortfilm #disabled

This Body is a Shell

For decades I used to hate my disabled body. I would avoid mirrors. As as child, if there was a mirror in my room, I would turn it away so I did not have to see my body. This poem is a visual exploration of the war within and what is waiting on the other side.

Watch Now on FS [link in bio]

@asheakin - Writer/Director/Producer
@roematt - Director of Photography / Producer
@goodform - Production Company
@shawnlovering - Editor
@ jonnymendez__ - Composer
@jill.bogdanowicz - Colorist
@kelseeeyj - Cast
@lovingmydots - Cast
@celiaxflores - Cast
@cherie.louise - Cast
@dailynuzzo - Cast’s Mother
@hanneke.talbot - Narrator
@instajkelly - Executive Producer
@mariel.noir - Executive Producer
@hannahlikesthat - Co-Producer
@jbcthree - Song Feature
@rarebreeds - Camera Rental
@bradavision - 1st AC
@scott_l_larson - 2nd AC
@danschepleng - Key PA

#DailyShortPicks #ShortFilm #thisbodyisashell #shell #body #shortfilm #disabled

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

@monophonics SAGE MOTEL
Directed & Editor @kassymahea did all the rolls to make this video happen. Bravo!
Cinematography @roematt
Production Manager @evanconner91
1st AC @mark_viloria
2nd AC @j_hrt
Gaffer @ryandsilber
Key Grip @andrew.lheureux
Art Director @katcflaherty
Audio Engineer @instawamma
Colorist @_derekhansen
Assistant Color @zhetlage
Color Producer Natalie Westerfield
Actors @kaleinacordova @ricardochavezjr @loreerapp @ottaviotaddei
Label @coleminerecords
Management @im_caseysf
Huge thanks to @williamtv & Joey Bolletino

My grandfather MASATO SAKATNI served in the US army during WWII and was given honorable discharge due to his brother also serving in the Japanese army and the hostile racism towards Japanese Americans at the time.

After he returned home Executive Order 9066 in 1942 forced him to Leave Los Angeles, where he was born, and move to Heart Mountain WY until he was released in 1945. He never expressed animosity regarding the situation from what I remember and I believe considered it doing his part.

I wish I got to have more conversation with him about this history and hear his story but I wasn’t mature enough to realize how special he was. I live on his couch for a year after moving to LA to pressure a career in Film.

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

@isaacdunbar LOVES! to dance. Spike Lee shots, Great small team, and the AD department doings SFX with their vape pens to help sell the poor mans process.

Director & Editor: Gracie Bellissimo @graciebellissimo
 
Production Company: Black Dog Films @blackdogfilms
Executive Producer: Jeff Pantaleo @jeffpantaleo
Executive Producer: Molly Bohas @mollybohas_
Head of Production: Sarah Morrison 
Producer: Sarah Nixon @sarahnfilm
Production Supervisor: Matt Kovacs @mattkovacs
1st AD: Sherry Shi @fuckingsherry
2nd AD: Michael Blomquist
DP: Matt Roe @roematt
1st AC: Bradly Wilder @bradavision
Gaffer: @scottlarsondp
Key Grip: Peter Garland
PA: Danny Mullen @danny_mullen_official
PA: Matthew Price
Extras Wrangler: Jackie Texas
Color by Company 3 
Colorist: Jenny Montgomery @jennymontgomery
Camera @rarebreedswest

Commissioner/Label Producer: Sam Houston @samhoustonishere
Product Manager RCA: Gina Messeri @ginamesseri
RCA Product Marketing: Krizza Santucci @krizzasantucci
Short Form: Miranda McDonald @mirandamcdonald
 
Glam/Grooming: Vix McGrath @vixavage
Glam/Grooming Assist: Sarah Cooper @doritoteeth
 
Stylist: Marlie Bellissimo @marliebellissimo
Set Dec: Marlie Bellissimo @marliebellissimo
Set Dec and Props: Willow Bellissimo @willowbellissimo
 
Choreography: Coco Joelle Williams @coco.joelle
 
Featured Dancers:
Coco Joelle Williams @coco.joelle
Savanna Claire @savannaclairee
Josephine Zarzosa @josephine.kylee
Mariah Tlili @mariahtlili
Megan Thomas @meg_tom

Playback: Brett Bell @br.e.tt.b
BTS: Ryan Wood @cowboycameraman
BTS: Garrett Blatt @garrett.blatt

I love working with ideas that happen in 24 frames. @evan_naka designed this setup and @bubbas_la figured out the science. For the specular reflections, I used a very large soft source to highlight the bottle and liquid and then we cut a small section out and put a hard source in a little window of the soft source. We used a pneumatic launcher directly under the glass that was timed with a few frame after the start of the sisu c20 move

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip

@Alexprice and @steventaylor collaborated with @miramax to make film interpretation of a complex digital identity security concept.

Designed in @unrealengine, the project took many months. It was a fun process to discover a new way to create. The learning curve is steep but many of the concepts we use on set translate well while lighting in Unreal. @Bryansmaller colored the files by converting the linear log to a log-c space then mixed various LUTs to find something that was working. We also added grain then de noised and again re added grain to help take the digital edge off. If any of my friends are interesting in our workflow hit me up. I feel like we’re going to see a lot more of this process as the roll of DP evolves. #keepers

Producer Francesca DeLutis
Camera @bradavision @rarebreedswest
Ronin @bennettcerf
Gaffer @van106lightingandgrip
Key Grip @misfitgrip